
Coca-Cola Brings Back 'Share A Coke' Campaign, Allowing You To Personalise Its Cans & Bottles
Coca-Cola is deepening those connections, moving beyond fleeting digital interactions to create lasting, real-world moments for the new generation.
In 2011, Coca-Cola launched this first-of-its-kind campaign in which you could find your name in place of the logo – an industry-first in personalisation.
'Share a Coke' revolutionised how people saw their favourite drink. Now, this pioneering campaign evolves, offering richer, more engaging experiences.
Understanding the desire for genuine connection, especially among Gen Z (where 72% crave authenticity*), 'Share a Coke' offers a simple yet powerful way to express care.*
With the intuitive Share a Coke online platform and interactive Personalisation Hubs, creating a unique, personalised Coca-Cola has never been easier.
Get ready to share the magic! Find personalised Coca-Cola cans at MAJOR SUPERMARKETS AND CONVENIENCE STORES now!
Join the excitement at the different Share a Coke Personalisation Hubs popping up in different locations nationwide for live, interactive experiences, where you can create your own personalised cans and bottles.
Heon Theng Hsiang, Senior Manager, Frontline Marketing – Singapore Malaysia (SIMA) at Coca-Cola, says, 'In our digital age, celebrating genuine connections is more important than ever.
'Share a Coke' is a reminder that the best memories are made when we come together. Those spontaneous moments of laughter and connection, shared over a Coke, are what life is all about.'
This is part of Coca-Cola's big 'Share a Coke' activation, bringing LIVE name customisation straight to the iconic Bukit Bintang!
From the iconic personalised Coke cans to now taking over Bukit Bintang's screens — it's all happening LIVE with on-the-spot customisation.
Follow Coca-Cola on Facebook and Instagram and visit the Share a Coke Online Platform to stay updated. Share your moments using the hashtag #ShareACoke @Cocacolamy
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Star
11 hours ago
- The Star
Italian Brainrot: the AI memes only kids know these days, but a real blur for most adults
TOKYO (AFP): In a Japanese shop selling pocket-money trinkets, there is a rack of toys, stickers and keyrings based on a global crew of AI-generated characters that almost every child knows about -- and very few adults. A walking shark in oversized sneakers, an orange with muscular arms and a twirling "Ballerina Cappuccina" with a mug for a head are among the strange stars of the online phenomenon called Italian Brainrot. "At first it's not funny at all, but it kind of grows on you," 16-year-old Yoshi Yamanaka-Nebesney from New York told AFP. "You might use it to annoy someone and find that funny." The name nods to the stupefying effect of scrolling through mindless social media posts, especially over-the-top images created with artificial intelligence tools. Shouty, crude and often nonsensical Italian voiceovers feature in many of the clips made by people in various countries that began to spread this year on platforms such as TikTok, embraced by young Gen Z and Gen Alpha members. The dozen-plus cartoonish AI creatures have fast become memes, inspiring a stream of new content such as "Brainrot Rap", viewed 116 million times on YouTube. A YouTube Short titled "Learn to Draw 5 Crazy Italian Brainrot Animals" -- including a cactus-elephant crossover named "Lirili Larila" -- has also been watched 320 million times. "There's a whole bunch of phrases that all these characters have," said Yamanaka-Nebesney, in Tokyo with his mother Chinami, who had no idea what he was talking about. School-age Italian Brainrot fans can be found from Kenya to Spain and South Korea, while some of the most popular videos reference Indonesia's language and culture instead. "I went on trips with my boys to Mexico" and people would "crack jokes about it" there too, Yamanaka-Nebesney said. - 'Melodic language' - Internet trends move fast, and Italian Brainrot "hit its peak maybe two months ago or a month ago", said Idil Galip, a University of Amsterdam lecturer in new media and digital culture. Italian -- a "melodic language that has opportunities for jokes" -- has appeared in other memes before. And "there are just so many people in Indonesia" sharing posts which have potential for global reach, Galip said. A "multi-level marketing economy" has even emerged, with AI video-makers targeting Italian Brainrot's huge audience through online ads or merchandise sales, she added. Nurina, a 41-year-old Indonesian NGO worker, said her seven-year-old loves the mashed-up brainrot world. "Sometimes when I pick him up from school, or when I'm working from home, he shouts, 'Mommy! Bombardino Crocodilo!'" -- a bomber plane character with a crocodile head. "I know it's fun to watch," said Nurina, who like many Indonesians goes by one name. "I just need to make him understand that this is not real." Some videos have been criticised for containing offensive messages that go over young viewers' heads, such as rambling references in Italian to "Bombardino Crocodilo" bombing children in Gaza. "The problem is that these characters are put into adult content" and "many parents are not tech-savvy" enough to spot the dangers, warned Oriza Sativa, a Jakarta-based clinical psychologist. - Tung Tung Tung Sahur - The best-known Indonesian brainrot character "Tung Tung Tung Sahur" resembles a long drum called a kentongan, which is used to wake people up for a pre-dawn meal, or sahur, during Ramadan. Indonesia has a young, digitally active population of around 280 million, and "Tung Tung Tung Sahur" is not its only viral export. This summer, video footage -- not AI-generated -- of a sunglass-wearing boy dancing on a rowboat during a race at a western Indonesian festival also became an internet sensation. Noxa, the TikToker behind the original "Tung Tung Tung Sahur" clip, is now represented by a Paris-based collective of artists, lawyers and researchers called Mementum Lab. "Noxa is a content creator based in Indonesia. He's under 20," they told AFP. "He makes fast, overstimulated, AI-assisted videos." "He doesn't call himself a 'contemporary artist', but we think he's already acting like one," said Mementum Lab, which is focused on complex emerging issues around AI intellectual property, and says it is helping Noxa negotiate deals for his work. Noxa, in comments provided by the collective, said the character was "inspired by the sound of the sahur drum I used to hear". "I didn't want my character to be just another passing joke -- I wanted him to have meaning," he said. Cultural nuances can be lost at a mass scale, however, with one 12-year-old tourist in Tokyo saying he thought "Tung Tung Tung Sahur" was a baseball bat. And the generation gap looks set to persist. "What's that?!" laughed a woman as she puzzled at the row of Italian Brainrot dolls. "It's not cute at all!" -- Reports by Katie Forster, with Dessy Sagita and Marchio Gorbiano in Jakarta (AFP)


New Straits Times
13 hours ago
- New Straits Times
Italian Brainrot: The AI memes only kids know
TOKYO: In a Japanese shop selling pocket-money trinkets, there is a rack of toys, stickers and keyrings based on a global crew of AI-generated characters that almost every child knows about – and very few adults. A walking shark in oversized sneakers, an orange with muscular arms and a twirling "Ballerina Cappuccina" with a mug for a head are among the strange stars of the online phenomenon called Italian Brainrot. "At first it's not funny at all, but it kind of grows on you," 16-year-old Yoshi Yamanaka-Nebesney from New York told AFP. "You might use it to annoy someone and find that funny." The name nods to the stupefying effect of scrolling through mindless social media posts, especially over-the-top images created with artificial intelligence tools. Shouty, crude and often nonsensical Italian voiceovers feature in many of the clips made by people in various countries that began to spread this year on platforms such as TikTok, embraced by young Gen Z and Gen Alpha members. The dozen-plus cartoonish AI creatures have fast become memes, inspiring a stream of new content such as "Brainrot Rap", viewed 116 million times on YouTube. A YouTube Short titled "Learn to Draw 5 Crazy Italian Brainrot Animals" – including a cactus-elephant crossover named "Lirili Larila" – has also been watched 320 million times. "There's a whole bunch of phrases that all these characters have," said Yamanaka-Nebesney, in Tokyo with his mother Chinami, who had no idea what he was talking about. School-age Italian Brainrot fans can be found from Kenya to Spain and South Korea, while some of the most popular videos reference Indonesia's language and culture instead. "I went on trips with my boys to Mexico" and people would "crack jokes about it" there too, Yamanaka-Nebesney said. Internet trends move fast, and Italian Brainrot "hit its peak maybe two months ago or a month ago", said Idil Galip, a University of Amsterdam lecturer in new media and digital culture. Italian – a "melodic language that has opportunities for jokes" – has appeared in other memes before. And "there are just so many people in Indonesia" sharing posts which have potential for global reach, Galip said. A "multi-level marketing economy" has even emerged, with AI video-makers targeting Italian Brainrot's huge audience through online ads or merchandise sales, she added. Nurina, a 41-year-old Indonesian NGO worker, said her seven-year-old loves the mashed-up brainrot world. "Sometimes when I pick him up from school, or when I'm working from home, he shouts, 'Mommy! Bombardino Crocodilo!'" – a bomber plane character with a crocodile head. "I know it's fun to watch," said Nurina, who like many Indonesians goes by one name. "I just need to make him understand that this is not real." Some videos have been criticised for containing offensive messages that go over young viewers' heads, such as rambling references in Italian to "Bombardino Crocodilo" bombing children in Gaza. "The problem is that these characters are put into adult content" and "many parents are not tech-savvy" enough to spot the dangers, warned Oriza Sativa, a Jakarta-based clinical psychologist. The best-known Indonesian brainrot character "Tung Tung Tung Sahur" resembles a long drum called a kentongan, which is used to wake people up for a pre-dawn meal, or sahur, during Ramadan. Indonesia has a young, digitally active population of around 280 million, and "Tung Tung Tung Sahur" is not its only viral export. This summer, video footage – not AI-generated – of a sunglass-wearing boy dancing on a rowboat during a race at a western Indonesian festival also became an internet sensation. Noxa, the TikToker behind the original "Tung Tung Tung Sahur" clip, is now represented by a Paris-based collective of artists, lawyers and researchers called Mementum Lab. "Noxa is a content creator based in Indonesia. He's under 20," they told AFP. "He makes fast, overstimulated, AI-assisted videos." "He doesn't call himself a 'contemporary artist', but we think he's already acting like one," said Mementum Lab, which is focused on complex emerging issues around AI intellectual property, and says it is helping Noxa negotiate deals for his work. Noxa, in comments provided by the collective, said the character was "inspired by the sound of the sahur drum I used to hear." "I didn't want my character to be just another passing joke – I wanted him to have meaning," he said. Cultural nuances can be lost at a mass scale, however, with one 12-year-old tourist in Tokyo saying he thought "Tung Tung Tung Sahur" was a baseball bat. And the generation gap looks set to persist. "What's that?!" laughed a woman as she puzzled at the row of Italian Brainrot dolls.


Sinar Daily
16 hours ago
- Sinar Daily
No lights, no music: Is this the end of the UK nightclub era?
LONDON - Is the party over? UK nightclubs are famed around the world, but Covid and inflation have hit the sector hard, forcing businesses to reinvent themselves to attract new generations to the dance floor. Pryzm Kingston is a well-known club in southwest London popular with students, where artists like Billie Eilish, Rod Stewart and Stormzy have performed. But the converted cinema closed its doors for renovation last month, with its owners saying it was time to "look to the future and reimagine this venue for the next generation of partygoers." It will be transformed into a smaller club and a dance bar -- "creating venues that reflect what people are looking for now," they added. Many other British clubs are also trying to re-adjust after around a third of them, about 400 venues, have shut down since 2020, according to the Night Time Industries Association (NTIA). A man walks past the boarded up entrance to the closed-down PRYZM Kingston club in Kingston, west of London, on July 31. Photo by Justin Tallis/AFP "Whilst nightclubs were in gentle decline prior to Covid, the pandemic profoundly accelerated things," Tony Rigg, a music industry consultant, told AFP, noting that the cost-of-living crisis had sent bills and rents soaring. As the first pints of the evening were poured in central London, 26-year-old account manager Conor Nugent told AFP he only goes clubbing for "special occasions," after asking himself "if it's really worth it." Like 68 percent of 18-to-30-year-olds, the Londoner has cut back on nights out for financial reasons and prefers to save up for concerts and events. Rigg pointed out that Covid-19 caused a "cultural shift" among Gen Z - those born between 1997 and 2012 - who generally drink less alcohol and largely miss out on the "rite of passage of going out, experiencing clubs and learning some social behaviours." - Lure of Paris, Berlin - Rekom UK, the company behind iconic clubs like Pryzm and Atik, filed for bankruptcy in 2024, shutting down 17 venues across the country, citing multiple pressures. About 20 others, including Kingston, were acquired by Neos Hospitality, which decided to convert some into dance bars or host alcohol-free events. "The sector has to evolve otherwise it will become obsolete," Rigg acknowledged. To stop hemorrhaging party-seekers lured by Berlin or Paris, London Mayor Sadiq Khan launched an independent working group called the "Nightlife Taskforce," which is set to publish a report later this year. "One of the reasons why people love London is our nightlife, our culture," Khan told AFP. "When I speak to mayors in Paris, in New York and Tokyo, I'm jealous of the powers they have" especially on licensing issues, he said, adding he was looking at other cities like Paris "with envy" as it enjoys a nighttime boom. He was granted approval in March to overrule certain local authorities who had forced pubs, restaurants, concert halls, and nightclubs to close early. The government has also announced plans to change regulations to support nightlife venues in certain areas. "Sadly, in the UK, we struggle with reputational issues and a narrative that makes (clubbing) more of a counterculture element rather than a real economic and cultural driver," NTIA head Michael Kill, who advocates for greater recognition of electronic music and club culture, told AFP. The night-time sector contributes a vital £153 billion ($203 billion) a year to the UK economy, employing around two million people, according to NTIA. And with London still enjoying a long, well-established reputation, all is not lost. The capital remains an "exciting" city, 25-year-old Carys Bromley who recently moved to London from the island of Guernsey, told AFP. "There's a lot of parties, clubs, and a big nightlife. The places stay open longer, it's busier, a bit more wild," she said. - AFP