OPFOB Concert for Heroes: Helping stop soldier suicide
RIDGELAND, SC (WSAV) – Operation Patriots FOB (OPFOB), exists on a 268-acre recreational property in Ridgeland, SC where members host veterans, active duty, first responders and their families.
The mission is to create and foster positive experiences for these local heroes by connecting through outdoor and recreational activities, creating an alliance through peer engagement in a comfortable and relaxed environment. These various forms of recreation, along with a newfound camaraderie, have been proven ways of helping our veterans deal with PTSD and other demons they may be facing from the scars of battle.
OPFOB Founder JR Brown talked to WSAV's Andrew Davis on First News at 4 about OPFOB's mission and how you can help.
OPFOB is hosting a benefit concert in support of this mission on April 26 at OPFOB. The headliner will be country music star Clay Walker along with special guests Chris Cagle, and local legend Chris Jones.
OPFOB has TWO exclusive opportunities to meet and spend time with an American legend — Army veteran, six-time UFC Champion, and actor Randy Couture.
All proceeds help fund our mission of helping veterans and first responders.
The concert will be held on 328 Lakeview Drive in Ridgeland, S.C. General admission is $50. The show will last from 7 p.m. to 11 p.m. Click here to learn more.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
25 minutes ago
- Yahoo
Ari Aster's ‘Eddington' Sharply Divides Cannes: Star Pedro Pascal Defends a Western About ‘Our Worst Fears' Amid Lockdown
When writer/director Ari Aster stood up for the ovation after the Cannes premiere of his divisive 2020-set Western 'Eddington' (July 16, A24), he said, 'I feel very privileged to be here. This is a dream come true. Thank you so much for having me. And, I don't know, sorry?' Indeed, festival attendees have been fiercely divided by his 145-minute portrait of a fictional New Mexico town wracked by COVID, BLM, ACAB, you-name-it-2020-buzz-concept during the darkest season of American lives in recent memory. Joaquin Phoenix (Aster's 'Beau Is Afraid') plays a conservative sheriff who decides to run against his Gavin Newsom-esque, pro-masks-and-testing adversary, Ted Garcia (Pedro Pascal), in the local mayoral election. More from IndieWire The Cannes 2025 Films So Far Most Likely to End Up in the Oscar Race 'Imago' Review: Chechen Documentary Explores a Filmmaker's Conflicted Return to His Roots Meanwhile, at home, Phoenix's character Joe Cross is in a quarantine bubble with his hysteria-addled wife Louise (Emma Stone) and her far-right conspiracy-obsessed mother Dawn (Deirdre O'Connell), the type for whom hydroxychloroquine was presumably a panacea. But Joe's campaign is all anti-masks, anti-vax, with the threat of cult leader Vernon Jefferson Peak (Austin Butler) also posing a challenge to his political and personal life. The film has sparked massive debates up and down the Croisette since premiering Friday night, with the starriest red carpet thus far and a press conference Saturday afternoon featuring Aster with his actors Phoenix, Pascal (in a sleeveless top), Stone (in a pixie haircut, her hair growing back presumably after shaving it off for Yorgos Lanthimos' upcoming 'Bugonia'), and Michael Ward, who plays Phoenix's next-in-command. IndieWire has talked to people who loved or hated the film, with rarely any opinion in between and certainly never without a strong response of some kind from anyone — whether out of boredom or raptures over Aster's in-your-face replay of our worst COVID-times memories. 'Eddington' could be a tough sell for audiences unwilling to be submersed again in summer 2020 and all the chaos and anxieties it erupted. Other pundits I've spoken to defend 'Eddington' as a necessary social satire that mocks and derides the panic of that year, while encapsulating it all into one movie as never before. IndieWire critic David Ehrlich wrote in his rave review that 'few other filmmakers would have the chutzpah required' to pull this movie off, 'and we should probably all be grateful that none of them have tried.' 'It's very scary to participate in a movie that speaks to issues like this,' Pascal said at the press conference. 'It's far too intimidating a question for me to address. I'm not informed enough. I want people to be safe and protective. I want very much to be on the right side of history.' 'Eddington' indeed takes shots at both sides of the aisle, roasting liberal posturing in the form of social justice youth like Sarah (Amélie Hoeferle), who posts TikToks about James Baldwin and rants about having any position at all on 'stolen land.' Phoenix's sheriff character, meanwhile, could only be wrought from the era of Trump, as he rails against mask mandates and is suspicious of the George Floyd-inspired protests shaking up his community. At one point, he swaggers into a grocery store with the pompousness of Western's most classic, gun-on-the-hip cowboys. Pascal added, 'I felt like [Aster] wrote something that was all our worst fears as that lockdown experience was already a fracturing society. This was building toward an untethered sense of reality. There is a point of not going back. I was overwhelmed by that fear, and it's wonderful that it was confirmed by Ari.' Aster, whose latest feature is a hairpin departure from the genre thrills and chills of films like 'Hereditary' and 'Midsommar' and is far from the spirit of intrusive-thought-induced weirdness of 'Beau Is Afraid,' added, 'I wrote this movie in a state of fear and anxiety. I wanted to try and pull back and show what it feels like to live in a world where nobody can agree on what is real anymore.' 'Eddington' is his first feature to premiere at Cannes. 'I feel like we're on a dangerous road, and we're living in an experiment that hasn't gone well,' Aster said (via Deadline) about his MAGA- and liberal-skewering Western. 'I feel there is no way out of it… Mass liberal democracies always had this fundamental agreement we agree what we're arguing about, that system was coming from power. So it's not like suddenly there's this bad power out there. It's always been there, but right now it's chaos.' Stone, who connected with Aster amid his 2024 'Beau Is Afraid,' said that her research into the conspiracy theories that turn her character against her husband even ended up modifying her personal social media algorithms (via Variety). 'The only additional thing that scared me a little bit in the algorithm system was looking into some of the things that are in this film that haven't been in my algorithm, unfortunately, added them to my algorithm,' she said. 'Because once you start Googling it, you start seeing more and more things. So it's a real rabbit hole, very quickly. Unfortunately, I'm still getting fed some crazy shit.' 'Eddington' is still the most conversation-starting Competition premiere at Cannes, with critics split over its social message and pacing (it's currently at 63 on Metacritic, where you can find reviews all over the map). How A24 will market this movie — only one teaser has been released so far, showing Phoenix doom-scrolling through familiar images of the deepest COVID era — is an intriguing question in the lead-up to its July theatrical release. Alex Garland's 'Civil War,' another post-COVID story of national conflict, did well for A24 last year, grossing more than $127 million by tapping into a fascination factor over a divided United States. Who will 'Eddington' appeal to? Either way, it's pitting Cannes audiences against each other — Screen Daily called it a 'wan satire,' while Variety deemed it 'brazenly provocative' — and will no doubt continue to stoke debate into the summer. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
Yahoo
an hour ago
- Yahoo
Fans React to Coco Gauff's Gen Z Behavior After Winning the French Open
Fans React to Coco Gauff's Gen Z Behavior After Winning the French Open originally appeared on Athlon Sports. Coco Gauff didn't just celebrate her first French Open title like a champion but she did it in true Gen Z way. Advertisement The 21-year-old added another milestone to her impressive resume with a hard-fought 6-7, 6-2, 6-4 win over world No. 1 Aryna Sabalenka at the Roland Garros final. In her speech, the American tennis star expressed her gratitude to the audience at the Court Philippe-Chatrier, who had been cheering for her. "The crowd really helped me today, you guys were cheering for me so hard and I don't know what I did to deserve so much love from the French crowd," she said, as mentioned by CBS News, adding, "But I appreciate you, guys." To mark the moment, Gauff shared a celebratory video on TikTok. Advertisement While the Georgia native successfully posted the clip on the app, it was the behind-the-scenes footage that had caught fans' attention. In the video, she is seen placing her camera on a bench before dancing and twirling with the silver trophy in hand. As the tennis champion prepared to film another take, she accidentally dropped the lid of the trophy, sparking laughter and a wave of amused reactions online. 'Such a Gen Z vibe,' one wrote. 'She is so cute. New generation tennis player,' a second user said. A commenter expressed the same thought and added, 'Very Gen Z coded,' while a fan called her a 'TikTok baddie!!' Advertisement Others also poked fun at her hilarious gesture and noted, 'When you are a content creator and a tennis Champ.' 'Lol!!! I just love that she played lights out and then went twirling making content! Back to being a 21-year-old! Lmao! We stan a versatile QUEEN!' a commenter added. Coco Gauff of the United States poses with the trophy after winning the French Open women's singles final against Aryna Mullane-Imagn Images A fan seemed to agree and remarked, 'Yeehaa! This is a new thing, making TikToks straight after you won a grand slam!!!' With her recent victory, Gauff bounced back from her losses in 2022 and 2023, becoming the first American woman to win the French Open title since Serena Williams in 2015. Related: Coco Gauff's Outfit Turns Heads at French Open After Hilarious Blunder This story was originally reported by Athlon Sports on Jun 9, 2025, where it first appeared.
Yahoo
an hour ago
- Yahoo
Coco Gauff Reveals a Fun Twist About Her French Open Prize
Coco Gauff Reveals a Fun Twist About Her French Open Prize originally appeared on Athlon Sports. Tennis star Coco Gauff celebrated a moment of pure triumph following her French Open win on Saturday. The 21-year-old defeated world No. 1 Aryna Sabalenka in three sets with a 6-7(5), 6-2, 6-4 victory. Advertisement Interestingly, Gauff's French Open win marked a historic moment as she became the first American woman to win the title since Serena Williams in 2015. Behind her monumental success, she received a whopping reward. According to CBS Sports, the tennis champion took home 'roughly $2.89 million." On top of it is the Coupe Suzanne Lenglen, a new addition to her growing trophy collection. Interestingly, Coco Gauff recently shared a surprising detail about her French Open prize. Coco Gauff of the United States poses with the trophy after winning the women's French Open.© Susan Mullane-Imagn Images In a lighthearted TikTok post, the newly crowned Roland Garros champion revealed that the huge trophy fans saw her holding on the court isn't actually the one she got to keep. Advertisement According to Gauff, the original trophy 'stays with the tournament,' and winners instead receive a smaller replica to take home. 'It's like a mini replica of the trophy,' she said, holding it up. 'It's really small. But you know, it's the memories that matter the most.' At the end of the video, she posted a side-by-side photo of herself during the championship holding the original trophy versus the one she has now, highlighting the stark size difference between the two. The post quickly garnered the attention of her fans, noting that it's not the size that matters. 'As long as the check is big. Congrats' a commenter said. Advertisement 'Wow, the real trophy is massive compared to the one you get to take home! But hey, memories last forever!' a fan noted. One TikTok user chimed in and said, 'The $2.9 Million take-home prize is pretty good as well. Congratulations. Great.' The same goes for another fan who commented, 'But at least you get your million!!! Dang, that was such a great match!!!! So happy for you!! Keep it rolling!!!' While Gauff walks away with nearly $2.9 million in prize money, fellow players like Sabalenka and Jannik Sinner aren't going home empty-handed. As runners-up, they each received a staggering $1.5 million. Related: Fans React to Coco Gauff's Gen Z Behavior After Winning the French Open This story was originally reported by Athlon Sports on Jun 9, 2025, where it first appeared.
