‘Oh my god, let it go!': The ABC show getting (almost) too close to dangerous animals
'We don't exist separate to nature,' says Jones, who lives with a strictly indoor Maine Coon cat named Bubbles and a freshwater prawn called Prawn Connery.
'All natural history documentaries are made on the back of research from people, like those featured in this program,' says Jones. 'I think it's important to not shy away from how we get information, which sometimes means that you're uncomfortable. But that's how we find out things that will protect the species.'
In the series, marine ecologist Nicolas Lubitz remarks that the work of biologists is, '95 per cent boredom, 5 per cent chaos'.
Jones agrees: 'The majority of the work that a scientist does will be based in an office or a lab, in front of a computer. And so what you see [in the series] is the high point of the year when they actually spend time with the animals. Fieldwork is addictive. I think it fuels the rest of their year.'
In the first episode, Jones joins Lubitz and his team on a perilous expedition tagging bull sharks off the coast of Townsville, during which she becomes visibly distressed as the thrashing fish is roped.
'I was scared, but I expected to worry more about myself,' says Jones. 'But the way in which they subdue a shark is by catching it and then turning it upside down, and then it goes into a sleepy state. And to see this animal so completely vulnerable – I'm just a complete softie. And this is probably why I'm a broadcaster and not a scientist. I'm just like, 'Oh my god, let it go! Let it go!''
In Moreton Bay near Brisbane, the seagrass-munching dugong stole her heart. 'They were surprisingly muscular. They have really dense whiskers, triple the thickness of a cat whisker. And their breath smells like grass.'
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West Australian
2 hours ago
- West Australian
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Perth Now
2 hours ago
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Lee credits the book's enormous success to the very fact he didn't overthink it. 'There's an advantage to that,' he explains. 'I was like, 'Oh well, I will just see how it goes.' And I honestly thought that the book would disappear.' Instead, it struck a chord. But while the journey from Lee's mind to the page might have been a relatively seamless one, the same cannot be said of his first animated series, which was brought to the screen via his own television production company Lee Bones, with funding from VicScreen and Screen Australia. Scenes from the Do Not Watch This Show. Credit: Supplied 'Oh my god. Animation takes its time ,' Lee laughs. 'I kind of thought that a lot of my skills would be transferable; I thought it might be like TV . . . but it's not, it's very different.' Originally, Lee had been in discussions to turn Wizz's adventures into a series with international production powerhouse DreamWorks in 2019. That never got off the ground, and he redirected his attention to doing things his own way. '(DreamWorks) wanted me to sign a deal, and it didn't work out, but it was totally fine and respectful from both sides,' he explains. 'I am passionate about all my projects, and they were probably more keen on taking the IP (intellectual property) and making it their own, whereas I was more keen on being a strong part of it. 'And to be honest, I was more keen for it to be made in Australia.' Lee was also keen for it to be seen by as many eyes as possible. The ABC was the perfect fit. 'With a lot of Hamish and my projects, we haven't ever really gone behind a paywall,' he says. 'And the same way we do the podcast we like free-to-air networks. 'I was really passionate about it being on the ABC for that reason, because that's where kids are.' If you'd like to view this content, please adjust your . To find out more about how we use cookies, please see our Cookie Guide. Lee voices Wizz, who is desperate for children to not watch his show, as well as a cute scientist character, Douglas, who is the foil for the monster's more outlandish antics. The series also features a great ensemble voice cast including Denise Scott playing a tortoise, Joel Creasey as a lime, Kura Forrester as a kiwi fruit and Dave Hughes as a cheeky goblin. There are also cameos from Blake, Glenn Robbins, Carrie Bickmore, Tony Armstrong, Mick Molloy, Ben Fordham and Chrissie Swan, plus others. 'I love the fact they all said yes,' says Lee of assembling his stellar cast. 'I particularly love the fact people overseas will hear Hughesy's (Dave Hughes) voice (for the first time). 'When he came in, he said, 'What voice do you want me to do?' I said, 'Yours! I didn't get you in for your wonderful voice acting — you are not Meryl Streep!'' Andy Lee, author of the Do Not Open This Book series, talks about the new TV show based on his stories. 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Perth Now
2 hours ago
- Perth Now
Why ‘engaging' shows like Sesame Street more vital than ever
On Monday the 55th season of Sesame Street will hit Aussie TV screens. According to Sesame Workshop, the global non-profit organisation behind the award-winning series, the latest season will focus on emotional wellbeing, 'helping children learn accessible strategies to comprehend and cope with big feelings through fun, light-hearted, relatable, and engaging stories.' Clinical child psychologist and founder of WA start-up Tedology, Dr Louise Mansell, thinks this emphasis is more vital than ever. 'Shows like Sesame Street are so important for children,' Dr Mansell said. 'But I'm particularly struck by how important they are for Australia, because there are a limited number of shows that support emotional development for children. 'We've got Bluey now, but Sesame Street does it in a much more direct way — they will openly talk about emotions and cover topics that might otherwise be difficult to talk about.' If you'd like to view this content, please adjust your . To find out more about how we use cookies, please see our Cookie Guide. You could argue this kind of quiet reassurance is more important than ever — especially for our little ones. But earlier this year Sesame Street's future seemed uncertain after its broadcast partner, HBO, did not renew its deal with the show. Netflix came to the rescue, ensuring the 50-plus year-old series will continue to be available not only to American children via the publicly-funded PBS Network, but also internationally via its enormous streaming service — episodes will continue to air on ABC in Australia. 'ABC and Sesame Workshop enjoy a longstanding partnership spanning 50 years and we look forward to continuing our collaboration,' a spokesperson for the network told The Sunday Times. WA-based Clinical Psychologist Dr Louise Mansell has created an interactive teddy bear for kids through her company Tedology. Credit: Jackson Flindell / Jackson Flindell / The West Aust 'Whether it's taking a volcano breath when angry, learning to give yourself a hug when frustrated, or wiggling it out when disappointed, we're empowering children with the strategies to help build resiliency and the foundational skills for emotional well-being,' he said. Helping children to navigate all this are the show's stable of much-loved characters. This season will see Elmo learn how to do 'volcano breaths' after he feels angry; puppet Abby learns what it means to be kind to yourself to overcome frustration, and Cookie Monster admits to feeling nervous about going to a new cooking school, enlisting his friends to help him prepare. 'That 'don't worry be happy' kind of motto is in so many shows, but you won't find that in Sesame Street,' Dr Mansell said. 'As a child psychologist, you are often trying to help children who don't believe that some emotions are OK... 'If they can see Big Bird have them, and Elmo is often saying how he feels, it just normalises the whole process and makes them realise that emotions happen on a daily basis in response to something else, and that's OK.' Sesame Street runs on ABC Kids. Credit: Supplied Helping the puppets to get the message across this season are special guests including actress and singer Renee Rapp, actor Michael B. Jordan, pop star SZA, and Queer Eye's Jonathan Van Ness. 'We are in this society that is really focused on children becoming addicted to screens,' Dr Mansell said. 'What they are really becoming addicted to is the dopamine and the high arousal they get from shows and screen time. It's quick, it's fast, and I hear that when I listen to my boys watching YouTube. 'Sesame Street doesn't do that: it's slow, it's calming, and there is predictability about it; you always know what is going to happen on the show at the beginning and end. 'That's so important for children, and for adults.'