
Amanda Kloots goes public with new boyfriend Justin Gimelstob at Unforgettable Evening gala
Amanda Kloots has officially confirmed her new relationship, making her red carpet debut with retired tennis player Justin Gimelstob at the Unforgettable Evening gala held at The Beverly Hilton in Beverly Hills on April 28, 2025. Speaking exclusively with Parade, Kloots expressed happiness as she stepped out with her first partner since the passing of her husband, Broadway actor Nick Cordero.
Gimelstob shared with Parade that he had been eager to meet Kloots for some time after first seeing her at an F1 event a few years ago. Although connecting was initially challenging, the two were eventually introduced through mutual friends. Their bond deepened through casual tennis games, where, according to Gimelstob, Kloots made it clear she was focused solely on the sport at first. Their relationship later blossomed naturally, particularly as they reconnected during the Los Angeles fires.
Kloots, formerly a co-host on The Talk, had been open about her grief following Cordero's death in 2020 from COVID-19 complications after a lengthy hospitalization. The couple shared a son, Elvis Eduardo, who Kloots proudly noted is nearly finished with kindergarten.
Now blending their families, Kloots shared that Gimelstob's older son and her son Elvis have formed a positive connection, describing the experience as "lovely" and emphasizing the joy she finds in her son's growth.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Express Tribune
19 hours ago
- Express Tribune
Immerse yourself into 'The Matrix'
In a Los Angeles theatre, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences, as reported by AFP. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a "shared reality" version of The Matrix, the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. "We believe the future will be more immersive and more experiential," said Cosm president Jeb Terry at a recent preview screening. "It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats." Cinema audiences were already dwindling when the Covid-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that film buffs cannot get in their living room. Prestige projects like Tom Cruise's Mission: Impossible – The Final Reckoning or Christopher Nolan's Oscar-winning Oppenheimer increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specialising in immersive experiences. "We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions through light, through production design, through 3D environments," he said. The approach, he said, felt particularly well suited to The Matrix, which he called "a masterpiece of cinema, but done as a rectangle." For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. The Matrix in shared reality kicks off with a choice of cocktails – blue or red, of course – which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. "They're sometimes inside the character's head," said Rinsky. "The world changes as you look up and down for trucks coming at you." The result impressed those who were at the preview screening. "It just did feel like an experience," influencer Vince Rossi told AFP. "It almost feels like you're at a theme park for a movie."


Business Recorder
2 days ago
- Business Recorder
‘The Matrix is everywhere': cinema bets on immersion
INGLEWOOD: In a Los Angeles theater, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a 'shared reality' version of 'The Matrix,' the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. 'We believe the future will be more immersive and more experiential,' said Cosm president Jeb Terry at a recent preview screening. 'It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats.' Cinema audiences were already dwindling when the Covid-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that movie buffs cannot get in their living room. Prestige projects like Tom Cruise's 'Mission: Impossible – The Final Reckoning' or Christopher Nolan's Oscar-winning 'Oppenheimer' increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. Nintendo aims to match Switch success with new console For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specializing in immersive experiences. 'We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions… through light, through production design, through 3D environments,' he said. The approach, he said, felt particularly well suited to 'The Matrix,' which he called 'a masterpiece of cinema, but done as a rectangle.' For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. 'The Matrix' in shared reality kicks off with a choice of cocktails – blue or red, of course – which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. 'They're sometimes inside the character's head,' said Rinsky. 'The world changes as you look up and down for trucks coming at you.' The result impressed those who were at the preview screening. 'It just did feel like an experience,' influencer Vince Rossi told AFP. 'It felt like you're at a theme park for a movie almost.'


Express Tribune
27-05-2025
- Express Tribune
The time when Dawson's Creek reboot almost happened, creator Kevin Williamson reveals
A Dawson's Creek revival with the original cast almost came to fruition, according to series creator Kevin Williamson. In an exclusive interview with TV Insider, Williamson shared that, despite the show's 2003 finale providing a sense of closure, there were discussions about revisiting the iconic teen drama during the peak of the reboot craze following the COVID-19 pandemic. The beloved series, which followed the lives of Joey (Katie Holmes), Pacey (Joshua Jackson), Dawson (James Van Der Beek), and their friends in the fictional town of Capeside, had concluded its five-season run with emotional farewells, including the death of Jen (Michelle Williams). However, the idea of a revival sparked interest from both the cast and the creator, with Williamson admitting that they were repeatedly approached during the height of reunion and reboot trends. 'James [Van Der Beek] wanted to do it, but then Josh [Jackson] was busy. Katie [Holmes] was on board, but then James wasn't available. No one could align their schedules,' Williamson explained, noting that while the cast was enthusiastic about the concept, timing proved to be a major hurdle. Ultimately, the team reflected on the show's legacy and concluded that revisiting Dawson's Creek in its original form might not be the best direction. 'We kind of just went, 'We did it and it was good,'' Williamson said. 'We felt like maybe it could live again in another way, but not as a reboot.' While they considered possibilities, such as focusing on the next generation of characters, the revival ultimately did not move forward. Despite the scheduling conflicts, Williamson remains busy with multiple projects, including directing Scream 7 and debuting his new series, The Waterfront. As for the original cast, Holmes, Jackson, and Van Der Beek are all involved in separate projects, with their individual careers keeping them occupied.