
No wonder celebs and chefs rave about this Edinburgh restaurant
Pictured: The Palmerston is located in a former bank building in Edinburgh's West End (Image: Newsquest)
Though it's my first time dining in this former bank building on Palmerston Place, I feel as though I've been here before. That's perhaps because of how often their day-to-night baking and cooking have come up in conversation over the past year.
Dean Banks is a big fan of their pies, for example, and Richard E Grant is said to have awarded co-founder and chef Lloyd Morse a congratulatory high five upon sampling his fish stew.
Even with zero star power between us, Gaz and I have snagged a table for two at the day's final sitting, just hours before the first pop-up kitchen takeover kicks off a new guest-chef series for Fringe season.
Ah, The Fringe.
While there's no escaping streets plastered with handmade posters for five-star reviewed shows you've never heard of, the West End location of this restaurant otherwise feels like a little pocket of calm in the storm that is the annual festival.
Read more of Sarah Campbell's reviews:
From the get-go, I'm liking the look of The Palmerston's menu. The team here buy their animals whole and makes use of in-house butchery skills to ensure minimal waste, which means they're not afraid to serve the likes of rabbit or quail on the bone.
And even though we're fully aware there's a three-course meal ahead of us, a pre-starter snack of radish and anchoïade (£5) has to be done. For a salty-over-sweet-eater, it's a dream nibble with pungent, salty anchovies blitzed into a runny paste with garlic, olive oil, and vinegar served with half-moons of peppery pink-skinned veggies for dipping.
Pictured: A snack of anchoiade with fresh radish (Image: Newsquest)
It's accompanied by a wedge of sourdough bread (baked in-house) and an artery-clogging smear of salted butter. A simple snack that's indicative of all that's to come. There's no faffing with presentation, but man, does it taste good.
Pictured: Grilled squid salad wih marinated tomatoes and harissa (Image: Newsquest)
Next up is a grilled squid salad (£14), with assorted lettuce leaves and marinated tomatoes. With a touch of harissa staining the creamy dressing a soft shade of pink, it's not unlike a levelled-up version of a classic prawn cocktail. So far, so retro.
It's a world away from our second choice of fried rabbit shoulder (£13), where a perfectly crisped outer layer gives way to rich, gamey meat alongside padron peppers and herb-heavy green goddess dressing. 'No judgment if you use your hands with this one,' one of the servers dressed in a matching T-shirt had assured us upon the dish's arrival. Sound advice.
The smaller plates are of a deliciously high calibre, and I'd happily order either again with a glass of Cremant de Loire rosé (£10) for a more casual lunch date at the bar seats.
Pictured: Rabbit shoulder with Padron peppers and Green Goddess dressing (Image: Newsquest)Moving on, I'm thrilled to find the slow-roast Shetland lamb (£30) is topped with another dollop of that silky anchoïade. It's like running into an old friend on the street, and I already know the intense flavours will enhance a generous serving of tender dark meat and the chickpeas softened in its juices below.
Pictured: Slow roast Shetland lamb, chickpeas, green beans, oregano and anchoiade (Image: Newsquest)
The green beans are served untrimmed, as though they've just been plucked from a neighbourhood allotment. This is not the type of food that should be fiddled about with, and once more, I find myself appreciating the no-nonsense approach to presentation.
Elsewhere, a bed of smoky, spiced, sweetcorn is a terrific match for grilled quail (£27). And there are those same sort of charred green peppers from the starters again, their blistered skin giving the dish an extra bite of earthy bitterness.
Pictured: Grilled quail. spiced sweetcorn, frigatelli peppers and sage (Image: Newsquest)
From the side dishes of new potatoes or salad (both £5), our server had suggested the former. Given the portion sizes of the mains, we could have easily gone without the extra greenery, but for a lighter order of snack-y plates, these roughly torn leaves in a punchy dressing would likely be better appreciated.
Allowing ourselves just a moment to lament the final forkfuls of lamb and quail, all too soon we're on to desserts.
Pictured: Roast apricots, meringue, cream and pistachio (Image: Newsquest)
Neither of us has a particularly sweet tooth, so I'm surprised that my dinner date is reluctant to share his choice of roast apricots with meringue, pistachio and cream (£8). When he eventually relents, I quickly understand the reason for this fleeting moment of selfishness.
If ever there was a dessert that screamed summer, this is it, with tangy cooked stone fruit and sugary homemade meringue and a dusting of delicate nutiness.
Pictured: Greenage and almond tart with creme fraiche (Image: Newsquest)
My bargaining tool in this trade? The greenage and almond tart with creme fraiche (£8). This is a real showcase for the talent of the restaurant's bakery team, and there's no faulting the balance of sour, plum-like fruit with crumbly pastry and sponge-like filling.
It's unpretentious, thoughtful cooking at its best, and after a triumphant duo of desserts to end our Sunday lunch, The Palmerston effortlessly sails up the rankings of my favourite Edinburgh spots.
Menu: They're not afraid to serve meat on the bone at The Palmerston, and dishes are thoughtful yet unpretentious. An extensive wine list and whisky selection are also worth a look. 5/5
Service: The team are confident and chatty, filling us in on the special events to come and happy to make menu recommendations. 5/5
Atmosphere: A mix of families and small groups makes for a nice buzz in this chilled-out space. Next time, I'll make a booking for the bar seats.4/5
Price: Starters range from £9 - £14, and main courses sit around the £30 mark. 4/5
Food: With big bold flavours and no-nonsense presentation, The Palmerston effortlessly sails up the rankings of my favourite Edinburgh spots. 9/10
Total: 27/30
The Palmerston is located at 1 Palmerston Place in Edinburgh
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Edinburgh Reporter
4 hours ago
- Edinburgh Reporter
Fringe 2025 – Wellpark Wanderer ⭐⭐⭐⭐
It is often said that Scottish performers are hard to find in the Festival and Fringe. Writing in 1976, the historian Owen Dudley Edwards suggested that 'there is little of Edinburgh, and even less of Scotland in the Festival'. Many see the Festival and Fringe as something imposed from outside on the people of Edinburgh. Such narratives persist. It's also widely argued that working class voices are marginalised within the Fringe. Especially, in the sphere of comedy, the Fringe is often seen as London-centric and dominated by middle class voices and perspectives. There are, fortunately, exceptions. In Wellpark Wanderer, Oliver Robertson, provided a very Scottish and distinctively working class aspect to the Fringe. His elegiac take on the East End of Glasgow was well-performed and engaging. His language was both poetic and urgent. In truth, though its themes of the dislocating effects of urban change would resonate with many, it's not the type of show that is likely to attract massive audiences. But it is the type of show that adds richness to the Fringe. I was the first member of the audience to make my way in and for a few minutes I wondered if I would be the only one. That's never a comfortable position to be in so for a few seconds I considered looking for another show (the classy Markus Birdman was performing next door). I'm glad I didn't. What makes the Fringe is finding hidden gems such as Wellpark Wanderer. Though there were only four in the audience, this was also the number when I saw Rob Auton about a decade ago in the very same room (Banshee Labyrinth's– Banqueting Hall). Auton has since gone on to become a Fringe star. An internal monologue Robertson's narrative focused on his wanderings in Glasgow's streets, especially in the East End, where he grew up. This section of Glasgow has long been the unfashionable and overlooked area of the city, really featuring in tourist guides, or the work of influencers. Visitors are generally pointed towards the West End and, more recently, the Southside. This is changing and some of the tensions inherent in this evolution ran through the show. Robertson's show was simple and low tech. He's switched between delivering his poetic text live and recordings of his readings. These switches gave the performance a nice variety – and also a sense of Robertson conversing with himself. A sense of internal monologue with Robertson, the Wanderer, trying to make sense of what he witnessed and experienced on the East End streets. His character of the Wanderer was more of an active participant in what was happening rather than the more disconnected flaneur, found in many works of psychography. 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Only stories are left One of his most powerful sections was about the impact of the building of the M8 through Glasgow. This was a 'scar' which had 'severed the heart of the city', destroying a number of communities. In these areas (such as Anderston) 'only stories are left'. Robertson argued that without this destruction, Glasgow could have been a UNESCO Heritage site to rival Edinburgh. Certainly, even with this destruction, Glasgow is packed with fantastic architecture (the work of Alexander 'Greek' Thomson and others). Robertson argued that a motorway would never have been sliced through a middle class area, such as Hyndland in the West. When he visits such 'untouched' places, he feels he is in 'alien' territory. The sense of a city with vast disparities (manifested in the very different life expectancies in different areas of the city) was a theme that, like the M8 runs through Glasgow, ran through the performance. Alien territory There was also the sense that, for Robertson, being in Edinburgh was also uncomfortable; that this too was alien territory. Certainly, voices such as Robertson's are rarely found on the Edinburgh Fringe. It's a credit to PBH's Free Fringe that they provide access for such powerful voices. In his 'bucket speech', Robertson lavished praise on the Free Fringe, without whom he would be able to perform the show. Robertson's show is perhaps too niche to reach large audiences, but those who have seen it will surely leave with a really rich picture of the East End of Glasgow, well beyond the stereotypes that linger. I'm sure we will be hearing much more from Roberson in the years to come; on stage and in print. Note: Wellpark Wanderer's Fringe run is now over. You can follow Oliver Robertson at: Like this: Like Related


Scotsman
4 hours ago
- Scotsman
M&S colleague takes the spotlight at Edinburgh Festival with comedy debut
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Scotsman
4 hours ago
- Scotsman
M&S colleague takes the spotlight at Edinburgh Festival with comedy debut
As the city bursts into colour and creativity for Edinburgh Festival, M&S Princes Street is proud to spotlight one of its own colleagues, Michael Garden, who will make his Fringe debut this August with his captivating spy comedy theatre show. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Michael, originally from Kintore in Aberdeenshire and now living in Edinburgh, brings nine years of acting experience from his studies at North East Scotland College and Edinburgh Napier University. Balancing his role at M&S Princes Street, where he has worked since 2023 following years at M&S cafés through the Kings Trust programme, Marks & Start, Michael's Fringe performance will give customers a unique glimpse into his creative talents beyond the store. Advertisement Hide Ad Advertisement Hide Ad Michael stars in 'You Have Failed Me For The Last Time!', a spy comedy theatre play running until August 22 (even days), at The Space on The Mile. Michael Garden with Percy Pig M&S Princes Street will also join the wider Festival celebrations by transforming into a mini culture club inspired by the event's creativity. The store will shine a spotlight on its own suppliers and colleagues throughout August, featuring exclusive in-store showcases from local producers such as Perthshire-based Taylors Snacks, presenting their M&S "Extreme Ridge" crisp range. The Princes Street team will offer Scottish-sourced food samples, including strawberries and shortbread, to enhance the festival vibe. Alongside this, store colleagues will step into the spotlight with live entertainment — from Kayla Bennie's bagpipe performances to DJ sets, singing, and guitar serenades — creating the perfect atmosphere for customers shopping for picnic essentials before heading out to other Festival events around Edinburgh. Jon Cameron, Store Manager at M&S Princes Street, said: 'We are delighted to celebrate the incredible creativity within our own network of suppliers and colleagues, while giving customers a fresh and feel-good experience. The Edinburgh Fringe is about amplifying unheard voices and unexpected stories, so we couldn't think of a better moment to let our team shine.' Advertisement Hide Ad Advertisement Hide Ad 'Having Michael perform his own show at The Fringe — balancing his committed role at M&S — is truly inspiring for all of us. His experience in acting has helped him with customer and colleague communication, boosting confidence that benefits our team daily. We're looking forward to sharing this experience with customers and can't wait to cheer Michael on during his show.'