logo
My parents never put their house in order. So the death cleaning fell to us

My parents never put their house in order. So the death cleaning fell to us

Entertainment And Life
By
Putting your house in order, if you can do it, is one of the most comforting activities, and the benefits of it are incalculable.
– Leonard Cohen, in 2016 in The New Yorker
Late one January afternoon in 2009, a reader called to comment on a column I'd written — and we got to talking. She told me how, once her children were launched, she'd sold the house in which she'd raised them and moved to a rented upper duplex. At 80, she had just moved again — this time to a one-bedroom apartment.
With each move, she had divested herself of more of her possessions so that now, in her compact apartment, she had only essentials. She was adamant, she said, about not wanting to leave the contents of her life for her children — or anyone — to sort through after her death.
Listening to her, I saw into the future: I envisioned my parents' gracious two-level condo, with its art and furniture and rugs, its many books and endless carousels of vacation slides, the massive dining table around which so many happy meals had been shared, the storage area with its Jenga towers of bridge chairs, ladders, old suitcases and boxes of random stuff. And I knew it would fall to my brother and me to sort through their belongings once they were gone and decide what to do with them — to me, mostly, since my brother doesn't live in Montreal.
More than once as our parents aged we had suggested, gently, that they consider divesting themselves of some of what they had accumulated and moving to a smaller place on a single level, perhaps in a building with an elevator. They wouldn't hear of it. 'We'll be in a small enough space eventually,' my father would say. And that was that.
When he died in 2014, two months before what would have been his 90th birthday, my parents had been married for nearly 64 years. My mother was 92 when she died, in 2021. And the future I had envisioned during my conversation with the 80-year-old caller a dozen years earlier was now.
My parents had never put their house in order. And so it would fall to us.
The reality, of course, is that we will all die. And the prospect of our eventual demise should be reason enough to clear out unnecessary belongings and simplify our lives, says Swedish author and artist Margareta Magnusson — to figure out what is important to us and what we want to give away or discard so as not to burden others with those decisions.
Yet 'some people can't wrap their heads around death. And these people leave a mess after them,' she observed in The Gentle Art of Swedish Death Cleaning: How to Free Yourself and Your Family from a Lifetime of Clutter (Scribner, 2018). 'A loved one wishes to inherit nice things from you. Not all things from you.'
Magnusson's slim and sage guide, which urges us to streamline our lives sooner rather than later, became a bestseller and the basis for a touching reality TV series of the same name developed and narrated by actor and comedian Amy Poehler. The eight episodes of its first season aired in 2023 on Peacock.
The practice of death cleaning is popular across Scandinavian countries — but particularly in Sweden, where it is known as döstädning. 'In Swedish it is a term that means that you remove unnecessary things and make your home nice and orderly when you think the time is coming closer for you to leave the planet,' writes the mother of five.
'I have collected many things over the years, and it gives me such joy to go through them all. Sorting through everything is sad sometimes, too, but I really do not want to give my beloved children and their families too much trouble with my stuff after I am gone.'
Death cleaning is a concept, like spring cleaning. It is about editing, about keeping what matters to you and getting rid of the rest. It is as much about clearing your mind as anything, and as much — or more — for you as for those who come after you, says Magnusson, who is 90. She figures 65 is a good age at which to start döstädning.
'One's own pleasure, and the chance to find meaning and memory, is the most important thing,' she writes. 'And if you don't remember why a thing has meaning or why you kept it, it has no worth, and it will be easier for you to part with.'
For some, hiring a specialist to help with the task is a solution. Longtime professional organizer Samara Shapson of Sort it Out with Samara works with people wanting less clutter and those downsizing from homes to apartments or condos . 'It's emotional. It's a huge job: You are going through someone's life,' she said.
'When I go into a client's home as a professional organizer, I have no attachment to what is in the home. Clients need to realize that stuff is eventually going to have to go — if just for peace of mind, to feel light and free. We don't need a lot of stuff to live. We don't need 10 pots and 10 pans.'
Ideally, Shapson has a year ahead of a move with a client to go through belongings so that only what will be used is moved and after the move she helps set up the new place, starting usually with the kitchen and bathrooms.
The work can be tedious, but 'I love tedious work — and that is to my benefit,' she said. 'I love organizing kitchens and other spaces: It's like heaven to me. I get to meet amazing people and to help people. I love the feeling of being organized and clutter-free — and I want others to experience it. It's not easy. But once you are finally living in that less cluttered environment, it's priceless.'
While some clients are prepared to declutter when they contact her, others are not. 'At the beginning, it's a challenge. But it's a process and, after a while, they see how liberating it is,' Shapson said. 'My ultimate goal is to make you feel better — about your space and about yourself. In a way, I am part therapist.'
If possible, Magnusson advises, take your time with death cleaning and proceed, thoughtfully and methodically, at a pace that works for you: After all, it took a lifetime to accumulate your belongings.
Often, sentimental attachment can come into play. One participant in the death cleaning TV series had lost both parents within 14 months and his basement was filled with their belongings. 'When I think about letting go of anything my parents have owned, I feel I am letting go of a piece of them,' Godfrey Riddle told the show's team of Swedish experts helping participants to pare down: a psychologist, an organizer and a stylist. They helped him realize that giving away his parents' things didn't mean giving away his love for them — that death cleaning was, rather, about finding a new home for them in which they'd be used. He donated 90 per cent of the basement's contents.
'What was stopping Godfrey from getting rid of his parents' things was his fear of losing them,' said psychologist Katarina Blom. 'What he didn't realize was that his parents live on in his memories and in the memories his friends have of them.'
My parents were not the sum total of their belongings: I knew that. Still, dismantling the house and deciding what to keep, what to sell, what to give away and what to trash was daunting, exhausting and, at times, heartbreaking.
An estate sale is an option for some, but not for me. If I had once found these events entertaining and even fun, I no longer did: Perhaps it was watching my parents age, but I came to see estate sales as sad and undignified. The old golf trophies, the beaded cardigans, the china teacups and saucers: Once these objects had had a place in people's lives; sifting through them made me feel somehow complicit in the dismantling of those lives. I didn't want that.
It was important to me that virtually all my parents' belongings pass through my hands; by choice, I worked mostly alone. Going through my parents' papers and coming upon anniversary cards with messages intended only for each other, sorting through stacks of dishes and linens, emptying shelves, drawers and closets crammed with clothing and shoes no one had worn in ages, there were times I wondered: Could they not have done some of this themselves?
My father's shirts, neatly folded, were stacked in piles. They looked new; some doubtless were. He had stopped wearing business suits years earlier except rarely and yet rows of them remained in his closet, still smelling faintly of his aftershave. I found the stunning chiffon gown my mother had had made for my brother's bar mitzvah party in 1970: She had looked so glamorous.
Both my parents were from Poland originally and had arrived in Montreal from Europe after the Second World War — my mother came in 1948 as part of a group of war orphans brought over by Canadian Jewish Congress, my father in 1949 with his parents and two brothers — and met at the Jewish Public Library, in an English class. They were married in December of 1950.
Looking through their passports at all the places they had visited together over the years brought to mind their vital younger selves and made me nostalgic. Other times, though, like when a stack of ceramic floor tiles tumbled from a high shelf in the storage area as I moved a box and a falling tile gashed my forehead, the task infuriated me.
My sweet husband hauled bag after bag to the recycling and trash bins as we tossed dozens of empty jars and yogurt containers my parents had, for reasons known only to them, held onto (along with scores of chipped dishes and broken kitchen implements). I emptied drawers crammed with socks and underthings and bathroom cabinets of half-empty tubes and expired medication.
My mother had started university once my brother and I were in school and gone on to earn a PhD in comparative literature; she taught literature at CEGEP for a time and, in cabinets in her study, I found enough foolscap to equip an entire school, if schools still used foolscap. In the freestanding unheated garage I came upon old suitcases packed with magazines and mouldering bank statements dating to the 1980s, when they had moved to the downtown condo. Did they ever throw anything out?
Household goods in decent shape — dishes, pots and linens, along with furniture, winter coats, boots, hats and scarves — were given to organizations that support refugees and others in need, including the Welcome Collective and the MADA Community Centre; the collection of cut crystal glasses went to the Collectibles Art & Antique Shop at the Jewish General Hospital. Most of their clothing and many of their books were donated to the thrift shops of NOVA, an organization which provides community-based palliative care services free of charge. I particularly like the spacious layout of the Ste-Anne-de-Bellevue branch, which has a bookstore next door.
Someone enormously helpful in the person of Patrick Lalonde, who helped to appraise collectibles and other items, contacted people he knew would be interested in, say, the mid-century teak or rosewood furniture, the small Chinese cloisonné pieces or the sword in a leather scabbard I have no idea how my parents acquired, and he dealt with them on my behalf. Although he also organizes and runs estate sales as part of his work, Lalonde respected my wish not to have one.
My brother and I each selected some belongings with meaning for us, including paintings and decorative objects, rugs and books. My mother's favourite colour was blue and I held on to some of her blue glass bowls and vases. I kept her Hermes 2000 manual typewriter, with its mint-green keys, even though the fabric-lined case had grown mouldy with years in the unheated garage: I remember its busy clickety-clack as she typed her term papers. My father was a decorated Second World War soldier, a gunner in a Polish tank corps — and I have his medals. My brother kept a large oak cabinet housing a punch clock used for years in my father's millinery factory. He took my parents' slides and some of their photographs and I have the rest. We'll tackle organizing those next.
Susan Schwartz
montrealgazette
514-386-8794
Susan Schwartz, a native Montrealer, is a longtime reporter and feature writer at The Gazette.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Look Ma, No Hands is a celebration of writing and a sensitive exploration of chronic pain
Look Ma, No Hands is a celebration of writing and a sensitive exploration of chronic pain

Globe and Mail

time20 hours ago

  • Globe and Mail

Look Ma, No Hands is a celebration of writing and a sensitive exploration of chronic pain

The first editorial cartoon that ever made me cackle felt like a personal attack. The graphic showed two black lines dressed in cowboy boots and 10-gallon hats, facing each other as if poised to draw pistols. A piece of paper – in my mind, a work in progress of some sort, perhaps an essay or newspaper column – rested beneath them. The italicized caption was perfect: 'This paragraph ain't big enough for this many em dashes.' Any editor of mine will confirm: I have an em-dash problem. As such, I've never hit 'purchase' on a product so quickly – a framed print of that cartoon sits proudly on my writing desk at home. Journalist and cartoonist Gabrielle Drolet, whose drawings for The Globe and Mail, The New Yorker and beyond often poke fun at the writing process, drew that genius em-dash portrait. Perhaps we share an affinity for over-using that particular piece of punctuation. But you wouldn't know Drolet had any trouble writing at all from her memoir, Look Ma, No Hands, which, through comics, stories and a heavy handful of aloof humour, details her experience of coming of age alongside her chronic pain. For the last decade or so, Drolet has bounced between Canadian cities, building her career as a writer and artist while jousting a herniated disc in her spine. While manageable with physical therapy and lifestyle changes, the condition – initially misdiagnosed as thoracic outlet syndrome – has for years caused Drolet extreme discomfort in her hands and arms. Not ideal for a journalist, or for a 20-something tasked with building IKEA furniture in third-floor walk-up apartments in Montreal. In Look Ma, No Hands, Drolet recounts her situationship with pain, and carefully describes how for most of her adulthood, her upper neck and back have interfered with her ability to thrive. It's an impressive debut in the vein of Emma Healey's Best Young Woman Job Book, but softer, less barbed. If Healey's memoir feels like sharing a night's worth of red wine with that author, Look Ma, No Hands feels like a warm mug of cocoa with Drolet. It's vulnerable and open as she recalls some of the most pivotal moments of her early twenties. As a freelance writer, Drolet's had some, uh, interesting gigs, the most memorable being her stint as a horse journalist, collating information about competitive horse racing into a daily newsletter. Throughout her memoir, she playfully captures the Groundhog Day-esque tumult of wielding words for a living – the simultaneous boredom and dread that accompanies being your own boss. (Even when the work at hand is horses.) Another highlight is the care with which she unpacks her queerness – the ways in which her chronic pain has shaped her capacity to be intimate with partners across the spectrum of gender. While Drolet's experiences are unique to her, one gets the sense she's not alone at the intersection between what her heart and mind long for, and what her body can tolerate. These chapters, in which Drolet turns inward (without once over-sharing), are perhaps Look Ma, No Hands's strongest stuff: They offer a side of her not easily captured in a cartoon or shorter essay. I'll be the first to admit I'm this book's target audience: a bisexual journalist in Canada who's closer to the beginning of my writing career than the middle of it. But Drolet's writerly voice is funny, punchy and dry, and makes no assumptions about the reader holding the memoir in their hands. Suffering from chronic pain? UofT researcher has some ideas to help you cope While established fans of Drolet's cartoons might chuckle at a few familiar turns of phrase, the memoir expands those snapshots of wit into something more concrete, less ephemeral. A time capsule for the zillennials in this country who lost crucial chunks of growing up to the pandemic. If you're unsure this book is for you, I recommend reading Drolet's viral garlic essay – about her love affair with jarred garlic catalyzed by the pain in her hands, published by The Walrus – or this excerpt from her memoir, about the forgotten thrill of calling your friends in a society propped up by e-mails and texts. If you like those stories, you'll love Look Ma, No Hands – and you'll join me in setting up social media alerts for when Drolet sells prints of her artwork. (I'm in the process of having her Severance-inspired animal portraits framed as we speak.) For years, Drolet has captured the quirks of this world through zesty drawings and trendy think-pieces. Now, with Look Ma, No Hands, she's proven she can make long-form writing work for her, with the help of dictation software and impish, hand-drawn characters, creatures who gaze at the words around them with cocked eyebrows and clever captions. No em dashes needed.

FanDuel bans bettor over heckling incident with Olympic champion sprinter Gabby Thomas
FanDuel bans bettor over heckling incident with Olympic champion sprinter Gabby Thomas

Winnipeg Free Press

time2 days ago

  • Winnipeg Free Press

FanDuel bans bettor over heckling incident with Olympic champion sprinter Gabby Thomas

A sports bettor who heckled Olympic champion sprinter Gabby Thomas during a Grand Slam Track event in Philadelphia over the weekend has been banned by the betting site FanDuel Sportsbook. In a statement sent to The Associated Press on Wednesday, FanDuel wrote it 'condemns in the strongest terms abusive behavior directed towards athletes. Threatening or harassing athletes is unacceptable and has no place in sports. This customer is no longer able to wager with FanDuel.' Last weekend, Thomas finished fourth in a 100-meter race won by Melissa Jefferson-Wooden. The bettor wrote in a post on social media that he 'made Gabby lose by heckling her. And it made my parlay win.' He posted a picture of his parlay that had Jefferson-Wooden winning the 100. Thomas, the 200-meter champion at the Paris Games last summer, explained the heckling incident on X. She wrote: 'This grown man followed me around the track as I took pictures and signed autographs for fans (mostly children) shouting personal insults — anybody who enables him online is gross.' Grand Slam Track, a track league launched by Hall of Fame sprinter Michael Johnson this spring, wrote in a statement it was 'conducting a full investigation into the reprehensible behavior captured on video. 'We are working to identify the individual involved and will take appropriate action as necessary. We will implement additional safeguards to help prevent incidents like this in the future. Let us be clear, despicable behavior like this will not be tolerated.' ESPN first reported the bettor had been banned by FanDuel. The Grand Slam Track season wraps up with the fourth and final meet in Los Angeles on June 28-29. The Thomas incident is the latest in a string of stalking and abuse of female athletes. Frida Karlsson, a Swedish cross-country skiing world champion, recently brought her experience with stalking into public view when she went through a trial. A man in his 60s was given a suspended sentence and ordered to pay 40,000 kronor ($4,100) in damages after being convicted of stalking Karlsson for a year and four months, according to Swedish news agency TT. The man, according to the indictment, called Karlsson 207 times, left her voicemails and text messages and approached her, including outside her apartment. In February, police in the United Arab Emirates detained a man who caused British tennis player Emma Raducanu distress by exhibiting ' fixated behavior ' toward he at a tennis tournament. Raducanu had been approached by the man at the Dubai Championships where he left her a note, took her photograph and engaged in behavior that caused her distress, according to the government of Dubai's media office. ___ AP Sports Writers Mark Anderson and Schuyler Dixon contributed to this report. ___ AP sports:

Abbotsford Canucks Live: It's Game 4 from Texas. Follow our live coverage here
Abbotsford Canucks Live: It's Game 4 from Texas. Follow our live coverage here

Vancouver Sun

time3 days ago

  • Vancouver Sun

Abbotsford Canucks Live: It's Game 4 from Texas. Follow our live coverage here

Chase Wouters is embracing one of the biggest challenges in the AHL Calder Cup playoffs. The long serving and highly-respected Abbotsford Canucks captain has to lead by example on the ice and motivate his teammates on the bench and in the room. That shouldn't be a problem. As an undrafted and undaunted 25-year-old prairie product, who hasn't played an NHL game, he knows about incentive. Following a turnover-prone 5-2 loss to the Texas Stars in Game 3 of the Western Conference final on Monday, Wouters must be at his motivational best tonight in Cedar Park to keep the hosts from evening the best-of-seven series at two games apiece. It's a 5 p.m. start (Pacific). Start your day with a roundup of B.C.-focused news and opinion. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sunrise will soon be in your inbox. Please try again Interested in more newsletters? Browse here. The winner will face the Charlotte Checkers, who swept the Laval Rocket in the Eastern Conference final, for the league championship. Wouters is a third-line grinder and knows a lack of goal production to support winger Linus Karlsson is a problem. The Swedish winger has eight goals to share the playoff lead with former Canucks winger Kole Lind, and is also third in points with 15. Rookie winger Jonathan Lekkerimaki hasn't scored in six games and has just one in 12 playoff outings after striking for 19 goals in 36 regular-season games. Centre Max Sasson is goalless in eight games, despite leading the post-season with 45 shots, after collecting 13 goals in 41 games during the season. Veteran winger Sami Blais doesn't have a goal in a dozen playoff games, but has 11 points (3-8). He has also accumulated 67 penalty minutes and must stay out of the box tonight. The Stars struck for two power-play goals Monday and also had two short-handed markers. 'The highs and lows, that's what this time of year is all about,' said Wouters. 'You try to keep it level as best you can and be ready. Right from the start, we can't sit back. They (Stars) are good in transition and have a lot of guys who can make plays, but it's getting back to what makes our group successful. 'We have a lot of belief and you don't get to this point without believing in each other. We'll re-set and keep our foot on the gas.' The Canucks also need to tighten up in their own end. Workhorse starting goaltender Arturs Silovs faced 18 shots in the opening period in Game 3 and the Stars struck three times to gain momentum. Abbotsford didn't have an answer for shifty winger Matej Blunder, who scored twice in the first frame — power play and short-handed tallies in a span of 1:32 — to give the Stars a 3-1 lead. 'We should have known they had a push coming — they have a really good team,' added Wouters. 'They came out hard and won their battles and that kind of put us on the back foot. There are some areas we need to clean up and we need discipline. We'll be better.' bkuzma@ ( MORE TO COME …) • Abbotsford Canucks recap: Artūrs Šilovs does it again, Abby wins 1-0 to go up 2-0 in series • Does Abbotsford's success mean Malhotra will outskate the Canucks? • The Abbotsford Canucks' strong season and what it may mean in the long run

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store