logo
Trio to release book detailing all the best churches in and around Salisbury

Trio to release book detailing all the best churches in and around Salisbury

Yahoo3 days ago

Three church enthusiasts have produced a book detailing 65 churches in and around Salisbury.
The trio, John Elliott, Malcolm Sinclair, and Roy Bexon, have spent 18 months visiting the churches, culminating in the creation of 'Churches of Salisbury & District'.
The book, published by Sarum Chronicle, will be officially launched on June 12.
At 264 pages, it includes essays on church history and architecture, tips for visitors, and detailed accounts of each church visited.
The book is illustrated with colour photographs and contains maps for locating the churches, as well as suggested routes for tours of rural churches.
READ MORE: Oldest woman with MBE celebrates 111th birthday with family and friends at big party
The publishers are offering a discount on the book for orders received before the launch – the paperback version is £15 (RRP £20) and the hardback edition is £20 (RRP £25).
Sarum Chronicle is known for its annual publication of a book of articles about local history every November.
This new book on churches is an additional edition to their usual offerings.
Those interested in obtaining a copy can reserve theirs by visiting the Sarum Chronicle website, clicking the "Churches" button, and following the links, or by emailing sarumchurches@gmail.com to request an order form.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘More' by Pulp Review: Satire and Sincerity
‘More' by Pulp Review: Satire and Sincerity

Wall Street Journal

timean hour ago

  • Wall Street Journal

‘More' by Pulp Review: Satire and Sincerity

In the 1990s, the U.K. was in thrall to Britpop, the retro-leaning movement that was a more melodic answer to the grunge that had taken hold in the U.S. Among the biggest bands of the scene, Oasis had anthems, Blur had taste and Pulp had style. That last, Sheffield-based band, led by singer Jarvis Cocker, was initially an outlier because its first two albums came out in the '80s and weren't representative of what came later. But by 1994's 'His 'n' Hers,' Pulp had mastered its own brand of multifaceted guitar pop, which mixed glam rock, disco and punk. Mr. Cocker, whose persona was a magnetic fusion of Bryan Ferry's louche sexiness and Elvis Costello's wit, became one of rock's great frontmen. And then, after Pulp's 2001 album 'We Love Life,' produced by avant-pop legend Scott Walker, the group went its separate ways. The band's membership had always been fluid, though drummer Nick Banks and keyboardist Candida Doyle were there from nearly the beginning, and it was fair to assume after it split that Mr. Cocker would pick up where the band left off. But he had tired of Pulp's celebrity and pursued low-key solo projects. In what has become an increasingly common progression for once-disbanded groups, a series of reunion tours led to studio sessions and now, after 24 years, we have a new Pulp record. The stunningly strong 'More' (Rough Trade), out Friday, is a celebration of everything that made it great in the first place. The opening 'Spike Island' is both heavy and slinky, marrying a quasi-disco beat to a palpitating bassline that's at once sensual and menacing. Mr. Cocker, a bundle of jittery energy, spits out his lines as if he's walking briskly on the street next to you and trying to finish his story before heading down into the tube. He's an exceptionally good lyricist with an uncanny ability to mix satire and sincerity, and here he jokes about the absurdity of making a life in music while nodding to his band's history and extended absence: 'Not a shaman or a showman / Ashamed I was selling the rights / I took a breather / And decided not to ruin my life.' During his mellower solo years, Mr. Cocker has acquired some wisdom but has lost none of his mischievousness. Much of 'More' is about looking for love and breaking up, though nothing is ever simple. On the second track, 'Tina,' his narrator thinks he's found the perfect relationship, but he's never met his obsession and she doesn't know he exists: An outside observer would call him a deranged stalker. Mr. Cocker has an eye for telling images—here he imagines making love in a charity shop's storage room, 'The smell of digestive biscuits in the air.'

‘Mr. Loverman' Is a Rich, Stylish and Riveting Mini-Series
‘Mr. Loverman' Is a Rich, Stylish and Riveting Mini-Series

New York Times

timean hour ago

  • New York Times

‘Mr. Loverman' Is a Rich, Stylish and Riveting Mini-Series

Lennie James recently won a BAFTA for his leading role in the mini-series 'Mr. Loverman,' and for good reason: His performance is as whole and mesmerizing a portrait as one sees on television. 'Loverman,' arriving Wednesday, on BritBox, is based on the novel by Bernardine Evaristo and follows Barrington Jedidiah Walker (James), an Antiguan native who has been living in London for decades. He is a self-described 'man of property, man of style,' a dapper dresser and a Shakespeare enthusiast, husband to a devout Christian woman, father to two adult daughters and grandfather to a teen boy. He is also closeted. His long-term partner, Morris (Ariyon Bakare, who also won a BAFTA for his work here and is also fantastic), has been his best friend and lover since they met in Antigua as young men; he is Uncle Morris to Barry's children, a constant presence, a secret and not a secret, a betrayal but also a devotion. But Barry balks at labels, and he says he isn't a homosexual but rather 'a Barry sexual.' Barry swears he is about to leave his wife, about to tell her the truth. But he has sworn that before. The show weaves among the characters' perspectives, and long flashbacks depict the pivotal moments that carve each person's reality. We hear their internal monologues, though none sing quite as melodically as Barry's does. 'Loverman' is polished and literary, practically silky — sublime, even. It's natural to be baffled by other people's choices: Why would you do that? Why didn't you say anything? Why would you stay? Why would you leave? A lot of contemporary shows — even plenty of good ones — fall back on pat just-so stories for their characters' backgrounds, but the picture here is deeper and fuller than that. Fear and pain, love and loyalty: They're never just one thing. There are eight half-hour episodes of 'Mr. Loverman.' I couldn't resist bingeing it, not because it's so propulsive, per se, but because it's so lovely.

England routs West Indies to sweep ODI series 3-0
England routs West Indies to sweep ODI series 3-0

Yahoo

timean hour ago

  • Yahoo

England routs West Indies to sweep ODI series 3-0

LONDON (AP) — Late start, early finish. England needed just 30 of 40 available overs to beat the West Indies by seven wickets and achieve a 3-0 clean sweep of their one-day international series at the Oval on Tuesday. Advertisement Jamie Smith's maiden ODI fifty, 64 of the 93-run opening stand in seven overs, launched England's successful assault on the rain-revised target of 246. The game was delayed twice, first because a traffic lights outage trapped the West Indies bus long enough so the team wasn't even at the ground at the scheduled toss, and secondly for a 90-minute rain break. Without a warmup in the nets, and forced to bat in gloomy bowler-friendly conditions, the West Indies slumped to 28-3 before the rain and 154-7 soon afterward. That it eventually racked up 251-9 was impressive. Sherfane Rutherford kept the innings alive with 70 off 71 balls, then teammates Gudakesh Motie and Alzarri Joseph, the Nos. 8 and 9 batters, gave their side a fighting chance with a partnership of 91 in 11.2 overs. Advertisement In the highest ever eighth-wicket ODI stand by the West Indies against England, Motie and Joseph clobbered the host with five sixes and 10 boundaries. Joseph was out to a skier on 41 off 29, and Motie was bowled on the last ball on 63 off 54. Spinner Adil Rashid was the pick of the bowlers with 3-40. England players adapted to the pre-game traffic problems near the Oval by exiting their bus and hiring bicycles to get to the ground. Smith used more of that dynamic thinking on the fly to deflate West Indies hopes again on his home ground. Smith blasted 10 boundaries and three sixes before his off stump was bowled by Motie in the seventh over after scoring 64 from 28 deliveries. Advertisement Smith scored at such a rate that England's 100 in the eight-over powerplay was the fourth fastest in ODIs, and its 121-1 after 10 overs was England's best-ever 10-over total. Ben Duckett propelled England further with 58 from 46, falling at 155-2 with the chase more than half over. The mopping up was left to Joe Root with a casual 44, and Jos Buttler's unbeaten 41. The teams play three Twenty20s from Friday, starting at Chester-le-Street. ___ AP cricket: The Associated Press

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store