logo
This Hindi movie to have world premiere at New York Indian Film Festival; director reveals why he chose dark comedy

This Hindi movie to have world premiere at New York Indian Film Festival; director reveals why he chose dark comedy

Mint04-06-2025
The feature film Kaisi Ye Paheli, written and directed by debutant Ananyabrata Chakravorty (ABC), is slated to have its world premiere at the New York Indian Film Festival (NYIFF), scheduled to run from June 20 to 22, 2025. He revealed they chose dark comedy and murder mystery because to 'connect with wider audience' as they make it 'palatable and accessible' and didn't want to take a 'serious tone while addressing a serious matter'.
'We are addressing a serious matter, and therefore didn't want to take a serious tone. It's only when we make something palatable and accessible that we are able to connect with a wider audience. Hence the exciting genres - so the audiences enjoy the story, before they take home the theme and begin a conversation around it,' Chakravorty shares in an exclusive conversation with Livemint.com
The film has been selected for the Competition Section and nominated for Best Screenplay and Best Debut Film. Its premiere will take place at Village East by Angelika on June 21.
When asked how the premiere selection feels, the director mentions, 'Maybe the word is validation, but it's more special because we didn't tailor the film for festivals. We could've made it to a good festival by following the usual themes and narratives that festivals expect from Indian filmmakers. But we didn't take that road. Instead, we went ahead with the story that we wanted to tell - our way. Getting recognised by such a reputed festival despite that is what makes it all the more special for us.'
Produced by Nishu Dikshit and Take Pictures, Kaisi Ye Paheli explores a lonely mother's attempts to connect with her disrespectful policeman son by helping him solve a murder. It is set against the backdrop of a small hill town in Northeast India and was shot in Sikkim. Chakravorty says, 'We have tried to address loneliness and the conflict between old mothers and their grown-up sons - which we feel doesn't get talked about much in our society and pop culture.'
The film features Nadiya Ke Paar fame actress Sadhana Singh, Kaala Paani actor Sukant Goel, and Rajit Kapur, who returns to the screen as a Bengali detective. Chittaranjan Giri takes on the role of a character from the Northeast.
"Sadhana is a natural performer. She has such a beautiful motherly charm, and I knew the moment I met her that she is the perfect actor to play the mother in our film - because of the uncanny mix of dignity and simplicity with which she carries herself. I had to put in very little effort towards directing her - just a narration and a couple of sessions on the intentions of each scene, and that was it - she got the character," Chakravorty adds.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Kyunki Saas Bhi Kabhi Bahu Thi: Smriti Irani As Tulsi Moves Audience With Emotional Vidai Scene
Kyunki Saas Bhi Kabhi Bahu Thi: Smriti Irani As Tulsi Moves Audience With Emotional Vidai Scene

News18

time28 minutes ago

  • News18

Kyunki Saas Bhi Kabhi Bahu Thi: Smriti Irani As Tulsi Moves Audience With Emotional Vidai Scene

The latest episode of Kyunki Saas Bhi Kabhi Bahu Thi, starring Smriti Irani and Amar Upadhyay, showcases an emotional vidaai sequence. Ektaa Kapoor-backed Kyunki Saas Bhi Kabhi Bahu Thi reboot, led by Smriti Irani and Amar Upadhyay, is a hit. At a time when daily soaps are going through a challenging time, Kyunki Saas Bhi Kabhi Bahu Thi topping the BARC charts proves that the industry can be resurrected with good content and nostalgia. In the recent episode, the show marked a significant milestone with the wedding of Tulsi and Mihir's daughter, Pari. The highlight of the track was the touching 'vidai' sequence, which saw Smriti Irani deliver a powerful and heartfelt performance, reminding fans why Tulsi remains one of Indian television's most beloved characters. In the poignant farewell scene, Tulsi, played by Smriti Irani, shares an emotional goodbye with her daughter, embodying the complex emotions of a mother letting go — joy, pride, and heartbreak. Smriti's performance struck a chord with viewers and cast members alike, many of whom were visibly moved during the shoot. The special episode also brought back several familiar faces from the original ensemble, turning the set into a warm reunion filled with nostalgia and camaraderie. The return of iconic characters made the wedding celebration all the more memorable, creating a sense of continuity and legacy for longtime fans of the show. Take a look at a few stills from Kyunki Saas Bhi Kabhi Bahu Thi reboot: Kyunki Saas Bhi Kabhi Bahu Thi reboot episode not only reaffirms Smriti Irani's lasting bond with the character of Tulsi, but also stands out as a moment of emotional resonance in the show's ongoing narrative. The 'vidai' scene is already being hailed as one of the most moving moments of the season. Kyunki Saas Bhi Kabhi Bahu Thi becomes highest-related Hindi daily soap Kyunki Saas Bhi Kabhi Bahu Thi reboot, which premiered on July 29 on Star Plus and JioHotstar, made a remarkable debut with a 2.5 TVR, making it the highest-rated Hindi GEC fiction launch (drama series or daily soap broadcast on Hindi-language General Entertainment Channels in India) in the last five years, as per BARC data. The show even surpassed Rupali Ganguly's Anupamaa, which had recently dipped and landed in the third spot with a 2.1 TVR. In a fragmented TV landscape where most fiction shows fail to cross the 2 TVR mark in their opening week, this can be safely touted as a landmark achievement. Recently, during an interview with Filmibeat, when Smriti was asked about feeling pressurised about TRPs, the actress-politician said, 'I think we have set the benchmark. So, there's nobody else to compete with but us. But I also understand that when we began the show (25 years ago), there was no social media, there was no OTT, there was no fragmented audience, we had no PR, we had no hoarding, we had no Instagram to tell our viewers what is upcoming or who is in the cast. Nobody had any followers anywhere. So, to have our hands tied behind and still manage to give such an excellent product, for that time, was historical." 'Today's history has been created because there are no shows that can come back after 25 years and still be successful with the same cast, with the same production house, on the same network. So, I think we have managed to recreate history. For us today, we are free from the pressures of revenue or numbers because we have already proven our mark," she added. Kyunki Saas Bhi Kabhi Bahu Thi airs Monday to Friday at 10:30 PM, only on Star Plus. First Published: August 17, 2025, 13:46 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Empathy for animals, power of observation: Behind Manjit Bawa's bovines symbolism
Empathy for animals, power of observation: Behind Manjit Bawa's bovines symbolism

Indian Express

timean hour ago

  • Indian Express

Empathy for animals, power of observation: Behind Manjit Bawa's bovines symbolism

(This is the final instalment of a series on Indian masters and the motifs that appear repeatedly in their works.) Drawing from Indian mythology, folklore, and Sufism, artist Manjit Bawa envisioned a world where humans and animals lived in peaceful harmony. 'He had deep empathy for animals… Completely at ease around them, he would fearlessly approach cows and bulls, and pat them affectionately,' Ina Puri, curator and author of Bawa's biography In Black and White (2017), told The Indian Express. 'His gentleness and familiarity with animals was reflected in his work, and brought a certain level of expertise that can never come from looking at them from a distance,' she said. In particular, Bawa was fond of bovines: cows, buffaloes, bulls, and calves. 'I grew up like Krishna, playing with [cows] and drinking milk straight from their udder… therefore, farm animals like cows… keep appearing in my paintings', Bawa had said in a 2004 interview. Bawa's affinity for cows can literally be traced to his birth: the youngest of five brothers, he was born in a goshala (cow shed) in Dhuri, a small town in Punjab's Sangrur district. He grew up in a family which cared deeply for animals. Puri said, 'He often spoke about going for a walk with a cow or playing with cattle as they bathed in the stream'. Man and nature, for Bawa, were meant to be in unison. 'All living beings in existence were linked with one another through love and integration of identities… His drawings sought commonality through the physical forms he created… Bull humps and a man's knees could not help but have identical curves through the same principle of inter-connectivity,' art restorer and author Rupika Chawla wrote in a 2022 essay for the website of the Vadehra Art Gallery. Evolving depiction While studying fine arts at Delhi Polytechnic in the late 1950s, Bawa would spend hours observing horses in tabelas (stables) and in shelters where tongawalas retired for the night, Puri recalled. These experiences saw him experiment with figurative depictions in gestural brushwork. Over time, more populated narratives gradually gave way to solitary subjects as Bawa's visual language evolved. Instead of the then dominant greys and browns in Indian art, he began opting for more traditional Indian colours such as pinks, reds and violet. 'Until the mid-1980s Bawa's work featured numerous studies and drawings born out of his close observation of the figures and modest modeling. The animals mostly appeared alongside human figures in the narrative scenes,' Manoj Mansukhani, Director Marketing, AstaGuru Auction House, told The Indian Express. 'This changed in the mid-1980s and 1990s, when the colours deepened and the bovine motif became more central, as we saw in several of his Krishna-and-cow pairings,' he said. Over the years, Bawa's figures acquired a sense of weightlessness, as their perfectly rounded forms were portrayed in graded tones, with subtle chiaroscuro defined by the interplay of light and shadow. 'By the late 1990s-2000s, singular bovines dominated, defined by minimal lines and saturated backgrounds. There were no landscapes as the figures were surrounded by solid colour fields, giving them a heightened sense of divinity. Towards the end, we saw more silhouettes in a softer palette,' Mansukhani said. Many meanings 'Bawa wanted his works to be open to diverse interpretations,' Puri said. At times, his depictions belonged to the mythical realm, while on other occasions, they appeared as enduring symbols of humankind's resilience. Bawa, who himself had learned to play the flute from maestro Pannalal Ghosh, could himself be the faultist in his paintings, most often identified as Krishna, Puri noted. A 1992 untitled painting featuring Krishna, which fetched a staggering Rs 25.11 crore at an AstaGuru auction in 2023. In 2017, Christie's had sold Bawa's 1998 Untitled (Krishna and Cow) (1998) for $780,500. In another celebrated 1980 oil on canvas Krishna eating the fire, the deity is seen encircled by a herd of cows and bulls as he literally swallows flaming fire. In 2021, a Bawa canvas went viral after appearing in a Diwali photograph from actor Amitabh Bachchan's home. Painted against a blue backdrop, the canvas had a solitary bull as an emblem of power and resilience. 'The creatures he painted are his — distilled through his imagination, with the sweeping lines of their contours adding a certain vigour and power,' Puri said.

Rajinikanth's 'Coolie' didn't deserve an 'A' certificate, says Producer Elred Kumar
Rajinikanth's 'Coolie' didn't deserve an 'A' certificate, says Producer Elred Kumar

Hans India

timean hour ago

  • Hans India

Rajinikanth's 'Coolie' didn't deserve an 'A' certificate, says Producer Elred Kumar

Chennai: Lauding director Lokesh Kanakaraj's action extravaganza 'Coolie', featuring Superstar Rajinikanth in the lead, one of Tamil film industry's well-known producers Elred Kumar has now expressed surprise and displeasure at the film having been given an 'A' certificate by the Censor Board. Taking to his X timeline soon after having watched the film, the producer wrote, "Watched #Coolie @Dir_Lokesh fantastic work. #Rajini sir amazes me, Superstar is always a Superstar! @anirudhofficial elevates the film to another level. Other language films with more violence get U/A, yet #Coolie gets an A? This film didn't deserve that. Something fuzzy, Tamil film fraternity needs to step up." Producer Elred Kumar isn't the only one to have expressed this opinion. Scores of other viewers who watched the film too have expressed a similar opinion. In fact, the decision of the Censor Board to grant an 'A' certificate to the film raised many eyebrows, even before the film's release. The development even had a section of the audience concerned. Family audiences and children form a considerable chunk of actor Rajinikanth's fan base and Coolie getting an 'A' certificate meant that families would be unable to take their children to theatres to watch the eagerly-awaited film. However, despite the A certificate, the film has performed exceptionally well, setting the cash registers to ring at the box office. The film's makers, Sun Pictures, claimed that the film had made a worldwide gross of Rs 151 crores, the highest ever day one worldwide gross made by a Tamil film. Coolie also became the highest overseas Day 1 grosser among Tamil films, making over 8.75 million Dollars. Coolie, which seems to be living up to the huge expectations from it, has made headlines by becoming the highest overseas procurement for a Tamil film to date. Rumours doing the rounds in the industry also suggest that director Lokesh Kanakaraj's much awaited action entertainer has reached audiences in over a 100 countries around the world. Hamsini Entertainment, a key player in international film distribution, is backing the film's global distribution. Apart from Rajinikanth, the film also stars stalwarts from the Indian film industry like Nagarjuna, Sathyaraj, Aamir Khan, Upendra, Soubin Shahir and Shruti Haasan. Anirudh has composed the music for the film, marking his fourth consecutive film with director Lokesh Kanagaraj. Cinematography for the film is by Girish Gangadharan and editing is by Philomin Raj. Interestingly, director Lokesh Kanakaraj had disclosed that 'Coolie', which is Rajinikanth's 171st film, will be a stand alone film and not a part of his Lokesh Cinematic Universe (LCU).

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store