
#SHOWBIZ: Fun time with kids rocking out
IN 2003, Hollywood actor Jack Black made a splash with his comedy 'School of Rock'.
Written by Mike White and directed by Richard Linklater, it followed an out-of-work rocker who becomes a substitute teacher in an uptight private elementary school, where he tries to turn his class into a rock band.
The hit movie eventually spawned a musical in 2015, with music by Andrew Lloyd Webber, lyrics by Glenn Slater, and a book by Julian Fellowes, that has enjoyed successful runs on Broadway and the West End.
The Cempaka Performing Arts Company recently staged its rendition of 'School of Rock The Musical' in KL.
An iconic rock musical performed in a school production needed a serious look-in to see if our kids were all right.
So theatre reviewers from two different generations were game to rate the results of the production by the Cempaka students.
The Gen X'er, Elaine Tan, old enough to be a grand-aunt to the younger performers, said she never liked Jack Black.
"All his characters are on hyperdrive. Which means he was perfectly cast as Dewey Finn in the 2003 movie 'School of Rock'.
"Which means the lead actress in the Cempaka rendition of the musical did a great job, because I was almost rooting for her to skip the maths lesson and sneak her students out for Battle of The Bands despite the character's glaring lack of any responsible virtues."
Tan added: "My co-guests, aged 10 and 16, when asked who they liked most, had no such compunction, with the little girl enthusiastically and approvingly declaring 'She's so loud and craaazy!'. My vote went to Miss Mullens for Best Voice."
Tan mused that for grown-ups with all their adult problems, this was a time to sit back and watch the kids performing their hearts out, adding, "to chat with our young friends in the audience and hear their opinions; to note how well put together the event was, complete with a snack stand.
"It is always a kind of pleasure experiencing kids doing things — even the prefect usher who asked to see my ticket when I stepped outside the hall to check my phone."
Tan summed up the show by the Cempaka Performing Arts Company, known for winning Boh Cameronian Awards, as "a lovely family and friends evening with the young ones".
Meanwhile, the Gen Z'er, Darren Tio, who was its target demographic when the movie that inspired it first came out, said: "I love Jack Black, his mannerisms, his energy, and I thought Illena Matin did an excellent job capturing his manic yet affable essence."
"The original School of Rock was a staple school movie growing up, shown whenever English teachers felt like too lazy for lessons, and it isn't hard to see why.
"It featured an actual likeable cast of child actors led by the fun, non-conforming rebel in Black to perform original and catchy mid-2000s pop-rock, all in a fun and cheery beat."
Tio said his expectation for the musical was tainted by nostalgia, but also tempered by knowing it was a student production.
"I wanted it to be good, but I wasn't sure if it was fair of me to have high expectations. In the end, I felt wowed by almost everything in this production.
'From the performances, some of whom were clear stand-outs, to the production quality to the music (especially Puteri Azahara's rendition of 'Where Did The Rock Go?')."
He added that what impressed him most was the scale of the whole thing.
'In the end, when every performer, dancer, and actor comes on stage for their curtain call, you become aware of just how big the production was, and how excited each of them was to be there.
"This was a show that brimmed with excitement and fun from every cast and crew member, imbuing it onto the audience easily so that even we were cheering at the closing number.
Elaine Tan was a theatre and food critic while in communication, project management, and strategic planning.
Darren Tio is a KL-based writer who grew up in Pontianak, Indonesia, and has a degree in creative writing.
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New Straits Times
a day ago
- New Straits Times
#SHOWBIZ: Fun time with kids rocking out
IN 2003, Hollywood actor Jack Black made a splash with his comedy 'School of Rock'. Written by Mike White and directed by Richard Linklater, it followed an out-of-work rocker who becomes a substitute teacher in an uptight private elementary school, where he tries to turn his class into a rock band. The hit movie eventually spawned a musical in 2015, with music by Andrew Lloyd Webber, lyrics by Glenn Slater, and a book by Julian Fellowes, that has enjoyed successful runs on Broadway and the West End. The Cempaka Performing Arts Company recently staged its rendition of 'School of Rock The Musical' in KL. An iconic rock musical performed in a school production needed a serious look-in to see if our kids were all right. So theatre reviewers from two different generations were game to rate the results of the production by the Cempaka students. The Gen X'er, Elaine Tan, old enough to be a grand-aunt to the younger performers, said she never liked Jack Black. "All his characters are on hyperdrive. Which means he was perfectly cast as Dewey Finn in the 2003 movie 'School of Rock'. "Which means the lead actress in the Cempaka rendition of the musical did a great job, because I was almost rooting for her to skip the maths lesson and sneak her students out for Battle of The Bands despite the character's glaring lack of any responsible virtues." Tan added: "My co-guests, aged 10 and 16, when asked who they liked most, had no such compunction, with the little girl enthusiastically and approvingly declaring 'She's so loud and craaazy!'. My vote went to Miss Mullens for Best Voice." Tan mused that for grown-ups with all their adult problems, this was a time to sit back and watch the kids performing their hearts out, adding, "to chat with our young friends in the audience and hear their opinions; to note how well put together the event was, complete with a snack stand. "It is always a kind of pleasure experiencing kids doing things — even the prefect usher who asked to see my ticket when I stepped outside the hall to check my phone." Tan summed up the show by the Cempaka Performing Arts Company, known for winning Boh Cameronian Awards, as "a lovely family and friends evening with the young ones". Meanwhile, the Gen Z'er, Darren Tio, who was its target demographic when the movie that inspired it first came out, said: "I love Jack Black, his mannerisms, his energy, and I thought Illena Matin did an excellent job capturing his manic yet affable essence." "The original School of Rock was a staple school movie growing up, shown whenever English teachers felt like too lazy for lessons, and it isn't hard to see why. "It featured an actual likeable cast of child actors led by the fun, non-conforming rebel in Black to perform original and catchy mid-2000s pop-rock, all in a fun and cheery beat." Tio said his expectation for the musical was tainted by nostalgia, but also tempered by knowing it was a student production. "I wanted it to be good, but I wasn't sure if it was fair of me to have high expectations. In the end, I felt wowed by almost everything in this production. 'From the performances, some of whom were clear stand-outs, to the production quality to the music (especially Puteri Azahara's rendition of 'Where Did The Rock Go?')." He added that what impressed him most was the scale of the whole thing. 'In the end, when every performer, dancer, and actor comes on stage for their curtain call, you become aware of just how big the production was, and how excited each of them was to be there. "This was a show that brimmed with excitement and fun from every cast and crew member, imbuing it onto the audience easily so that even we were cheering at the closing number. Elaine Tan was a theatre and food critic while in communication, project management, and strategic planning. Darren Tio is a KL-based writer who grew up in Pontianak, Indonesia, and has a degree in creative writing.


The Star
2 days ago
- The Star
Tapir bookshelves more than just a novelty for pupils
Reading is fun-damental: Tan (fifth from right) and Low (fourth from right) with SJKC Chong Hwa 1 pupils and teachers after conducting a storytelling and workshop session for the programme. JOHOR BARU: Custom-made Malayan tapir bookshelves are making their rounds in rural Johor schools in a charming effort to get children excited about reading. Shaped like the endangered animal and filled with children's storybooks, the wooden bookshelves are part of the Hi Tapir! reading programme run by a couple to nurture a love for reading among pupils in areas with limited access to a wide range of books. Programme initiator Tan Chze Ping, 30, said the mobile bookshelves are wheeled into the participating schools, where they remain for about five months to give pupils a chance to read different titles and learn about the unique creature they are modelled after. 'Each bookshelf is about 50cm tall, 90cm long and 40cm wide. It contains some 40 books – enough to avoid repetition of the titles. 'We also came up with names for each tapir bookshelf, such as Oscar, Habibi and Cloud, to add a whimsical touch that appeals to children. We also hope it will give them a sense of ownership towards the 'adopted tapirs',' he said in an interview. Since the initiative started in May, the project has engaged 11 Chinese primary schools in Kluang, with interest growing in Segamat, he added. 'One of the rural primary schools we went to had less than 70 pupils in total from Year One to Year Six, so they were very excited to participate in our programme. 'Many of the pupils have also never heard of the Malayan tapir, even though it is native to South-East Asia,' said Tan, who runs the programme with his girlfriend Low Jing Tong, 30. The duo, who each has a day job as a village development officer and cafe owner respectively, operate under their non-governmental organisation, the Kluang Children's Storybook Association, with the help of volunteers. Tan explained that the programme was first launched in 2019 with 40 tapir bookshelves. 'Unfortunately, it all came to a halt during the Covid-19 pandemic. Not wanting our efforts to go to waste, we decided to bring Hi Tapir! back to life this year. 'However, only 25 of the bookshelves are still in good condition as the rest have deteriorated due to a lack of maintenance,' he added. The couple hopes to reach more schools and inspire more students through the joy of reading and the story of the Malayan tapir. Tan said he hopes to collaborate with more schools, including national primary schools, in other areas. 'Besides schools, we have brought the tapir bookshelves out for community programmes at the Kluang market, which caught the attention of many children. 'We just want to make reading fun for kids. And if a tapir can help do that, why not?' he said.


The Sun
3 days ago
- The Sun
Painting new artistic milestones
INSPIRATIONS come in many forms. For Eston Tan Eok Sim, the 53-year-old is mused by the humanity around him as an artist. From a young age, the Taiwan-based artist has used his surroundings to fuel his artistry. 'My creative process often begins with experiencing life, observing the world around me and listening to my inner emotions. Many of my works are drawn from personal life, family and even reflections on social issues or international events,' shared the contemporary storyteller. His poignant interpretations have served him well as it has allowed him to connect with audiences from all walks of life. From Malaysia, Hong Kong and France to the US, Tan's pieces have been widely collected and exhibited. Many have been auctioned, with realised prices ranging from US$655 (RM2,758) to US$12,383. The most expensive piece was One Day, What If No Current, which was sold for RM52,149 at Bonhams Hong Kong. Tan is set to achieve a new milestone, holding his upcoming exhibition Our Island at AAAC Gallery (All About Art) in Singapore. As he enters his 25th year as an artist, Tan speaks with theSun on his creative growth and the exhibition. When were you first exposed to art? My journey began at the age of nine. I was inspired by artists I saw featured in newspapers. It was a childhood dream. My mother had a profound influence on me. She always said, 'Those who turn their hobbies into their profession find the greatest happiness in life.' Her encouragement stayed with me. Despite financial hardships, I started working at the age of 10 to fund my art materials and studies. What were some of your early artistic memories? I remember sketching on recycled paper and cardboard boxes as a child. I grew up in the countryside and I would use a pencil to capture everything around me – buffaloes, pigs, ducks and the wooden huts of our neighbours. My first formal painting was a simple school landscape but even before that, I had already discovered how much joy drawing brought me. It was a quiet happiness, something pure and deeply personal. What pushed you to pursue art full-time? I decided to become a full-time artist in 2000. The turning point came in 1999 during a group exhibition at Bank Negara Malaysia, where one of my paintings was purchased by the late Toh Puan Mahani. Why Not is among Tan's An Iron Fist in a Velvet Glove series. She is the wife of the former finance minister (Tun Daim Zainuddin). That moment filled me with joy and affirmation because it proved how far I have come as a ' kampung ' boy. I remember telling a group of senior artists, 'Next year, I am going full-time'. Many of them strongly advised against it. But deep down, I believed if I wanted to be a good artist, I had to give it my all. Without focus and commitment, there could be no real growth. I told myself, if hardship is part of the path, let it strengthen me. Is that why you moved to Taiwan? Taiwan gave me the space and freedom to grow as an artist, it is where I found my voice. But Malaysia gave me my foundation – my earliest memories, values and artistic instincts. My roots are in Penang and I feel a deep need to reconnect with where it all began. I also have been returning to Malaysia more frequently, but I still live in Taiwan. Both places are integral to who I am. Do you have a specific piece in your collections you are most proud of? This is a difficult question because my works hold deep personal meaning. Over the past decade, I have shifted from simply painting to truly creating. From Creation of Life to the Roots series, each series has been a reflection of my life, my emotions and my spiritual journey. I no longer just 'make paintings', I pour my heart and soul into every piece. Each work is a dialogue with my experiences and in that sense, many of them are equally important to me. Penang Chief Minister Chow Kon Yeow (left) admiring Tan's art at a recent preview in Penang. How do you pick the galleries to work with? For me, the relationship between an artist and a gallery must be built on mutual trust and a shared long-term vision. I believe the gallery's perspective and sense of purpose are crucial – not just their commercial reach, but their understanding of art's deeper meaning. A good gallery does not just represent – it plans, curates and grows with the artist, allowing them the freedom to focus on creating without distraction. How do you then decide on the price for each piece? Pricing a work of art involves several key factors – its size, level of complexity and my experience in the art market over the years. But perhaps most importantly, I also consider the emotional and symbolic depth of each piece. Tan moved to Taiwan to push his boundaries as an artist. What can you tease us about your upcoming exhibition? My upcoming solo exhibition, Our Island, will be held at AAAC Gallery in Singapore from Aug 30 to Sept 28, in celebration of my 25th year as a full-time artist. We recently held an exclusive preview in my hometown Penang, supported by Robb Report and Pen Marine. I am exploring opportunities to bring this exhibition to Malaysia, which would be very meaningful to me. How do you hope to inspire Malaysians with the exhibition? I hope it will encourage reflection, not just on nature and identity but also on resilience, compassion and emotional honesty. I believe art has the power to open hearts and spark meaningful conversations.