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'It's Just a Joke' with Jeff Dye

'It's Just a Joke' with Jeff Dye

Fox News14-05-2025

Comedian Jeff Dye sits down with Kennedy to discuss the universal search for community. The two share their favorite dirty jokes and explore the idea that even the worst people desire a sense of belonging.
Kennedy and Jeff compare their experiences growing up in the Pacific Northwest and why many people seem reluctant to say they're from Seattle these days.
Don't miss Jeff's new special, The Last Cowboy in LA.
Follow Kennedy on Twitter: @KennedyNation
Kennedy Now Available on YouTube: https://bit.ly/4311mhD
Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Spain's The Frank Barton Company Unveils Plans To Expand Animated Preschool YouTube Hit ‘Pim Pam Pino'
Spain's The Frank Barton Company Unveils Plans To Expand Animated Preschool YouTube Hit ‘Pim Pam Pino'

Yahoo

time28 minutes ago

  • Yahoo

Spain's The Frank Barton Company Unveils Plans To Expand Animated Preschool YouTube Hit ‘Pim Pam Pino'

EXCLUSIVE: Madrid-based The Frank Barton Company has revealed it is working on a second season of preschool animated series Pim Pam Pino, which has proven a hit on YouTube, and is looking for further distribution partners. Since its launch on YouTube in Spanish and English at the end of 2024, the show has drawn 70,000 subscribers worldwide, and generated 55 million views. More from Deadline DeAPlaneta Teams With China's Alpha Group To Relaunch Animated Polar Bear Character 'Bernard' Andy Serkis & T'Nia Miller Leading Voice Cast Of Joeri Christiaen Animated Special 'A Lamb's Stew' 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More The Frank Barton Company's commitment to further developing the in-house original series marks a turning point for the animation and special effects boutique, known for its high-end campaigns for global brands. Founded in 2008 as a collective, the company has built its reputation in the animated advertising, working with agencies and advertisers across Europe and further afield, but Pim Pam Pino is born out of the team's desire to create something more lasting. 'For every ad campaign, we had to build a brand-new universe from scratch—only to see it disappear once the job was done. We wanted to create something that could last, something of our own,' says Ursula García, Executive Producer and Co-Director at The Frank Barton Company. 'That's how Pim Pam Pino was born: as a space where we could tell our own stories, at our own pace.' The 3D animation series, which was conceived and produced without external funding, takes inspiration from wooden toys and manipulative materials, creates an immersive world designed for children aged from zero to five-years-old. Rather than focusing on lead characters, the show is built around a collection of wooden pieces— such as cats on vacuum cleaners, flying piglets, geometric shape – which are used to tell new stories each time, much like a child reaching into a toy box. Each episode introduces learning moments, giving lessons around subjects such as counting, exploring emotions, or discovering animals, which are animated to original songs or traditional melodies reimagined using mostly wooden instruments.. 'Our goal with Pim Pam Pino is to offer a respectful, screen-based learning experience that echoes the tactile richness of real-world play,' said Walter Belenky, Creative Director of the show. 'The slow pacing, warm tones, and thoughtful music are all designed to support healthy cognitive and emotional development in young children.' Members of the The Frank Barton Company team will be at Annecy International Animation Film Festival next week for meeting its plans for the 52-episode Season Two and distribution possibilities. Best of Deadline 'Knives Out 3': Everything We Know About The Second Rian Johnson Sequel Everything We Know About 'Stranger Things' Season 5 So Far 2025 TV Series Renewals: Photo Gallery

Did you know these celebrities were born near Rochester?
Did you know these celebrities were born near Rochester?

Yahoo

time10 hours ago

  • Yahoo

Did you know these celebrities were born near Rochester?

ROCHESTER, N.Y. (WROC) — When spotlighting the most prominent Rochesterians — it's easy to quickly showcase Foreigner's lead singer Lou Gramm, abolitionist Frederick Douglass, and inventor George Eastman. Did you know these celebrities were born and raised right here in the Flower City? Known for providing the voice of Phineas Flynn on the Disney Channel animated series 'Phineas and Ferb' and playing the role of Chris Rock's best friend 'Greg' on 'Everybody Hates Chris,' Vincent Martella was born in Rochester before moving to central Florida during his childhood — according to the star's IMDB page. But the Martella family has stayed in the area — Captain Tony's Pizza & Pasta Emporium has been serving guests for more than 45 years, after Martella's relative Antonio opened in 1972. Vincent stopped by the pizza shop in 2017 for a special meet and greet before emceeing the Special Olympics that year. A new season of 'Phineas and Ferb' premiered on Disney+ on June 5. Did you know these movies were filmed around Rochester? His heart is a stereo — that was born and raised just 45 minutes from Rochester. Travie McCoy, co-founder and lead vocalist of the group 'Gym Class Heroes' was born in Geneva in 1981. McCoy formed the group with his friend, Matt McGinley, who he met in ninth grade at a Geneva High School. Gym Class Heroes has had top 20 albums on the Billboard 200 chart, and hit singles 'Cupid's Chokehold,' 'Stereo Hearts' with Maroon 5's Adam Levine and 'The Fighter' with OneRepublic's front man Ryan Tedder. McCoy was inducted into the Rochester Music Hall of Fame in April 2025. One of YouTube's first stars, Jenna Mourey — better known as Jenna Marbles — grew up in Rochester, New York and attended Brighton High School. Marbles' YouTube channel accumulated nearly 2 billion views, and 20 million subscribers at its peak. Marbles announced an indefinite hiatus on her YouTube account in 2020. Not born in Rochester, but spending a majority of his early years here, Gene Cornish is an original member of the popular 1960s group 'The Young Rascals.' The band recorded eight albums within five years, and had thirteen singles that reached Billboard's Top 40 chart. Cornish was inducted into the Rock & Roll Hall of Fame as a founding member of The Rascals in 1997. Dubbed the greatest actor of the 21st century in 2014, Philip Seymour Hoffman was born to Rochester's nearby town — Fairport — in 1967. Hoffman attended Fairport High School, and before walking the stage, was accepted to New York University's Tisch School of the Arts. Hoffman won an Academy Award for 'Best Actor' in recognition of playing the role of author Truman Capote in 'Capote.' Other notable titles for Hoffman include 'Magnolia,' 'Charlie Wilson's War,' and 'The Master.' He died in 2014. 'Live from New York' comes naturally to the 'Saturday Night Live' star, since she was born near Rochester in Canandaigua in 1973! Kristen Wiig had a seven-season tenure on the hit TV show from 2005 to 2012, where she received four nominations for Primetime Emmy awards. Time Magazine named Wiig as one of the 100 most influential people in the world twice — in 2012 and 2025. After moving to Pennsylvania at the age of three, Wiig and her family returned to Rochester where she went to school at Allendale Columbia School and graduated from Brighton High School. Wiig's family has even closer ties as well. Wiig's paternal grandfather was a formed executive here at WROC-TV! Her mother ran a lake marina in Western New York, as well. These are just a few of the thousands of stars whose early days were spent in Rochester. Know someone who should be added? Reach out to WROCDigital@ for consideration. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

At Brandcast, Creators Weigh In On Why YouTube Is Winning TV
At Brandcast, Creators Weigh In On Why YouTube Is Winning TV

Forbes

time10 hours ago

  • Forbes

At Brandcast, Creators Weigh In On Why YouTube Is Winning TV

YouTube CEO Neal Mohan had a lot to share on stage at YouTube Brandcast 2025 (Photo by Kevin ...for YouTube) A stat that may be surprising to some is that, when it comes to what services people are choosing to watch on their physical TVs, YouTube now consistently ranks at the top. Yes, that puts it above Disney services, above Paramount, and even above Netflix. Last month, YouTube gathered their top talent and executives for their fourth annual Brandcast to go over, with much fanfare, how advertisers can make the best of their time on YouTube. But also here for the show, and to walk the red carpet, was a stunning who's who of Creator-world celebrities. Digital stars such as comedian Brittany Broski, streamer IShowSpeed, YouTube's biggest creator MrBeast, and many others showed up to cheering fans, flashing cameras, and reporters eager for their insights. So, I took this opportunity to pull in some of the creators on the carpet, and ask them why they thought YouTube, in recent years, has seen so much viewership on television, even above the traditional Hollywood giants one would expect to win there. I asked them what is happening on YouTube, right now, to allow this success and more. YouTube tech commentator Jacklyn Dallas (@NBTJacklyn) explained to me that with TV viewership there usually comes a more engaged kind of audience, one which allows creators to dive deeper into a topic and spend longer on it. 'I think you have a little bit more permission if you have more TV viewers to have the story be a longer arc. It's rare that someone clicks on a video on TV and immediately clicks off,' Dallas said. And so, she explained, this means a creator who is seeking to go deeper can now find an audience, watching on their TVs, who are primed to watch longer, allowing viewership to rise. Sean Evans and Brittany Broski speak onstage during YouTube Brandcast 2025 (Photo by Kevin ...for YouTube). In line with this, Sean Evans, host of the wildly popular chicken-infused interview show Hot Ones (under @FirstWeFeast) told me how he and his team specifically design and produce their show with television viewership in mind. In fact, he says TV is where he prefers to watch Hot Ones himself, to get the sound mix just right. 'You know we put up the bass on the hot sauce reactions, like we want your bar clinging glasses when you're watching an episode. So we like a big screen or theater experience for Hot Ones. So I love when people tell me they're watching it on TV," Evans said. Television viewership allows, then, a way for YouTube creators to more directly connect with their audiences with, at times, longer run times and also sound design that can interact with a larger physical space. But a big part why YouTube content is uniquely winning TV is how its creators can react to viewer feedback in a way that TV shows might be slower to jump on. Inspirational filmmaker and YouTuber Dhar Mann (@DharMann) tells me how when one creates a traditional TV show, they can often find themselves working on a project for years and never getting instant feedback to work with. But it's different for someone working on YouTube. 'For me, as soon as I post a video I'm immediately getting comments. I'm immediately getting analytics. I can make pivots and change whatever I need to. So I stay in real time with my audience. And I'm allowed to grow with the audience,' Mann said. YouTuber Dhar Mann and YouTube CEO Neal Mohan shake hands at YouTube Brandcast 2025 (Photo by Kevin ...for YouTube). Popular YouTube comedian Adam Waheed (@AdamW) expressed a similar sentiment. 'It's been a journey making content with them rather than for them. I'm getting real time feedback in the comments, adjusting, fixing things, adding things,' Waheed said. This process may sound scrappier than the formal, long-turn production schedules of traditional television, but with that comes a level of authenticity that resonates uniquely with an audience who might be tired of the overly-produced. As online comedian and model Haley Kalil (@haleyybaylee) tells me, people want to see themselves reflected on screen, and so content that feels more relatable and accessible gets closer to doing just that. 'We've watched Netflix, we've watched Hulu— and I think Gen Z and Gen Alpha want to see real people. People that were born and raised really normal; they came up on their own. It's not like an A-list celebrity. It's not like the daughter of a celebrity. These are like your neighbors, your friends, your family,' Kalil said. Shayne Topp and Courtney Miller, both from the long-standing YouTube comedy channel Smosh (@smosh), echo this idea, telling me how they recently met a fan who told them how their content was so relatable and approachable that it felt like the duo were just some other roommates living with her at home. 'It's honesty. It's authentic. People are seeing a very real dynamic between people. Our comedy is what we're doing when the cameras aren't on. So I think we build that real connection,' Topp said. 'It's truly like hanging out with your favorite creators,' Miller added. Fans stood ready to meet their favorite YouTubers at Brandcast (Photo by Dimitrios Kambouris/Getty ... More Images for YouTube). Tech commentator Cleo Abram (@CleoAbram), always in the know on the latest in internet developments, told me how so much of this and YouTube's success on TV comes down to a key strategy, a decision that this platform made which, uniquely, is allowing it to thrive beyond the traditional Hollywood players. And that strategy, ultimately, is giving the creatives the freedom to do what they think is best. 'The bet that YouTube made a long time ago, and what's turning out to be the winning bet, is that if you allow everybody to make the kind of stories that they want, the kind of stories that get told, and the quality, measured by how much the audience loves it, increases. And so, nobody else is making that bet," Abram said. Now, YouTube's CEO Neal Mohan does not appear to believe his platform needs to crush and eliminate the other media services. As he said to Matt Belloni in a recent appearance on the industry podcast The Town: 'There's room for multiple services to be successful." But Mohan went on from there to describe what areas YouTube is seeking to win in, and why it's positioned so well to do that. The idea that YouTube would dominate our television screens might have sounded unbelievable just ten years ago. But now, as YouTube comes to the age of 20, it's a reality that many in media and entertainment are coming to understand. And, according to some of its creators, the trend is not sudden or random, but stems directly from the strategic decisions, and creative ones, this ecosystem has been setting up for years. And so this leads us to wonder how the decisions being made now will affect this platform, and our media consumption, 10 or 20 years from today. For more on the creator economy, movies and TV, follow my page on Forbes. You can also find me on TikTok, Instagram, YouTube, Threads and Snapchat.

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