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Julie Delpy Has Göteborg Crowd in Stitches as She Accepts Honorary Dragon Award Despite Claims She ‘Lives Like a Monk'

Julie Delpy Has Göteborg Crowd in Stitches as She Accepts Honorary Dragon Award Despite Claims She ‘Lives Like a Monk'

Yahoo30-01-2025

Julie Delpy had a Göteborg crowd in stitches on Wednesday as she accepted theHonorary Dragon Award.
'I am filming it so that my son believes me,' she told the audience which welcomed her with a standing ovation.
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As an actor, Delpy collaborated with the likes of Linklater, Kieślowski, Volker Schlöndorff and Agnieszka Holland. Her very first film, 'Detective,' was directed by Jean-Luc Godard.
'It was really exciting to work with them. What's happening?! I thought they were all going to come out now,' she said, startled by a technical glitch.
'I also did a few bad films, but nobody has ever prepared THAT list. Everyone has forgotten about them, because that's what happens to bad films. Which is good.'
Eager to pursue directing from an early age, she quickly ran into a wall.
'I was born into a feminist family and raised with this idea that I'm 100% equal. I was like, 'What's happening?' There were a few pioneers, but I was pretty and an actress. For me, becoming a director was like climbing a mountain.'
Not all her illustrious collaborators were encouraging, she admitted.
'Volker was married to Margarethe von Trotta, Kieślowski was friends with Agnieszka Holland. They knew female directors and they were supportive. Bertrand Tavernier told me I was never going to work again as an actress if I become a director, because I won't be 'desirable' to filmmakers. Which was such a vile thing to say. There is this cult of Pygmalion in France,' she said. But she 'refused to feed toxic system.'
'It hurt my career, for sure. There was Harvey Weinstein, who was a predator, but there was also a lot of manipulation [from older directors]. They would send poetic love letters, but I never fell for that. Me and my mom were like: 'Look at this. He's trying to get in your pants.''
'When I was young and going to school by myself, my mum would say: 'If a man opens his coat and shows you his pee-pee, go for the balls. Pull them all the way to the floor. I exuded that energy and men never showed me their, you know. It was good advice.'
Delpy has directed multiple films, from 'Looking for Jimmy' to 'Lolo' and 'Two Days in Paris,' where she cast her own parents.
'My father, my mother, my cat. His name was Jean-Luc. I love comedy. I've done dramas as well, but it wasn't the same. It's not always rewarding and you don't always go to festivals. There's this idea that comedies are a lesser genre. But it's a happy feeling, to make them.'
In her latest film 'Meet the Barbarians,' presented at the fest, a small French town is preparing to welcome Ukrainian refugees. But they are in for a surprise.
'My starting point was being outraged by the lack of empathy of certain people, closing borders or seeing others drown in the Mediterranean Sea and not being moved by it. Then I started to think: 'How can I make a film that's not teaching lessons or making big statements, but addressing it all in a light, funny way?' There's been beautiful films made about refugees. I thought it would be good to have another take,' she noted.
'Most of the film is based on real meetings we had [with refugees] and stories we were told. It's not a fantasy. Right now, France has really slid to the right and the right doesn't necessarily like refugees. People have this idea they're taking their jobs and taking over everything. It's not true. They're struggling. It's a myth that's been fed to us so that others can get rich while you are busy being angry.'
Now, Delpy wants to finish eight screenplays, 10 short stories and she's working on an album: 'I just have to take singing lessons, because I lost my voice, and lose 10 kilos, but I probably won't.' But she still doesn't see herself as a role model.
'People think we hang out by the beach and drink martinis. I work all the time. I wake up at 4am, I start writing, do business calls and my taxes, because it takes me a whole year to figure out how to do it. I am like a monk. I have no fun,' she joked. But the award came 'at the right time,' she confessed.
'When you are in the middle of the eye of the storm of making movies and financing, it's so hard. You forget your achievements.'
She wished for more films to come: 'If fate and film financing allows me.'
'It's getting more difficult to live in this world and we all have to fight barbarism, barbarism that's trying to destroy our society and our planet in the name of profit and power. We have to use all the tools we have to fight back. Films are one of them. I just wish for this little dragon to come to life, fly around the earth and neutralize everyone that puts power and money before human life.'
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Summer 2025 is coming. It needs a name.
Summer 2025 is coming. It needs a name.

Yahoo

time3 hours ago

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Summer 2025 is coming. It needs a name.

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There are a lot of good feelings associated with summer, including a 'symbolic reset,' Li explained. Brands like tapping into that vibe. They embrace and promote branded summers, and sometimes declare their own. Jonathan Alpert, a psychotherapist and self-help book author, told Yahoo Entertainment that summer symbolizes freedom. Naming it taps into the 'playful, performative' energy and 'lets people reinvent themselves' for a season. 'Psychologically, giving summer a name creates a cultural script. It offers people a sense of control and identity in a world that often feels chaotic,' he said. 'And for brands, it's a dream and a gold mine. These names turn into movements that fuel engagement, drive trends and make everyone feel like they're part of something bigger.' Though the way the trend is driven by social media and algorithms seems uniquely modern, the desire to name summer is not an entirely new phenomenon. 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Ncuti Gatwa: The Sex Education star who brought a flirty-spin to the Doctor
Ncuti Gatwa: The Sex Education star who brought a flirty-spin to the Doctor

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Ncuti Gatwa: The Sex Education star who brought a flirty-spin to the Doctor

Ncuti Gatwa rose to fame first in Netflix's Sex Education, before gaining praise for bringing light-hearted banter and flirty chat to the role of the 15th Doctor. His path to success has been a long and winding one, with struggles with depression and homelessness, before landing the role of a lifetime and a dream for thousands of young actors. The 32-year-old took on the role of the Time Lord previously filled by Matt Smith, David Tennant – who was brought back to be the 14th Doctor where he ushered in a bi-generation storyline that led to Gatwa becoming the 15th Doctor – and actress Jodie Whittaker. Born in Rwanda before moving to Scotland, where he was raised, Gatwa began his career as an extra on the 2014 sitcom Bob Servant. In 2016, he played Demetrius in a production of A Midsummer's Nights Dream at Shakespeare's Globe, before his big break came when he was cast in Sex Education as Eric Effiong, a young gay British-Nigerian who is best friends with Otis, the show's lead character. The Netflix show, which ran from 2019 until 2023, documented Eric's growth as he deals with his family's acceptance of his sexuality while he embraces his Nigerian heritage. He also falls in love with Adam (Connor Swindells), who bullied him in the first series, and has ups and downs in his friendship with (Otis Milburn) Asa Butterfield. However, Gatwa's seemingly meteoric rise, which led to him being cast in the 2023 blockbuster Barbie, has been far from plain sailing. Writing in The Big Issue in May 2020, he said he ended up homeless after running out of savings in the months before he landed his role in Sex Education. 'Being a 25-year-old man with no money or job affected my sense of self-worth,' he wrote. 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Lucie Arnaz Returns to the Lot Her Parents Built—This Time to Help a Fan Finish His Film
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Lucie Arnaz Returns to the Lot Her Parents Built—This Time to Help a Fan Finish His Film

Lucie Arnaz Returns to the Lot Her Parents Built—This Time to Help a Fan Finish His Film originally appeared on L.A. Mag. Raji Ahsan proves it's always great to meet your heroes. Perhaps your childhood obsession was Barbie or board games, but for young Ahsan growing up in Orange County in the 90s, it was Desilu Studios, the long-gone TV production company founded by Lucille Ball and Desi Arnaz. The filmmaker is partnering with Lucy and Desi's daughter Lucie Arnaz for 'Lucie on the Lot' a fundraising event to complete his new film Dr. Sam at the old family studio on June 5. After completing their iconic series, I Love Lucy, Desilu produced shows like Star Trek, Mission: Impossible and Mannix from the old RKO Studios (now Paramount) at the corner of Melrose and Gower in Hollywood. Lucy sold her shares in the company to Paramount decades before Raji was born. 'I'm a Desilu nut,' Ahsan says. 'Right after 9/11 they stopped giving studio tours. When I was 12 I had a school assignment to write a persuasive essay and my teacher said you should mail it to the studio so I did…and I put in my tiny little headshot.' Two weeks later he dialed up the studio and a friendly page told him he was moved by the letter and offered a private tour. 'My mom lived in a shelter and she cleaned houses to keep us fed,' Ahsan remembers. 'When she was home, we'd watch I Love Lucy. It was my comfort.' Ahsan grew up to become an actor and a waiter – the classic Hollywood combo. Through mutual friends, he met Emmy-winning actress Lucie Arnaz and a friendship was born. 'He had a podcast and asked me to be a guest,' says Arnaz. 'He's really smart and funny and full of ideas. I instinctively took him under my wing and wanted to help him. He's a powerhouse. You've gotta be like that to get anything done in this world.' Ahsan wrote the short film Dr. Sam about a struggling actor, musician and waiter who masquerades as a therapist and offered a part to his hero Arnaz. 'He said he'd like me to play his mom,' she says. 'I so do not look Egyptian, so in the movie he's adopted.' Lucie and her brother Desi Jr. spent part of their childhood exploring the historic Hollywood lot that today is part of Paramount. 'We would be let loose in some wonderful big empty stages,' Armaz remembers. 'It was so fun to go through the prop room at RKO and play with a life size King Kong and all the wonderful costumes and amazing props from all the films they had done. It was a kid's paradise.' Today, Arnaz lives in Palm Springs, where she writes and produces new shows and oversees the merchandise end of the family business with her daughter. Her brother Desi is retired, and jokingly calls himself a 'self-imposed recluse.' Arnaz will be performing standards live in concert at the Catalina Jazz Club in Hollywood on June 27-28 and opening the new season of the Purple Room in Palm Springs August 29 and 30. The 'Lucie on the Lot' event on June 5 will screen Arnaz's award-winning film Lucy and Desi: A Home Movie on the big screen at the Paramount Theater. There will be a celebration of the 75th anniversary of Desilu, photo ops in front of the famous Bronson gate you remember from Sunset Boulevard and a chance to chat up the filmmakers. Proceeds will be split between finishing up Ahsan's film and the Long Beach shelter his mom landed in when the family immigrated to L.A. 'I wanted to live on the lot,' Ahsan says. 'The fact that Lucie is coming to this place I wrote a letter to when I was 12 is full circle.' This story was originally reported by L.A. Mag on May 30, 2025, where it first appeared.

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