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House of Games at Hampstead Theatre review: an efficient, tense piece of work that never quite sings

House of Games at Hampstead Theatre review: an efficient, tense piece of work that never quite sings

Both film and play rely on multiple plot twists and shifts of perception over who is exploiting whom, and on the idea of an upstanding figure energised by a walk on the wild side (see also Henry IV, Equus, 50 Shades). The film seemed arch and stagey back in the day but this does not make it a natural fit for the theatre, where the audience is more complicit in the suspension of disbelief.

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Theatre agent whose family ran the ‘Harrods of the Highlands' dies
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The Herald Scotland

time24-05-2025

  • The Herald Scotland

Theatre agent whose family ran the ‘Harrods of the Highlands' dies

Died: April 16, 2025 Patricia Macnaughton, who has died aged 96, was one of the leading figures in the west end of London firstly as an agent for actors then for directors and designers. Later she also produced plays and musicals and was the person who originally saw the musical Les Miserable in Paris and with Sir Cameron Macintosh brought the show to London and ensured it was a hugely successful musical and film. But Macnaughton remained a proud and fervent Scot. Her birthplace in Pitlochry remained a central part of her life and she often returned to visit family or for professional reasons; one of her first clients, Frank Dunlop, was director of the festival from 1984-91. The family ran Macnaughton Holdings which dated from 1783 and in 1856 they opened their shop A & J Macnaughton in Pitlochry high street. It became known as 'the Harrods of the Highlands' and still stands there in a prominent position. Over the years the shop has gained a reputation for selling a vast array of tartans and high-quality woollen goods. Her upbringing in Pitlochry created a love of the traditions, countryside and people of the Highlands. She always supported many Scottish institutions from sporting and arts events to being a member of St Columba's Church of Scotland in London. Patricia Jean Macnaughton, the second child of Allan Macnaughton and Jean Baxter-Tyrie, was born in Pitlochry and attended Cheltenham Ladies College. This entailed long journeys from Pitlochry south during the war by train which were challenging and tiresome. She then gained a place at Edinburgh University to study medicine. However, her parents were involved in a high-profile divorce in the Edinburgh courts which resulted in Macnaughton having to give up her medical studies and going to London where she found work as a temp in a London theatrical agency, Christopher Mann Associates. Her agile mind and exacting negotiating skills soon made their mark. Read more In 1955 Macnaughton moved to Paris and signed up for a course to learn French at the Sorbonne, despite having little knowledge of the language. She spent five years in Paris, much enjoying the city's social life, and gained an excellent command of the language which was to prove a major asset in her career back in London. She rejoined the agency and when she became a partner its name became MLR, one of the most respected in the West End. She managed many leading actors but in the 1970s she concentrated on managing directors, designers and, especially, writers. Of the latter Peter Schaffer was the most eminent. The revival of Equus with William Radcliffe in 2005 both in London and New York proved hugely successful as did other of his plays such as Amadeus and Lettice and Lovage. But Macnaughton soon demonstrated her tenacity and sheer ability to keep a major project bubbling on a front burner. She had seen the musical Les Miserable while visiting her clients, Jean-Louis Barrault and Madeleine Renaud, in Paris. Immediately she recognised its potential and sold the idea to a major Broadway producer, who then withdrew. After much negotiations she got involved with the Royal Shakespeare Company and Sir Cameron Macintosh as backers. She realised the show she saw in Paris had to be radically altered and proceeded to play a pivotal role in turning Les Mis into a smash hit. The journalist Herbert Kretzmer joined the Les Miserables team and the English lyrics greatly added to the show's drama and resulted in such thrilling numbers as I Dreamed a Dream, Do You Hear the People Sing? and Bring Him Home. Macnaughton once commented, 'Herbert doesn't do straight translations. He recreates.' Macnaughton and Macintosh became firm friends and she served as a trustee of the Cameron MacIntosh Foundation which has greatly assisted both theatre and non-theatrical charities. She also served as chairman of the Tricycle Theatre the fringe theatre in north London. Her great friend the South African satirist Pieter-Dirk Uys often performed there and toured the UK. His play Paradise is Closing Down visited the Edinburgh Festival in 1979. But it was her life-long love of Scotland that was a central to Macnaughton's life. Never over jingoistic but a proud and genuine loyalty. She delighted in attending first nights in her Macnaughton tartan dress and celebrated Hogmanay joyously. Her daughter Annabel recalls, the annual drive north for summer holidays were a tradition on their own. 'Mum at the wheel and after a lunch stop to buy mutton pies and Tennent's lager somewhere around Berwick there was a mandatory rendition of The Skye Boat Song as we crossed the bridge at Berwick. The cats and dogs wore tartan scarves. Mum sang full out in her throaty, tenor voice.' Macnaughton was a real character: a canny and careful lady who thought through complex contractual problems and then made an informed decision and stuck by it. She had a glorious all-embracing personality that reflected her enthusiastic nature. She married Peter Lord, who had a successful career in the City, in 1965. He predeceased her and she is survived by their son and daughter and four grandchildren. ALASDAIR STEVEN At The Herald, we carry obituaries of notable people from the worlds of business, politics, arts and sport but sometimes we miss people who have led extraordinary lives. That's where you come in. If you know someone who deserves an obituary, please consider telling us about their lives. Contact

House of Games at Hampstead Theatre review: an efficient, tense piece of work that never quite sings
House of Games at Hampstead Theatre review: an efficient, tense piece of work that never quite sings

Evening Standard

time13-05-2025

  • Evening Standard

House of Games at Hampstead Theatre review: an efficient, tense piece of work that never quite sings

Both film and play rely on multiple plot twists and shifts of perception over who is exploiting whom, and on the idea of an upstanding figure energised by a walk on the wild side (see also Henry IV, Equus, 50 Shades). The film seemed arch and stagey back in the day but this does not make it a natural fit for the theatre, where the audience is more complicit in the suspension of disbelief.

Met Gala's biggest scandals - naked man in box, smoking, and elevator fight
Met Gala's biggest scandals - naked man in box, smoking, and elevator fight

Daily Mirror

time05-05-2025

  • Daily Mirror

Met Gala's biggest scandals - naked man in box, smoking, and elevator fight

The Met Gala, one of the biggest events in the fashion calendar, has seen its fair share of scandals over the years - from smoking celebs to a man trapped in a box The Met Gala has seen its fair share of eyebrow-raising antics from the glitterati. With incidents ranging from outraged philanthropists blasting celebs for puffing on cigarettes next to invaluable artworks, to a naked party-crasher caged in perspex; from political slogans scribed on haute couture gowns to that nude illusion dress we all can't forget – it's no shocker that this night can churn out some wild stories. The 2025 bash is all set to roll out at the Metropolitan Museum of Art, with a star-studded roster pegged to attend. Brace yourselves for a sizzling scoop of scandal from this year. ‌ To gear up for what's in store, we've looked at a list of the most gasp-worthy Met Gala controversies from yesteryears – just scroll down and take a trip down the memory lane of Met mayhem. ‌ In the naughty noughties, an unruly fad sprouted at the gala as celebs were snapped lighting up in the loo, shots hitting the internet like wildfire. A notorious picture captures '50 Shades' sensation Dakota Johnson mid-smoke, while fashion maverick Marc Jacobs, style setter Char DeFrancesco, and rock royalty Frances Bean Cobain joined in with a ciggie-clad group fiesta, reports the Daily Star. These rebel poses ruffled feathers among the elite as critics reminded that New York has been a no-smoke zone across eateries, bars, and businesses since 2003. Plus, these A-list offenders were blasted as "disrespectful", merely a stone's throw away from masterpieces worth millions. A source vented to Page Six: "As a donor to the Met, I was so insulted to see all these celebrities smoking and taking selfies of themselves in the bathroom. "Mostly it is disrespectful to the art collection, which needs to be kept 100% smoke-free. I would honestly like to see these people fined by the city." In a bizarre 2017 incident, two suited men arrived at the Met Gala with a clear plastic box containing Russian performance artist Fyodor Pavlov-Andreevich, stark naked. ‌ The men dumped the box on the red carpet, leaving security scrambling to cover it with a large white sheet. The box was swiftly removed from the red carpet, with reports suggesting firefighters had to use a saw to crack it open. Another memorable moment came in 2014 when footage surfaced of Solange allegedly assaulting her sister Beyonce's husband Jay-Z in an elevator after the Met Gala. A security guard reportedly intervened during the incident, which took place at The Standard High Line. The trigger for the alleged altercation remains unconfirmed, though some speculate it was due to "family tensions". ‌ Trailblazer Cher turned heads at the 1974 Met Gala when she rocked up in a diamond-studded, see-through dress with a feather trim and long pointed nails. A sheer, flesh-toned outfit might not raise eyebrows today, but back then, the fashion-forward star left spectators gobsmacked. The Believe singer pushed boundaries with her daring outfit and is often credited with popularising the "illusion dress" in mainstream fashion. ‌ In 2021, Alexandria Ocasio-Cortez, also known as AOC, made a statement at the Met Gala with a bold message emblazoned on the back of her gown. Her Brother Vellies dress featured a striking red slogan that read "TAX THE RICH" across the back of the off-the-shoulder, mermaid-style gown, which was paired with a matching white tulle skirt. AOC completed her look with a matching slogan bag.

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