Mexico Marks First Blockbuster of the Year With Wedding Rom-Com ‘Mesa de Regalos' From the Mediapro Studio and Pampa Films
Mexico has had its first – and hopefully not its last – blockbuster of the year with wedding romcom 'Mesa de Regalos' (roughly translated to Wedding Gift Table or Wedding Registry) with more than 1.7 million admissions, far surpassing other Mexican titles this year by over a million.
Produced by Spain's The Mediapro Studio and Buenos Aires-based Pampa Films, its box office success is welcome news for Mexico's film industry, which continues to see a slump in post-pandemic theatrical admissions, despite some gains.
More from Variety
Baseball Strikes Out at ESPN: Sports Giant to End TV Rights Deal With MLB After Current Season
Disney-Fubo Deal Raises Antitrust Concerns, Senator Says (EXCLUSIVE)
Disney Hires Paramount's Daria Cercek to Lead Film Studio's Live-Action Division
According to the latest report from Canacine, the Mexican Film Industry's Chamber of Commerce, theatrical admissions grew 33% in 2023 compared to the previous year but still lagged 32.30% behind its pre-Covid benchmark of 2019. The phenomenon is worldwide given the inexorable rise of streaming platforms, changing consumer habits and other factors.
Ranking second after 'Captain America Brave New World' (posting $6.5 million) in the week of Feb. 10-16, 'Mesa de Regalos' ($5.8m) is still light years behind the number one all-time box hit in Mexico, Eugenio Derbez's 2013 hit 'Instructions Not Included' ('No se aceptan devoluciones'), which clocked 15.2 million admissions.
Directed by Noé Santillán-López ('Infelices para siempre,' 'Veinteañera, divorciada y fantástica') it stars Cassandra Sánchez-Navarro and José Eduardo Derbez, and has continued to lure more auds since its Jan. 16 theatrical release by Disney. 'Admissions grew the second week which likely means that word of mouth has driven its box office success,' said Cabe Bossi of Pampa Films. 'We can also attribute the marketing machinery of Disney, which pulled out all the stops to promote our film,' said Pampa Films partner, Pol Bossi.
'They always thought in Mexico that wedding-themed movies were past their prime but 'Mesa de Regalos' disproved it, thanks to its great script and cast as well as timing as Mexican audiences like going to the movies during the first part of the year,' said Catalina Porto, executive producer and head of The Mediapro Studio Colombia & Mexico.
Penned by Juan Carlos Aparicio, Mateo Stivelberg and Daniela Richer, the romcom follows Antonia (Sánchez-Navarro) and Nicolás (Derbez), two inseparable friends who, after watching their peers achieve emotional and professional stability, feel stuck in their own lives.
After attending countless weddings, they hatch a clever (and slightly outrageous) plan: to get married. However, their union is a strategic move to pretend to be a loving couple, throw an extravagant wedding and take advantage of the gift registry to fulfill their dreams. But as they navigate the charade, not everyone buys into their relationship, and amidst growing doubts and appearances, unexpected feelings begin to surface, threatening to derail their well-laid plans.
'Our challenge was to make a film that would have universal appeal. The script began in Colombia in collaboration with Pampa Films in Argentina where post production took place and was shot in Mexico with Mexican talent,' Porto told Variety, who added that social media posts have been overwhelmingly positive, including for its soundtrack.
Disney plans to stream the movie across Latin America on Disney+.
Best of Variety
New Movies Out Now in Theaters: What to See This Week
Grammy Predictions, From Beyoncé to Kendrick Lamar: Who Will Win? Who Should Win?
What's Coming to Netflix in February 2025
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
34 minutes ago
- Yahoo
Warner Bros. Discovery announces major corporate restructuring to separate streaming from cable
Warner Bros. Discovery announced Monday that it will split into two companies by separating its studios and streaming business from its cable TV networks. The parent company of HBO and CNN is splitting into two firms to help it better compete in streaming, as the move is expected to give WBD's streaming unit more room to scale up its content production without being weighed down by the declining cable networks within the company. Warner Bros. Discovery CEO David Zaslav will lead the streaming and studios business after the split, while CFO Gunnar Wiedenfels will lead the global networks unit. "By operating as two distinct and optimized companies in the future, we are empowering these iconic brands with the sharper focus and strategic flexibility they need to compete most effectively in today's evolving media landscape," Zaslav said. 'Sesame Street' Inks Streaming Deal With Netflix The corporate split comes a few years after the 2022 merger of WarnerMedia and Discovery and will be structured as a tax-free transaction, which is expected to be completed by mid-2026. Read On The Fox Business App WBD shares climbed 8% during morning trading. The company laid the groundwork for a potential sale or spinoff of its cable TV assets in December, when it announced a separation of its streaming and studio operations. Disney Cuts Hundreds Of Tv And Film Jobs Amid Streaming Expansion The split will align the company with Comcast, which is spinning off most of its cable TV networks. Bank of America research analyst Jessica Reif Ehrlich said Warner Bros. Discovery's cable TV assets are a "very logical partner" for Comcast's new spinoff company. Disney Unveils New Direct-to-consumer Espn Streaming Service With $29.99 Price Tag WBD also on Monday launched tender offers to restructure its existing debt, which is funded by a $17.5 billion bridge facility provided by JPMorgan. The bridge loan is expected to be refinanced before the planned separation and the company added that the global networks division will retain up to a 20% stake in streaming and studios, which it plans to monetize to further reduce its debt. JPMorgan and Evercore are advising WBD on the deal, while Kirkland & Ellis are serving as legal counsel. Reuters contributed to this article source: Warner Bros. Discovery announces major corporate restructuring to separate streaming from cable

Time Business News
36 minutes ago
- Time Business News
How Technology Is Shaping the Future of Entertainment
The entertainment industry has always evolved with technology, from the invention of the radio to the rise of streaming platforms. But today, the pace of transformation is faster than ever. Artificial intelligence (AI), virtual reality (VR), augmented reality (AR), blockchain, and next-gen content delivery are reshaping how we consume, create, and interact with entertainment. In this article, we'll explore the key technologies revolutionizing the entertainment industry, what they mean for consumers and creators, and where this digital evolution is headed. The transition from cable and satellite TV to streaming platforms like Netflix, Disney+, Hulu, and Amazon Prime Video has redefined how audiences consume content. Unlike traditional TV, which followed a linear schedule, streaming offers instant access to thousands of titles on demand. Platforms now use machine learning algorithms to analyze viewing history, watch time, and behavior to deliver personalized recommendations. This not only improves user engagement but also shapes future content development. For instance, Netflix's data influences decisions on show renewals, casting, and even plot direction. AI is increasingly used in pre-production and post-production processes. It can generate scripts, assist in editing, and even recreate actors' faces or voices through deepfake technology. ScriptAI and tools like Jasper and Sudowrite are helping writers brainstorm and refine stories. Chatbots and AI-powered assistants now serve as digital concierges for fans—recommending what to watch, answering trivia, and even creating custom playlists. AI also powers subtitles, dubbing, and translations, helping entertainment companies scale globally. VR offers full immersion, transporting viewers into 360-degree worlds. Companies like Meta (formerly Facebook) are investing heavily in VR through platforms like Meta Quest, while game developers are creating hyper-realistic virtual experiences that blur the lines between digital and real life. AR, on the other hand, overlays digital elements onto the real world. Apps like Pokémon GO or Snapchat filters have shown how AR can turn everyday surroundings into interactive entertainment zones. Artists, musicians, and performers are also exploring VR and AR to reach fans in innovative ways. Virtual concerts—like Travis Scott's Fortnite show or Ariana Grande's Rift Tour—are redefining the concept of live entertainment. The concept of the metaverse—a shared, persistent, virtual universe—is gaining traction. While still in early stages, platforms like Roblox, Decentraland, and Meta Horizons offer social, gaming, and entertainment experiences within digital worlds. Entertainment companies are eyeing the metaverse as the next frontier. From virtual movie theaters to NFT art galleries and avatar-based concerts, the possibilities are limitless. Creators and companies can now sell virtual merchandise, experiences, and tickets. NFTs (non-fungible tokens) play a major role in enabling digital ownership. Imagine owning a limited-edition concert outfit for your avatar or a collectible video clip from your favorite artist. Blockchain technology is promoting transparency and decentralization in media. Smart contracts enable artists to get paid instantly and fairly when their content is used or streamed, bypassing traditional middlemen like labels or studios. Platforms like Audius and Theta are experimenting with decentralized models where fans can directly support their favorite creators, creating a more equitable entertainment economy. Blockchain also strengthens digital rights management. Immutable records on the blockchain make it easier to track ownership, usage rights, and revenue sharing, reducing piracy and copyright infringement. Interactive storytelling—where the audience makes decisions that influence the plot—is rising in popularity. Netflix's Black Mirror: Bandersnatch was a breakthrough moment for interactive video content, and gaming companies continue to lead in creating choice-based narratives. Gamification features like live polls, quizzes, and real-time interaction keep viewers engaged longer. Twitch's success proves that blending entertainment with live user interaction creates a powerful feedback loop that strengthens fan loyalty. With the evolution of 4K, 8K, and even higher-resolution screens, visual fidelity continues to improve. HDR (High Dynamic Range) and Dolby Vision bring richer colors and better contrast, creating cinema-level experiences at home. Audio is no longer just stereo or surround. Technologies like Dolby Atmos and Apple's Spatial Audio provide three-dimensional soundscapes. For listeners, this means feeling like they're in the center of the action—whether it's a concert or a movie scene. As tech reshapes the industry, new job roles are emerging—AI trainers, virtual environment designers, blockchain developers, metaverse architects, and digital rights managers. For aspiring creatives, technical literacy is becoming as important as artistic skill. Understanding data analytics, basic programming, or AR/VR platforms can give professionals a competitive edge. Affordable tools for editing, animation, and sound design allow independent creators to produce studio-quality content. Platforms like YouTube, TikTok, and Substack have empowered solo creators to build massive audiences without traditional gatekeepers. Technology is not replacing traditional entertainment—it's enhancing and expanding it. The future lies in hybrid experiences that combine physical and digital, passive and interactive, real and virtual. Whether it's watching a movie in VR, attending a holographic concert, or owning a piece of your favorite show as an NFT, the boundaries are being redefined. For creators, producers, and fans alike, the message is clear: adapt and explore. The future of entertainment is being written in code, created with algorithms, and powered by immersive, intelligent tech. TIME BUSINESS NEWS

Miami Herald
an hour ago
- Miami Herald
Going to Game 3 of the Stanley Cup Final? What to know about pregame entertainment
The Stanley Cup Final series between the Florida Panthers and Edmonton Oilers has shifted to Sunrise for the next two games of the best-of-7 series on Monday and Thursday. And beyond the entertainment that should take place on the ice — the first two games have been thrillers, with Game 1 going to overtime (4-3 Edmonton win) and Game 2 going to double overtime (5-4 Florida win) — there will be plenty of excitement and entertainment at Amerant Bank Arena leading up to Game 3's 8 p.m. start time on Monday. Another one While there is no concert outside the arena like there was for Games 1 and 2 of the Stanley Cup Final last year, the Panthers announced Monday afternoon that DJ Khaled will perform in the arena both pregame and during the first intermission. It's the second consecutive year Khaled has been part of Florida's Stanley Cup Final festivities. He performed outside the arena ahead Game 2 in last season's Cup Final. It's also the second time this postseason the Panthers will have an in-arena performance midgame. Cedric Gervais performed during the first intermission of Game 4 of the Eastern Conference final against the Carolina Hurricanes. Adebayo on the drum Meanwhile, Miami Heat star center Bam Adebayo is scheduled to bang the drum pregame prior to opening faceoff. He's the latest big name from South Florida to get things started before a game this playoffs. The running list of those who have banged the drum this postseason: ▪ First round vs Tampa Bay Lightning: Inter Miami midfielder Banjamin Cremaschi (Game 3) and Dolphins tight end Jonnu Smith (Game 4) ▪ Second round vs Toronto Maple Leafs: Boca Raton-based social media personalities A.J. and Big Justice, former Panthers defenseman Keith Yandle (Game 4) and former Marlins catcher Charles Johnson (Game 6) ▪ Eastern Conference final vs Carolina Hurricanes: rapper Trick Daddy (Game 3) and Dolphins defensive lineman Zach Sieler (Game 4) Rally towels take jabs at previous opponents For every home game this postseason, the Panthers have laid out rally towels for fans to wave throughout the game. Each one generally has a theme or saying that fits into messaging the Panthers have had all season. For Game 3 on Monday, the saying is 'Rats Rule,' featuring a rat with a hockey stick and helmet and a Florida crest on its chest in front of a shield. The Panthers have embraced the rat throughout basically the franchise's entire history, going back to the Year of the Rat in 1996 when they went on to reach the Stanley Cup Final for the first time. It's become even more ingrained this year with Florida's aggressive style of play, led by agitators Matthew Tkachuk, Sam Bennett and Brad Marchand. But look closer at the rat itself and you'll notice the logos of the three teams Florida has knocked out in the playoffs to reach the Cup Final for a third consecutive year. A lightning bolt on the rat's left leg. A maple leaf on the rat's right ear. A hurricane flag on the knob of the stick. They're subtle, but give a reminder of the path Florida has taken in its quest to repeat as champions. Getting to the arena For those parking at Amerant Bank Arena, the parking gates open at 5 p.m. and doors to the arena open at 6:30 p.m. Parking is $75 per car.