
Pamplona draws thousands of revelers for the San Fermín bull-running festival
Nearly everyone, including the throngs of foreign tourists who come to the event, was dressed in the traditional garb of white trousers and shirt with red sash and neckerchief. They sang. They shouted. And they drank alcohol with abandon. As the rocket that starts the official party was fired off, many doused each other with red or sparkling wine.
The highlight of the controversial nine-day festival is the early morning encierros, or bull runs, starting on Monday, when thousands of brave or foolhardy souls sprint to avoid six bulls charging along a winding, cobblestoned route to the city's bullring. While gorings are not rare, many more people suffer contusions from falls as spectators watch from balconies and wooden barricades set up along the course. The spectacle is televised nationally.
The rest of each day is for eating, drinking, dancing, and cultural entertainment, including bullfights where the animals that run in the morning are slain by professional matadors each afternoon.
The festival was made internationally famous by Ernest Hemingway's classic 1926 novel ' The Sun Also Rises,' about American bohemians wasting away in Europe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Asharq Al-Awsat
a day ago
- Asharq Al-Awsat
Armani Couture Channels Black as Maestro Misses Paris Bow for 1st Time, Days from 91st Birthday
Armani Privé opened Tuesday under an unmistakable shadow. For the first time in the 20-year history of his couture house, Giorgio Armani was not present in Paris to take his bow. Days from his 91st birthday and following doctors' advice after a recent hospital stay, Armani reportedly oversaw the Paris couture week show remotely from home, a moment of absence that lands heavily for a designer who has shaped every one of his brand's collections since its founding. The show's theme, 'Seductive Black,' played out with literal and symbolic force on the runway: black in myriad forms, from liquid velvet and lacquered silk to pavé crystals and flashes of gold. Even the models' makeup followed suit, rendered in shades of gray. For some in the front row, the relentless palette felt pointed. Guests quietly wondered if the choice of black was a coded message from the maestro himself. This is not the first major show Armani has missed this season. Just weeks ago, he was forced to sit out Milan Fashion Week for the first time in the label's history, following a brief hospitalization. According to the brand, the absence was a precaution to save energy for his Paris couture appearance. For decades, Armani — often referred to as 'Re Giorgio,' or King George, in Italy — has been both the creative and business force behind one of fashion's last great independent empires. The Tuesday collection balanced tension and control. After an uncertain start, including velvet jodhpurs and stark crystalline seams, Armani's familiar codes quickly emerged: tuxedo jackets transformed into evening gowns with plunging lapels and floating bow ties, tailored blazers worn on bare skin and military-inspired equestrian jackets paired with slim velvet pants. Bursts of embroidery and colored feathers provided a balance from the monochrome. Armani's recent absences have sent ripples through the industry. In a landscape dominated by conglomerates like LVMH and Kering, Armani remains the sole shareholder of his company, personally overseeing every collection for nearly 50 years. In 2024, Armani Group reported revenues of $2.5 billion, while Giorgio Armani's personal fortune is estimated at $11–13 billion — even as the global luxury market faces headwinds. Armani is widely credited with redefining men's and women's tailoring, pioneering gender-fluidity in fashion, and inventing celebrity red-carpet dressing, from Julia Roberts to Cate Blanchett. Yet the designer himself has acknowledged that age is now a reality to deal with and that pulling back could be a necessity. Whether the monochrome collection was a deliberate metaphor or simply a showcase of discipline, 'Seductive Black' felt personal — both a mood and a message, perhaps an understated nod to a master whose presence, even in absence, remains absolute. As the show closed, the final bow belonged to the models alone. But Armani's vision — uncompromising and unmistakably his — filled the room.


Al Arabiya
2 days ago
- Al Arabiya
Stéphane Rolland Lets Couture Speak for Itself With Space-Age Glamor
Stéphane Rolland went back to what he does best on Tuesday: unadulterated couture. This season at Paris Couture Week, Rolland stripped away gimmicks and let the clothes do the talking, unveiling a dazzling palette of ivory, black, and red–with giant spangles shimmering like stardust or cosmic fish scales. A live string orchestra set the mood as Rolland's signature silhouettes reshaped the female form: mermaid gowns hugged the body, giant tulle trains trailed behind, and severe white dresses with razor-sharp shoulders brought a surreal, intergalactic edge. Space-age references ran throughout, from pointy shoulders to jewels worn as talismans–adorned on gowns or set on the forehead like interplanetary insignia. It marked a confident return to classic Rolland after recent seasons experimenting with format and mood. Last year, Rolland broke with tradition, staging a collaborative, student-led show inspired by the serenity of the desert. But on Tuesday, the focus was undiluted couture delivered with maximum impact. A celebrity favorite–counting Kim Kardashian and Cardi B among his fans–Rolland is one of Paris fashion's last couture independents. His trademark mix of sculptural tailoring, high drama, and Parisian mystique was on full display, proving that sometimes the boldest move is simply perfecting your own signature.


Arab News
2 days ago
- Arab News
Music trade bodies concerned about BBC's changes to airing live performances
DUBAI: Music trade bodies have accused the BBC of making 'arbitrary and disproportionate' changes to its broadcasting and streaming of live music events following the controversy around Bob Vylan's Glastonbury performance. During the punk rap duo's set at the festival on June 28, they led the crowd in pro-Palestinian and anti-Israeli military chants like 'free, free Palestine' and 'death, death to the IDF.' The BBC livestreamed the performance in full leading to a backlash from the government. BBC Director-General Tim Davie ordered the content to not be featured in any other coverage. However, due to a technical issue the stream was available on the BBC iPlayer for about five hours. Davie and BBC chair Samir Shah have both apologized. The BBC said in a statement: 'Warnings appeared on the stream on two occasions and the editorial team took the decision not to cut the feed. This was an error.' Music industry trade bodies and experts now say the BBC is overreacting. 'The BBC is absolutely fundamental to the continued success of British music and particularly vital to supporting our new and emerging artists' development,' said David Martin, head of the Featured Artists Coalition, a UK trade body that supports music artists. The FAC supported the network's public service broadcasting remit, which understandably came with responsibilities and standards, he said. 'If those standards have been breached, then there should be appropriate guidelines to follow. But the idea of preemptively grading artists according to their risk factor feels arbitrary and disproportionate and a dangerous step toward censorship.' Such an approach could 'curtail artistic freedom' and 'inadvertently punish those who are simply expressing their views,' he said. Naomi Pohl, general secretary of The Musicians' Union, stressed the importance of the BBC and its role in the music industry. 'It's such a shame there has been this shadow cast over this year's Glastonbury coverage, because it has had fantastic viewing figures. It's been all over iPlayer and people have been tuning in live,' she said. 'We need to talk to the BBC about it directly. But I don't want to see any broadcasters now broadcasting fewer live events because they don't want to take the risk. The whole of the music industry will be feeling that, because it's so crucial to us to have the BBC.' A BBC spokesperson said the broadcaster stood by its decision to make changes to livestreaming music performances. 'We will continue to bring audiences a range of music performances, both live and on-demand and we respect artists' freedom of expression,' the person said. 'However, Bob Vylan's offensive and deplorable behavior on one of our Glastonbury livestreams was completely unacceptable and we are sorry it appeared on the BBC. 'This is why we have made immediate changes to livestreaming music events and these, alongside our editorial guidelines, will shape our plans going forward.'