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Wimbledon 2025 across the BBC

Wimbledon 2025 across the BBC

BBC News4 hours ago

From the legendary courts of SW19, BBC Sport unites audiences across the nation with exclusive live coverage of Wimbledon 2025. Whether watching on TV, streaming on iPlayer, or tuning in via BBC Radio 5 Live, 5 Sports Extra, or BBC Sounds – every serve, rally, and match point is being delivered direct to audiences, wherever they are.
Clare Balding and Isa Guha lead the daily TV coverage across BBC One, BBC Two, and BBC iPlayer.
On radio, Gigi Salmon and Clare McDonnell present live match coverage across BBC Radio 5 Live, 5 Sports Extra, and BBC Sounds.
Every match available to watch on BBC iPlayer, with Centre Court matches offered in Ultra HD
Highlights of select matches available to watch on BBC iPlayer
Bespoke video analysis of key matches and players on BBC Sport website/app and social platforms
Beyond the live action, the BBC Sport website, app, and social media channels will deliver in-depth coverage, including player interviews, in-play video clips, daily live text commentaries, and behind-the-scenes access, ensuring fans don't miss a moment.
Alex Kay-Jelski, Director of BBC Sport, says: 'Wimbledon is a truly special event - so many stories happening at once, so many countries represented, so many brilliant women and men problem-solving in real time as they try to go deep into the tournament. BBC Sport's coverage brings the drama, passion and legacy of the Championships to life, capturing the moments and stories that unite audiences across the nation. In a summer when women's sport takes centre stage, new legends will emerge on the iconic grass courts of SW19. Fans can follow every moment live across BBC TV, iPlayer, BBC Sounds, social accounts and the BBC Sport website and app.'
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TV and iPlayer
Live from the iconic All England Lawn Tennis Club, BBC Sport brings unrivalled coverage of this year's championship, led by Clare Balding and Isa Guha.
Isa Guha kicks off the day's action in the morning on BBC Two, before Clare Balding takes over in the afternoon as play continues into the evening on BBC One. Qasa Alom will host Today at Wimbledon daily throughout the tournament on BBC iPlayer available from 9pm in week 1 and 8pm in week 2, giving audiences instant access to highlights and expert analysis when and where they want them. This will compliment the unparalleled live coverage across BBC One, Two and iPlayer. The highlights programme will also be broadcast after live play ends, daily on BBC Two.
As the tournament reaches its gripping conclusion, Andy Stevenson will present coverage of the wheelchair finals.
Joining Clare and Isa in the BBC studio are a stellar line-up of tennis legends, including Grand Slam champions John McEnroe, Martina Navratilova, Billie Jean King, Pat Cash, and Tracy Austin, alongside Tim Henman and Annabel Croft, to provide their insight and analysis throughout the fortnight.
Specialist commentary is provided by Andrew Castle, Chris Bradnam, James Burridge, Pat Cash, Naomi Cavaday, Matt Chilton, Andrew Cotter, Annabel Croft, Katherine Downes, Jo Durie, Colin Fleming, Paul Hand, Daniela Hantuchova, Dom Inglot, Abigail Johnson, Anne Keothavong, Robbie Koenig, David Law, Nick Lester, Alicia Molik, Ryan Harrison, John Lloyd, Ronald Mcintosh, Alison Mitchell, Nick Monroe, Nick Mullins, Pete Odgers, Arvind Parmar, Louise Pleming, Simon Reed, Candy Reid, Sam Smith, Liz Smylie, Mel South, Andy Stevenson, Todd Woodbridge plus Jayant Mistry, Louise Hunt and Katie O'Brien for the Wheelchair events.
Radio and Sounds
Gigi Salmon and Clare McDonnell present live coverage on BBC Radio 5 Live, BBC 5 Sports Extra and BBC Sounds with Steve Crossman presenting in the evenings.
Joining the team are former Wimbledon champions Pat Cash and Marion Bartoli, offering expert insights throughout the tournament. They are accompanied by Kim Clijsters, Annabel Croft, Laura Robson, Naomi Broady, Mark Woodforde, Jeff Tarango, Leon Smith, Coco Vandeweghe, Greg Rusedski, and Daniela Hantuchova.
Radio commentary is led by BBC Sport's Tennis correspondent Russell Fuller, joined by Gigi Salmon, David Law, Naomi Cavaday, Jonathan Overend, Iain Carter, Abigail Johnson, Sara Orchard, Maz Farookhi, Claire Thomas and James Gregg. 5 Live's Wimbledon team will bring audiences all the major matches live, with regular updates from the outside courts.
John McEnroe and Tim Henman return to Radio 5 Live's iconic 6-Love-6 where listeners can have their say on the day's big tennis stories.
Lee James presents live coverage on the BBC World Service, joined by Greg Rusedski, Daniela Hantuchová and Cara Black for expert analysis. Commentary comes from Delyth Lloyd, Chris Dennis, Shourjo Sarkar and Shabnam Younus-Jewell.
Jamie Broughton and Jon Wilkinson are courtside providing coverage for the 39 BBC Local Radio stations.
Online and BBC Sport App
BBC Sport's digital coverage of Wimbledon offers fans unparalleled access to the championship wherever they are. New this year, BBC iPlayer features highlights of selected matches, alongside bespoke video analysis of key games and players across the BBC Sport website, app, and social media platforms.
The BBC Sport website and app also delivers live in-play clips, match highlights, and a curated selection of the tournament's funniest moments, all available in a vertical video player.
Fans can tune into the live Wimbledon Extra channel on BBC iPlayer, the BBC Sport website and app, and via the red button. Plus, every match is available to stream on iPlayer, bringing viewers even closer to the action.
Daily live text commentaries on the BBC Sport website and app capture the best of the day's play, with reports on standout matches and major moments throughout the tournament.
For those who don't want to miss a beat, BBC Sport's social media channels are packed with top highlights, player interviews, in-depth storytelling, and exclusive behind-the-scenes content.
Presenter Q&A
Clare Balding
What can audiences expect from this year's Wimbledon?
Top class tennis in the most prestigious setting. Epic five set thrillers to keep you on the edge of your seats, informed insight from Grand Slam winning pundits, in-depth analysis and fascinating features that build up the characters on court. John McEnroe, Martina Navratilova, Tim Henman, Tracy Austin and Pat Cash will all be back.
What are you most looking forward at to this championship?
I love being part of such a good team and learning from them about the new players who stepping into the void left by Federer, Nadal and Murray. I'm excited to see how Jack Draper can progress and of course see the latest instalment of the Alcaraz/Sinner rivalry. Coco Gauff burst into our consciousness at only 15 when she beat Venus Williams on her Wimbledon debut. I'd love to see her reach her first final here and ultimately lift the title. It would be great to see a good run from Katie Boulter and Emma Raducanu.
Which women's Names Will Be Made this year at Wimbledon and who could emerge as breakout stars?
Sonay Kartal is the name I think will become more familiar. The British number 3 is into the top 50 in the world and having a terrific year. Mirra Andreeva is only 18 years old and up to world number 7. She's beaten a host of big names this year and won both Dubai and Indian Wells. At the other end of the age spectrum, Tatjana Maria won Queen's at the age of 37 and one thing we know in women's tennis is to expect the unexpected.
Isa Guha
What can audiences expect from this year's Wimbledon?
The last few years in the men's game has been all about transition and we are seeing incredibly dynamic young players coming through which is super exciting. The women's game continues to go from strength to strength in terms of depth and power and there is a vast array of personalities which make it even more interesting. In terms of British players, Jack Draper is now a top 5 player so he will be a big draw as well at Emma Raducanu who returns to British no 1. The spotlight is being shared around a bit more with the British players and so there will be plenty to talk about.
What are you most looking forward at to this championship?
Hopefully plenty of sun and no rain!
Which women's Names Will Be Made this year at Wimbledon and who could emerge as breakout stars?*
Sonay Kartal reached the 3rd round as a qualifier last year and, as a top 50 player now, I'm looking forward to seeing how she goes. Mirra Andreeva has had a good year on tour after disappointing last Wimbledon and I expect big things from her this year
Qasa Alom
What can audiences expect from this year's Wimbledon?
Attacking flashy tennis from players who want to WIN rather than avoiding making a mistake and that will leave the crowd cheering loudly.
There is so much variety to the tennis now, not just long rallies from the baseline. From players really using the drop shot, coming to the net more or trying to hit a lot of winners and play on the front foot - I think it will mean viewers can be entertained by captivating tennis, whether you're a seasoned Wimbledon watcher or a newcomer alike.
What are you most looking forward to at this championship?
There are two storylines I am really intrigued by. Firstly Jack Draper has had a standout year - the British Number 1 has arguably been the 3rd best Men's player in the world this year behind Carlos Alcaraz & Jannik Sinner. He is on track to be seeded 4th at this year's Championships - so there's no reason why he couldn't mount a serious run on home soil.
Secondly - Novak Djokovic. At 38, you'd think the guy would be slowing down, but results show he is still up for it in the Grand Slams. Unlike last year, he seems to be in very good physical shape and his performance at Roland Garros leads me to believe this is his best chance of getting that coveted 25th Grand Slam.
Which women's Names Will Be Made this year and who could emerge as breakout stars?*
I think Aryna Sabalenka, the World Number 1 has such a great personality. She is fun, honest & plays lights out tennis. This could be the year that the 27 year old finally shows her best at SW19.
And another who could really cement herself as a breakout star and name is Mirra Andreeva. The 18 year old has poise beyond her years and is putting together a really consistent level of play that's helped her to win 2 WTA 1000 titles this year already. She is now ranked 7th in the world and she will only get better.
Tim Henman
What can audiences expect from this year's Wimbledon?
Wimbledon is a very special place, there are so many elements to it. The immaculate grass courts, the flowers, the way that it's hosted, the predominantly white clothing, the royal box, the celebrities, it's a special place. It's more than just a tennis tournament.
What are you most looking forward at to this championship?
I always focus first and foremost on the players, and we've got the best players in the world, both men and women coming to compete for the most prestigious tournament in the world so that is definitely what I look forward to the most.
Which women's Names Will Be Made this year at Wimbledon and who could emerge as breakout stars?
You've got the best women players in the world and that's led by Aryna Sabalenka, she's number one in the world and she's never won Wimbledon so she'll be excited about her opportunities.
I think Coco Gauff, I remember when Coco played as a 15 year old because she was given a wild card into qualifying, she qualified and then beat Venus Williams first round and it's amazing to think that she's been around for 6 years and she's still only 21. She's French Open champion; she's such a great competitor and she's such a great ambassador for our sport. I'd love to see her win Wimbledon.
But I think there's some great British stories out there. Whether that's Emma Raducanu, Katie Boulter, Sonay Kartal has done so well. I think on the back of Roland Garros, Lois Boisson, there's somebody who was 360 in the world and she made the semi-finals. It just goes to show the strength and depth is amazing.
Andy Stevenson
What can audiences expect from this year's Wimbledon?
We could be in for a classic Wimbledon this year with new rivalries really emerging. I don't think anyone would turn down another Alcaraz vs Sinner or Gauff vs Sabalenka final after their thrilling matches at the French Open.
Novak Djokovic is still hungry for more and the Ladies' title has been won by 8 different players in the last 8 years, so anything could happen!
What are you most looking forward at to this championship?
It's my third year presenting the Wheelchair Singles finals and 12 months ago I was so lucky to be on No.1 Court to see Alfie Hewitt complete his career Grand Slam at Wimbledon. I can't wait to see him defend that title.
And can Hewitt & Gordon Reid continue their dominance of the Wheelchair Doubles with a 7th title together?
Which women's Names Will Be Made this year at Wimbledon and who could emerge as breakout stars?
Following her exploits at Roland Garros, where she reached the semi-finals in her first ever Grand Slam tournament. everyone is talking about France's Lois Boisson. It will be fascinating to see if she can back that performance up now she is suddenly the French no.1.
In terms of the Brits, it would be great to see Katie Boulter or Sonay Kartal make a run into the second week.
Annabel Croft
What can audiences expect from this year's Wimbledon?
I always say with Wimbledon I expect long drawn-out summer evenings watching five set epic matches, late into the day and rollercoaster rides. Great tennis, grass court action and some thrilling matches.
What are you most looking forward to at this championship?
I look forward to great contests and great clashes between two big personalities. It's like building up to a big boxing bout. You want to watch two heavyweights. I always look forward to the great clashes so when the draw comes out you think of what contests could come in a few days time and the excitement of those characters going up against teach other.
Which women's Names Will Be Made this year and who could emerge as breakout stars?
I'm reaching for Coco Gauff. I think after winning Roland Garros I think she's going to have a really good Wimbledon, and she's going to have confidence, and I think she has the game for it. She's already a big star but it brings it to a bigger global audience.
I'm a huge fan of not just her tennis, but her work ethic, her professionalism, I like her personality, and I think that she's going to be certainly a big force. She's already a big star but I think if she won Wimbledon it brings it to a bigger global audience. Wimbledon is quite special.
I think it's going to be interesting to see how far the Brits go. I think this group of three of them, Raducanu, Boulter and Kartal, are really ones to keep an eye on.
Mika Stojsavljevic, the young girl that won the US Open juniors called has been given a wildcard. She's certainly one to keep an eye on. If I was going to go with one player that people aren't so familiar with who's done so well on the tour and she's still a teenager I'd have to say Mirra Andreeva. She won Indian Wells, she's beaten Świątek several times and she's got an all court game so I definitely think she's going to be one to look out for.
Andrew Castle
What can audiences expect from this year's Wimbledon?
100% commitment from everyone involved as usual. That includes the players who come first of course. Everybody who works at and around the club from stewards to broadcasters to court coverers to the cleaners to the gardeners and the chefs and everybody in between.
Physically Wimbledon is very beautiful and it's even more pronounced for me because I get to use the club year-round and now instead of the bare bones it's now wearing its full party frock.
What are you most looking forward to at this championship?
I'm most looking forward to day one and seeing so many faces and people. For many it will be a first time to a great sporting event and others would have been there since the days of the great Australians. All the way through the Borg and McEnroe era and coming up through Steffi Graf. People will watch the sport for years, others will be brand new. I've seen people in their 90s there and all the way down to 5, 6, 7 years old who have a look of wonder in their face. That's really what I look forward to.
Professionally I look forward to sitting down with a microphone with old friends and showcasing tennis for the audience and doing our best to entertain and to inform and do my best not to talk too much, I promise!
Which women's Names Will Be Made this year and who could emerge as breakout stars?
That's a big question and I have no idea... and that's part of the joy of it.
If it's not this year, it's going to be sometime for the American, Emma Navarro. She is just a spectacular athlete and at the time of writing she's the fourth ranked American but she's number 10 in the world and since the moment I first saw her play I just thought 'now here's someone who could win one of the majors.'
Britain's Sonay Kartal fascinates me. She is so laid back which is a real advantage in a global individual sport. She works relentlessly to improve and has improved out of site in the last year and has probably benefitted from coming through in the slipstreams behind Katie Boulter and Emma Raducanu.
Could this be the year for Mirra Andreeva? She's only 18 but she's going to win a Grand Slam one of these years.
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The unease I've felt all these years is now at peace… I'm going to kick butt, says John Fogerty ahead of Glastonbury
The unease I've felt all these years is now at peace… I'm going to kick butt, says John Fogerty ahead of Glastonbury

The Sun

time16 minutes ago

  • The Sun

The unease I've felt all these years is now at peace… I'm going to kick butt, says John Fogerty ahead of Glastonbury

WHEN John Fogerty walks out on to Glastonbury's Pyramid Stage tomorrow, he will be taking care of unfinished business – in more ways than one. After a struggle dating back more than 50 years, he finally owns the publishing rights to the much-loved songs he wrote as Creedence Clearwater Revival's chief creative force. 5 5 'For most of my life, I've been angry, hurt and frustrated,' Fogerty tells me. 'Not owning the songs meant that I didn't control their destiny. I didn't get to say what movie they'd be in or whether they could be used in a commercial. 'But the unease I've felt all these years is now at peace.' It means he can belt out Proud Mary, Born On The Bayou, Bad Moon Rising and Up Around The Bend with unbridled joy rather than lingering bitterness. Should the heavens open on Worthy Farm, he will have the perfect response with Who'll Stop The Rain. If it stays dry, as is forecast, he can unleash Have You Ever Seen The Rain? Isn't that great for an artist who couldn't bear to sing Creedence songs for the first 25 years of his fight to reclaim his legacy? As he heads to the Somerset countryside, another motivating factor for Fogerty is that his last visit to Glastonbury, 18 years ago, was less than satisfactory. Now he says: 'I want to go there and kick butt!' A month's worth of rain fell during festival weekend in 2007, making it the wettest Glastonbury on record and reducing the huge site to a quagmire. 'It rained like a son of a gun,' reports the rock legend who turned 80 in May. 'It was so muddy, and somewhat chaotic, with all these people wearing rubber boots.' Fogerty recalls playing 'very, very well' despite challenging conditions. 'But we were almost fighting for survival just to stay above water and put on a good show.' He continues: 'We went on way after our start time and, near the end of our set, a big commotion was going on. 'People were shouting, 'You have to come off!' Proud Mary was meant to be our last song but they pulled the power. That didn't leave a good taste!' He compares his experience to the festival which took place in August, 1969 — the daddy of them all, Woodstock. Creedence were one of the headline acts for '3 Days Of Peace & Music' on Max Yasgur's dairy farm in upstate New York, attended by half a million people. The band were at the peak of their powers, selling more records that year than any other act in the world, INCLUDING The Beatles. 'The rain and mud very much figured into everything at Woodstock,' he says. When Creedence finally appeared in the early hours of ­Sunday morning, at least the ­deluge had subsided. But Fogerty adds: 'My frustration with Woodstock was that we went on very late. 'The Grateful Dead had been on for well over an hour, a lot of that time with no music coming from the stage. Half the audience was asleep!' Fifty-six years later, I'm speaking to Fogerty as he puts past disappointments aside to ensure that his appearance at Sir Michael Eavis's dairy farm is a rock 'n' rolling success. 'I want to be great and I'm looking forward to it,' he says, 'especially as I'm playing with my sons [Shane and Tyler].' I'm meeting Fogerty in the dimly lit basement bar of a hotel in the heart of London's Soho. The trademark checked flannel shirt is present and correct. He still sports a full head of hair, though perhaps not as impressive as the fulsome mop seen during his early years in the limelight. Unafraid to be outspoken — just what you'd expect of a rock elder statesman — he soon lights up the room. 5 5 Fogerty is marking the end of his fight to get his songs back with an album called Legacy: The Creedence Clearwater Revival Years. As with his live shows, it was made in the company of his sons and it summons all the old fire and brimstone. He says: 'It was absolutely wonderful to be making this record with Shane and Tyler — in keeping with the tradition of a father passing on his work to his sons.' Each track comes with the words John's Version in brackets after the title, echoing the Taylor's Version re-recordings by the world's biggest singing star. At a time when Bruce Springsteen, Bob Dylan, Neil Young and Sting have been selling off their back catalogues for vast sums, Fogerty and a certain Ms Swift have 'done the opposite'. 'I even lobbied to call mine Taylor's Version,' he laughs. 'That would have been good marketing.' On a more serious note, Fogerty says he understands why those other legends have sold their rights. 'Miraculously, they owned their stuff from a young age. They had better representation,' he says. 'A lifelong quest' 'But it's been a quest all my life to gain the ownership I never had.' It all came about because the head of his small record label Fantasy, the late Saul Zaentz, acquired the rights before Creedence Clearwater Revival hit the big time — and wouldn't let go. 'It was awful,' admits Fogerty. 'If it had been RCA or EMI, some huge conglomerate, and we were a little rock band, you might expect that sort of relationship. 'But this became very personal. I knew Saul Zaentz and he was a nothing, like I was a nothing before I started writing those songs. "A song like Run Through The Jungle hadn't even been written but it was already owned by Saul because of a piece of paper — the contract I signed. 'So, I had a lot of ill will towards him because he treated me so meanly. He was arrogant and dismissive.' After years of legal proceedings and despair, Fogerty credits a very special person in his life for helping to get his songs back. 'My dear wife Julie fought for this and made it happen,' he says. 'It has changed my life. It has changed everything.' Now it's time for a quick Creedence recap. The four members, Fogerty (lead vocals and guitar), his brother Tom (rhythm guitar), Stu Cook (bass) and Doug Clifford (drums) first got together in 1959. They met at high school in El Cerrito, a city in the San Francisco Bay Area of California. As The Blue Velvets, they enjoyed little success and had to endure their name being changed by a record company executive to The Golly***s, which they hated. Only when they became Creedence Clearwater Revival in January, 1968, did everything start falling into place — creatively if not contractually, that is. Their self-titled debut album featured their first hit, a cover of Dale Hawkins' Suzie Q, and Fogerty's most significant early composition, Porterville. He says: 'I wrote Porterville while on active duty in the military, marching around in unbearable heat and going into a hallucinating mental state. 'Everything was coming to life in my mind and that was pretty new for me. The song is a bit autobiographical, especially about my father/son situation. It captured my feelings in those times.' Porterville is the oldest Fogerty song to get a stirring 2025 reboot on his new album. Many of the other songs first appeared during his golden year of 1969 when inspiration came thick and fast — and THREE top ten albums were released. He says: 'The wonderful thing was that it was all organic and created by the band — not some publicity machine or a record label. 'We didn't have a manager, we didn't have a publisher, we weren't on a big label, so I thought I'd just have to do it with music. 'My bandmates became resistant to all this work but I was the one staying up every night, usually until 4am, writing songs. 'I took it on because, in my mind, I was really the only one of us who could do it. 'I kept kicking myself in the butt instead of going on a vacation or acquiring a bunch of material things. It felt like a matter of life and death.' The first of the three albums, Bayou Country, served notice of Californian Fogerty's infatuation with America's Deep South. I ask him why he relocated, in his mind at least, to the Mississippi Delta and wrote such songs as Proud Mary and Born On The Bayou. Fogerty says: 'I was doing that intuitively. Starting with Susie Q, the way I played the guitar seemed to have a Southern feel. 'As for the musical stars I loved, the spookier the better. People like Bo Diddley, Howlin' Wolf and Slim Harpo. 'Spookier the better' 'There was something so mysterious about what they were doing, almost untouchable, but I wanted to go in there and let it resonate.' He adds with a wry smile: 'I realise this sounds a little strange for a white, middle- class boy but my writing comes from deep inside.' Fogerty recalls movies set in the South having a big impact — Swamp Water with Dana Andrews and Walter Brennan, The Defiant Ones with Sidney Poitier and Tony Curtis. He affirms: 'At later times in my life, after the band broke up and through all kinds of trends, I've always thought that bluesy, supernatural place is where I'm at my best.' I invite Fogerty to explain how his most famous song, Proud Mary, came into being. He describes the 'happy confluence' of things going on in his life that 'miraculously came out in that song'. 'I'd just got my honourable discharge from the army. I was very happy about it,' he says. 'Most of us didn't want to go into the jungle [in Vietnam] without knowing why and have to fight an unseen person, perhaps die doing it.' Fogerty remembers the euphoric moment he arrived home: 'I immediately went into the house and started playing chords on my little guitar that were slightly reminiscent of Beethoven's 5th. 'With that happy feeling, I got to a place where I was 'rollin', rollin', rollin' on the river'. I thought, 'Oh, I like that but what am I writing about?'' He dived into the songbook he'd been keeping and saw the words 'Proud Mary' at the top of the first page. At the bottom of the page, which yielded Bad Moon Rising and Sinister Purpose as well, was the word 'riverboat'. Cue a lightbulb moment for Fogerty. 'I thought, 'Proud Mary, oh, that's the name of a boat!' 'There is so much Americana in that idea. Hopes and dreams connected to this boat, which is connected to the Mississippi, which is connected to hundreds of years of folklore. 'I didn't try to make it happen but it converged right there in the perfect way.' I was a team player but the idea of relinquishing and letting the others write the songs seemed like career suicide. John Fogerty Did Fogerty like the Ike & Tina Turner version of Proud Mary which hit No4 in the US singles chart in 1971? 'I loved it,' he replies. 'The first time I heard it, I was in the car. It was dark, somewhere around seven o'clock, so it must have been winter, and it came on the radio. 'I'd been a Tina fan for years. In fact, since hearing It's Gonna Work Out Fine at a club [in 1961], I was always pulling for her.' Proud Mary took pride of place on Bayou Country and the hits kept on rolling through the next four Creedence LPs — Green River (1969), Willy And The Poor Boys (1969), Cosmo's Factory (1970) and Pendulum (1970). One of Fogerty's best songs was searing Fortunate Son which took aim at rich families paying for their children to avoid the draft while poor kids went off to fight. By way of explanation, he says: 'I grew up in a lower- middle-class situation — not at poverty level but many times it felt like it. My parents divorced and my mom had five boys to raise. There was certainly an element of us being behind the eight ball. 'We had a basement that flooded every time it rained. It felt like a semi-prison at times. 'The funny thing is, I've earned millions of dollars in my life, right? But I still feel like that kid in that room.' By the time of 1972's disastrous Mardi Gras album, which shared songwriting duties rather than rely solely on Fogerty, irreparable cracks appeared — and Creedence split in circumstances that he likens to a bitter divorce. 'I was pretty sure that none of the other fellas could come up with anything like I was doing,' he says. 'Before a rehearsal, I'd say, 'Does anybody have anything?' They would look at their toes, so I just kept going. 'I was a team player but the idea of relinquishing and letting the others write the songs seemed like career suicide.' Things came to a head at a band meeting in late 1970 when Fogerty's brother Tom said he wouldn't be in the band 'if it stays the way it is'. 'I had to relent because I realised there would be no band otherwise. So, I gave everybody what they wanted, then it fell apart anyway.' Tom Fogerty was first to leave and sadly died aged just 48, never reconciling with his younger brother. John says: 'When Tom left, it broke my heart. 'He was clearly disliking me and even said publicly that Saul Zaentz was his best friend. That hurt me and drove my anger. 'When Tom passed away, we had not come to grips with the situation but, years later, I made a point in my heart and my mind to forgive him. 'I realise we both messed up but I expect to meet Tom in the afterlife, and that everything will be joyful.' Speaking of joyful, it's the perfect word to describe John Fogerty's return to Glastonbury. Festival-goers will be surprised at how many of his songs they can sing along to. Big wheel keep on turnin' Proud Mary keep on burnin' JOHN FOGERTY ★★★★☆ 5

Kate Winslet becomes King's Foundation ambassador
Kate Winslet becomes King's Foundation ambassador

Telegraph

time33 minutes ago

  • Telegraph

Kate Winslet becomes King's Foundation ambassador

Kate Winslet has joined The King's Foundation after telling the monarch she has 'got his back'. The Academy Award-winning actress, 49, is joining the charity as an ambassador, following in the footsteps of Sir David Beckham, Sienna Miller and Sir Rod Stewart. It comes after she joined the King, 76, at the foundation's awards ceremony in St James's Palace a fortnight ago, where she told him: 'Don't worry, I'll be all in – I've got your back.' The Titanic star said she was thrilled following the announcement of her new ambassadorial role and noted her and Charles's shared passion for protecting the environment. Winslet said: 'One of my passions is exploring ways that we can protect and promote the natural world – something I have in common with His Majesty.' In a video marking the news, the British actress added that the foundation's work protecting the planet and encouraging young people to learn about the 'beautiful' countryside was 'deeply important' to her. She said she was looking forward to collaborating with the other ambassadors on ways to make a difference through the charity's work. 'I am so thrilled to become an ambassador for The King's Foundation, particularly as the charity celebrates its 35th anniversary this year,' Winslet said. She added: 'The King's Foundation does such fantastic work to prioritise and protect nature and our wonderful planet, in particular championing field to fork farming, as well as getting young people outdoors and learning about our beautiful countryside and how we can all play a part in protecting its future, all things that are deeply important to me and to so many of us. 'And it's been fascinating learning about what the foundation does over these past few months, and I am really looking forward to collaborating with the other ambassadors so we can discuss ways in which we can collectively make a positive difference.' She joins fellow ambassadors Alan Titchmarsh, presenter Jay Blades, TV property expert Sarah Beeny and rugby player Maro Itoje, among others. The ambassadors are expected to use their expertise and reach to support the King's charity's mission in its vision and strategy. The King's Foundation works to support people and the planet through a sustainable and holistic approach, including education courses in preserving endangered traditional skills – such as millinery, embroidery and woodworking – and helping to revitalise communities through urban regeneration and planning. Kristina Murrin, the charity's chief executive, said: 'It has been fantastic to get to know Kate and we are thrilled she was able to spend time with our students, alumni and Royal Founding President at The King's Foundation Awards earlier this month. 'We look forward to working with Kate to promote our work over many years to come.' The charity, previously known as The Prince's Foundation, was founded by Charles in 1990 and aims to 'advocate for the change His Majesty wants to see in the world'.

Kylian Mbappe accuses PSG of ‘moral harassment' as Real Madrid star's £55m lawsuit takes fresh turn
Kylian Mbappe accuses PSG of ‘moral harassment' as Real Madrid star's £55m lawsuit takes fresh turn

The Sun

time33 minutes ago

  • The Sun

Kylian Mbappe accuses PSG of ‘moral harassment' as Real Madrid star's £55m lawsuit takes fresh turn

KYLIAN MBAPPE has accused former club PSG of 'moral harassment' as the legal battle took a fresh turn. France and Real Madrid ace Mbappe is already claiming the French champions owe him £55m from his final year before his free transfer move to Spain. 2 2 But in a separate development, Mbappe, 26, is also arguing PSG ownership attempted to strong arm him into signing a new deal rather than letting his contract run down. And it means the damaging dispute between the two sides will play out even further. In the latest twist, Mbappe filed an official complaint with the French courts against PSG last month, with two examining magistrates now appointed to investigate the claims. Mbappe alleges that the incidents took place in the summer of 2023, ahead of his final year at PSG, when he was excluded from the first-team squad and placed in the club's 'loft' of unwanted players. His lawyers allege that the move to isolate Mbappe was PSG attempting to coerce him into signing a new deal, with the claim saying that it added up to 'psychological pressure' and the 'attempted extortion of a signature.' The new move comes with the wages claim also set to be played out in the courts. Mbappe claims PSG owe him his final three months' salary and bonuses from that last season in Paris, with the club insisting he waived the payments as a condition of his release. Meanwhile, Mbappe is ruled out of Madrid's final group game in the Club World Cup against Salzburg tonight as he recovers from the bout of gastroenteritis that saw him briefly hospitalised for tests last week. The France striker has not featured in the tournament so far but will be available for Madrid's last-16 game on Tuesday. Mbappe returned to the gym this week in a bid to get back to full fitness before the next round. Reports in Spain have claimed that he lost between four and five kilograms due to the virus. It is believed that he may have contracted the illness back in Madrid before flying to the US earlier this month.

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