
Bono debuts documentary at Cannes, criticises US aid cuts
For Bono, the U2 frontman used to performing at sold-out arenas, being without his bandmates on a sparsely decorated stage for his one-man show, now the subject of the new Apple TV+ documentary Bono: Stories of Surrender, feels unfamiliar.
"You come from 250 Mack Trucks to a table and chairs. But that's the attraction of it for me," Bono told Reuters ahead of the documentary's premiere at the Cannes Film Festival on Friday evening.
He was joined on the red carpet by his wife Ali and their children Jordan and Elijah.
The Andrew Dominik-directed black-and-white film is based on Bono's memoir, Surrender: 40 Songs, One Story, and accompanying tour, where the singer reflects on fatherhood, religion, death, politics, and his band's decades of performing.
Among the guests at the premiere were members of Ukraine's armed forces, Bono's U2 bandmate The Edge, the actors Sean Penn and Kristen Stewart, and the human rights lawyer Amal Clooney.
The Apple TV+ documentary, which can be streamed from 30 May, is the first feature-length film that can be watched in Apple Immersive Video with the company's Vision Pro wearable headset device.
"It's a story about fathers. It's my relationship with my actual father. It's my life as a father," Bono said.
"And then it's this relationship with my Father in Heaven, whatever you want to call that force of love and logic behind the Universe."
Bono, who has long campaigned for debt relief, aid, and better trade for Africa, said that he thought of his father's voice when he looked back at the 1985 Live Aid charity concert for Ethiopian famine relief that was also pivotal to launching U2 into superstar territory.
"My father would say, 'If the world was just, you wouldn't need charity'. So we had to push through Live Aid," said the singer about the event organised by Bob Geldof and Midge Ure that raised hundreds of millions.
Bono said that US President Donald Trump and Elon Musk, the world's richest man, are squandering the potential of millions of people by making huge cuts to US foreign aid spending, "with glee, it would appear".
He added that it was an unwise policy - as well as "the definition of the absence of love".
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Independent
an hour ago
- Irish Independent
Cork gamers unite in queue outside Smyths Toys for the midnight release of Nintendo Switch 2
Thousands of gamers across Ireland flocked to their closest Smyth's Toys Superstore in the hours leading up to midnight on Thursday to pick up the latest console in the series. Ali from BroGameTime, a YouTube channel with 147,000 subscribers, was one of the gamers standing outside Smyth's on Maylor Street in Cork City to pick up the console, which cost €469.99 for the console on its own or €509.99 with Mario Kart World included. He joined the queue before the midnight release, and he said it was 'cool' to be amongst those picking up the console on release day. 'It was cool because the last time (there was a big console release) it was the PS5 and that was during Covid, and I know some people came just to see the launch because everything is online now,' he said. According to the YouTuber, Smyth's staff segregated those who pre-ordered the console from those hoping to buy one on the spot. Ali pre-ordered the console, which was delivered to his house at 2pm on Thursday, but the gamer wanted to get his hands on the console before that. 'I did pre-order to my house, but the thing was I wanted it there and then, so I bought one on the spot and returned the one that arrived to my house at around 2pm. 'To be honest, there are some people who are re-selling them for over €550 or €600, and I don't want to do things like that, so I brought it back to the store for someone else to buy it. 'Those people are greedy,' he said. Ali added that the experience felt 'great' as he was surrounded by people from the same generation. 'It was great. I'm in my early 30s and most people in the line were around the same age as me, either late 20s or early 30s and most people were there to buy it for themselves and not for their kids. ADVERTISEMENT 'Everything has changed. We are the 90s kids and we buy games for ourselves instead of just for kids,' he added. He uploaded an unboxing video to his BroGameTime YouTube channel, which showcased the first few moments of booting and setting the console up. 'It feels much, much, much better. Even on the screen, I can't believe it. 'I was thinking it wouldn't be great compared to the original one, but I even played Mario Party from the original Switch and that looked great on the handheld. 'I think people should buy it if they want one because it is much better than the original Switch,' he concluded. Ali's channel can be found here:


Irish Times
8 hours ago
- Irish Times
You might think it's Your Friends & Neighbors, but And Just Like That... is the only true aspirational show on TV
Sometime in April a new fantasy dropped: a walk-in wardrobe swish enough for Jon Hamm to want to break into it. Hamm's role as Andrew 'Coop' Cooper, a sacked hedge-fund manager turned neighbourhood burglar, in Your Friends & Neighbors has been a rare source of unalloyed television pleasure this year, with each Friday episode notification from Apple TV+ becoming the starting pistol for the weekend. Still, forget what I said about wardrobes. This dark comedy with a dash of Dynasty might be set in a fictional 'exclusive hamlet' in New York state, but no one in their right mind would actually want to be one of the neighbours in Your Friends & Neighbors. They are, as Coop's conspiratorial voiceover tells us, 'assholes'. It makes for a fun blend of soap, satire and farce, but it's not aspirational, not unless you genuinely fancy being in the market for torn jeans that cost more than monthly rent. READ MORE The now completed, already renewed nine-parter, created by Jonathan Tropper, instead fits into the recent vogue for depicting the ultrawealthy as venal, ludicrous and unhappy, prompting chicken-and-egg questions about which came first, the money or the grasping personality. [ Your Friends & Neighbors: Jon Hamm is hilarious in this riotous, satirical romp Opens in new window ] To be clear, I loved it. Rich people have very funny problems sometimes. Perhaps their greatest flaw is their desire to hang around only with other rich people, which in Your Friends & Neighbors means going to parties organised by your ex-wife's new boyfriend. Westmont Village has those eye-popping American proportions going on but is as oppressive as elite enclaves come. Even the 'keeping up with the Joneses' theme-tune refrain is all pressure, no joy. Yes, how nice to have the time to laze about sharing local arrest gossip in a sauna with four other women wearing matching towels, but how claustrophobic, too. And who really wants to be a member of the sort of stultifying country club that won't stick by you when you're charged with murder? But at least Westmont Village isn't a five-star hotel so suffocating it would put you off the entire concept of holidays. In The White Lotus the lifestyles of the rich and tedious have their own hypnotic quality. I certainly felt as if I was being hypnotised into watching the third season's slow depiction of wellness hell. Never mind the gunfire. It was the forced phone-detoxing and poolside man-pests that were the true horror. That third run reaffirmed my long-held belief that there's never been a massage that hasn't been enlivened by some kind of security emergency. By the finale I felt sorry for the Thailand tourism authorities, who got such a raw deal compared to Taormina, in Sicily, the HBO show's second-season star. And that's the essence of this recent fashion for wealth porn. It's not aspirational lives we're watching, it's aspirational scenery. Maybe the more the real world falls apart, the more audiences – and producers – gravitate towards glimpses of picture-postcard unreality. In Netflix's Sirens , for instance, we're presented with an unnervingly pristine shoreline as the camera follows a perky personal assistant skipping up endless flights of beach steps to the Cliff House. This island mansion has a perfectly positioned swimming pool and grounds so enormous you need a buggy to drive around them. I don't recommend Sirens – it's not so much escapist as a series to escape – though it should be noted that it also possesses some enviably spacious walk-in wardrobe action. To access it, however, you must put up with Julianne Moore being creepy for the best part of five episodes. Never work for someone who might suddenly demand you procure a harp. [ Sirens review: An anaemic White Lotus cover that hits the right notes but has no tune of its own Opens in new window ] Speaking of work, it remains gloriously incidental to the only true aspirational show on television: the Sex and the City spin-off And Just Like That... Carrie Bradshaw, the never-knowingly-underwardrobed Manhattanite played by Sarah Jessica Parker , has rats in her back garden, but her back garden is in a Gramercy Park townhouse, where her new apartment is otherwise shaping up delightfully. Because real estate is no bother to Carrie, she has once again moved on from the rent-controlled studio apartment that Elle Decor has dubbed her 'emotional support brownstone'. [ And Just Like That... Season 3 review: Nostalgia served up like a gift box of premium cupcakes Opens in new window ] The women of And Just Like That... occasionally have to contend with woes such as malfunctioning alarms and demanding podcast producers, but they are radically content, in the main, with being rich. They know their money allows them to enjoy everything from eccentric headwear to ballet. They're free. This seems a good time to revisit remarks made in 2022 by Candace Bushnell , the columnist who inspired the original series, about how much she used to be paid. [ Candace Bushnell at the Ambassador: A fun, girly night out for Sex and the City fans Opens in new window ] In the 1990s she received $5,000 a month for writing the People Are Talking About column for Vogue. The New York Observer, home of Sex and the City, 'paid less', but she could afford that because of Vogue. Before these columns she would 'get an assignment for 3,000 words, $2 per word', which she described as 'failing'. Ah. Failure has never sounded so aspirational.


The Irish Sun
15 hours ago
- The Irish Sun
I've known Bono for decades – real reason he doesn't deserve half the ‘ridiculous' grief he gets and new album secrets
TOP DJ Dave Fanning has defended his long-time pal Bono and insisted: 'He does not deserve half of the grief he gets.' The Advertisement 4 RTE DJ Dave Fanning has defended his pal Bono Credit: Bryan Meade 4 Fanning said Bono 'doesn't deserve half of the grief he gets' Credit: SAMEER AL-DOUMY/AFP via Getty Images) 4 Fans are eagerly awaiting a new U2 album Credit: Getty images - Getty And Dave told The Irish Sun: ' Advertisement 'He gets a lot of grief, which I think it's ridiculous. 'That's my opinion. I know a lot of people love Bono, a lot of people don't. As a humanitarian, I know how many things he has done in his downtime.' Bono, 65, was criticised after accepting the Medal of Freedom from then-US President Speaking to 'And anyone who thinks that I'm not shocked and appalled by what's going on in Gaza and to the children of Gaza . . .' Advertisement Meanwhile, Dave believes the themes of the next U2 album will be similar to the frontman's Apple special The RTE host, who always gets the first play of every new U2 record, believes there will be huge interest in the group's 15th studio album, their first since Dave said: 'Are people going to be interested in this new U2 record? Absolutely, because this is the longest gap between U2 albums we have ever had. Fans all go wild as Lady Gaga collabs with Bono at surprise gig 'I still think that U2 have it in them to do something amazing. Do people want a new U2 album? Bloody right they do.' The DJ, who still plays U2 on his RTE Gold show from 6-8pm each weekday, also thinks the band will be selling out Advertisement Dave added: ' 4 Dave first met U2 when they knocked on the door of Dublin's Big D Radio in the late Seventies