logo
Pritt Kamani on making his debut at Cannes Film Festival 2025: We had gone with a film on our merit

Pritt Kamani on making his debut at Cannes Film Festival 2025: We had gone with a film on our merit

Hindustan Times26-05-2025

Actor Pritt Kamani got an achievement to his name recently as his film The Storm, The Calm, The Madness, The Magic premiered at Cannes Film Festival 2025 as a part of the top eight films of the Straight 8 segment. It became the first Indian film to do so in the segment's 25 years history.
Calling the achievement 'fulfilling', Pritt Kamani says, 'I was extremely happy and not for the fact that we've won or achieved something, but for the fact that we tried to make something and it was recognised.' Straight 8 is a filmmaking challenge where participants must shoot a film on a single Super 8mm cartridge, edited entirely in-camera, with sound submitted blind. No re-takes or post-production takes place, and only the top eight films are selected for premiere at Cannes.
Making an appearance at the festival with a film made it more important for the actor. 'It was not just an appearance; we had gone with a film on our own merit and that is special,' he says, giving his opinion on influencers also going to Cannes in today's time. 'Every presence at Cannes has its own value, whether it's for film or fashion or culture. Having said that, definitely going there with a film and hear resounding applause from people around the world is special.'
Pritt shares that the film received appreciation from all at the premiere. 'It has a huge influence of proper Hindi film cinema, and it was new for everybody out there to watch a film like that and they loved it,' he says, adding that many people back home didn't even get to know about their film's achievement due to the lack of awareness. 'It's not a popular category of the competition, and not many people even know of it. But I wish that through our film, many more people back home get to know about it,' he hopes.
Last year, a small film All We Imagine As Light (AWIAL) became a resounding global success due to its win at Cannes. Does he see a similar prospect for their film too? 'AWIAL is a mammoth achievement. It won the Grand Prix and (director) Payal Kapadia is a genius. I don't think we are even in the vicinity of being close to that achievement for India. But our film had its own set of challenges, and we represented India on that small scale, but even that is also a feeling of pride and honour. Definitely, we've not lit up the headlines, but we've made our own little spark. And I hope whenever our film is out, and people actually understand what we've done, they automatically talk about it,' he ends.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Neeraj Ghaywan Thanks Homebound Team After Cannes, Omits DoP Pratik Shah Amid Allegations
Neeraj Ghaywan Thanks Homebound Team After Cannes, Omits DoP Pratik Shah Amid Allegations

News18

time15 hours ago

  • News18

Neeraj Ghaywan Thanks Homebound Team After Cannes, Omits DoP Pratik Shah Amid Allegations

Last Updated: Neeraj Ghaywan thanked the Homebound team post-Cannes, but his note made no mention of cinematographer Pratik Shah, who is facing abuse allegations. Homebound, Neeraj Ghaywan's much-discussed film that premiered at the Cannes Film Festival last month in the Un Certain Regard section, is now caught in the crosswinds of controversy. The film's cinematographer, Pratik Shah, recently came under fire after being accused of abuse and inappropriate conduct. Shortly after the allegations surfaced, Shah deleted his Instagram account, prompting speculation. While the production house has issued a statement, director Neeraj Ghaywan has now spoken—but notably, without mentioning Shah at all. Taking to X (formerly Twitter) on Monday, Ghaywan posted a detailed note of gratitude, reflecting on Homebound's journey and acknowledging key contributors to the film. Yet his omission of the cinematographer—traditionally a crucial creative collaborator—was impossible to overlook. 'Now that the whirlwind that was Cannes is over, I'd like to acknowledge the contributions of people associated with our film #Homebound," Ghaywan began. Now that the whirlwind that was Cannes is over, I'd like to acknowledge the contributions of people associated with our film #Homebound. Starting off with the writing process.— Neeraj Ghaywan (@ghaywan) June 2, 2025 He credited the origins of the story to Basharat Peer's moving New York Times article Taking Amrit Home. 'After introducing me to it, @somenmishra0 (Producer) pitched the idea of me directing the film to Basharat, and he was excited by the prospect. Something inside of me cried out to make the story come to life as I read it," Ghaywan wrote, adding that travelling with Peer to meet the families featured in the piece strengthened his desire to tell their story. The filmmaker went on to thank a long list of collaborators: story and screenplay consultant Sumit Roy, dialogue writer Varun Grover, dialect coach Shreedhar Dubey, the Dharma Productions development team, DA and script supervisor Ibad Shaikh, co-producer Melita Toscan Du Plantier, and editor Nitin Baid. He also clarified, 'I forgot to add that I also wrote the Screenplay of Homebound. That was by myself." Conspicuously absent from the list was Pratik Shah, who served as the cinematographer on the film. The omission comes shortly after abuse allegations surfaced online, though Ghaywan has yet to comment publicly on the controversy itself. Meanwhile, Dharma Productions, which backed the film, issued an official statement regarding the matter. 'Mr. Pratik Shah was a freelancer on the project Homebound and was working on it for a limited period. His engagement with us has been completed. During this limited period, our internal committee for POSH didn't receive any complaints against him from any cast or crew on our film Homebound," read the statement. Homebound, which stars Ishaan Khatter, Janhvi Kapoor, and Vishal Jethwa, received a nine-minute standing ovation at Cannes. It was executive produced by Hollywood legend Martin Scorsese and marked a significant moment in Indian cinema's global presence this year. Despite missing out on an award, the film was widely praised for its emotional depth and craftsmanship. First Published:

Neeraj Ghaywan shares Homebound was inspired by powerful pandemic-era true story
Neeraj Ghaywan shares Homebound was inspired by powerful pandemic-era true story

India Today

time15 hours ago

  • India Today

Neeraj Ghaywan shares Homebound was inspired by powerful pandemic-era true story

After a whirlwind premiere at the Cannes Film Festival, director Neeraj Ghaywan thanked the entire team of 'Homebound' for their efforts and hard work behind the a heartfelt and layered post, Ghaywan not only celebrates the success of 'Homebound' but also turned the spotlight on the incredible team behind it, offering a rare, behind-the-scenes glimpse into the film's even described what went behind conceptualising the idea and how did he land up writing the entire film. In a series of posts on X, he wrote, 'It all began with the article 'Taking Amrit Home" that Basharat Peer wrote for the New York Times. After introducing me to it, Somen Mishra. (Producer) pitched the idea of me directing the film to Basharat and he was excited by the prospect. Something inside of me cried out to make the story come to life as I read it. I travelled with Basharat to meet the families featured in the article. I was even more sure I wanted to pursue this story after meeting them. It made me reflect on my own life and I seeded that in the story. Basharat, without your article and your guidance, the Homebound journey would never have begun. I'm grateful to you (sic).'advertisementFollowing this, the director discussed that the tough part came when he had to craft a full-length feature celebrated for his directorial prowess, confessed, 'Writing an entire feature film by myself was a difficult undertaking for me. Sumit Roy arrived as a rescuer. Although he is credited as a story and screenplay consultant, his contribution goes beyond that. His mere presence helped me wade through a dark phase and shake off the self-doubt. For nearly three years he has been an integral part of the story and guided me on the screenplay. Sumit, you are an indispensable part of Homebound (sic).' He even acknowledged Shoaib Nazeer's assistance for the project. 'During our writing phase, Shoaib Nazeer assisted us. Not only did he bring valuable research but also specific cultural insights to the screenplay. Thank you, Shoaib, for being the bouncing board (sic),' he director even thanked Martin Scorsese for getting associated with the project. 'His feedback on the screenplay that you shared with us was genuinely useful in bringing a sharper focus (sic)' he wrote. The film was written by Neeraj Ghaywan and Sumit Roy. It is produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, and Somen Mishra, with support from co-producers Marijke de Souza and Melita Toscan du Plantier. In a huge boost, legendary Hollywood director Martin Scorsese has joined the project as executive Ghaywan is already known internationally for his debut film 'Masaan', which also premiered at Cannes and won two big awards there.

Homebound cinematographer Pratik Shah accused of abuse and inappropriate behaviour
Homebound cinematographer Pratik Shah accused of abuse and inappropriate behaviour

Time of India

time15 hours ago

  • Time of India

Homebound cinematographer Pratik Shah accused of abuse and inappropriate behaviour

Cinematographer Pratik Shah On Thursday evening, filmmaker Abhinav Singh took to Instagram and accused cinematographer Pratik Shah of being 'highly manipulative and emotionally abusive' towards women. Pratik is best known for his work in Vikramaditya Motwane 's Jubilee, CTRL and Neeraj Ghaywan 's recent Cannes outing Homebound, where he was present with the film's team. Abhinav's Instagram stories stirred up a hornet's nest. In a post, the filmmaker, who had directed the short film Yatri Kripya Dhyan De, said that multiple women reached out to him to share their testimonies, and some even posted them on their own social media handles, narrating their experiences with Pratik. The latter deactivated his Instagram account soon after. Pratik (left) was accused of being highly manipulative and emotionally abusive towards women by filmmaker Abhinav Singh (right) Dharma Productions, producers of Homebound, in a statement on Saturday, said, 'At Dharma Productions, we have a zero-tolerance policy against inappropriate behaviour and sexual harassment towards any individual working with us in any capacity, and we treat sexual harassment cases very seriously. Mr. Pratik Shah was a freelancer on the project Homebound and was working on it for a limited period. His engagement with us has been completed. During this limited period, our internal committee for POSH did not receive any complaints against Shah from any cast or crew during his association on Homebound." Filmmaker Abhinav Singh's stories on Instagram According to THR India, a complaint was lodged against Pratik with the IWCC (The Indian Women Cinematographers' Collective) four years ago by a young cinematographer, and the Collective warned him, stressing that such behaviour is unacceptable. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Ile-de-france: Voici l'astuce pour avoir des panneaux solaires sans payer l'installation ! Programme Ecologique Undo Why was there no accountability despite this step? Was merely a warning enough? Why was this information not in the public domain? This has largely been the sentiment. When we investigated the matter, a source told Bombay Times, 'IWCC is a forum. It's a collective with no legal standing. It's not an organisation. It was formed by female technicians 7-8 years ago, and the complaint made to them was anonymous. They took cognisance of it in the best way they could. The forum tries to provide women with a safe space.' We reached out to Vikramaditya Motwane, Neeraj Ghaywan and Pratik Shah, who hadn't responded till the time of going to press. Hansal Mehta On Saturday, Hansal Mehta shared a note on X, which read, 'Abuse thrives in silence. It festers in fear. Predatory behaviour by men in positions of power must be investigated thoroughly, and if found true, must be called out — unequivocally, and without delay. For too long, predators have weaponised influence, privilege, and fear to silence survivors. That silence must be broken. But let's be clear — abuse of power is not confined to one gender. Women in positions of authority, too, have inflicted harm. Abuse has many forms. It is not always sexual. Mental, emotional and psychological abuse can be just as scarring. Just as violating (sic).' He added, 'Workspaces — especially creative ones — often cloak toxicity in the name of 'passion' or 'genius.' That must stop. No art, no film, no script is worth the cost of someone's safety or sanity. Victims need voice. They need redress. They need a system that listens — and acts. Accountability is not cancel culture. It is culture correction. We owe it to ourselves, and to those who come after us, to make our spaces safer. Cleaner. Kinder. Call out the predators. Call out the habitual abuser. Hold them accountable. Let no power be above decency (sic).' Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store