
Malört vs. Fireball: Philly's new liquor rivalry
Some Chicagoans swear by Malört — others swear at it.
Why it matters: The polarizing liquor is finally on Pennsylvania shelves — and we're waiting to see if it challenges Fireball, our best-selling spirit, for top shelf.
There's even a freakin' book about the bitter-tasting brand.
Driving the debate: Philadelphians are still too naive to debate the pros and cons of Malört so we turned to the real pros: Axios Chicago teammates Monica Eng, Carrie Shepherd and Justin Kaufmann for their insights.
What they're saying: Eng is a Malört convert who initially hated the drink the first couple of times she tried it. But then she had it with an Old Style — as part of a drink called the Chicago Handshake.
It tastes like "a bit of butterscotch" that "drifts into grapefruit rind and finishes with burnt rubber bands," Eng tells us.
How to drink it: "Don't," Shepherd warns Philadelphians.
"It's the aftertaste that gets you and it doesn't hit immediately. Take a breath, THEN chase it with the champagne of beers. Or just Champagne."

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Chicago Tribune
4 days ago
- Chicago Tribune
Live music for summer 2025: 10 must-see concerts in Chicago beyond the fests and arena shows
This summer's concert slate points to a transition that continues to slowly unfold locally and around the country. Shying away from big festivals, artists are opting for standalone tours or participating in smaller, manageable package bills. That's welcome news for music lovers who prefer the equivalent of a savory main course to a prix-fixe buffet. And great for anyone looking to catch performers in more intimate environments where headliners can stretch out with a dedicated show. In the next few months, Chicagoans have no shortage of first-rate options in smaller venues purpose-built for music — and, in most cases, at prices that remain below the three-figure threshold. Here are 10 such stops that should be on your shortlist: Samia: 'I wanna be untouchable,' Samia sings in the first verse of the opening cut of her third LP, 'Bloodless. 'I wanna be impossible,' she wishes two stanzas later. The Minneapolis-based singer-songwriter doesn't hurt for confidence, though she has plenty of doubts, regrets and misgivings. Plenty of 20-something indie-pop tunesmiths fit that mold. Yet few possess the imagination to loosely base a record around the bizarre concept of bovine excision and leverage it as a metaphor for reconciling one's prior relationships with and senses of the opposite sex. Melodic, rich, bittersweet, hushed, intimate, albeit insistent: Samia's voice offers another reason to lean into the narratives. Album art and merch that evoke the dark designs preferred by Norwegian black metal bands lend further credence to her ideation. Alison Krauss & Union Station: The last several times Alison Krauss came through Chicago, she partnered with Robert Plant in support of the duo's surprise second duet record. Though the possibility of a third go-round with the former Led Zeppelin legend cannot be dismissed, the Illinois native recently reconvened with her longtime ensemble Union Station for their first LP ('Arcadia') in 14 years. The songs' myth-busting notion that hardship riddled the 'good ol' days' carries weight in our current age. For the group's first tour in a decade, dobro and lap-steel virtuoso Jerry Douglas receives deserved co-billing with the headliner. And newcomer Russell Moore steps in on co-lead vocals and guitar for former stalwart Dan Tyminski. You won't find a better excuse to connect with the premier purveyors of bluegrass. Kathleen Edwards: Sometimes, you need to follow your heart, not what other people want or expect you to do. Kathleen Edwards quickly established herself as one of the wittiest, spunkiest and craftiest singer-songwriters during the early 2000s. She issued four acclaimed albums that culminated with an effort ('Voyageur') spearheaded by Bon Iver leader Justin Vernon. Then, just like that, she dropped out. Or rather, she opened the cleverly named Quitters, a coffee shop outside of her hometown of Ottawa, Ontario. The Canadian operated the cafe as she slowly returned to music, releasing 'Total Freedom' (2020) and a covers EP this spring. Edwards also sold Quitters, remarried and started writing again. All positive developments for anyone drawn to smart, crackling country-rock and incisive, self-assured narratives. MJ Lenderman: Current indie-rock darling MJ Lenderman used a childhood fascination with the game Guitar Hero as a springboard to learn about predecessors who influenced his own work, which he started documenting on a laptop in fifth grade. After paying his dues in the North Carolina club circuits, Lenderman soon gained a wider following in 2022 after making his first properly recorded album ('Boat Songs'). The ascendency of the shambolic collective Wednesday, which Lenderman joins in the studio, and the fact that he unleashes memorably ragged, go-for-broke guitar solos further raised his profile. Last fall's 'Manning Fireworks,' brimming with penetrating character studies, exquisite detail and barbed humor, signaled the 26-year-old Lenderman had officially arrived. Obligatory magazine profiles, best-of-year nods, meme posts and a sold-out tour provided confirmation. FKA Twigs: FKA Twigs began dancing professionally as a 'tween, advanced to performing for global stars like Kylie Minogue and Jessie J, and got her solo break after playing at a party connected to a fetishwear company. Unsurprisingly, body language, fashion and sensuality serve as principal impetus behind everything the British multi-instrumentalist/singer touches. Especially the club music on 'Eusexua,' an electronically sculpted journey that spotlights her finessed vocals, reveals introspective lyrics and rearranges house, ambient, techno, dubstep and synthpop motifs at will. Built for headphones, FKA Twigs' textured sonic portraits transform into ethereal and empowering physical experiences when the singer gets to act them out onstage. Alabama Shakes: For reasons nobody can explain, promising rock bands that form in the 21st century inevitably have short lifespans. Alabama Shakes count themselves among those ranks. Led by vocal dynamo Brittany Howard, the quartet electrified crowds and won over audiences with two studio albums, particularly the aptly titled 'Sound & Color.' Then, just as the group appeared to leap from mid-sized hall to arena status, it went on hiatus. Howard busied herself with a solo career. Circumstances turned bleaker for former drummer Steve Johnson. Now operating as a trio, Alabama Shakes seek to rekindle their old spark on their first tour in more than eight years — one they hint will involve old and new material. Yeah Yeah Yeahs: If you were fortunate to catch Yeah Yeah Yeahs in their prime at Metro way back in April 2003, you witnessed the band's dervish of a singer, Karen O, attack with a blend of grit, humor, brazenness and New York City-style cool that felt too real and spontaneous to be anything else. Don't bet on the vocalist summoning the ghosts of her younger self here. Instead, the edgy trio plans a tactic that on the surface sounds like the exact opposite: reconceptualizing favorites and deep cuts with piano, strings and acoustic guitars. An arty retort to carefree nostalgia, or the next logical step for a group that seldom adheres to convention and values surprise? Yeah Yeah Yeahs' penchant for unpredictability says all bets are off until the shows happen. Pelican: In its most basic form, Pelican is a rock band that doesn't use a vocalist. Beyond that, the quartet endures as one of the most dynamic, diverse representatives of this city's creative climes. Cheekily characterized as 'Post-Emo Stoner Deathgaze' on its Facebook page, Pelican skirts simple description. Having evolved beyond the churning metal of its early era and even dared to adopt classically inspired motifs, Pelican functions as a two-way bridge to Chicago's hard-nosed noise-rock of the late '80s and anything-goes Fireside Bowl scenes of the mid/late '90s. Melodic devices and mysterious intrigue augment the quartet's palette. Another reason to cheer on the local heroes? The release of 'Flickering Resonance,' its first record with original guitarist Laurent Schroeder-Lebec since 2009. 100 concerts for Chicago summer 2025 — starting with music this weekendKing Gizzard & the Lizard Wizard: Depending on the source, lo-fi cult favorites Guided by Voices have released somewhere in the neighborhood of 40 studio LPs, 20 EPs, four box sets and dozens of singles during an on-again, off-again legacy that stretched to the early '80s. Which means at the rate they're going, King Gizzard & the Lizard Wizard will lap their prolific forebearers in roughly five years, all the while adding chapters to their 'Gizzverse,' a fascinating galaxy with recurring characters, stories and themes. The forthcoming 'Phantom Island' marks the enviro-conscious sextet's 27th album since 2010 and witnesses the shape-shifting Australians lean in symphonic directions. At this ambitious outing, the Chicago Philharmonic helps the collective bring it to life. Expect fireworks without the boom. Dave Alvin and Jimmie Dale Gilmore: Elder statesmen Dave Alvin and Jimmie Dale Gilmore make up in pedigree what they lack in mainstream-name recognition. Alvin's sparkling resume includes a stretch co-leading the seminal roots-rock outfit Blasters; stints in the Los Angeles punk collective the Flesh Eaters; and having songs from his deep solo catalog hand-picked for revered television series such as 'The Sopranos.' The 80-year-old Gilmore counts membership in 'alt-country' forefathers the Flatlanders; Grammy-nominated records that double as middle fingers to the Nashville establishment; and a memorable acting turn in 'The Big Lebowski' among his achievements. Together, the explorers channel the aura of the lonely highways, high plains dustiness and bordertown barrooms that populate their bluesy folk and cosmic country.


Chicago Tribune
4 days ago
- Chicago Tribune
Tickets available Friday for June 14 celebration of Pope Leo
Chicagoans can buy tickets to a celebration of Pope Leo XIV's election beginning Friday, the Archdiocese of Chicago announced. The celebration, set for June 14 at the White Sox's Rate Field in Bridgeport, is open to all comers. Leo himself, a native of the Chicago area and the first American to lead the world's Catholics in the church's history, will not be at the event but will address 'the young people of the world' in a video message, according to the archdiocese's invitation. Tickets are $5 and available through Ticketmaster beginning at 10 a.m. Friday. The program will include music, film, in-person testimonials and prayer. The ballpark will open to attendees at 12:30 p.m. and the program, emceed by Chuck Swirsky, will begin at 2:30 p.m., according to the archdiocese. Cardinal Blase Cupich will celebrate Mass at 4 p.m. 'This celebration offers a unique opportunity for the people from Chicago and beyond to come together in shared pride for one of our own,' the archdiocese statement stated. Born Robert Francis Prevost, the 69-year-old Augustinian missionary was raised in south suburban Dolton and earned his master's in divinity from Chicago Theological Union. He is also a longtime White Sox fan, captured on video at one of the team's World Series games in 2005. The footage later went viral.


Axios
22-05-2025
- Axios
From Chicago to "Cheers": Remembering George Wendt's lasting legacy
George Wendt, star of stage and screen, passed away early Tuesday at the age of 76. The big picture: The star of television shows like " Cheers" and "Saturday Night Live" grew up in Beverly and carved out a successful career in Hollywood by playing into his Chicago roots. What they're saying:"He brought a uniquely Chicago sensibility to a national stage," Second City producer Kelly Leonard tells Axios. "Sure, it was a Boston bar, but that was a Chicago guy." " Generations of people understand how funny our city is because of people like George." Comedian and filmmaker Scott Goldstein agrees. "I loved George. He left Chicago over 40 years ago, but it never left him." Flashback: Wendt started his career improvising and performing in Second City revues in the 1970s. After he left town in 1980, he bounced around Los Angeles before he was hired to play the character Norm Peterson on a new NBC sitcom called "Cheers." The show was almost canceled after one season because of low ratings, but the network gave it another chance, and Wendt starred in 275 episodes. "Cheers" helped Wendt go from a working stage actor to a household name, landing him commercial gigs, movie roles and even a recurring guest stint on "SNL." He guest-starred in the famed "Superfans" sketch in 1991 alongside greats like Mike Myers, Robert Smigel and Chris Farley. Zoom out: Wendt fondly remembered his Chicago years, telling the Tribune in 1990 about the freedom of growing up in Beverly. "We could just jump on the Western Avenue bus and eventually be at Riverview — at Western and Belmont — without even having to ask our parents if we could go." "Or we could take a bus to 35th, and we'd be at Sox Park. We could hop on the Rock Island and go downtown and cavort around horrible tattoo parlors and try and peek into the burlesque houses." Wendt and his wife, actress Bernadette Birkett, met in Chicago in 1976 and were married in 1978. They have lived together in the same L.A. house since 1985. He is survived by Birkett and their three children. Wendt is also the uncle of another former Chicago improviser, Jason Sudeikis. The intrigue: Wendt's death Tuesday coincided with the anniversary of the series finale of "Cheers," 32 years ago. The bottom line: Wendt may be most known as a Boston barfly, but he'll forever be a Chicago legend. Here are some reflections from Chicagoans on the passing of Wendt: Kelly Leonard, vice president of creative strategy, Second City: "George was brilliant and funny, but also like the best dude ever. I started Second City in 1988 as a dishwasher and George was the same way then as when I was running the place. He was such a generous person who always gave back every time we had an event. He was lovable and he also knew his stuff. He was deep. I'm just gonna miss all of that." BJ Jones, artistic director, Northlight Theatre:"It's a loss for all of us and an indelible memory in television history. But what most people don't realize is that he was a remarkable stage actor. Maybe the most underrated I've ever worked with and I did four shows with him, two world premieres. He even did Willy Loman in "Death of a Salesman" in Toronto. Most of all, I'm going to miss the monthly phone calls when we'd catch up on what's happening in the theater. A dedicated husband, father, artist and friend, he was a gift to us all." Susan Messing, Chicago actor:"Grounded, humble, hysterical and very kind. He treated everyone so well. He was very good to Michael and he extended that kindness to me. A mensch to the core." Marj Halperin, former head of the League of Chicago Theaters: "I'm stunned by the news of George Wendt's passing. George was very kind to me throughout my league years—did whatever I needed. Rest in good humor, George." Eric Spitznagel, Chicago-based writer and author: "The first celebrity interview I ever did was with George Wendt. I was working part-time at the Second City in 1991, just out of college, and trying my luck at journalism. I wanted to write a story for a local indie mag about 'funny fat guys,' and SC producer/den mother Joyce Sloane, who was ridiculously kind to so many of us, overheard me talking about it at the theater's front bar. 'You should talk to George Wendt,' she said. She picked up the bar phone, dialed a number, and then handed me the phone. 'This is George,' the voice said. 'Joyce said you want to ask me about being funny and fat. Whatcha wanna know, kid?' I was... not prepared. But like Joyce, he was so kind and patient and eager to help, and so much smarter than my stupid questions." Scott Goldstein, comedian and filmmaker:"I'm forever grateful that my last conversation with him was about the Southside Pope and I'm glad he got to see it happen. He was a smart, funny, kind man who always gave credit to the writers for those great 'Norm' one-liners, but he had the talent and the timing to nail each one of them." Katie Rich, former Second City Mainstage cast member:"Being a blue-collar gal from the South Side, I always felt like George was family even though I had never met him. One time, he and his Second City cast came by the Mainstage and I poured my heart out to him about how it had always been my dream to be at Second City, but I had done that, so what do I do NOW? And he just grabbed me and hugged me. He said, 'That's exactly how I felt. I was this kid from the South Side and all I wanted was Second City. Now what? And then I ended up on a bar stool with the best writers in the world. It'll work out for you, too.'"