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David Johansen, New York Dolls frontman, dies at 75

David Johansen, New York Dolls frontman, dies at 75

Yahoo01-03-2025

The Brief
David Johansen, the frontman for the New York Dolls, has died.
David Johansen, the last surviving member of the glam and protopunk band the New York Dolls who later performed as his alter ego, Buster Poindexter, has died. He was 75.
Johansen died Friday at his home in New York City after it was revealed earlier this year that he had stage 4 cancer and a brain tumor.
The backstory
David Roger Johansen was born on Staten Island.
The Dolls — the final original lineup included guitarists Sylvain Sylvain and Johnny Thunders, bassist Arthur Kane and drummer Jerry Nolan — rubbed shoulders with Lou Reed and Andy Warhol in the Lower East Side of Manhattan the early 1970s.
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They took their name from a toy hospital in Manhattan and were expected to take over the throne vacated by the Velvet Underground in the early 1970s. But neither of their first two albums — 1973's "New York Dolls," produced by Todd Rundgren, nor "Too Much Too Soon" a year later produced by Shadow Morton — charted.
Their songs included "Personality Crisis" ("You got it while it was hot/But now frustration and heartache is what you got"), "Looking for a Kiss" (I need a fix and a kiss") and a "Frankenstein" (Is it a crime/For you to fall in love with Frankenstein?")
The New York Dolls were forerunners of punk and the band's style — teased hair, women's clothes and lots of makeup — inspired the glam movement that took up residence in heavy metal a decade later in bands like Faster Pussycat and Mötley Crüe.
"When you're an artist, the main thing you want to do is inspire people, so if you succeed in doing that, it's pretty gratifying," Johansen told The Knoxville News-Sentinel in 2011.
Dig deeper
The Dolls, representing rock at it's most debauched, were divisive. In 1973, they won the Creem magazine poll categories as the year's best and worst new group. They were nominated several times for The Rock & Roll Hall of Fame but never got in.
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The band never found commercial success and was torn by internal strife and drug addictions, breaking up after two albums by the middle of the decade. In 2004, former Smiths frontman and Dolls admirer Morrissey convinced Johansen and other surviving members to regroup for the Meltdown Festival in England, leading to three more studio albums.
In the '80s, Johansen assumed the persona of Buster Poindexter, a pompadour-styled lounge lizard who had a hit with the kitschy party single "Hot, Hot, Hot" in 1987. He also appeared in such movies as "Candy Mountain," "Let It Ride," "Married to the Mob" and had a memorable turn as the Ghost of Christmas Past in Bill Murray-led hit "Scrooged."
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Johansen was in 2023 the subject of Martin Scorsese and David Tedeschi's documentary "Personality Crisis: One Night Only," which mixed footage of his two-night stand at the Café Carlyle in January 2020 with flashbacks through his wildly varied career and intimate interviews.
He is survived by his wife, Mara Hennessey, and a stepdaughter, Leah Hennessey.
The Source
This report includes information from The Associated Press.

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'Rock and Roll, Hoochie Koo' rocker and former Sarasota resident Rick Derringer dies
'Rock and Roll, Hoochie Koo' rocker and former Sarasota resident Rick Derringer dies

Yahoo

time2 days ago

  • Yahoo

'Rock and Roll, Hoochie Koo' rocker and former Sarasota resident Rick Derringer dies

Guitar hero and rock 'n' roll legend Rick Derringer, of 'Rock and Roll Hoochie Koo' and "Hang On, Sloopy" fame, has died in Ormond Beach, according to reports on TMZ and other outlets. The former Sarasota-Manatee resident was 77. Derringer's wife, Jenda, told TMZ that the rock icon died "peacefully" after being taken off life support Monday night following a medical episode. His caretaker and close friend, Tony Wilson, reported on the TMZ website that Derringer had undergone triple bypass surgery just two months ago, but had been doing well. That changed on Monday night, Wilson told the website, when Derringer went into something that Wilson described as 'some sort of shock' as he prepared for bed. He died at an undisclosed hospital, according to the family. It's unclear whether Derringer was a full-time resident in Volusia or Flagler counties, but he is listed as co-owner of a home at Latitude Margaritaville's 55-and-older community in Daytona Beach, according to Volusia County Property Appraiser records. Ticket Newsletter: Sign up to receive restaurant and music news, reviews, and fun things to do every Friday In a six-decade career, Derringer was a Zelig-like figure who was involved in an astonishing array of music by performers that defied genre expectations. Born in Celina, Ohio, Derringer was 17 when he scored his first chart-topping hit, 'Hang On, Sloopy,' with the McCoys in the summer of 1965. The song displaced 'Yesterday,' by the Beatles at the top of the pop charts. From there, Derringer went on to an array of successful collaborations with luminaries that ranged from Johnny and Edgar Winter to Steely Dan, Alice Cooper, Kiss, Weird Al Yankovic, Cyndi Lauper and Barbra Streisand. A fiery, versatile and high-profile presence on New York's rock scene during the 1970s and '80s, Derringer produced the Edgar Winter Group's 1972 No. 1 single 'Frankenstein,' in addition to playing guitar for the band for several years. Rick Derringer's signature solo hit, 'Rock and Roll Hoochie Koo,' was released in 1973. The first verse includes the lyrics: 'There was a group called The Jokers, they were layin' it down, 'cause ya know I'm never gonna lose that funky sound.' The Jokers featured a pre-fame Dickey Betts, who grew up in the Bradenton area and died at his Sarasota County home in 2024. About 15 years after the song's release, Betts and Derringer performed 'Rock and Roll Hoochie Koo' together—a recording that can be heard on the Betts concert album "Live from the Lone Star Roadhouse NYC 1988." Derringer would eventually relocate to the same Sarasota-Manatee area that Betts had called home for most of his life. Although 'Rock and Roll Hoochie Koo' was originally recorded by Johnny Winter, Derringer's version eclipsed the original — appearing on the soundtrack of the 1993 cult classic "Dazed and Confused" and resurfacing recently on the soundtrack for the fourth season of the Netflix hit series "Stranger Things." Derringer also toured extensively throughout the 1970s, offering shows heavy on guitar dueling and showmanship, perhaps best captured on his '77 LP "Derringer Live." In the early 1980s, he played guitar solos on two massive singles written by Meatloaf collaborator Jim Steinman: Bonnie Tyler's 'Total Eclipse of the Heart' and Air Supply's 'Making Love Out of Nothing at All.' Derringer's collaborations with singer Cyndi Lauper in the mid-1980s resulted in a connection to the world of professional wrestling. In 1985, he produced the World Wrestling Federation's 'The Wrestling Album,' which included the Hulk Hogan theme song 'Real American.' Like so many things that Derringer created, that song also endured. It has been employed by politicians ranging from President Barack Obama to presidential candidate Hillary Clinton as well as President Trump. Rick Derringer's connection to Sarasota-Manatee dates back at least two decades and includes a stint as a Realtor. In 2006, the Herald-Tribune reported that the guitar great had become a sales agent for Sarasota's McKenna and Associates Realty. That same year, Derringer also appeared as a pitchman for Fidelity Investments in a television commercial aimed at baby boomer retirees. Derringer and his 'third and last wife,' Jenda, were born-again Christians who preferred to focus on the present rather than dwell on past rock 'n' roll excesses or successes, according to the Herald-Tribune. Still, Derringer knew that succeeding in real estate meant being visible: 'Letting people know what you do,' he said. Raised Catholic, he was reborn in a 1998 river baptism. By 2006, Derringer was attending various evangelical churches across Sarasota and Manatee counties, where he sometimes performed. Married since 1998, he credited Jenda with helping 'manage the whole person, not just the career.' The couple owned nine investment properties scattered throughout Southwest Florida, including rental units that generated cash flow, according to the Herald-Tribune. Despite his wife's misgivings, Derringer still loved to perform live, playing about 30 shows annually. He told the Herald-Tribune he earned between $5,000 and $10,000 per gig, depending on the venue. In the 1990s, Derringer met Damon Fowler, then a teenage guitar wunderkind from Brandon. Impressed by his playing, Derringer produced Fowler's 1999 debut album, "Riverview Drive." Fowler later moved to Anna Maria Island in Manatee County and became a national blues star, with his 2021 album "Alafia Moon" debuting at No. 1 on the Billboard Blues Albums chart. 'Rick was a really great guy, a very interesting fellow, and I learned a lot from him,' Fowler said Tuesday, May 27, by phone from his Plant City home. 'I cherish the time I got to spend with him. He was an amazing guitar player — one of the most fantastic I've ever had the chance to hang out with and see in person.' Fowler added: 'I don't think people realize how much Rick was involved in music. He played all kinds of genres. He was a producer. He played on Steely Dan records. He helped Cyndi Lauper get a record deal, toured with her, and played on her early demos. He worked with 'Weird Al' Yankovic. And of course, Johnny Winter and Edgar Winter. That's just scratching the surface. The guy was incredibly prolific. He truly loved music.' Wade Tatangelo is Ticket Editor for the Sarasota Herald-Tribune and Florida Regional Dining and Entertainment Editor for the USA TODAY Network. Follow him on Facebook, Instagram, and X. He can be reached by email at Support local journalism by subscribing. This article originally appeared on Sarasota Herald-Tribune: Legendary rocker and former Sarasota resident Rick Derringer dies

Guillermo Del Toro's ‘Frankenstein': What Are Chances Of A Theater Run?
Guillermo Del Toro's ‘Frankenstein': What Are Chances Of A Theater Run?

Forbes

time3 days ago

  • Forbes

Guillermo Del Toro's ‘Frankenstein': What Are Chances Of A Theater Run?

Jacob Elordi and Oscar Isaac in "Frankenstein." Guillermo del Toro's Frankenstein is coming to Netflix later this year, but will it also play in theaters? The answer is fairly simple, but it comes with a huge caveat. The Oscar-winning director behind the creature feature The Shape of Water and the stop-motion version of Pinocchio was on hand with Frankenstein stars Oscar Isaac and Mia Goth at Netflix TUDUM 2025 on Saturday to unveil the first trailer for his adaptation of Mary Shelley's classic monster tale. Jacob Elordi, who is playing Frankenstein's Monster in the film, wasn't present, but was featured in short video prior to del Toro, Isaac and Goth's arrival on stage. While introducing the trailer to fans at the Netflix event, del Toro spoke of how important Frankenstein was to his life and filmmaking career, noting, 'I first read Mary Shelley's Frankenstein as a kid and saw Boris Karloff in what became for me a religious state," del Toro said. 'Monsters have become my personal belief system,' the filmmaker added. "There are strands of Frankenstein throughout my films — Cronos, Blade, Hellboy, big time on Pinocchio and a long, long, et cetera." Netflix released the Frankenstein trailer on YouTube immediately after its TUDUM 2025 debut on Saturday and to date the 2-minute, 23-second teaser has amassed more than 5.1 million views as of this publication. Neither del Toro nor the teaser indicated an exact release date for the film. Only one word — 'November' — appears at the end of the trailer. That one word, however, is up for interpretation. Will the film only debut on the streaming service in November or will it have a theatrical run first? Whatever the case may be, there seems to be a fairly common denominator among the 8,200-plus comments that accompany the trailer on YouTube: Fans think the film needs to be shown in theaters. So, the short answer of whether Frankenstein will be shown in theaters is without a doubt, 'Yes,' but that doesn't mean every one of del Toro's fans will get an opportunity to see the film on the big screen. There's a reason Netflix is being cryptic with its release date. As a longtime awards season voter who tracks the races for movie honors annually — I've been a member of the Critics Choice Association's Film Branch since 1999 — there's no doubt in my mind that Netflix is going to assemble a full-fledged awards season run for the film with its November placement. It's even reasonable to think that the streamer is probably already at work on putting together a campaign for the Oscars and other big awards shows and the date it releases the film is a huge part of that strategy. For one, no studio wants to release its film too early, only to be forgotten when another major contender comes along. The next question that needs to be answered is whether Netflix deems the film as 'Oscar worthy.' The trailer alone already seems to make Frankenstein a shoo-in for production design and cinematography Oscar nominations, and that's only based on 2 and half minutes of footage. Once the makeup for Jacob Elordi's Frankenstein's Monster is unveiled, the buzz will likely begin for that category the Oscars, too. Plus, given Guillermo del Toro's Oscars pedigree — he's been nominated for six Academy Awards and won three — Frankenstein will likely be a contender beyond the technical categories. As if The Shape of Water's four Oscar wins — including Best Picture and Best Director for del Toro — isn't enough reason for Netflix to give the celebrated filmmaker awards season support for Frankenstein, then the streamer doesn't have to look back any further than 2022. That's when del Toro and his late co-director Mark Gustafson released their acclaimed stop-motion adaptation of Pinocchio on Netflix, which won an Oscar for Best Animated Feature Film. INGLEWOOD, CALIFORNIA - MAY 31: (L-R) Oscar Isaac, Guillermo del Toro, and Mia Goth speak onstage ... More NETFLIX TUDUM 2025: THE LIVE EVENT at The Kia Forum on May 31, 2025 in Inglewood, California. (Photo byfor Netflix) Of course, to qualify for the Oscars, Netflix is bound to abide by the rules of the Academy of Motion Picture Arts and Sciences if its to have a chance of securing Oscar nominations. The rules state in part that a film must be available 'for paid admission in a commercial motion picture theater in one of the six qualifying U.S. metro areas: Los Angeles County; City of New York [five boroughs]; the Bay Area [counties of San Francisco, Marin, Alameda, San Mateo and Contra Costa]; Chicago [Cook County, Illinois]; Miami [Miami-Dade County, Florida]; and Atlanta [Fulton County, Georgia].' Furthermore, per AMPAS rules, a film must have a 'theatrical qualifying run of at least seven consecutive days in the same commercial motion picture theater, during which period screenings must occur at least three times daily, with at least one screening beginning between 6 p.m. and 10 p.m. daily.' So, the good news is, as long as Netflix backs an awards season campaign for Frankenstein, fans in one of the six qualifying cities listed in AMPAS' rules of eligibility will get to see the film in theaters. But where does that leave audiences outside of those markets? Again, using Guillermo del Toro's Pinocchio as an indicator, Frankenstein should get some sort of limited release that goes beyond the qualifying theatrical run for the Oscars. After all, at the end of Pinocchio's official trailer in 2022, it reads, 'In Select Theaters November and on Netflix December 9.' As such, it would be a shock for the streamer to not extend the same opportunity for Frankenstein. Keeping its promise, Netflix released Pinocchio in theaters on Nov. 9, 2022, per The Numbers, but since the streamer doesn't report its box office information, the actual number of screens it played on domestically and how much the film grossed in its 'select' run remains a mystery. One other hopeful scenario is that del Toro uses his clout and pushes for a larger theatrical run. It's something director Zack Snyder was able to accomplish before, when, per Variety, Netflix released his zombie epic Army of the Dead in 600 theaters on May 14, 2021. After that, Army of the Dead played for a week in five theater chains, including Cinemark, before it arrived on the streaming platform on May 21. With that undead movie precedent and the broad cultural appeal of Mary Shelley's classic tale. Netflix won't need a mad genius to figure out that Guillermo del Toro's Frankenstein needs to be brought to life on the biggest screen possible.

Jacob Elordi reveals personal reason for joining ‘The Narrow Road to the Deep North': ‘It was something important to me'
Jacob Elordi reveals personal reason for joining ‘The Narrow Road to the Deep North': ‘It was something important to me'

Yahoo

time4 days ago

  • Yahoo

Jacob Elordi reveals personal reason for joining ‘The Narrow Road to the Deep North': ‘It was something important to me'

Australian actor Jacob Elordi, known for his standout performances in Saltburn and Priscilla, takes on a harrowing new role as a World War II prisoner of war in The Narrow Road to the Deep North. Based on Richard Flanagan's Booker Prize-winning novel, the Prime Video miniseries is set in Elordi's hometown and marks another major milestone in the actor's fast-rising career. Immediately after wrapping, the actor stepped into another demanding role — as the creature in Guillermo del Toro's upcoming adaptation of Frankenstein. Below, Elordi opens up about diving into the emotional and physical landscape of The Narrow Road, his experience returning to work in Australia and the unexpected connection between playing a POW and his role in Frankenstein. Gold Derby: What drew you to the role Lt. Col. Dorrigo Evans? More from GoldDerby 'Adolescence' soars past 'Stranger Things' to become Netflix's new No. 2 original show (behind only 'Wednesday') 'My Mom Jayne': Mariska Hargitay is reclaiming her family story in HBO doc about her iconic mother Margot Robbie and Colin Farrell take 'A Big Bold Beautiful Journey' in today's top stories Jacob Elordi: The director, Justin Kurzel, who was a filmmaker that I've been a fan of since I was probably 14 or 15 years old, sent me a letter asking if I wanted to take part in this miniseries for him. I would've been into whatever he sent me. I read the book immediately after the email and it was just one of those moments where you feel like you're being handed the role that you have wanted to play your whole life, with the filmmaker that I've wanted to work with my whole life. It was something that was important to me. How did you mentally and physically prepare for the role of Dorrigo? I flew to Melbourne to meet Justin and I was in a stage of when I sometimes get an email from a director like him and they're giving me a job, I think I'm going to lose it immediately. I get really, really worked up and nervous and I try to learn my lines to the movie before we even have a general meeting. I had a sack full of books that I'd read about medical surgeons and the Burma Railway and went to this meeting with him. He was just like, 'mate, we have a year and a half until we go.' But I just wanted him to not replace me without having met me. But then I was lucky to have the year after meeting him and talking about it to sort of let the book marinate for a month and then let the screenplay marinate for a bit more. By the time I got to Justin, I had all this reading, all these ideas, and I had all these things written down and he was like, forget your books. You have to be true. Justin provided this set, which was a live theater experience. It was like you had no choice but to be real because from the moment you came out of hair and makeup in your costume, we were marched to the set and as a unit. And then when we got there, the guards were already there before us, always in costume and in character. And something was happening on every corner of the set. What about the physicality of playing a prisoner of war? We had a six-week prisoner bootcamp basically. We were watched over by nutritionists and trainers. There's something that happens when you are hungry. All the extra things that you have in your day-to-day life that you worry about, they all sort of start to strip away. All you can think about are the men that are in front of you and if they're going to be okay and where your next meal is coming from. Something happens in the weight loss process that brings on the immediacy of the camps. All those boys, 20 something young men put their lives on hold for months and shredded their weight for it. I'm incredibly proud of all of them. What's the first thing you ate once shooting wrapped? I had sushi train, which is this, it's a train of sushi in Australia, but they do fried chicken in sushi. We were all so sick, our stomachs swelled down. We were texting each other, everyone was texting, I should not have had Mexican or I can't believe I've done this. What was it like for you personally to do an Australian production? It was something I've wanted to do for a really long time. And then it also kind of made me mad at all my friends who were American actors because I realized they were just using their own voices the whole time. It was the dawning of, I was like, oh, you not doing an accent when we act. That's crazy. Just kind of immediacy of just your lines coming out of your mouth, not having to go through a toll road to get there. It was a relief. What was it like to step out of this role and right into the role of the monster in Guillermo del Toro's ? About halfway through filming the death camps, I got a phone call and I was on my way home and they were like, you need to read this by 11 p.m. and it's Guermillo del Toro's Frankenstein. I read it and then spoke to him and then found out that I was making Frankenstein maybe three or four weeks after I wrapped. I had this wonderful thing happen, which is probably saying too much, but there was this thing that happened in the process where I got to kill Dorigo in a way, who was the closest thing to a man, that I've gotten to play in my career in a lot of ways. And so I got to die as a man and then kind of be reborn in this creature, which is this character that is totally starting from scratch. So I have to rebuild myself physically and spiritually and mentally through playing the creature so strangely, they're actually connected. And it sounds a little bit like hippy dippy, but it really, going from the hunger into that, it really was this one process. So I got to kind of let it go that way. Best of GoldDerby Kristen Anderson-Lopez and Robert Lopez on how the 'Agatha All Along' cast 'became a coven' when recording 'The Ballad of the Witches' Road' Jason Schwartzman on the breakneck 'Mountainhead' production: 'I've never done anything like it in my life' 'Étoile' creators say cinematographer M. David Mullen was their 'film school' Click here to read the full article.

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