logo
I spent over £640 on my graduation day – here are the hidden cost no one tells you about and how to avoid them

I spent over £640 on my graduation day – here are the hidden cost no one tells you about and how to avoid them

The Sun4 days ago
GRADUATION day should be all caps and cheers but for many students, the real jaw-dropper isn't the ceremony - it's the sky-high bill that comes with it.
One TikToker has lifted the lid on just how pricey the big day can be, racking up a jaw-dropping bill of £645 even before got her degree framed.
2
2
Faith Gloria, who worked part-time all through university, broke down every hidden cost that left her wallet weeping.
From glam to gowns, the spending quickly spiralled out of control and she's not the only one.
Here's how much Faith paid for her big day, and how you can avoid walking into the same budget black hole.
Her biggest splurge was the dress, which came to a pricey £216.
While she admitted she loved her dress and it looked stunning on, it still ate up a chunk of her savings.
Next came the hotel, which cost £143 for one night in her university city.
Accommodation prices skyrocket during grad season, and with family often tagging along, it's a cost many don't clock until it's too late.
Faith also forked out £85 for nails, £59 on hair extensions, and £43 for shoes — not forgetting £35 on transport, and £30 for food around the big day.
A few beauty bits added another £34, bringing her total to £645.
She said: 'It's so expensive, but no one really talks about it."
But it doesn't have to be this way.
With a bit of planning and some clever hacks, you can still look the part without blowing the bank.
Cap and gown
The biggest non-negotiable on graduation day is your robe but how much you pay depends on how savvy you are.
Traditionally, unis partner with companies like Ede & Ravenscroft, where renting a gown and cap can set you back £75 to £100, depending on your degree level.
Buying the set outright could cost £160+.
But sites like Churchill Gowns offer a smarter alternative.
You can rent a full gown from £30, or even buy the whole lot for £90.
Churchill Gowns are able to reduce their costs by cutting out the university middleman entirely.
The dress
Faith spent over £200, but you can slay in something far cheaper.
Think second-hand apps like Vinted, Depop, or eBay, where you can find designer labels for a fraction of the cost.
One grad revealed she found her dream dress on Vinted for £7 and still wears it two years on.
Alternatively, consider renting your look.
Sites like Hirestreet and John Lewis Fashion Rental let you wear luxury labels from just £20, meaning you'll look expensive without the price tag.
Photos
It's your big day so of course you'll want pics.
But official photo packages can be a rip-off, with digital downloads from Ede & Ravenscroft costing £80 for just three shots.
Cut costs by taking your own pictures.
Borrow a camera, grab your smartphone, or rope in a mate with decent photo skills.
Natural light, campus backdrops and a bit of creativity can go a long way.
Or hire a student photographer who'll do the job for much less than the pros.
You can also split the cost of a group shoot with your friends to get those scroll-stopping snaps without the sting.
Accommodation
If your university is out of town, hotel prices during graduation week are brutal.
Faith paid £143 for a single night but you don't have to.
Check if your university rents out rooms in halls during graduation season.
It's often cheaper than nearby hotels.
You can also split an Airbnb with friends or family, or look into hostels, guesthouses or private room rentals.
Use comparison tools like Trivago or check mobile-only discounts on Booking.com and Expedia.
Glam
Nails, lashes, hair and makeup can add hundreds to your bill.
Faith dropped £85 on her nails alone.
Instead, consider DIY option s or look for student beauticians training in your area who'll offer discounted rates for practice.
Superdrug also sell press on nails for £5, so why not attempt an at-home manicure, slashing your salon bill.
Faith's story is all too relatable, with many graduates confessing they also spent upwards of £600 without realising how fast it added up.
One user said: "I felt this, my graduation got out of control, I was so broke".
Another added: "guilty - why was graduation so expensive?"
Graduation should be about celebrating your hard work, not sinking into debt.
But by renting smart, planning ahead, and swapping luxury for clever alternatives, you can save yourself a small fortune and still walk the stage in style.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

No, Glastonbury does not reflect a new England
No, Glastonbury does not reflect a new England

The Guardian

time7 minutes ago

  • The Guardian

No, Glastonbury does not reflect a new England

John Harris paints Glastonbury as a reflection of England's liberal heart, but let's not kid ourselves (At Glastonbury, I saw what England's silent majority really looks like. Why aren't politicians listening?, 13 July). Glastonbury might be progressive in spirit, but it's also pricey, exclusive and overwhelmingly middle class. Tickets sell out in minutes. Getting there costs a fortune. That's not the everyday Britain most people live in. Yes, millions of people in this country care about fairness, climate and compassion. But many are too exhausted to believe politics will ever work for them. They're not watching headline sets. They're dealing with rent hikes and bills they can't pay. Glastonbury is a great vibe, but not the voice of the silent majority. To find that, the left needs to look somewhere less BerryLiverpool We need a Bob (as demonstrated by Band Aid and Live 8), someone who can harness the power of the silent, stifled majority; someone who would shout loud enough to be noticed, who would point out the divisive hatred and hypocrisy of Nigel Farage. Someone to talk sense and act sensibly on climate change, migration and child poverty in this country. Someone to give us hope. We can, and did, vote for the Greens, Liberal Democrats and independents recently in the council elections, but by splitting the vote we allowed Reform in the back door. So where's our Bob? We need Kerry Belper, Derbyshire John Harris seems to believe that people he met at Glastonbury are representative of a new England. No, John, they are representative of a self-selected group attending an overhyped music festival, and no more representative of England than members of the MCC at Lord' HarrisPoundon, Oxfordshire Have an opinion on anything you've read in the Guardian today? Please email us your letter and it will be considered for publication in our letters section.

The perils of bringing the Bayeux tapestry to Britain
The perils of bringing the Bayeux tapestry to Britain

The Guardian

time7 minutes ago

  • The Guardian

The perils of bringing the Bayeux tapestry to Britain

Patrick Wintour likens the British Museum's loan/swap of the Bayeux tapestry for treasures from Sutton Hoo to France's 1963 loan of the Mona Lisa to the Metropolitan Museum of Art in New York as examples of art's service in international diplomacy (The diplomacy of art: Bayeux tapestry loan shows cultural gifts still matter, 11 July). The example is inauspicious. While at the Met, the Leonardo was stored in a strongroom overnight. One night, a fire sprinkler malfunctioned and sprayed water over the picture for hours. Fortunately, it was face up and therefore the paint layers were protected by the glass cover. Had it been face down, its panel would have been saturated and warped, with horrendous consequences. The incident was covered up – and was only disclosed (unofficially) three decades later by the ex-Met director Thomas Hoving in his DaleyDirector, ArtWatch UK Last year, you published an item about Mia Hansson and the replica of the Bayeux tapestry she was making (Experience, 26 April 2024). I wonder if she has finished it yet?Tony MeacockNorwich I nearly covered myself in my breakfast porridge when I read that the Labour MP Helena Dollimore wants the Bayeux tapestry to be carted around the country like a collection of rolled-up sheets (Call for British Museum to take Bayeux tapestry to '1066 country', 14 July). This is an ancient collection of threads that has survived for so much longer than most items of fabric and it must be treated with care, gentleness and caution. I have misgivings about it leaving its current home for even five minutes, but if the experts think it can travel across the Channel for one visit, then so be it. But one visit it must be, not a travelling circus. The visit is an opportunity to learn about the events leading up to the battle and perhaps to stop acting as though this country sprang into being in 1066, when it does in fact have a long and fascinating history that connects us to the countries of northern Europe. Spare a thought, though, for the aged fabric and for the embroiderers who worked so hard to make GibsonBalsham, Cambridgeshire Have an opinion on anything you've read in the Guardian today? Please email us your letter and it will be considered for publication in our letters section.

I Know What You Did Last Summer: Why 2025 is big for horror
I Know What You Did Last Summer: Why 2025 is big for horror

BBC News

time7 minutes ago

  • BBC News

I Know What You Did Last Summer: Why 2025 is big for horror

Lights down, armrest gripped, teeth clenched - just an average evening at the cinema for a horror film genre is having a great year in 2025, with the top three examples - Sinners, Final Destination: Bloodlines and 28 Years Later - taking a total of £41.3m ($55.6m) in the compared with £32.1m ($43.1m) for the eight biggest horrors released last year, according to Box Office North America, scary movies have accounted for 17% of ticket purchases this year - up from 11% in 2024 and 4% a decade ago, according to a report from the Reuters news agency."Right now it feels like we're in the renaissance of horror," Chase Sui Wonders, one of the stars of I Know What You Did Last Summer (IKWYDLS), tells BBC Newsbeat."Everyone's going to theatres watching horror movies." The small screen's also helping to switch us on to new releases. According to data provided by TikTok, there's been an rise in horror-related videos globally on the app in the past 12 said 10.7m people used the horror hashtag - an increase of 38% - while HorrorTok rose 40% to tags aren't exclusively used on movie-related content, but TikTok said it had noticed a spike in videos using them during the Cannes Film Festival in May. While the figures for the past year could suggest a horror explosion, long-time fans argue the popularity hasn't crept up on us out of nowhere. Ash Millman, a journalist and presenter who specialises in covering horror, says the genre's success has been more of a slow-burn than a the last 10 years, she says, it's been gathering more critical and commercial says the success of artier efforts such as Hereditary, from studio A24, and crowd pleasers from horror specialists Ash does admit that this year has been a particularly good one for fans."It's got a bit of everything for everyone," she says. "We have sequels, then amazing new things like Sinners."I do think we're going to be talking about 2025 for years to come."Ash points out that the genre has constantly been fed by producers of smaller-scale indie productions, but the number of major releases this year is notable."I think blockbuster horror has become a thing again," she says. "People want to go to the cinema, they want to see it on the big screen, they want to be scared." Since the Covid-19 pandemic, when streaming films at home increased, Hollywood has been struggling to get people back into cinemas. Horror movies, which tend to be relatively cheap to make, seem to be bucking the trend, and IKWYDLS is the latest big studio release hoping to do the same. Its director Jennifer Kaytin Robinson tells Newsbeat the feeling of watching with an audience is hard to replicate on your sofa."I think it's the collective experience of being scared," she says. "It's so fun. Everybody wants to go to the movies with their friends and jump and scream and have a good time."IKWYDLS is a retread of the cult 1997 slasher movie about a group of friends who agree to cover up a tragic accident, only to be pursued a year later by an anonymous killer known as the original came out in October - the traditional "spooky season" window for big horror releases. But IKWYDLS cast member Jonah Hauer-King says he thinks the new version won't feel out of place in July."Counter-intuitively, though it is frightening and scary, there is something feel-good about this kind of film," he says."It doesn't take itself too seriously and it is a bit of a wild ride, so it feels like a summer popcorn film with the scares and with the thrills." Jonah thinks there is also a deeper reason for the appeal of horror, too."I think at the moment people want to go to the cinema for a bit of escapism, forget about things and have a bit of fun," he agrees, and says times of "chaos and uncertainty" in the wider world tend to boost the genre."I think that's always a big festering ground for horror to make statements," she says."I feel like horror is a reflection of society but gives us a bit of control over it."Usually you see people kind of battling against a great evil and overcoming it in blockbuster horror, where we get a nice wrapped-up ending."And I think that's a really nice form of escapism and a way of kind of moving past these horrible things going on in the world." Listen to Newsbeat live at 12:45 and 17:45 weekdays - or listen back here.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store