
The Rode Wireless Micro is so easy, I bet my cat could figure it out — it's perfect for total newbies
The Rode Wireless Micro is a smartphone-first microphone that is so easy to use, I think my cat could give it a go. There's no question about it: the Wireless Micro is intended for social content creators over traditional camera-forward videographers. As a result, it prioritizes portability and ease of use, both of which are integral for social media creators.
So, is that enough to make it one of the best microphones? I think if you're after the easiest microphone in the world, then yeah, sure. The audio quality might not cut it for professionals, but, then again, it's just $150.
For $150, this is an excellent set of wireless mics, and I have no doubt that it would instantly level-up your social media prowess. I'll get into all the gnarly details in this Rode Wireless Micro review.
Price
$149 / £139
Connectivity
USB-C, Lightning
Max SPL
135dB
Audio resolution
24-bit, 48kHz
Frequency response
20 Hz - 20 kHz
Microphone type
Condenser
Battery life
18 hours
Polar pattern
Omnidirectional
Weight
3.6 ounces
Dimensions
2.8 x 2.3 x 1.1 inches
Colors
Black
The Rode Wireless Micro is $149 from Amazon U.S. and £139 on Amazon U.K., but it's often on sale for around $15/£20 off. While this isn't massively cheap for a set of wireless mics, for the quality, I'd say this is a very reasonable price.
The DJI Mic Mini is $149 for a receiver and two transmitters, which is the exact same price as the Rode Wireless Micro for the same number of RXs and TXs. The more professional-focused DJI Mic 2 is $349, and the Rode offering Wireless Pro is $399. If you need something with a higher bitrate, then I'd recommend the Rode Wireless Pro over the Wireless Micro.
Actually, we use the Rode Wireless Pro in our 'Buy or Skip' videos — an example of which you can find in this Ultenic U12 vacuum cleaner review — which are just proof of how excellent this microphone is.
Even so, if you're more of a casual content creator looking for a quick and easy way to upgrade your social videos, then I think the Wireless Micro is a fantastic choice.
Now, if you want a wireless microphone that requires no setting up, then the Wireless Micro is for you. I was able to get recording the second I unboxed this mic. Think about the easiest microphone you've ever used, and then make it about 10% easier. That's the Rode Wireless Micro.
The charging case is just 2.7 inches across — small enough to fit in my palm. It looks like an earbuds charging case, and has a soft-close clamshell-like lid. The case feels quite sturdy, too, and I'd have no doubts about throwing this into my recording bag willy-nilly.
The two transmitters and the receiver fit snugly into the charging case and snap into place thanks to the magnetic charging pins. The magnetic clips slot underneath the TXs, and I'd recommend keeping them attached to the transmitters as they seem very easy to lose between uses.
The windshields (AKA dead cat) don't fit in the charging case, which is a little bizarre. This is the only issue I have with the Wireless Micro. I'd recommend getting a little pouch to store the windshields between use, otherwise they might get lost.
As for the transmitter microphones, they're omnidirectional mics, which means they pick up sounds from all around. If they're clipped to collars or simply held, they'll be able to capture voices. The mics are condenser microphones, so they will perform well in noisier environments.
The Wireless Micro has a wireless range of up to 328 feet, which is around 500 feet less than the Wireless Pro, but 200 feet more than the Shure MoveMic 88+ ($449).
I was quite surprised to see minimal app features on the Rode Central app. Unlike the Shure Motiv Mix smartphone app, you can only update firmware and control stereo/mono recording in Rode Central. I'd perhaps like to see some more customization options in future, like vocal effects, noise canceling options, and manual gain.
The Wireless Micro mics have built-in gain adjustment, which I found worked well in testing, but I do think this should have a manual setting too for complex environments. Again, the Wireless Micro has built-in noise cancellation, but it would be more versatile if users could actually see and control this in-app.
As I'll demonstrate in the 'Audio quality' section below, the noise cancellation is fine. It's not phenomenal, but it's not negligible, either. It would perform adequately for street content creators or casual content creators, but might not cut it for loud environments like festivals or music concerts.
Even so, the Wireless Micro would be a perfect first microphone for beginner content creators, or content creators who have yet to invest in a professional-sounding mic setup. The wireless micro is easy to use right out of the box.
It's as easy as this: plug the USB-C/Lightning receiver into your phone and press record. The mics will automatically be the preferred input when you use your native recording app, and you can also record into Rode Capture. However, I'd recommend using your native camera as it's just easier.
Although you don't need either apps, Rode recommends you use the Wireless Micro with Rode Central and Rode Capture. I found both apps very easy to use, although nothing groundbreaking. User reviews on the App Store claim the app doesn't recognize Rode microphones, but I didn't experience any of this. The second I plugged in my USB-C receiver, the app recognized the mics.
As you can see from the screenshots of the Rode Central (left) and Rode Capture (right) apps, the UI is very clean and has clear options for customization. As I mentioned earlier, there are minimal features in the app.
In Rode Central, all you can do is customize the gain and merge or separate the two transmitter channels. There are no further options like EQ, noise cancelation, or similar.
As with all microphones I test, I put the Rode Wireless Micro through a series of standardized audio tests. First, though, I'll let you hear the sound quality right off the bat. Word of warning, though, this was recorded onto my iPhone 16 Pro in m4a. I then had to convert to MP3 to upload here, so it will have lost some quality. I promise it sounded better in editing than it does here.
My voice is clear, clean, and faithful to real life. While the audio quality isn't phenomenal, there's no reason why this wouldn't be more than enough for YouTube, TikTok, and Instagram content.
I put the Wireless Micro through a series of tests — plosive (pops), sibilant (s sounds), and noisy environments.
Plosive sounds are basically 'P' and 'B' sounds — anything that might make a microphone 'pop'. The Rode Wireless Micro has a built-in pop filter.
I think the Wireless Micro did a really good job of minimizing the 'P' and 'B' pops here. Of course it's not as adept as a broadcast-quality microphone — but that's like comparing apples and oranges. They're completely different products with completely different intended uses.
For social content creation, I think this is a very reliable pop filter and would perform well.
Fricative sounds refer to soft, airy sounds like 'F' and 'V'. Sibilance refers to hissy 'S' sounds, which can be quite unpleasant to listen to.
As you can tell from the audio clip above, the Wireless Micro, again, performed exceptionally well at mitigating harsh 'S' sounds. The repeated sibilance in the clip is soft and controlled. Again, I think this microphone would perform well, even with the most inexperienced users.
Considering this is intended more as an out-and-about microphone than a static, treated room microphone, it's imperative that the Wireless Micro has decent ambient noise cancelation.
As I lamented earlier, this noise cancellation is unfortunately not configurable in the Rode Central app. It's simply built into the microphone itself.
Listen to this clip.
As you can tell from the MP3 above, the noise cancelation is fine. By no means is the ambient noise silent, but, also, my voice is still front and center of the recording. I recorded a few clips of me on the street next to an electric saw, and the microphone still picked up my voice more than the noisy environment.
While it's not Shure's 'Denoiser' (available on the MV7 broadcast-mic range) level of profound, the ambient noise reduction is still good enough to protect your recordings in noisy situations.
I recorded this fake interview with the 'Merged' sound, as configured in the Rode Central app. As you can hear from the clip below, the Wireless Micro does a fantastic job of minimizing hisses and pops.
As you can hear, my interviewee doesn't have the best microphone etiquette. But, then again, most interviewees might not have much microphone experience and be unsure how to speak into one. In that case, I'd be confident that the Wireless Micro would tame even the wildest speakers.
The Rode Wireless Micro is probably the easiest wireless mic I've ever used. Easier than the Shure MoveMic 88+ (although that has better sound quality), and much easier than the Sennheiser Profile Wireless (with comparable sound quality). There's no fiddling with Bluetooth or trying to figure out why your TXs aren't working. The microphone just works, right out of the box.
Thanks to the smartphone-first connectivity, I was able to get recording via my iPhone's camera in seconds. Whether you're recording voiceovers for TikTok or street interviews for Instagram, these mics won't let you down.
While, no, I don't think the audio quality quite cuts it for professional content, the Wireless Micro is just $150, making it an ideal option for a first hi-res mic upgrade. For newbies, there's really nothing better.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
2 days ago
- Tom's Guide
Neewer Basics R06 7-inch Round Light review
Getting the best lighting for selfies and first person video shooting has become pretty much essential, so the best ring light should definitely be on your shopping list. Luckily, the Neewer Basics R06 7-inch Round Light offers a consistent and reliable lighting solution. It enhances images and video when using my phone, generating flattering but natural light thanks to its CRI of 95+. There's also a range of 5 color temperatures from 3000-6500k, plus variable light intensities to make sure your illumination is on point. Meanwhile, the R06's telescopic arm, adjustable light angle and 360° rotation phone holder all make for an easy and customizable experience. Its fixed diffuser is quite thick, for very soft light, so if you want more contrast, look elsewhere. As a panel light, you'll also need to give more thought to light placement to avoid shadows (typical ring lights provide a more even light over your whole face), but this also makes the R06 more flexible as a general purpose light than typical ring lights. But there are a few small things to consider. There is no built-in battery support so the light will need to be plugged in at all times with the attached USB-C cable. And because of the building required to set up the light, it's better suited to a fixed set up and not for on-the-go vlogging or shooting. You can find out more in my full Neewer Basics R06 7-inch Round Light review. Price $35/£35 Dimensions 7 x 33.1 x 33.1 inches Weight 38.8 ounces Number of LEDs 84 Maximum illumination 680Lux/0.5m Accessories Phone holder, telescopic arm CRI (color rendering index) 95+ Color temperature 3000-6500k The Neewer Basics R06 7-inch Round Light is available at Amazon U.S. for $35 where prime members can get it for $26, and at Amazon U.K. for £35. There is a 1-year warranty included with the purchase. The light can also be purchased directly from through the Neewer website for the higher price of $45. While the panel light comes with a 1-year warranty, purchasing directly from Neewer and signing up to their newsletter will further that by an extra year. While I didn't come across any niggles with the ring light, you may think the added piece of mind is worth the extra money. If you need something more transportable, you may want to consider the Neewer 5-inch ring light which is $21. Or for something specifically for video, the Rotolight Video Conferencing Kit is $339 but is often discounted on Amazon. The Neewer Basics R06 7-inch Round Light is a panel light, meaning its LEDs are arrayed in a rectangle/square instead of a ring, such as the Neewer Basics BR60 5-inch Ring Light. The ring light will give an even lighting effect to your face when straight on where the panel will cause more shadows to your nose or eyes for example. That being said, the panel light is more versatile for other things like product photography lighting up a whole foreground. The light had to be assembled but this was simple to do as everything screwed together with ease, although the built-in cable gets tangled pretty easily. The panel of the light has a lot of adjustment, moving 180° horizontally and 210° vertically, helping me to achieve the perfect lighting angles — necessary given you can't easily move the whole stand around due to its bulky design and mains-only power. The light has a metal base which is weighted to keep the light completely stable. But the 7.08' base doesn't make it heavy, since it still only weighs 38.8 ounces. There is a metal telescopic column that meets the edge of the base. The column has a minimum height setting of 23.5 inches and a maximum of 33.1 inches. This meant that I was able to set the height based on whether I was sitting down or standing up, and could alter it based on where the camera I was using was positioned. There is a phone holder that clips on to the column, and can be adjusted up and down along the full height of the column. The holder opens from 2.4 inches to 6 inches, so I was able to easily fit my iPhone 14 and it should be able to fit larger phones like the iPhone 16 Pro Max. The holder also has a cold shoe mount, so you can fasten one of the best microphones, and a 360° bevel so you can adjust the angle of the phone for pretty much any situation. The only thing missing from this 7-inch panel light is any sort of camera mount. If you need to stand up a camera for filming you will need a separate tripod. Neewer keeps the controls simple on this 'basic' round light. Unlike Neewer's other lights, like the RP18 Pro, there is no Bluetooth connection, nor remote or Neewer App control. The control panel is attached to the 6.2ft charging cable and has four buttons to control the color temperature, brightness, and power. The brightness has 10 levels of adjustment which changes by 10% each time. The color temperature has 5 different settings ranging from 3000K to 6500K. There is a lighting setting for pretty much every situation, and the controls mean it is possible to have gentle lighting for more natural filming and photography scenarios. I found the light incredibly easy to control, and since the controls are attached to the power cord there was no worry of my misplacing it. After being blown away by the performance of Neewer's smaller 5-inch ring light, I was looking forward to seeing what the Neewer Basics R06 7-inch Round Light could do. It is worth noting that this light is bi-color, so only white and yellow hues are used. If you're only using this light for portraiture this shouldn't be an issue, but if you want to get a bit more creative, the lack of RGB lighting could be a con for you. The light has a CRI (color rendering index) of 95+. CRI is measured on a scale of 0-100 and denotes how naturally a light shows colors on a subject, and a score of 95 is impressive. The Rotolight Video Vlogging Kit ($29) has a CRI of 95+ but it has no adjustment like the Neewer Basics R06 7-inch Round Light. The R06 has a non-removable diffuser, which is very thick, producing highly diffused, soft light. It generated enough light to brighten up my face enough, but wasn't at all harsh and gave a very natural effect. The level of adjustment with the light also meant I could play around with the color tones and brightness to find the right settings for me. As a panel light, the R06 isn't as well-suited to selfies as ring lights — the ring array allows a phone to go in the center, letting an even light hit your entire face to remove shadows (on your nose for example). Ring lights also cast a halo light in your eyes, which is often sought-after in beauty vlogging and photography. On the R06, the phone can't sit in the middle, and even in its holder can get in the way of the actual LEDs, causing shadows of the phone itself. You can get around this by placing the light separately to your phone or camera, but then you will also see facial shadows. That being said, for a setup where the light was simply illuminating my entire setting and not just focused on me, like in a video call, the light worked perfectly. So I would totally recommend this as a work from home studio solution. The panel array also makes this a flexible light for more than just selfie footage, so if you produce different types of content, it could be a great solution. Unfortunately this ring light must be plugged in when in use. While this is inconvenient as you're unable to move around with the ring light, when in use, it actually has its perks. Since it is plugged in via the USB-A cable connected to the light, you are ensured consistent lighting over long periods of time with no worries of the power of the light fading or flickering as the battery runs out. If you do need to be on the move with it though, you can always plug in to a portable power bank. However, with the design of this light it is better used for a fixed set up. The Neewer Basics R06 7-inch Round Light is a brilliant lighting solution for any home office or studio. At $35 it is affordable, it produces lovely, soft light and has a sturdy but customizable build. There is a whole lot of adjustment with this light, letting you alter the height and filming angles to suit your setup. The panel array and adjustment of the actual lighting settings opens up many opportunities, from doing make-up in the mirror to shooting vlogging content to camera. If you're looking for something purely for selfies though, I would recommend the Neewer Basics BR60 5-inch Ring Light — as ring lights produce a more even light over the face. There isn't any on-board battery support and this weighty light isn't one you'll want to move around, but once I set up the light at my desk I didn't need to move it, so these are very minor issues. I loved the light for making short vlogs of my day and taking selfies with less harsh lighting — it is certainly a winner for me.


Tom's Guide
6 days ago
- Tom's Guide
Samsung HW-S801D Ultra Slim soundbar review: One for the Samsung TV owners
The Samsung HW-S801D Ultra Slim soundbar could be one of the best soundbars if you already have a Samsung TV and are looking to expand your Samsung ecosystem. But for everyone else? I don't think the S801D is worth it. Let me explain — it's just a 3.1.2 channel setup for $900, whereas you can get the 9.1.4 channel Sonos Arc Ultra for just $100 extra. One of the best-value soundbars is the Polk Signa S4, which has a 3.1.2 setup for just $399. When you put it into perspective, I find it a little strange that the Samsung S801D is priced so highly. But if you have a Samsung TV, I still think it's worth it. I'll explain everything in this Samsung HW-S801D Ultra Slim Soundbar review. Price $899 / £549 Connectivity micro HDMI eARC, Bluetooth, Optical Weight Soundbar: 3.1 pounds / Subwoofer: 14.1 pounds Dimensions Soundbar: 1.4 x 1.5 x 45.6 inches / Subwoofer: 9.3 x 9.4 x 9.3 inches Colors Black, white Subwoofer Yes Dolby Atmos Yes Channel 3.1.2 The S801D Ultra Slim soundbar's MSRP is priced at $899 on the Samsung U.S. website, but it's often sold for around $750 on Amazon U.S.. In the U.K., it's a much more palatable £549 on Samsung U.K.. I'm unsure why there's such a price discrepancy between the U.S. and U.K., but in the U.K. you're getting a much better deal. The S801D was released in 2024 in both countries, replacing the previous 2022 S800D model. I think $899 is an extremely high price for this soundbar: for just an extra $100, you can get one of Samsung's best soundbars, Q800D. Alternatively, you can get the Sonos Arc Ultra for an extra $100 (yes, it doesn't come with a subwoofer, but its standalone bass is very good). Where the S801 sets itself apart is its super slim design: I'd only recommend this if you're low on space. One of the best aspects of the S801D is the design. As it's an Ultra Slim soundbar, it's kind of a given that it's just 1.4 inches high and 1.5 inches deep. This would be a perfect soundbar for compact spaces, or if you'd like to mount the soundbar flush to the wall. Given the 45-inch length, this soundbar would pair best with a 65-inch TV. Any smaller than that and I think the soundbar would look a little ridiculous. The S801D looked seamless with my Panasonic MZ1500 4K OLED. Other than being slim, the S801D looks like any other soundbar. It comes in white or black (I tested white), with grated speakers. There are buttons on top (mic, volume) and the remote feels well-made, much better than the Bose Smart Soundbar remote. The subwoofer is pretty heavy at 14.1 pounds, but it's easy to set up thanks to the wireless connection. I was able to control the volume via the Smart Things app and the remote control. Smart Things is actually very handy — not only can you control volume, but you can control treble, bass, and listening modes. I'll chat about it more in the 'App' section below. As you'd expect with Samsung smart home products, the S801D uses the Smart Things app. I already have this app as I have a Samsung washing machine, and I'm currently testing a Samsung vacuum. It's actually surprisingly rewarding to see my ecosystem grow. I love that you can name all of your products — Samsung recommends names like 'Living Room Soundbar' but of course you can enter anything, regardless of how silly. Here you can see the listening mode selection, toggles for SpaceFit Sound Pro and Active Voice Amplifier (which I couldn't take advantage of as I didn't have a Samsung TV), and Samsung's explanation page for all of its features. Connecting to Bluetooth is also super straightforward in the app — simply click 'Pair' in the top left corner and connect in your phone's settings. This is one of the most straightforward smart home apps I've ever used. One of the most impressive upgrades from the S800D is Q-Symphony, which is improved sound room calibration. Unfortunately, this requires a Samsung TV, so I was unable to test this. The S801D also has 'SpaceFit Sound Pro', which is supposed to calibrate audio based on your surroundings. Again, this is only compatible with Samsung TVs, so I couldn't test this either. If you're not sensing a theme, you will be now. The S801D has wireless Dolby Atmos — but only if you have a Samsung TV, and compatible separate surrounds. I still got decent Dolby Atmos surround sound with just the soundbar and subwoofer, though, so I'd say this isn't a major loss. Even without access to these features, the sound quality was still great. It's just a major shame that I couldn't actually test any of these features. I assume they're good, but I can't say for certain. It's very disappointing that Samsung restricted these flagship features to its TVs, but I can understand why, of course. If you don't have a Samsung TV, I'd recommend skipping this soundbar for now, and getting something a little less restricted like the Sonos Arc Ultra. One of my main problems with the S801D is that the HDMI output is a micro-HDMI port. When I saw this, I was utterly perplexed. Why? Just why? It's not because the soundbar is so slim, because there's a big enough space for a proper HDMI port. This means that if you lose the original cable (or want to upgrade to an 8K cable), you have to buy another one from Samsung. There will also be quality loss. As with all soundbars I test, I watched a series of movies and TV shows, and listened to music. I watched 'Top Gun: Maverick', 'The Wild Robot', 'A Complete Unknown' on 4K UHD Blu-Ray, 'Stranger Things' on Netflix, and various music genres on Qobuz. It was like the center channels and the surround channels (inside the soundbar itself) were out of sync. First, I watched 'Top Gun: Maverick'. It brings me great sadness to report that this movie sounded utterly terrible on the S801D. It sounded so bad that I had to make sure the soundbar wasn't broken. I switched out the 'Top Gun: Maverick' DVD for 'The Wild Robot', and the sound was fine. Confused, for good measure I connected it up to another TV, and again, the sound was fine. I played 'Top Gun: Maverick' again, and the issue persisted. It was like the center channels and the surround channels (inside the soundbar itself) were out of sync. When I turned the center channel down to volume 0, the audio sounded normal, if tinny. Then, when I returned to the original volume, the sound was again out of sync. The soundbar was playing on the 'Surround' audio setting. I tried it again with the DTS Virtual X and it sounded fine. I assume there's something in 'Top Gun: Maverick''s mix that the 'Surround' setting didn't like — I'd recommend switching between modes to iron out sound issues. The splashing sound effects sounded as if they were coming from beside me rather than in front of me. After the 'Top Gun' disaster, I played 'The Wild Robot'. I experienced no out-of-sync audio with this movie. I cycled through the audio settings (aforementioned surround, game, standard, adaptive, DTS Virtual X). After selecting surround, the audio was immersive and rich, and I could hear all of the rustling of fur and feathers. When the goose character was swimming, the splashing sound effects sounded as if they were coming from beside me rather than in front of me. I could hear bubbles and low-frequency water sounds perfectly in this scene. Lastly, I watched 'A Complete Unknown'. As this is a musical movie, I was excited to see how the S801D would be able to handle music-heavy scenes. There's a scene where a janitor kicks a bucket, and the sound of the bucket scraping across the floor was so loud that I jumped. It was a little incongruous in the previously relaxed soundscape, so I kept my ear out for similar moments. In the scene where two characters converse in a diner, the cash register rings, cutlery clinks, and telephone rings were clear and immersive without overpowering the main sound. To test the TV sound, I watched 'Stranger Things' on Netflix. The version of Netflix I have doesn't have Dolby Atmos, so it was a good way to evaluate the S801D's ability to play standard, basic TV shows. 'Stranger Things' sounded great, with balanced, even volume across the synth-heavy soundtrack and dialogue. I could hear low-frequency sounds like leaves rustling, bike wheels whirring, and breathing. Generally, soundbars aren't really expected to have audiophile-level sound quality. Even so, I wanted to give the S801D a fair shot. I connected to my phone via Bluetooth (one of the easiest Bluetooth pairings I've ever done using the Smart Things app) and played 'Boom Baby Bloom' by Wolf Alice. In the DTS Virtual X sound mode, the song sounded awful — extremely tinny and small, like a deluge of tin cans raining down from the sky. I switched to 'standard' sound mode, and it improved, but only just. When I listened to 'Let It Happen' by Tame Impala I found much of the same — incredibly tinny and weak sound. This was majorly disappointing as the soundbar had performed (mostly) well in the movie and TV tests. I switched to 'Surround' and the music expanded a little, but still poor. 'Game' and 'Adaptive' sound modes didn't do much, either. My working theory is that the Bluetooth music connection mustn't use the subwoofer, so the music is left incredibly treble-heavy, which makes it sound tinny. I could still increase or decrease the sub volume in the Smart Things app, but this only affected the sound minutely. There are many things to like about the S801D, but that doesn't mean it's free of problems. For most of the flagship features, you need a Samsung TV. It's very expensive for what it is — 3.1.2 channel with an MSRP of $899. Seeing as you can get the Polk Signa S4 (3.1.2 channel, and my favorite soundbar + subwoofer for value) for just $399, or spend an extra $100 for the Sonos Arc Ultra (9.1.4 channel), I just think the S801D is too expensive. On a half-price sale? Sure, it's worth it. It sounds great and is super compact. But full price? You're better off with something else.


Tom's Guide
6 days ago
- Tom's Guide
Neewer Basics BR60 5" Ring Light review
The Neewer Basics BR60 5' is a cheap and easy way to improve selfies, videos, or online video calls. It's certainly one of the best ring lights I have tested . The design is focused on being as functional as possible, making it incredibly easy to operate. The added attachments of a clip and tripod make it convenient for any situation. It brings out the real world colour typically lost when taking pictures, especially when using the front facing camera on my phone. The only caveat is that the ring light has to be plugged in to work and doesn't come with a battery power option. This means while it is lightweight and easy to walk around with, it isn't entirely portable without a power bank in tow. However, the need to be plugged in does mean you are sure to have consistent lighting for whatever you are doing. You can find out more in my full Neewer Basics BR60 5' Ring Light review. Price $21/£19 Dimensions 5.7 x 5 x 1.1 inches Weight (with clip) 4.6 ounces Weight (with tripod) 6.6 ounces Number of LEDs 60 Maximum illumination 450Lx/0.5m Accessories Clip, Mini tripod CRI (color rendering index) 97+ Color temperature 3000-6000K The Neewer Basics BR60 5' Ring Light is available at Amazon U.S. for $21 and Amazon U.K. for £19. The price is slightly higher ($29) if purchased directly from the Neewer website, but you'll get a one-year warranty as a bonus. In fact, you can extend this further by signing up to the company's newsletter if you're so inclined.. You're paying a little extra, sure, but you get the added peace of mind of a warranty period which for some is worth the cost. The design of the Neewer Basics BR60 5' Ring Light is exactly that — basic. But not in a bad way. It eliminates any fuss that comes with an awkward set up and is super straightforward to use. The entire body is plastic with metal threads at the base to attach to the tripod. The tripod itself is easy to attach, and the legs fan out for stability. There is also a clip which slides into the bottom of the ring light. This clip allows a tilt of up to 170° so I was able to adjust the light exactly how I needed it even when it was in a fixed position. The clip can be attached to anything less than 1' thick. I was able to easily attach it to my mirror while doing my makeup, on my laptop for work calls, and my phone for selfies. The clip has a gap on one side which perfectly fits over the camera on my phone and laptop. So it doesn't obscure the camera view when attaching the light, which I have had happen with other phone light attachments I have used in the past. The light needs to be plugged in at all times and comes with a built-in six foot USB-A cable which is also where the controls are. There is a USB-A to USB-C adapter included though and this meant I was able to plug it in to my MacBook which only has USB-C ports. The controls for the Neewer Basics BR60 5' Ring Light are extremely easy to get on with. It seriously couldn't be any simpler. Attached to the built-in charging cable is a control pad. The power button turns the light on and off when plugged in and there is a mode button which cycles through the light's six modes. My personal favorite of these modes is the warm light as I found this looked the most natural and added some warmth to my face. The settings then become cooler as you cycle through them. There are plus and minus buttons to alter the brightness of the light with 10 levels of adjustment. This makes the light extremely customizable — there is something for every scenario. Having been disappointed with the performance of small ring lights in the past, I am pleased to say that I was blown away by the Neewer Basics BR60 5' Ring Light. I seriously think it changed my face for the better during selfies and now I get why the Kardashian Instagram game is so strong. The light has a CRI (color rendering index) of 97+. A higher CRI means that the light ensures that objects and subjects appear true to their original colour, and lower values indicate more color distortion. This is measured on a scale of 0-100. So this light having such a high reading is a great sign, and I found that, with the light on, I looked more like what I would see in the mirror as opposed to in my phone camera in natural lighting. With all the settings to cycle through on the light, the color temperature of the light ranges from 3000K to 6000K. The lower values are the warmer tomes and higher values are cool tones. Both are necessary for different types of photography as cooler lights are often better in a studio setting, or just depending on what your own style calls for. To test out how the light works for every day use I used the tripod to set it up next to my mirror to do my makeup for the day. This is one of the uses recommended by Neewer so I wanted to check if it made me do it better. I was able to have far more attention to detail and found I could see the colors better and get a better idea of how everything was blending. It was pretty gloomy outside on my testing day so the natural lighting was dull so it was a good opportunity to get some natural light tones. It is easy to see why makeup artists use ring lights when working on clients, I'll definitely be adding this to my daily routine. I also used it to take some selfies, since this is probably one of the most likely use cases for this product. And it massively improved the visual quality and made me look more polished and professional on camera. Both of the above images were taken using the front facing camera of my iPhone 14. The first image is taken with the ring light on the warm light mode. It is clear that the light enhanced my features while brightening my complexion. The second image is taken in natural lighting in front of a window with the same camera and is very dull and there is a lot more noise in the image. The ring light made everything sharper. In a society where everything is documented, the Neewer Basics BR60 5' Ring Light is an essential addition for anyone's home or office setup. The color reading index rating is high and it is evident from the images I took that it brings out real world color on camera, which usually dulls the color. It also worked incredibly well to reduce noise in the image by creating sharper lines. Unfortunately you do need to be near a power outlet or have some sort of portable charger with you to turn the light on since it is not battery powered. This means you're quite limited with movement when using it, but on the flip side you'll never get caught out by a dead battery. At only $21, this ring light is an affordable way to improve your selfie or video calling game.