logo
President shares special birthday message for Christy Moore: 'Through your music, you have lent voice to those often unheard'

President shares special birthday message for Christy Moore: 'Through your music, you have lent voice to those often unheard'

Extra.ie​09-05-2025
'As you celebrate this wonderful milestone, may I express my deep gratitude for your valuable contributions to music, to our shared cultural heritage, for the decades of service, too, that you have offered to the building of a just, equal and inclusive Republic…'
President Michael D. Higgins shared a heartfelt message with Christy Moore, celebrating the legendary Irish artist's 80th birthday yesterday.
In the letter, shared online, the President notes that Christy's 'voice has long been one of the most distinctive and enduring in Irish life, one that speaks to universal human experiences, of resilience, kindness, and empathy, reflecting a rare talent, but more than that, a deeply humane spirit.'
He goes on to thank the iconic singer for 'the decades of service' that he has offered 'to the building of a just, equal and inclusive Republic.'
Christy, who received a Lifetime Achievement Award at the RTÉ Radio 1 Folk Awards in 2021 and is set to be celebrated in an upcoming exhibition from the Irish Traditional Music Archive, released his latest album, A Terrible Beauty, last year. The project was named Hot Press's top folk album of 2024, and also scored the singer his first No.1 on the Irish Albums Chart in seven years.
Through the 'Christy Chat' part of his website, Christy previously reflected on a visit to Ras and Achtarn to take part in the President's special Glaoch programme in 2013.
'Encounters with Michael D over many decades have always been memorable,' Christy wrote at the time. 'Meeting him again as the elected President of Ireland was a particular pleasure. There was a feeling of having a true 'man of the people' in ras an achtarin.'
Read the President's full message to Christy Moore below:
A chara, Christy,
Agus t ag danamh ceiliradh ar do 80 bhreithl, is mian liom fin agus Saidhbhn comhghairdeas chro a sheoladh duit ar an cid suntasach seo.
As you mark your 80th birthday, Sabina and I would like to extend to you our heartfelt congratulations and warmest wishes on this most special of milestones. Christy, your voice has long been one of the most distinctive and enduring in Irish life, one that speaks to universal human experiences of resilience, kindness, and empathy, reflecting a rare talent, but more than that, a deeply humane spirit.
Through your music, you have lent a voice to those often unheard, bringing to the public discourse the concerns, hopes, and struggles of ordinary people with extraordinary empathy and dignity.
From your early days with Planxty to your evocative solo work, your musical legacy, including such memorable songs as 'Ride On', 'Viva la Quinta Brigada', and 'Lisdoonvarna', has ensured your outstanding contribution to Ireland's cultural heritage. Drawing from the deep well of our folk traditions while never ceasing to engage with the evolving currents of social change, your work reminds us that the arts, and music in particular, are not simply forms of frivolous entertainment, but play an important role as vital expressions of our shared humanity, of our griefs and joys.
It is a gift to Ireland that you have remained, throughout your career, so firmly rooted in the values of community, equality and solidarity, constantly exhibiting such a profound sense of justice.
As you celebrate this wonderful milestone, may I express my deep gratitude for your valuable contributions to music, to our shared cultural heritage, for the decades of service, too, that you have offered to the building of a just, equal and inclusive Republic.
Ar mo shon fin agus Saidhbhn, ba mhaith linn comhghairdeas chro agus r ndea-ghuonna a sheoladh duit ar an cid suntasach seo, agus guonn muid gach rath ort sa todhcha.
Sabina joins me in sending you every good wish on this special day. May it be a time of well-deserved celebration, surrounded by those who have travelled with you throughout your remarkable journey.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Thousands enjoy opening day of 150th Dublin Horse Show, including royal visitor Princess Anne
Thousands enjoy opening day of 150th Dublin Horse Show, including royal visitor Princess Anne

Irish Independent

timean hour ago

  • Irish Independent

Thousands enjoy opening day of 150th Dublin Horse Show, including royal visitor Princess Anne

The five-day show is expected to attract more than 110,000 visitors from home and abroad. Britain's Princess Anne made an appearance yesterday following a visit to President Michael D Higgins at Áras an Uachtaráin. There was a laid-back yet lively feel at the RDS, with many attendees dressed in typical attire, while others opted for their finest glad rags. To most people the horse show may not be the most obvious setting for a second date, but Benjamin Moss (21) and Rose Grimes (20) thought otherwise. 'She's enjoying it more than I am,' said Benjamin, who is from east Africa and now lives in London. It was his first time at the show. 'I've just been dragged here by her. I'm not really into show jumping, but it's interesting to see,' he said. Rose, from Westmeath, has been attending the horse show since she was small and thought it was a fitting occasion for their second date. 'I've been coming here since I was three or four. It's just a nice atmosphere and I meet lots of my friends and people I know,' she said. The 150th staging of the horse show is being marked by an exhibition that features historical photos and details from past events. The display is in the RDS Concert Hall and runs from until Sunday. ADVERTISEMENT Freya Dempsey (18) missed out on qualifying for this year's show, but said the occasion was a 'family affair' that she could not miss. 'I started horse riding when I was three or four,' she said. 'It was my birthday last week. I used to get the season tickets for my birthday ever since I was little. My granny used to take me in.' Despite not qualifying , Freya showed up in the hopes she can pick up a trick or two. ' I'm holding my breath. I feel sick watching them, so I think if I had qualified I probably would have fallen off on the first round,' she said. 'It's good to come and see the classes that I tried to qualify for. For the last two years I've tried for the Connies and then the Working Hunter Pony categories.' Freya said there is more to the horse show than just competing. She enjoys seeing the 1,600 horses and ponies that will compete in 168 classes and competitions. 'I love watching all the Irish horses. I think that's probably the best part of it. And then the little ponies, too. It's just good fun,' she said. Tomorrow will be busy, as Friday is always the most popular day of the horse show when crowds gather to watch the Nations' Cup of Ireland, in which teams compete for the Aga Khan Challenge Trophy. First awarded in 1926, it has been won outright five times – a team winning it three times in succession gets to keep it. The current trophy was presented by the Aga Khan in 1980 after Ireland's outright win in 1979. Rose Kelbie, from Scotland, said she hasn't missed the event for the last 15 years. 'The Dublin Horse Show is unique. It's all about the people, the horses, the atmosphere,' she said. The best-dressed competition will take place today, with a €10,000 cash prize sponsored by Poretti. Participants must register online and have their photo taken at the event check-in to enter.

Tom Dunne: CMAT, Fontaines, and Kneecap to the fore in a golden age for Irish music
Tom Dunne: CMAT, Fontaines, and Kneecap to the fore in a golden age for Irish music

Irish Examiner

time2 hours ago

  • Irish Examiner

Tom Dunne: CMAT, Fontaines, and Kneecap to the fore in a golden age for Irish music

I hate to throw phrases like 'A Golden Age of Irish Music' around but, as politicians like to say, it is what it is. Homework was cancelled when Thin Lizzy had a hit with Whiskey in the Jar. By that metric the current success of Irish bands should warrant about a month off school. To put it in perspective, imagine if Glastonbury was taking place next year (it isn't, it's a rest year). No eyelid would bat if CMAT did the Pyramid Stage on Friday and Fontaines DC did the same Saturday. Hozier could play too. In Irish music history that is unprecedented. And before you split hairs with me CMAT played to a bigger more appreciative audience this year at Glastonbury than the later headliners The 1975 did. And that's before she releases her new album Euro-Country. Behold our new masters: CMAT I was at All Together Now the day after CMAT played. She was all anyone was talking about. People said she's been a bit emotional on stage, overwhelmed by the audience response. However emotional she may have been she wasn't as teary as the people telling me this. They adored her. Part of CMAT's appeal is her charm and relatability. She is down-to-earth and hilarious. She tells people she slept for 13 hours' after Glastonbury, the 'best sleep since November.' She also informs us that she writes albums quickly because, 'This might go away tomorrow.' She is genius songwriter with a gift for the killer line. I Wanna Be a Cowboy Baby, Stay for Something, Take a Sexy Picture of Me and The Jamie Oliver Petrol Station are equal parts heartbreak, wry observation and tragicomedy. It is a CMAT universe of KFC chicken wings and heartbreak. She has been on the receiving end of trolling over her physical appearance since the BBC Big Weekend of 2024. No surprise there, the internet is a cesspit, but she is forgiving even of that explaining that those who speak badly of her may not be having a great time of it themselves. It is this that I think is the key to her relatability. She is more at the Jarvis Cocker end of the celebrity spectrum than the diva end, and thank God for that. If you can't look at someone on stage and imagine, just briefly 'that could be me' then what's the point? She is all of that and yet has the self-possession on stage of a superstar. The CMAT FOR PRESIDENT movement starts today. Carlos O'Connell, Tom Coll, Conor Deegan III and Grian Chatten of Fontaines DC. (Photo by Vittorio Zunino Celotto/Getty) Fontaines DC 'The biggest Irish group since U2' is the phrase being bandied about. I think that's unfair to the Cranberries, but I can see where they are going. Quite simply since their debut album Dogrel in 2019 they have not put a foot wrong. They are incendiary live with a reputation that has proceeded them around the world. Key to that in Grian Chatten. He has a voice that at first seems incongruous, but which utterly defines their uniqueness. The minute you hear it on radio you think 'Fontaines DC'. Like CMAT, the flow of material is eye-watering. Despite an incredibly demanding touring schedule, they also produce new material as if also working to a 'this might go away tomorrow' mantra. Go on their website to see the sheer extent of their worldwide appeal – its Sweden today, Helsinki the 10th, Manchester the 15th and on and on. Kneecap onstage at Glastonbury. (Photo by Oli SCARFF / AFP) Kneecap I had thought of Hozier for the third slot as his various successes – sell out USA arenas, UK and US number ones, 1.6 billion Spotify plays for Too Sweet, and 3.1 billion for Take me to Church – obviously warrant it, but I had to go for Kneecap. Their success is just too hilarious to ignore. I don't think the British establishment has been this convulsed, this driven to new extremes of self-righteous indignation since the Sex Pistols released God Save The Queen. It's heart-warming to see. A group rapping in Irish. A man in a balaclava. An audience singing 'Get your Brits out.' How have I lived to see such wonders? Am I dreaming? There are more I could add here, Inhaler for a start, but let's leave it there and prepare our minds for the Boucher Road Playing Fields, Belfast, August 29. Fontaines DC and Kneecap in a town where on July 12 I saw both Union Jacks and Israeli flags flying side by side. It's going to be interesting.

'We just got lucky': Tales from the Cork lads who ran merchandise stalls for Oasis in the 1990s
'We just got lucky': Tales from the Cork lads who ran merchandise stalls for Oasis in the 1990s

Irish Examiner

time2 hours ago

  • Irish Examiner

'We just got lucky': Tales from the Cork lads who ran merchandise stalls for Oasis in the 1990s

Morty McCarthy remembers the first time he met one of the Gallagher brothers. It was February 1992, and the Cork man and his band, the Sultans of Ping, were sharing a bill with fellow Leesiders the Frank and Walters at the Boardwalk venue in Manchester. A local lad by the name of Noel popped up during the soundcheck to say hello. He'd been rehearsing in one of the other rooms with an unsigned group he said were called 'Oasis', and wanted to reacquaint with the Franks, a band he'd previously worked with as a roadie. Little did anyone there know that the 'sound' 21-year-old and the four lads banging out tunes in the basement were on their way to becoming the biggest band in Britain. Or that McCarthy would have a front seat on the Oasis rollercoaster. As the Sultans' career plateaued, the Greenmount drummer ended up working with the Manchester band's merchandise material in the era when they exploded onto the scene. His switch of career to the merchandise world originated in his Sultans days when, as the non-drinker in the band, McCarthy was the designated van driver. During a period of downtime in early 1994, he heard that their merchandise company Underworld needed somebody to ferry gear to various gigs. McCarthy signed up, and drafted in his childhood pal Damien Mullally when an opening came up for somebody to look after the company's London warehouse. 'Underworld were probably the biggest merchandise outfit in the UK at the time,' recalls McCarthy. 'We just got lucky, because we all started working literally a couple of months before the whole Britpop thing broke. And Underworld not only had Oasis, they also had Pulp.' Liam and Noel Gallagher messing about at Knebworth in 1996. Mullally and McCarthy enjoyed working in the merchandise, travelling to gigs and making the most of life in London. In true Cork style, they'd even managed to secure jobs in Underworld for a few more of their mates from home. Not that it was all plain sailing. There was still an element of anti-Irish feeling in the UK in the mid-1990s – especially in the wake of the IRA bombing of the Bishopsgate financial district in 1993 – and going around in a van full of boxes meant the Cork duo were regularly stopped and questioned at police checkpoints. 'We also got a bit of it around Abbey Wood where we lived, but things were much better when we moved to Hackney, which was more multicultural,' says Mullally. Meanwhile, between April 1994 and the release of Definitely Maybe at the end of August, a real buzz was building around Oasis. The three singles Supersonic, Shakermaker, and Live Forever, had been hitting incrementally higher chart positions, and the album went straight to number one in the UK charts. The Gallagher brothers had arrived. For the Cork duo, the gigs they worked were getting ever busier, and the few dozen t-shirts and other bits they'd previously sold were now getting to hundreds and even thousands of units. Underworld realised they were going to need a bigger boat. Or at least a decent lorry. This created a bit of a conundrum as nobody in the company had the special licence required in the UK. Step forward the lad with the Irish licence which, at the time, was universal and didn't need the special HGV training. 'I'd never even sat in the truck before,' recalls McCarthy, now 55, of the day they went to hire their new vehicle from a yard near King's Cross. 'I just thought, how hard can it be? We got in and the first thing I did was hit a barrier. I was just thinking 'I'm not going to be able to reverse this. So whatever we do, we'll just have to drive it forward'. I suppose we had this 'It'll be grand' attitude. I wouldn't do it at this age!' Morty McCarthy on a merchandise stall back in the 1990s. Life on the road was a mixture of good fun and hard work. Depending on the tour, Mullally and McCarthy would sometimes be living on the crew's bus, or other times driving to venues themselves. Of course there were some late nights and partying along the way, but the Oasis entourage also had a serious work ethic. 'If everybody knew that did a couple of days off, then there might be a big party and a bit of a blowout. But a lot of the time, people were up early to get set up at the next venue, and working long hours through the day. You wouldn't have been able to do your job if you were partying all the time,' says Mullally, now working at the Everyman theatre in Cork. 'People got on very well on tour. You knew you just couldn't be invading people's private space or doing the langer in any way.' The band themselves travelled in a different bus, but both Mullally and McCarthy recall the Gallagher brothers as being down-to-earth lads who were always pleasant to deal with. 'I think because we were Irish, that helped too,' says Mullally. 'Yes,' agrees McCarthy. 'I even remember Noel joking with us about Taytos and Tanora!' He does recall a friendly disagreement before a gig in Bournemouth when Liam Gallagher fancied his footwear. 'We had this Dutch driver who used to come every week delivering merchandise, and he used to sell Adidas off the back of the truck. I'd bought this pair of orange Adidas. Liam collected Adidas trainers. He was like 'I'm having your trainers.' And I was going no, and he was like '100 quid!'.' While it was predominantly merchandise that kept Mullally and McCarthy involved with Oasis, they also dropped a load of equipment for the band to Rockfield Studios in 1995. Those sessions at the Welsh studio would of course spawn (What's the Story) Morning Glory?,the second album that would propel the band to stratospheric levels of popularity. On the road, part of the Cork duo's job was dealing with the increasing amount of bootleggers who were selling unofficial merchandise near the venues. 'We'd go out to chat to them, and then of course it'd turn out that a lot of them were friends of the Gallaghers from Manchester,' says Mullally. 'They were mostly nice guys so you'd just ask them to push back a bit – 'Just go down to the end of the road to sell your stuff'.' The mid-1990s was an era when everything was paid for in cash. This meant the two Cork lads would sometimes end up with tens of thousands worth of banknotes in cardboard boxes or plastic bags in the back of the truck or in a hotel after a gig. Liam and Noel Gallagher of Oasis arriving at Cork Airport in 1996. Picture: Dan Linehan An event like Knebworth in 1996 – when Oasis played to 250,000 people across two days – created even more issues. 'A few times a day we used to do a cash-run to get the money off the stall. Somebody would come along with a backpack and we'd stuff it with maybe 10 grand in notes," says Mullally. "You'd try to be as inconspicuous as you could walking through the crowd with that on your back, hoping that nobody comes at you.' Knebworth had 'proper' security vans taking the cash from the event HQ, but Mullally recalls the earlier days when himself and his co-worker would have to bank the money. 'You can imagine with all the stuff that was going on at the time, and two Irish guys coming into the bank with 20 grand in cash, sometimes even in deutsche marks if we were after a European tour. They'd be looking at you strangely, and you know that they're just about to push a button. But they might make a few phonecalls or whatever and we'd eventually get it done.' Knebworth is widely regarded as the high point for the band, but McCarthy also has particularly warm memories of the gig they played in his hometown just a few days later. 'I couldn't believe they were actually playing in Cork at that stage,' he says. He drove the truck from the UK via the Holyhead ferry, but as he arrived at Páirc Uí Chaoimh ahead of schedule, they wouldn't let him into the arena. Wary of leaving a truck full of merchandise parked around the city, McCarthy drove it to the seaside village of Crosshaven. 'When I got there I decided I'd leave it at the carpark at Graball Bay. I didn't even know if it'd fit up the hill but I just about managed it,' he recalls. When he went back later that evening to check everything was ok, there was a big crowd of children gathered around the emblazoned truck. 'There was a big mystery in Cork about where the Gallaghers were staying, and the word had gone around that this was their truck. One of the kids asked me 'Are Liam and Noel coming out to play?' I had to shoo them away.' Oasis merchandise has become an even bigger business since the 1990s. Picture: Lucy North/PA Those two Cork gigs were among the final dealings McCarthy had with Oasis. He has since moved to Sweden, where he teaches English, but regularly returns to the merchandising world for tours with various other bands. He's happy the Gallagher brothers are back together, and realises he was part of something special in the 1990s. 'It's hard to explain people the energy in the UK that the Britpop thing had. Musically, I didn't think it was the greatest, but the energy was phenomenal,' says McCarthy. ' I think at the time, the Indie scene was very middle class. But then along came Oasis. We probably didn't realise we were living in a golden era, but we had the time of our lives.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store