
Star Wars Celebration Japan: The Ultimate Fan Galaxy
At Star Wars Celebration Japan, fans, filmmakers, and stars came together in a joyful, global tribute to the galaxy that shaped this writer's childhood.
The Live Stage at Star Wars Celebration Japan, where hordes of fans gathered to catch a glimpse of their favorite stars.
As a lifelong Star Wars superfan, I can't tell you how excited I was when, in 2023, Lucasfilm announced that the next edition of its official fan expo Star Wars Celebration would be held in 2025 in Japan, bringing a selection of my favorite movie stars and 100,000 fans together at Makuhari Messe.
I immediately collared my colleagues on IGN's US team to suggest we collaborate on coverage when the event came out of hyperspace two years later. I've never planned anything so far ahead in my life!
It was worth it. For the three days of April 18–20 at Star Wars Celebration Japan, the IGN Japan and US editorial teams worked closely together in our own private on-site studio. There, we interviewed the stars of Star Wars .
From The Mandalorian filmmakers and series stewards Dave Filoni and Jon Favreau to actors like Hayden Christensen (Anakin Skywalker), Rosario Dawson (Ahsoka Tano), Ahmed Best (Jar Jar Binks), and half a dozen cast members from the Disney+ show Andor, we spoke with dozens of visiting guests from a galaxy far, far away. Daniel shaking hands with Hayden Christensen (left), the actor who portrays Anakin Skywalker and his evil alter-ego, Darth Vader.
During Celebration, new shows were announced. Surprises included a brand-new animated series titled Maul: Shadow Lord , which follows the one-time Sith apprentice as he returns from near-death. Attendees also got a first look at footage from the upcoming film The Mandalorian & Grogu , which will be the first big-screen Star Wars movie since 2019's The Rise of Skywalker when it is released in 2026.
In a surprise appearance, actor Ryan Gosling and director Shawn Levy confirmed the title of their own upcoming movie, Star Wars: Starfighter . They said it will hit theaters on May 28, 2027. Director Dave Filoni, co-writer Jon Favreau, and Lucasfilm head Kathleen Kennedy share a first glimpse of the upcoming Star Wars movie The Mandalorian & Grogu on the Celebration Stage.
We covered these and more announcements from the show floor, which you can read about in more detail on IGN.
Star Wars has been my favorite movie series for as long as I can remember. I was around four years old when Return of the Jedi came out in 1983, and I was instantly hooked. As a child, I'm not sure how much of the story I took in. Nevertheless, heroes Luke Skywalker, Han Solo, and Leia Organa left an indelible mark on my tiny soul, while droids R2-D2 and C-3PO still feel like some of my oldest friends.
Not to mention the film's bizarre collection of creatures, from the vile gangster Jabba the Hutt to the plucky Ewok Wicket, and the huge collection of action figures that brought them to life in my hands even after the movie ended.
This was in the days of VHS tapes, and when my dad recorded a TV broadcast of 1977's A New Hope , I watched it over and over again, my imagination on fire. Its tale of a raggedy band of brave heroes fighting to topple a fascistic authoritarian empire feels just as relevant today.
Two other formative movie series for me were Ghostbusters , released in 1984 when I was five or six, and the space horror masterpiece Alien , which invaded my psyche forever when I saw it much too young at around age 10. I re-watch films in these series every year or two, even now, and they have defined my taste forever. Sigourney Weaver on the set of The Mandalorian & Grogu with Jon Favreau.
So, imagine my shock when, during our planning for Star Wars Celebration Japan, I learned I would have the chance to interview the actress who played Dana Barrett and Ellen Ripley herself: Sigourney Weaver. She will join the Star Wars universe for the first time when she appears in The Mandalorian & Grogu , slated for release in 2026.
I have interviewed hundreds of stars, and I rarely get starstruck or nervous. But looking through the list of interviewees a couple of weeks before Celebration and seeing the name "Sigourney Weaver" knocked the wind out of me. As the event grew closer, I grew ever more convinced that faced with this heroine of my childhood, I would forget my own name or simply burst into flames.
Thankfully, I was able to get this out of my system before Celebration. When the time came, Weaver was a delight, answering our ludicrous questions comparing cute little Grogu with the terrifying Xenomorph with grace and humor. I even managed to remember my own name.
It was also a thrill to meet Ahmed Best. When The Phantom Menace was released in 1999, his character Jar-Jar Binks was a jarring presence (no pun intended). I'm ashamed to say that old-school Star Wars fans like myself treated the character's slapstick antics with vocal disdain. Best has spoken out about how even in these pre-social media days, the backlash was so harsh that he considered taking his own life.
Exsqueeze me! Mesa happy to meet the lovely Ahmed Best at SWCJ!The one and only Jar-Jar Binks *and* Kelleran Beq 💕
ジャー・ジャーの俳優であるAhmed Bestさんに会えて嬉しかったです! pic.twitter.com/KaavYFwbyA — Daniel Robson (@NoMoreDaniels) April 18, 2025
The prequel movies have been widely reappraised since then. Now that digital filmmaking has become the norm, they don't feel so alien — and indeed, they set the blueprint for pretty much all of today's blockbuster effects movies. Also, the younger generation of fans for whom the prequels were their first Star Wars movies loved goofy Jar-Jar, and now they are adults themselves.
Personally, a few years ago, I watched through the Star Wars movies in sequence with my daughter when she was around seven years old. Seeing her giggle at Jar-Jar's chaotic antics made me fall in love with him completely.
Best has since been reinstated into the Star Wars fold, playing Kelleran Beq, the Jedi knight who saved Grogu from destruction in the Jedi Temple during Season 3 of The Mandalorian – a role of great dignity. Meeting him at Celebration was such a pleasure. Later that weekend, my daughter and I found a Jar-Jar plush that shrieks uncontrollably when squeezed. It made us laugh so hard, we had no choice but to buy it.
I love the Star Wars films and spinoff shows themselves, of course, but also the fandom around them. Star Wars Celebration Japan brought fans of all ages and nationalities to Makuhari Messe. While I don't know the official percentage, it felt like 70 or 80% of the audience was from overseas, with Disney claiming participants from 125 countries.
Many of the fans I met told me they were visiting Japan for the first time, taking a couple of weeks on either side of Celebration to explore Tokyo or to visit cities like Osaka and Kyoto. Star Wars creator George Lucas was influenced in part by Japanese culture and the movies of Akira Kurosawa, so Japan was like a mecca for these fans. I felt proud that Star Wars could make so many people interested in Japan and its culture, with Celebration showing Japan in a positive light that the 2020 Olympics or Expo 2025 Osaka could have only dreamed of.
And where you have a massive venue filled with Star Wars fans, you have cosplay. Japanese cosplayers are of course the best in the world, and at Celebration I was amazed by cosplayer Ricky's acrobatic recreation of a rolling Droideka robot, Yuuki's kimono-clad oiran Maul, Mayu's Sith bandit leader from Star Wars: Visions , a guy dressed as Luke Skywalker riding a horse-like Tauntaun, and a couple connected together as the front and back halves of Anakin's podracer. Cosplayer Yuuki posing in an exquisite kimono as an oiran take on Star Wars villain Maul
It was also impressive to see how visiting fans brought their intricate costumes with them to Japan, not to be outdone by the locals. Some favourites included a lifelike (and very tall) Chewbacca, and a pair of women dressed as the Rancor monster and its keeper.
Meanwhile, some friends of mine dressed as Mandalorian warrior Bo-Katan Kryze, the Master Codebreaker from a casino in The Last Jedi , and a Jedi escorting his kids dressed as Mando and Ahsoka Tano. Seeing the amount of work they put into their costumes during the run-up to Celebration was inspiring. The Rancor monster from Return of the Jedi, led by its affable keeper.
Another cool thing was SWAG. An acronym for "Something We All Get/Give" that also simply means "swag," this is a tradition where fans trade homemade stickers, patches, badges, and even 3D-printed figures with other fans. It's a great way to break the ice, and the amount of creativity that goes into these items is incredible, from artistic takes on beloved characters to iconography advertising local fan groups from around the world.
Not wanting to be left out, I made a batch of stickers before Celebration to trade, featuring a terrible pun-based gag that managed to win a few laughs when I exchanged them with people at the show. Here's the sticker design — please forgive me!
Star Wars Celebration Japan was an overwhelming outpouring of positivity that made me happy to be a Star Wars fan. It was a dream come true to meet the stars of my favourite movies and TV shows, of course, but more than that, it was a joy to meet so many other fans in person.
Away from the anonymous barrier of social media, there was no negativity to be found. It was also a delight to expose my daughter, now nearly 13, to this wholesome expression of love, unity, and hope. In these turbulent times, it really felt like being a part of a Rebel Alliance.
Far from merely an expo, Star Wars Celebration Japan was just that: a celebration.
Author: Daniel Robson
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Toronto Sun
4 days ago
- Toronto Sun
Ryan Reynolds reveals details on R-rated ‘Star Wars' movie pitch
Get the latest from Mark Daniell straight to your inbox Ryan Reynolds attends the world premiere of Deadpool and Wolverine. Photo by Getty Images After spearheading Marvel's first R-rated superhero movie with last year's Deadpool & Wolverine , Ryan Reynolds says he has made a similar pitch to take the Star Wars universe in a different direction. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account 'I pitched to Disney, I said, 'Why don't we do an R-rated Star Wars property? It doesn't have to be overt, A+ characters. There's a wide range of characters you could use,'' he said in an interview with Scott Mendelson's The Box Office podcast. 'And I don't mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don't want to just gamble on something like that.' Star Wars has experimented with darker storylines, most recently in its two-season Rogue One spinoff Andor , but the franchise has firmly remained in the PG realm. Reynolds said he liked the idea of expanding the story as a way to ' surprise' Star Wars fans. But his story wasn't one that he was angling to star in. 'I'm not saying I want to be in it. That would be a bad fit,' he said. 'I'd want to produce and write or be a part of behind the scenes. Those kinds of IP subsist really well on scarcity and surprise. We don't get scarcity really with Star Wars because of Disney+, but you can certainly still surprise people.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Putting something darker onto streaming, which Disney has also tried with last year's Acolyte series is more likely, but Reynolds insisted to Mendelson that an R-rated big screen adventure would leave a more lasting impression. 'You're never going to get the same emotional investment from a streamer that you are from a theatrical movie, because they're getting in cars and paying for parking, and babysitters, and sitting down, and watching the movie, and then driving home. That's the emotional investment you can try to sell,' he said. 'On a streamer, my only note, always, is that, for God's sake, with everything you can, to grab them in that first shot, like that first thing that happens in the movie… Start with something, 'Holy s—!' and then, 'How did we get here?'' This advertisement has not loaded yet, but your article continues below. People sitting at home can quickly become disengaged in a way they can't when they're at the cinema. 'W e have all these distracto-fat things clogging our arteries of attention, and it is so easy to tune out unless you have them right at the top,' he said. Before it was reimagined into The Book of Boba Fett TV series, James Mangold, who is slated to write and direct an upcoming Star Wars film, eyed his own take on the intergalactic bounty hunter that was ' borderline rated-R.' 'At the point I was doing it, I was probably scaring the s— out of everyone, but I was probably making much more of a borderline rated-R, single-planet, spaghetti western,' Mangold told the Happy Sad Confused podcast in a 2023 interview. 'The world would never be able to embrace Baby Yoda if I had made that, because he didn't really belong in the world I was kind of envisioning.' This advertisement has not loaded yet, but your article continues below. Mangold's new entry will focus on the dawn of the Jedi, but he said that writing his earlier Boba Fett movie was a 'beautiful period' in his life. 'I was just listening to Ennio Moricone all day, all night and typing away,' he said. 'But I'm not sure it ever would've happened. I'm not sure it was in anyone's plans what I was thinking about.' After Andor wrapped its second season earlier this month, the Star Wars universe will expand with a Mandalorian spinoff movie hitting theatres next May. Reynolds' Deadpool & Wolverine director Shawn Levy is also set to go into production on Star Wars: Starfighter with Ryan Gosling later this year. The plot is still under wraps, but Levy announced at Star Wars Celebration last month that the film will take place roughly five years after the events of 2019's Star Wars: Episode IX – The Rise of Skywalker . This advertisement has not loaded yet, but your article continues below. 'This is a standalone adventure that takes place a few years after the events of Episode IX ,' the filmmaker teased. 'What could that mean? It could mean so many things … This is not a prequel. This is not a sequel. It's a new adventure.' Also on the horizon: a new trilogy from X-Men scribe Simon Kinberg, a Star Wars film directed by Taika Waititi, and the return of Daisy Ridley as Rey in a film helmed by Sharmeen Obaid-Chinoy. mdaniell@ Read More World Canada Music Olympics World


Japan Forward
4 days ago
- Japan Forward
Is Clair Obscur: Expedition 33 a JRPG?
Clair Obscur: Expedition 33 has been lighting up the gaming world recently, winning big-time approval from critics and fans alike, despite being the very first game from independent developer Sandfall Interactive. People are calling it the best new JRPG (Japanese Role Playing Game) in years, a refinement of the template set out by games like Final Fantasy . The twist, of course, being that Clair Obscur is not a Japanese game. Made in France by a team of around 30 developers at Sandfall Interactive, Clair Obscur is helmed by Director Guillaume Broche and several of his fellow ex-Ubisoft colleagues. The game draws heavy inspiration from classic JRPGs like Final Fantasy and Persona , hidden gems such as Lost Odyssey and Blue Dragon , and Japanese action titles like Sekiro: Shadows Die Twice . Gustave and Lune begin their quest to slay the Paintress in Clair Obscur: Expedition 33. The result is a game that blends turn-based combat with action in a gorgeous fantasy world. Yet, while it is every bit as high-concept and fantastical as the games that inspired it, Clair Obscur manages to avoid much of the bloat that has crept into those series over the decades. It delivers an immersive world and a relatable story about a band of young adventurers on a quest for freedom over tyranny, told over a relatively compact 30 to 40 hours. Clair Obscur is set in a dark fantasy world where, for the past 67 years, the inhabitants of the island of Lumière have perished one age group at a time. Each year, they fall victim to a mystical sorceress known as the Paintress, who has been counting down from age 100, reaching 33 this year. Now aged 32 and facing their own demise next year, stoic expeditioner Gustave and his peers undertake a voyage dangereux to destroy the Paintress so that future generations may live. The game was released on April 24, receiving a critic score of 92% on Metacritic and a user score of 9.7, making it one of the most highly acclaimed games of all time. IGN gave it a 9/10 score, writing, "Wearing its inspirations on its sleeve, Clair Obscur: Expedition 33 paints itself into the pantheon of great RPGs with a brilliant combat system and a gripping, harrowing story." Clair Obscur's deep and complex battle system is a hybrid of classic turn-based commands and skill-based action. Our writer at IGN Japan gave it a slightly lower score of 7/10, saying, "While I was hooked by its combat system, the story's sudden plot twist felt forced. Although this was hard to ignore, it is undeniable that Clair Obscur: Expedition 33 is an appealing game that delivers a strong message." IGN France, meanwhile, gave it a perfect 10/10, labelling it "a sumptuous and captivating work of art that never forgets its status as a game, offering rich and exhilarating gameplay." Within 12 days, it had sold two million copies, plus an undisclosed number of additional players on Xbox Games Pass. Michael Douse, the publishing director at Larian Studios, whose own RPG Baldur's Gate 3 was a smash hit in 2023, estimated on his X (Twitter) account that the game will end up selling at least six million copies, and maybe up to ten million – huge numbers for a lower-budget independent game. I hope now word of mouth is in control it can reach its potential. and I say that in support of the developers and their incredible achievement. It has the potential to reach a conservative 6, at least. Could top 8-10. — Very AFK (@Cromwelp) May 6, 2025 For comparison, the most recent Final Fantasy game, 2024's Final Fantasy VII: Rebirth , also scored 92% with critics but 8.9 with users, while the latest mainline game in the series, 2023's Final Fantasy XVI , scored 87% and 8.4. Despite these being excellent and well-made games, sales in the series appear to be in decline. Publisher Square Enix reported that FFXVI sold three million units in its first week, but has been noticeably reticent to announce official numbers for Rebirth , suggesting they are low. This is less than previous games, with 2016's FFXV selling five million copies on its first day, the fastest-selling game in the series to date, eventually reaching at least ten million. Rebirth 's 2020 predecessor, a FFVII remake, sold 3.5 million in three days and finally hit around seven million. The budgets to make each of these games were likely much, much higher than for Clair Obscur . Final Fantasy VII: Rebirth, the second in a trilogy of remakes of Square Enix's classic RPG, was met with critical praise but apparently disappointing sales. That's not to pick on Final Fantasy or Square Enix: JRPGs are a niche genre in gaming. An important, storied, and beloved niche – but a niche nonetheless. Which makes Clair Obscur 's crossover success all the more impressive. Sandfall Interactive's game has sparked fresh debate about what the term JRPG really means. After all, if the "J" stands for "Japanese", should it only apply to games made in Japan? Or any game with the characteristics of a JRPG? What even are the characteristics of a JRPG? In fact, the term JRPG has had its controversies over the years. In February 2023, Final Fantasy XVI producer and veteran developer Naoki Yoshida told YouTube channel Skill Up that he found the term offensive. Clair Obscur has won high praise for its painterly art style and moving story. Yoshida commented, "For us as developers, the first time we heard it, it was like a discriminatory term, as though we were being made fun of for creating these games. And so for some developers, the term JRPG can be something that will maybe trigger bad feelings because of what it was in the past. It wasn't a compliment to a lot of developers in Japan. We understand that recently, JRPG has better connotations and it's being used as a positive, but we still remember the time when it was used as a negative." The term was coined at some point in the late 1980s or early 90s, with the first confirmed online usage made on a web forum in 1992, and was used to differentiate between RPG games from Japan and the West. As Yoshida pointed out, it was mostly used by gamers and media outside of Japan. I've personally never considered it a derogatory term, but I can understand how someone in Yoshida's position may find it othering. These days, we tend to expect a JRPG to cast the player as a specific protagonist to experience a set story, whereas Western RPGs will usually have players create their own character and co-author the story as they play. We also tend to expect a turn-based combat system and anime-influenced visual design and characters. 2023's Sea of Stars was a homage to classic Japanese RPGs, despite being made in Canada But of course, early Japanese RPG developers were themselves heavily influenced by Western games such as the early-80s Wizardry series from America, just as some of today's Western developers grew up with JRPGs. The lines have blurred accordingly, with games like 2023's Sea of Stars being considered a JRPG despite being made in Canada. While Clair Obscur does pay homage to the best of the JRPG genre, it also does a great job of honoring its French roots. The game's dialogue is available in French or English, with a stellar voice cast in both, and even in English, it is unafraid to slip in plenty of French terms. When the game's characters face erasure at the hands of the Paintress, their bodies disintegrate into petals that flutter on the wind, a process named the Gommage – a French word meaning to exfoliate and erase. And as you play, Gustave's friends mutter expletives in French, with a well-timed "Merde!" reminding you of their origins. Gustave dressed in an outfit simply titled Baguette. The setting itself is a fantasy take on France's pre-WWI Belle Époque period, a distinctly French visual style that is striking. And you can even dress Gustave, Lune, Maelle, and their amis in a stereotypically French costume comprising a striped T-shirt, beret, and freshly baked baguette slung across their backs, a tongue-in-cheek reference to the development team's culture. French President Emmanuel Macron even praised Clair Obscur in an Instagram post, calling it "a shining example of French audacity and creativity." IGN recently published a video titled The 25 Best JRPGs of All Time, in which it gave the editorial team's favorites, including titles like Chrono Trigger , Persona 5 Royal , and Final Fantasy X . In some ways, I was actually a little surprised that all the games in IGN's best JRPGs list were indeed from Japan. Our team at IGN Japan gave our own thoughts on the list during an episode of our video podcast Shaberisugi Gamer a few days later, drawing a lively debate in the comments from our viewers. As for me, I'm steadily working my way through Clair Obscur and loving every minute of it. I often struggle to play modern RPGs as the time commitment is so extreme, as many games require around 60-80 hours to beat, so the fact that Clair Obscur offers a fascinating story and hugely engaging combat system within a relatively tight package appeals to me. Gustave and friends on their perilous journey. As a British pop-culture journalist based in Japan for 19 years, I've always enjoyed cross-pollination of culture, and for me, the erosion (or gommage ) of boundaries is always welcome. So the idea of a JRPG made outside of Japan didn't seem strange to me until the conversation blew up around Clair Obscur . I hope you'll try the game and see what you think! Author: Daniel Robson


Calgary Herald
22-05-2025
- Calgary Herald
Just when you thought it was safe to go back in the water: Jaws turns 50, but still resonates — and terrifies
Article content Jaws is a powerful reminder that excellence in filmmaking isn't always equated with mega budgets. At the time, Jaws grossed $100 million US within 60 days, which was a record achievement back then. It broke box office records previously set by other movies of the early 1970s, such as The Exorcist and The Godfather. Jaws ultimately grossed $470 million US around the world, after being made for under $9 million US. It was the highest grossing movie in history until Star Wars took that title a couple of years later. Article content The movie not only led the way for the creation of the aforementioned summer blockbuster; it proved the power of suspenseful shows in terms of being able to attract significant audience and significant revenue. Article content Jaws also demonstrated the irreplaceable feeling of watching a big movie on a big screen alongside a few hundred strangers. To have hundreds of others occasionally jump or scream at the same movie moment is a unique feeling. Just ask anyone who saw Jaws in a movie theatre 50 years ago. Article content Article content Another claim to fame for Jaws was its effective use of music. The theme song, based on the repetition of two notes being played one after another, became recognizable around the world. The composer, John Williams, won an Academy Award for the movie's musical score and the American Film Institute many years later ranked it as the sixth-greatest movie score. Article content Article content Other bits and bites from Jaws Article content Jaws won a total of three Academy Awards; the aforementioned Best Original Dramatic Score award and the awards for Best Sound and Best Film Editing. It also garnered a nomination as Best Picture, but lost to One Flew Over the Cuckoo's Nest. At one point before production on the movie started, producers debated the idea of trying to train and use a living great white shark in the movie. It quickly became apparent the idea would never work. Instead, the shark used in most of the scenes was actually one of three mechanical sharks, nicknamed Bruce. Up to 40 special effect workers spent time producing the sharks. Sometimes, those sharks didn't work perfectly, leading some workers on the set to call the movie Flaws, according to a Roanoke Times article published on the 30th anniversary of the movie. The movie also contained footage of real sharks, filmed in Australia. To make sharks in that footage appear larger, a short actor in a smaller-than-usual shark cage was used in shots. The three principal actors in Jaws spent so much time on the water shooting scenes that they often got seasick. The movie was originally scheduled to shoot for 55 days. Instead, it took 159 days, leaving Spielberg to tell journalists it left him worrying this would ruin his career. Spielberg told costume and set designers on the movie to avoid using anything red in terms of backgrounds or the actors' wardrobes so that when red blood would appear in a dramatic scene, it would be even more jarring to someone watching the flick. Spin-off merchandise from the movie has included everything from Jaws-theme purses and beach bags to tub toys and whisky glasses. One of the strangest items, a Japanese bath bomb, is shaped like a little blue boat, but as it dissolves in bath water a toy shark appears, along with an ample supply of blood-red liquid. In 2016, Tragically Hip lead singer Gord Downie sported a Jaws T-shirt for some performances during the band's final tour before his death. Why? Well, some speculated the shark represented the cancer that would ultimately take his life. His stylist told media the T-shirt was a personal item that Downie decided to wear. Craving more shark content? Don't worry. Discovery channel's Shark Week is only a few weeks away, July 6-13, 2025.