logo
Minnesota school district sued by students, parents over book ban policy

Minnesota school district sued by students, parents over book ban policy

CBS News26-03-2025

Two lawsuits were filed Monday against St. Francis Area School District over its book banning policy.
The ACLU of Minnesota and Lockridge Grindal Nauen PLLP filed one of the two lawsuits on behalf of two parents of children in the school district to end the "illegal banning of books from the district's school libraries and classrooms."
The lawsuit is in response to the district's recent policy change that removed librarians and teachers from the book approval process and replaced them with a website called "Book Looks," founded by Moms for Liberty, a group that has been at the forefront of the conservative movement targeting books that reference race and sexuality.
The website rates books on a scale of zero to five, with zero being "for everyone" and five being "aberrant." St. Francis banned books with a rating of three and above, according to the ACLU. If a book is already in the library and has a rating of three or above and is challenged, policy dictates that the book must be removed.
Since the policy change, the lawsuit claims at least 46 books were removed or are in the process of being removed from St. Francis schools.
Education Minnesota-St. Francis also filed a separate lawsuit over the book ban on behalf of eight students in the district whose parents are teachers.
That lawsuit claims the district's policy is "antithetical to the values of public education and encouraging discourse."
Both lawsuits allege the policy violates the Minnesota Constitution and state law, saying school districts cannot discriminate against viewpoints expressed in books and that it violates the right to free speech and to receive information, as well as the right to a uniform and adequate education.
"The Book Looks rating system that is now binding upon the school district discriminates extensively based on viewpoint, particularly with regard to topics of gender, race, and religion," the lawsuit said.
The teachers' union says the Holocaust memoir "Night" by Elie Wiesel is set to be removed after a recent complaint.
On Sunday, Book Looks announced it was ceasing operations and taking all reports down from its website.
"Our charge was always to help inform parents and it would appear that mission has been largely accomplished. We pray that publishers will take up the torch and be more transparent regarding explicit content in their books so that there will be no need for a BookLooks.org in the future," an announcement posted to the website says.
St. Francis Area Schools says its legal team is reviewing documents from both lawsuits and determining next steps.
About 4,100 students attend the school district.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Paris Holocaust memorial, synagogues vandalised
Paris Holocaust memorial, synagogues vandalised

Yahoo

timea day ago

  • Yahoo

Paris Holocaust memorial, synagogues vandalised

France's Holocaust memorial and three Paris synagogues and a restaurant were vandalised with paint overnight Saturday, in what the Israeli embassy denounced as an "coordinated antisemitic attack". An investigation has been opened into "damage committed on religious grounds", the Paris public prosecutor's office said. No arrests have been made. "I am deeply disgusted by these heinous acts targeting the Jewish community," French Interior Minister Bruno Retailleau posted on X. Retailleau had called last week called for "visible and dissuasive" security measures at Jewish-linked sites amid concerns over possible anti-Semitic acts. The Israeli embassy in France said it was "horrified by the coordinated anti-Semitic attack", adding that recent tensions with some French officials were contributing to a "problematic discord". "We stand with the Jewish community and have full confidence in the French authorities, who will identify and bring the perpetrators to justice," the embassy said in a statement. "At the same time, we cannot ignore the problematic discord seen over the past two weeks among certain leaders and officials," it added. "Words matter, and the current discord against the Jewish state is not without consequences, not only for Israel but also for Jewish communities around the world," it said. - 'Particluarly vulnerable' - The row comes amid growing concern in France over anti-Semitic incidents. In a separate message seen by AFP, the interior minister on Friday ordered heightened surveillance ahead of the coming Jewish Shavuot holiday. "Anti-Semitic acts account for more than 60 percent of anti-religious acts, and the Jewish community is particularly vulnerable," Retailleau said in the message seen by AFP. The French Jewish community, one of the largest in the world, has for months been on edge in the face of a growing number of attacks and desecrations of memorials since the Gaza war erupted on October 7, 2023. "There is deep sadness and outrage... at the sight of these images showing vandalised Jewish sites," said Yonathan Arfi, head of the Representative Council of Jewish Institutions of France (CRIF). Paris authorities plan to lodge a complaint over the paint incident, said the city's mayor, Anne Hidalgo. "I condemn these acts of intimidation in the strongest possible terms. Anti-Semitism has no place in our city or in our Republic," she said. Last year, France registered 1,570 anti-Semitic acts, according to interior ministry figures. By comparison, 436 anti-Semitic acts were recorded in 2022, and since 2012 they have fluctuated between 311 and 851 per year. Several EU nations have reported a spike in "anti-Muslim hatred" and "anti-Semitism" since the start of the Gaza war, according to the European Union Agency for Fundamental Rights. In May 2024, graffiti of red hands was painted beneath the wall at the memorial in central Paris honouring people who saved Jews from persecution during the 1940-44 Nazi occupation of France. sm-juc/ekf/js/

Holocaust memorial and synagogues vandalised with paint in Paris
Holocaust memorial and synagogues vandalised with paint in Paris

Yahoo

timea day ago

  • Yahoo

Holocaust memorial and synagogues vandalised with paint in Paris

French police have launched an investigation after a Holocaust memorial and two synagogues were defaced with green paint in the latest anti-Semitic attack in Paris. The symbolic sites, as well as Chez Marianne, a popular Israeli restaurant in Paris's Jewish quarter, were vandalised in the early hours of Saturday morning, police said. The Holocaust memorial, the Wall of the Righteous, was doused with green paint, covering the names of 3,900 men and women who helped rescue Jews in France during the Second World War. Police are looking for a man dressed in black who was caught on CCTV cameras throwing green paint at establishments in Paris's Jewish quarter, called the Marais, at around 4.30 am on Saturday. An opened can of green paint was found at one of the sites. 'I condemn this intimidation in the strongest possible terms,' Anne Hidalgo, the Paris mayor, wrote on social media. 'Anti-Semitism has no place in our city and in our Republic. I have asked the sanitation department to intervene urgently. We will be filing a complaint.' Bruno Retailleau, France's interior minister, also denounced the incidents. 'Immense disgust at these odious acts targeting the Jewish community,' he wrote on X. No arrests have been made. Last week, Mr Retailleau called for 'visible and dissuasive' security measures at Jewish-linked sites amid concerns over possible anti-Semitic acts, and ordered heightened surveillance ahead of Shavuot, an upcoming Jewish holiday. Around this time last year, the Wall of the Righteous was vandalised with 35 handprints spray-painted in red. The investigation led police back to Bulgarian nationals who were suspected of acting on behalf of Russian intelligence. The operation was described as a 'copy-paste' from another high-profile incident that dominated the French news cycle in the autumn of 2023, when 250 blue Stars of David were found tagged on Parisian buildings. French authorities announced that the Stars of David graffiti campaign was part of a larger attempt at Russian interference, aimed at stirring up division and anxiety in France. Individuals from Moldova were arrested in connection with the vandalism. Commissioned by Russian security forces, a campaign of disinformation was also carried out simultaneously in other countries including Spain, Latvia and Poland, according to French newspaper Le Monde. At the time, France accused Russia of amplifying the graffiti on social media, calling the campaign a 'new Russian digital interference operation against France' aimed at exploiting international crises to sow confusion and create tensions. The minister of foreign affairs said 1,095 bots had been found on the X platform publishing nearly 2,600 posts about the tags. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

New doc tells story of Holocaust survivor, Nobel Peace Prize laureate Elie Wiesel
New doc tells story of Holocaust survivor, Nobel Peace Prize laureate Elie Wiesel

Yahoo

time2 days ago

  • Yahoo

New doc tells story of Holocaust survivor, Nobel Peace Prize laureate Elie Wiesel

An Elie Wiesel documentary presents a compelling portrait of a Holocaust survivor who bore witness. Elie Wiesel: Soul on Fire, the new documentary portrait of the Nobel Peace Prize laureate, Holocaust survivor, and Jewish writer who devoted his life to sharing the story of what millions of his fellow victims couldn't, received the Yad Vashem Award and was just shown at the Docaviv Festival. The documentary opens with a telling quote from Wiesel: 'Whoever listens to a witness, becomes a witness.' That encapsulates his life's mission: He wanted to create a world of witnesses, and he did so by bringing the story of the tragedy of the Holocaust to millions. But living a life filled with this sense of mission took a toll on him, personally, and on those around him, as this candid and very compelling documentary by Oren Rudavsky shows. The film came about because the director's friend, author and Holocaust film historian Annette Insdorf, who was close to the Wiesel family, had been getting requests from filmmakers who wanted to tell Wiesel's story since he died in 2016. But she felt that Rudavsky and his late partner, Menachem Daum, who collaborated on such documentaries as Hiding and Seeking: Faith and Tolerance After the Holocaust, would be a good fit for a Wiesel film. 'The process of making a film is partially by choice, partially by chance, and partially whether you can raise the money to make it,' Rudavsky said. He decided to make the film despite all the obstacles. 'I think a figure like Elie Wiesel is somebody whose message of tolerance and speaking up in times of crisis is very relevant today,' he said. 'His kind, prophetic, messianic way he spoke is very… well, timely is the wrong word because he's timeless, I think.' Rudavsky admitted that it was a challenge to create a film portrait of a man who was so revered by many. His mother had studied with Wiesel at Boston University, and his parents had Wiesel's books. As he read over Wiesel's works, such as Night, an autobiographical novel about his Holocaust experiences, and watched many of Wiesel's speeches, he said, 'It was daunting – absolutely!' But after he gained the trust of Wiesel's widow, Marion, who recently passed away, and his son, Elisha, who told him their stories and were honest about how difficult it could be to be close to Wiesel and to be in his shadow, he began to formulate a structure for the film. THE DOCUMENTARY uses rare photographs and clips, as well as interviews with his family members and short animations to tell the story of Wiesel's happy childhood in the heart of a close-knit Jewish community he was born into in 1928 in Sighet, a village which was alternately part of Romania and Hungary. He was encouraged by his parents to study both Torah and literature, and he spoke multiple languages. 'As in a dusty mirror, I look at my childhood and wonder if it really was mine,' Wiesel says in the film. He shares his vivid memories of how his family was put in a ghetto under Nazi rule and then deported to Auschwitz when he was 14. His mother instructed him not to stay with her and his three sisters but to go to the men's camp with his father. The father and son were able to stay together through the concentration camp, a death march, and Buchenwald, where his father eventually died, and Wiesel recalls his anguish at being helpless as his father passed away. Taken to a Jewish children's home in France following the war, he realized that the Holocaust experience would always be a key part of who he was. 'Whether we want it or not, we are still living in the era of the Holocaust. The language is still the language of the Holocaust. The fears are linked to it. The perspectives, unfortunately, are tied to it,' he said in a speech years later. His parents and younger sister were killed in the war, but he was reunited with his older sisters afterward, and one of them is interviewed in the film. For about 10 years, he did not talk or speak about the war, studying at the Sorbonne and working as a journalist. Eventually, in response to encouragement from the author Francois Mauriac, he wrote a long book on the war in Yiddish, The World Was Silent, which he then shortened and translated into French, changing its title to Night. The documentary dramatizes, through its animations, some of the most horrific moments from the book. 'Why do I write?' Wiesel says to an interviewer. 'What else could I do? I write to bear witness.' He went on to write many more books, including novels, autobiographies, and memoirs, and his fame grew. But the movie details how he remained isolated from others, resolving not to become close to anyone until he met Marion, a translator, whom he married. WHILE HE traveled the world speaking about his life and his writings, he had a special moment in the spotlight in 1985 when he opposed then-president Ronald Reagan's visit to a military cemetery in Bitburg, Germany, that contained graves of SS officers. While Reagan seemed not to have known about the presence of the SS graves when he was first invited there, Reagan compounded the faux pas by saying that these SS members were victims of the Nazis 'just as surely as' those who were killed in the death camps. The planning of the Bitburg visit coincided with the moment when Wiesel was awarded the Congressional Gold Medal by Reagan. In a small meeting, which was caught on tape and is included in the documentary, and in a public speech when accepting the medal, Wiesel very respectfully – but very directly – challenged the president, imploring him not to lay a wreath on the graves of those who murdered his family and millions of others. 'This medal is not mine alone. It belongs to all those who remember what SS killers have done to their victims… While I feel responsible for the living, I feel equally responsible to the dead. Their memory dwells in my memory. Forty years ago, a young man woke up and found himself an orphan in an orphaned world. 'What have I learned in those 40 years? I learned the perils of language and those of silence. I learned that in extreme situations, when human lives and dignity are at stake, neutrality is a sin. It helps the killers, not the victims. But I've also learned that suffering confers no privileges. It all depends on what one does with it,' he said. He went on to say, 'I, too, wish to truly attain reconciliation with the German people. I do not believe in collective guilt nor in collective responsibility. Only the killers were guilty; their sons and daughters are not, and I believe, Mr. President, that we can and we must work together with them and with all people, and we must work to bring peace and understanding to a tormented world that, as you know, is still awaiting redemption.' Rudavsky said he was impressed by 'that speech, which I consider as one of his top few speeches. His eloquence, the whole circumstance considering where we are now with our politics… the way he spoke so gently and persuasively to President Reagan...' The film goes on to show Wiesel's speech at the Nobel Peace Prize ceremony in 1986 and other important moments, such as his visit to Auschwitz with Oprah Winfrey, who featured him on her show. 'He always saw himself as a teacher,' said Rudavsky, and one of the highlights of the film is a scene in which a class of African-American high school students in the US discuss Night, completely engaged by it. As he worked to finance the film, Rudavsky said he was grateful to a number of his producing partners, among them the Claims Conference, Jewish Story Partners, the Laurie M. Tisch Illumination Fund, the Public Broadcasting Service's American Masters, and Patti Askwith Kenner. The film has been shown at and will be shown at Jewish film festivals in America, and Rudvasky is hopeful for a limited theatrical release of the film in the fall in the US. Eventually, it will be shown on the PBS American Masters series. It has won Audience awards at several US film festivals and will likely turn up on one of Israel's documentary channels. Asked at a recent screening – and virtually all screenings – what Wiesel would say about what's happening in the world today, Rudavsky said, 'I can't speak for Elie, but he would be crying for those who are suffering.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store