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Los Angeles Times News Quiz this week: LeBron gets a Ken doll,  golf gets a Grand Slam

Los Angeles Times News Quiz this week: LeBron gets a Ken doll, golf gets a Grand Slam

Welcome to the Los Angeles Times News Quiz where the headlines of the last seven days live again each Friday in the form of 10 handcrafted, California-leaning, multiple-choice questions designed to inform, educate and enlighten.
This week we're taking a look at stories about the sixth man ever to earn golf's career Grand Slam, a wolf that may be back from extinction, Mattel's recently revealed LeBron James Ken doll, 'Saturday Night Live's' parody of HBO's 'The White Lotus,' the politician who popped up at Coachella, the famous Amanda hitting this year's Los Angeles Times Festival of Books, the Lakers' first-round playoff opponents, Disneyland's mysterious and exclusive private club and more.
Have you kept abreast of the week's headlines? If you answered yes to that question, you should do swimmingly on the ones that follow. Are you ready to have some fun? I am. Let's get started.
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6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn
6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn

Elle

time27 minutes ago

  • Elle

6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn

Now that temperatures have dropped a little, I keep gazing wistfully at my autumn boots. Then again, I'm not quite ready to part from my beloved summer dresses. The good news is, you can have everything – well not everything, but, you know – since the simple formula of boots and a summer dress solves most between-season styling dilemmas, making the transition into autumn more effortless. If you thought your halterneck mini was nothing without a pair of ballet flats, think again. Its Y2K-leaning sensibility makes it the perfect match for the slouchy boots that made an appearance on the AW25 runways, at Isabel Marant, Khaite and Louis Vuitton. Hold on to your satin slip dress, too – it makes an excellent layering piece when teamed with biker boots and a slouchy knit (and jeans, on extra chilly days). It's certainly not the cowboy boot's first rodeo, as it stomps defiantly onwards into another season thanks to Altuzarra and Isabel Marant, who has long loved Western-inspired styling. Later, wear yours beneath sharply tailored trousers (as at Calvin Klein); now, slip 'em on with a white cotton sundress for late summer festivals and hoedowns. Whether you prefer an equestrian or Victoriana vibe, there is a new-season boot for you. Invest in your perfect pair and wear it right away, combining riding boots with a denim dress or lace-up styles with wafty, boho midis and maxis. Without further ado, here are six tried-and-tested dress and boot pairings for a chicer almost-autumn. You've spent all of summer wafting around town in a Chloé-esque maxi and there's no need to let autumn stop you – simply swap out your ballet flats or jelly shoes for a pair of lace-up boots, either Victorian-inspired (as seen at Bora Aksu's AW25 show) or biker-style, seen at Dior. For chillier, late-summer days, hedge your bets in a long-sleeved, A-line mini dress (in denim, depending on the temperature) and riding boots. ELLE UK's Site Fashion Editor Daisy Murray wears the combo especially well. Crisp cotton sundresses served you well all summer – continue the party into autumn by eschewing sandals for cowboy boots. Judging by Altuzarra and Calvin Klein's AW25 shows, they're not going anywhere. Last seen sometime in the early aughts, the slouchy boot was well overdue a second wind. Well, it's back with a vengeance, thanks to Khaite, Zimmermann and Isabel Marant, whose Edrik boots are perfectly in-keeping with the Y2K look of a halterneck mini dress. Reward the satin slip dress's unerring loyalty in a heatwave by styling it throughout September and into October, with knitwear and buckled boots – the chunkier, the better. Brown boots ruled the runways at Khaite, Alberta Ferretti and Fendi (amongst others) and will be a key part of your winter wardrobe. For now, we love how they look with a flippy, drop-waist dress, like this ruffled Gimaguas number.

Deftones Persisted for Decades. A New Generation Is Feeling the Noise.
Deftones Persisted for Decades. A New Generation Is Feeling the Noise.

New York Times

time27 minutes ago

  • New York Times

Deftones Persisted for Decades. A New Generation Is Feeling the Noise.

On a warm August afternoon inside Atomic Records, a no-frills music store tucked in a Burbank, Calif., shopping strip, the five members of Deftones carried armloads of vinyl to the register. Abe Cunningham, the drummer, rifled through a thick stack: the Residents, Prince, the Pretenders. Frank Delgado, who plays keyboards and turntables, walked out with Kraftwerk's 'Neon Lights' and an album from Alice Coltrane. The frontman Chino Moreno picked up a record he'd never heard of, drawn to a fierce-looking Roman soldier on the sleeve, and rattled off some of his favorites from different eras: Danzig's self-titled debut, Morrissey's 'Viva Hate,' anything Cocteau Twins. The picks might have seemed surprising for a band considered the vanguard of the late-90s nu metal movement. But Deftones' eclectic tastes have proven to be the key to the band's longevity. Where peers like Limp Bizkit and Mudvayne hewed to chunky metal, syncopated rhythms and rap-rock fusion, Deftones pursued elements of shoegaze, post-punk and new wave, underpinned with an instinct for pulsing alternative metal. 'We've always tried to stray away from boxing ourselves into any one certain sound,' Moreno, 52, said. 'We made music for us, based on all the influences we like. And those influences really vary.' The path has been anything but easy. Addiction, writer's block, the death of a band member — 'every cliché you can imagine,' Moreno said in an interview at the record store last week, sitting with his bandmates atop wooden record crates in between the aisles of old vinyl. But the group has stuck it out, and is thriving. On Friday, Deftones will release their 10th album, 'Private Music,' filled with shimmering melodies, glitchy synths and Moreno's soaring vocals interspersed with Stephen Carpenter's muscular, down-tuned guitar riffs. Want all of The Times? Subscribe.

With ‘Lurker,' a Writer of ‘The Bear' Makes Obsession His Main Course
With ‘Lurker,' a Writer of ‘The Bear' Makes Obsession His Main Course

New York Times

time27 minutes ago

  • New York Times

With ‘Lurker,' a Writer of ‘The Bear' Makes Obsession His Main Course

When the 34-year-old writer and producer Alex Russell, best known for his credits on the Emmy-winning TV series 'Beef' and 'The Bear,' was working on what would become his feature directing debut, 'Lurker,' he went to the Los Angeles Zoo to visit the chimpanzees there. 'Among chimps, everyone knows their place and there is a very clear alpha hierarchy,' he said via video call from Los Angeles. 'They have this thing where they establish an alliance by picking sticks and stuff out of each other's hair. But sometimes, which is very funny to me and very 'Lurker,' they'll groom, and the other one doesn't groom them back. It's like, 'OK, you are the one who grooms me. That's our deal.'' Those Darwinian lessons appear both literally — you can see the iPhone footage Russell shot at the zoo that day playing in the background of one scene — and figuratively in the movie, which follows the toxic pas de deux between a rising pop star called Oliver (Archie Madekwe) and Matthew (Théodore Pellerin), a fan who becomes his friend, employee and possible saboteur over the course of 100 fraught, perspective-shifting minutes. A word-of-mouth hit when it premiered this year at the Sundance Film Festival, 'Lurker' (in theaters) plays like a slippery and supremely of-the-moment psychosexual thriller, albeit one that also belongs to a classic cinematic tradition: part Gen-Z 'All About Eve,' part 'Single White Female' for young men raised on Tumblr confessionals and Drake mixtapes. The sand traps and tribulations of fame take a central role, but so do the tricky dynamics of any friendship built on uneven footing. Or as Kenneth Blume, the real-life music producer behind Oliver's earworm-y onscreen balladry, put it in a video interview, 'I couldn't even place Matthew by the end of it. Does he want to [expletive] Oliver? Does he want to kill him? Does he want to be him?' Want all of The Times? Subscribe.

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