Conrad Koch in Puppet Power
Running for four nights at the Pieter Toerien Theatre at Montecasino (10-13 July), the show dives into everything from global politics and celebrity nonsense to the chaos of social media and the everyday absurdities of life in South Africa.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Metro
7 hours ago
- Metro
Screaming match from hit Netflix movie used by US government for bizarre reason
The screaming match between Scarlett Johansson and Adam Driver in the Netflix movie Marriage Story is being used to frighten wolves in the US – yes, really. The Oscar-nominated Noah Baumbach movie came out in 2019 and follows the messy divorce between Charlie and Nicole Barber, with one particular scene – a shouting showdown between the two of them – regularly making the social media rounds. In case you need your memory jogging – Adam Driver punches the wall in a rage. Little did we know, however, that soon Scar Jo's tears would transcend art and be implemented by the US Department of Agriculture (USDA) to scare off wolves who had been killing cattle and, further, tame livestock. 'I need the wolves to respond and know that, hey, humans are bad,' USDA Oregon district supervisor Paul Wolf told the Wall Street Journal about the utterly wild strategy. Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. The sounds of the fictional fight are deployed via loudspeakers attached to drones across the Klamath Basin of southern Oregon after 11 cows were killed over a 20-day period – with officials already seeing results. The emotionally gut-wrenching scene is mixed in with a variety of other sounds, such as fireworks, gunshots, and even playing songs like AC/DC's Thunderstruck and Five Finger Death Punch's tune Blue on Black. According to the official website, the USDA's purpose is to 'provide leadership on food, agriculture, nutrition, and other issues based on public policy, available science, and effective management.' No doubt, this is one of the more unconventional methods they have rolled out as part of the practice of 'wolf hazing'. Since grey wolves are an endangered species, the drones provide a hands-off way to deter the deadly creatures without physically harming them. (No comment on the emotional impact of hearing the tearjerking scene.) The Jurassic World: Rebirth star reacted to the fight scene for Vanity Fair, calling the quips swapped between Nicole and Charlie 'so brutal'. 'Noah had such a specific idea of how he wanted to shoot this and then he had edited it in his mind. It's interesting even now watching it I am paying more attention to what shots he chose. 'It's such an interesting composition this fight scene. So carefully constructed.' More Trending Reflecting more on what the experience was like shooting the iconic scene, she explained that they were 'just in the truth of what they were doing' and it was shot over several days because the re-did the scene 'so many times'. 'We probably had the fight in its entirety 40 times, maybe more, like 50 times – more than that even when I think about it.' Marriage Story is available to stream on Netflix. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Netflix fans rush to binge 'gripping' psychological drama that's soared up chart MORE: The tragic story of the little girl who 'haunts' the Wednesday season 2 castle MORE: Netflix hit watched 250,000,000 times returns — and 6 more shows to binge in August
Scottish Sun
10 hours ago
- Scottish Sun
Emmy-winning actress who appeared in hit sitcom with her husband is unrecognizable in rare outing – can you guess who?
Her husband sadly died in 2012 WHO IS SHE? WHO IS SHE? Emmy-winning actress who appeared in hit sitcom with her husband is unrecognizable in rare outing – can you guess who? Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) AN EMMY-winning actress who appeared in a hit sitcom with her husband is unrecognizable while on a rare outing. This lady starred in some seriously massive films alongside the likes of acting icons Clint Eastwood and Gene Hackman. Sign up for the Entertainment newsletter Sign up 6 Can you guess who this very famous sitcom star is? Credit: The Mega Agency 6 She starred alongside her husband in the hit series Webster Credit: The Mega Agency And alongside her NFL star husband, she starred in a hit 80s sitcom that became a household favorite. This lady even posed up a storm for a Playboy spread, and took on an extremely racy tole in a comedy flick. In 1981, took on the role of Cherry Forever, a sex worker, in the hit sex comedy Porky's. Yep, you've guessed it... It's Susan Clark! Susan, who is now 82 years of age, is best-known and loved for her role in the hit sitcom Webster. Stepping out over the weekend for a dog walk, Susan looked unrecognizable as she made a very rare public appearance. Donning green trousers, a beige zip-up jacket, a straw hat and some black sneakers, she looked laidback and relaxed on her walk. At one point, Susan unzipped her jacket to reveal a green and black abstract patterned top. Completing the look with some dark sunglasses concealing her eyes. The Canadian actress made her big screen debut in the 1967 drama film Banning and the following year played the female lead in the crime thriller Coogan's Bluff. 80s Icon Tom Selleck Spotted Unrecognizable in Rare LA Outing She then went on to star in a string of films such as Night Movies, Airport 1975, Skin Game and Murder By Decree. She received a Primetime Emmy Award for Outstanding Lead Actress in a Limited or Anthology Series or Movie for playing Babe Didrikson Zaharias in the 1975 television film Babe. She then receieved an Emmy Award nomination for playing Amelia Earhart in the 1976 television film Amelia Earhart. From 1983 to 1989, she starred as Katherine Papadopolis in the American sitcom Webster. While acting on Webster, Susan starred alongside her husband, Alex Karras. For her role as Katherine, she received a Golden Globe Award for Best Actress – Television Series Musical or Comedy nomination in 1985. Susan married American football player turned actor Alex in 1980 after he played the role of her on-screen husband in Babe. They welcomed daughter Katie in 1980. The couple were married for 32 years until Alex died on October 10, 2012. Since her husband's passing, Susan has kept a very private life and has rarely been seen in the public. 6 Susan Clark of Sitcom – Webster – US, Credit: ABC Credit: ABC 6 Susan Clark of Sitcom – Webster – US, Credit: ABC Credit: ABC 6 Football Player Alex Karras with wife Actress Susan Clark, July 17, 1983 in Los Angeles, California. (Photo by Bob Riha, Jr./Getty Images) Credit: Getty
Graziadaily
11 hours ago
- Graziadaily
‘And Just Like That' Had Its Flaws, But We'll Miss Our Old Friend Carrie
'What's going to happen to the woman?' asked Carrie's neighbour Duncan Reeves - one of those slightly disquieting, cerebral, 50-something British men with a Margaret Thatcher thing - and Carrie Bradshaw's latest (and *sobs* last) love interest. 'The woman' being the subject of Carrie's recent, unexpected move from sex guru to awks podcaster to author of historical fiction. Just one of the bizarre, if insanely watchable plot twists in And Just Like That season three. 'Do you have the ending yet?' Well, does she? Last weekend, prior to the tenth episode of the current season of AJLT , showrunner Michael Patrick King announced some good news for fans. There would be two more episodes than expected. 'Fans', in the case of And Just Like That , is a broad church. It takes in everyone from those who genuinely love the tales of Carrie and co., to those who watch despite shivering at key storyline signifiers, like 'LTW', 'ghost sperm' or 'karaoke'. Then MPK announced some bad news: after episode 12, season three airs, Carrie Bradshaw's story will come to an end. Gulp. Mostly, we have watched And Just Like That through clenched fists, brows furrowed. But the key word here is 'watched'. And Just Like That is one of those televisual anomalies. The more incredulous the storylines get, the more it seems to settle in viewers' hearts. As a female friend texted at the climax of what can only be referred to as 'the silver catsuit episode' (IYKYK) – 'just because your best friend goes stark raving bonkers doesn't mean she isn't still your best friend.' Really, the end of And Just Like That is only the end of Carrie Bradshaw. Miranda ended long ago, when she was mysteriously transposed from the zenith of Manhattan power-broker womanhood, into a homeless intern. Charlotte is now Martha Stewart - not just on steroids but told through a psychedelic prism that intimates a writers' room on hard drugs. Samantha, some say prudently, was gone before the first season. And episode one killed off the love of Carrie's life, Mr Big, bringing on an unexpected PR crisis at the consumer home gym giant, Peloton. As we write, And Just Like That still has zero Emmy nominations, not even in the technical categories. Since her 1998 debut, soundtracked by a jaunty theme-tune, pasted onto the side of a bus careening down Broadway, 'knowing good sex', Carrie Bradshaw established herself as Manhattan's first lady of letters. She was the inverse of Madonna's 'Ray of Light' era, also released that summer. As Madonna discovered her spiritual side, Kabbalah bracelets and the redemptive power of motherhood, Ms Bradshaw rejected the lot, glorying in tasteful consumerism and the power of a good cocktail, inventing an irresistible buy-your-way-to-the-perfect-you identity, conjured by a few bon mots scripted on her vintage Olivetti typewriter. Madonna might've harboured the darker secrets of life, but Carrie reminded you that, isn't it fab, also, to have great hair just in case the next hookup is sitting round the corner, on a tattered banquette in Pastis? Since then, Carrie Bradshaw has been, arguably, the most memorable fictional heroine of her age. Virginia Woolf, if the Bloomsbury Group met in the accessories department of Saks Fifth Avenue, perhaps. Carrie Bradshaw was shoes, sex and soliloquies. She had a kind of life we all desired, mistakes and all. I always thought it was absolutely brilliant that they gave her no family members. So clever. Imagine all that stress and anxiety, just – poof! – gone. I once asked the actress Sarah Jessica Parker if she was proud of the number of women who became writers because of her Writers! she laughed. If she had a penny for the amount of New Yorkers who told her daily they'd moved to the city because of her... Even at her most divisive – sauntering through Union Square in an outsized tam' o shanter, 'making it work' with a contemptible man who wants to commit only to relationship by postcard, pronouncing the word 'lover' – Carrie has been someone we can safely lean on in times of trouble. She magicked from nowhere the plausibility and success of lifestyle. When chaos was everywhere, there was always Carrie Bradshaw, nailing the little stuff that affects our lives largest. For now, farewell old friend. Of course, unless they kill off Carrie Bradshaw – and at this stage, one wouldn't quite put anything past the people writing this stuff – any permanent ending to Carrie Bradshaw should be taken with a pinch of salt. In 20 years' time, surely the three pals could return as a kind of Golden Girls du nos jours . In the meantime, we must wish our definitive 21st century heroine adieu, in the recent manner to which she is familiar:
