What two packs of weed gummies taught me about America
Jennifer Finney Boylan is president of PEN America. Her newest book is 'Cleavage: Men, Women, and the Space Between Us.'
I stepped into a Manhattan dispensary not long ago and left with a sense of uncertainty about the morality of pinball, going to the circus on Sundays, the rise and fall of transgender rights and the legality of dancing to the national anthem.
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Yahoo
2 days ago
- Yahoo
Mom Is Told She's ‘the Weird One' After Complaining She Saw a Lone Man Watching a Kids' Movie
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Vogue
3 days ago
- Vogue
Diane von Furstenberg Fall 2025 Ready-to-Wear Collection
Looking through the clothes in the Diane Von Furstenberg resort collection, one word kept coming to mind: ease. Dresses and tops are made to simply pull on over the head; pants and skirts have elastic waists—zipper closures are few and far between. 'What I think is really important about DVF is how it made women feel in the '70s. They felt empowered, and they felt free, and they didn't feel constricted,' Nathan Jenden explained. 'It was really important to her and it's really important to me.' On his second official go-around at DVF, Jenden is carefully considering not only all of the different life events that women get dressed for, but all of the different women that count DVF as their go-to brand. For daytime there was soft tailoring in broken pinstripes that provided a playful take on 'power dressing,' worn with a sequined tweed bomber jacket; for evening, boho-inflected sheer gowns in arty plaids, sporty knitwear separates, and romantic-but-not-fragile ruffled and lace-trimmed dresses in pinstripes embedded with a secret 'love is life' message in the fabric (Said Jenden, 'This is Diane's mantra.') For the younger set, he did kicky mini skirt suits in knit houndstooth or Von Furstenberg's own favorite Ginkgo plant print; and lingerie-inspired matching tank tops and shorts. Outerwear was a strong component in the collection; many of the coats and jackets constructed to be reversible and featuring 'look at me' shaggy faux fur (in burgundy or hunter green), or bold geometric patterns. Animal print also played a starring role in both decadent and oversized '80s iterations, and abstracted pop-art takes that brought to mind Von Furstenberg's iconic portrait by Andy Warhol. You can't have a DVF collection without a wrap dress, and this season Jenden included both faithful and more modern takes on the style—the former included jumpsuits with wrap bodices, an architectural mini dress made from sequin tweed and jersey that had none of the vintage associations of the classic, and a shirt-dress style with buttons on the bodice. 'Some people say the [neckline on] the wrap dress is too low. And for me, all of these things are wardrobe problems. My job is to provide wardrobe solutions.'
Geek Tyrant
5 days ago
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Dakota Johnson Opens Up About the MADAME WEB Mess - 'It Wasn't My Fault' — GeekTyrant
Madame Web has firmly cemented itself as a disaster of a comic book movie. With a 12% Rotten Tomatoes score, a worldwide gross just over $100 million, and more memes than fans, it didn't exactly stick the landing. Dakota Johnson, the face of the film's chaos, recently did an interview with The Los Angeles Times, and when asked about the flop. Her response? A sharp laugh and: 'It wasn't my fault.' She went on to elaborate: 'There's this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don't have a creative bone in their body. 'And it's really hard to make art that way. Or to make something entertaining that way. And I think unfortunately with Madame Web, it started out as something and turned into something else.' That 'something else' ended up being a confusing mess of half-baked plot threads, bad dialogue, and Spider-Women with almost no Spider-ing. Johnson, who played Cassandra Webb, became the unwilling symbol of a movie that never really had a chance. Despite a cast that included Sydney Sweeney and Isabela Merced, the film felt like a product assembled in a boardroom with bullet points instead of a story. She added: 'I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time. I don't have a Band-Aid over it. 'There's no part of me that's like, 'Oh, I'll never do that again' to anything. I've done even tiny movies that didn't do well. Who cares?' Madame Web was once rumored to have ties to the larger Marvel Cinematic Universe, possibly featuring a young Peter Parker under the protection of Cassandra and the Spider-Women. Instead, audiences got a vague prequel with a pregnant Mary Parker whose storyline went nowhere and a plot that felt like it had been shredded in a multiversal blender. So, what really happened? Studio interference. Creative-by-committee. A genre machine trying to reverse-engineer another hit without understanding why the good ones work. Dakota Johnson may not have escaped the wreckage unscathed, but at least she's honest about the ride and ready to move on.
