Jack Black, Jason Momoa enter the Minecraft universe as the video game phenom hits the big screen
LOS ANGELES (AP) — When Jack Black got the call to star in the 'Minecraft' movie, the perks were plenty. He got to work alongside Jason Momoa, reunite with 'Nacho Libre' director Jared Hess and engulf himself into a beloved gaming universe.
But before agreeing, Black turned to the real decision-makers: his sons, who are avid Minecraft players. They didn't just give their approval, but practically begged him to take the role.
Like his sons, Black has noticed the buzz since the release announcement of ' A Minecraft Movie,' which hits theaters Friday. The actor was already familiar with the video game, having played it occasionally with his sons while preparing for the live-action adaptation.
'My boys were playing it, and I wanted to speak their language,' said Black, who stars as the main protagonist Steve, who becomes an expert Minecrafter after being sucked into the Overworld dimension. His character eventually teams ups with a band of misfits who are mysteriously pulled through a portal into this new realm by a cubic object that thrives on imagination.
The film also stars Momoa, Emma Myers, Danielle Brooks, Jennifer Coolidge and Sebastian Hansen.
Before his character found himself in the Overworld, Black immersed himself in the Minecraft gaming world alongside his sons. He spent over 100 hours playing the game while on set.
'I put the work in,' he said. 'You got to put the days of work in. Watch YouTube videos to get some tips on how to survive that first night in the Overworld. I was pretty versed in it.'
What's the craze behind Minecraft?
After Minecraft's 2009 release, it took only two years to reach a million players. Since then, it has sold over 235 million copies across various gaming platforms, cementing its status as a global phenomenon with its blend of creativity, exploration and survival elements.
The game's open-ended design lets players carve out their own experience, whether it's surviving against mobs, mining for resources, farming or using block-based structures to craft artistic masterpieces. It has also fostered a thriving multiplayer community where players collaborate to build their worlds together, while its educational applications extend to coding, architecture and problem solving.
At its core, Minecraft is a limitless digital sandbox, where imagination transforms simple blocks into everything from cozy homes to sprawling cities.
Minecraft creators' gameplay videos have generated millions of pageviews on YouTube.
Those are some of the elements that drew Myers and Hansen into the game during their childhoods.
'I played a lot during COVID,' said Hansen, 14, who plays Henry, a shy but creative and intellectual kid trying to navigate his new high school. Once his character gets thrown in the Overworld, he feels comfortable with the environment.
'I played it a lot during my childhood, watching videos and stuff all the time," he said.
Myers began playing the pocket edition with her friends around age 10. She said the digital and real-world elements seamlessly complement each other.
'I think it's very versatile,' said the 22-year-old actor who plays Natalie, a character who put her life plan's on hold to take care of Henry, her younger brother. "I think Minecraft kind of forces you to be creative and ... problem solve in ways that you probably wouldn't think of in the first place.'
Do video game adaptations really work on the big screen?
The road from console to cinema hasn't always been smooth.
Many video game adaptations have struggled at the box office, but recent hits like the 'Sonic' series, 'Five Nights at Freddy's' and 'The Super Mario Bros. Movie' have proven the genre's potential.
These three films have dominated the box office, with 'Super Mario Bros." raking in more than $146 million during its 2023 opening weekend, according to Comscore. The three 'Sonic' films have debuted between $58-72 million, while 'Five Nights at Freddy's' pulled in more than $80 million.
That's a significant leap from other adaptations like 'The Angry Birds Movie 2," which Comscore records show had a lukewarm $10 million opening in 2019. Other attempts such as 'Mortal Kombat ($23 million in 2021) and 'Resident Evil: Welcome to Racoon City" ($5.3 million that same year) struggled to gain traction.
Black, who has starred in popular films like 'School of Rock' and the ' Kung Fu Panda " series, said he's never been a part of such a highly-anticipated movie as 'Minecraft.'
Is Minecraft just for children?
If you ask Hess, it's certainly not. For him, the game is a family affair, woven into his household dynamics as he and his kids frequently explore the Overworld together.
That made it an easy sell for him to direct 'A Minecraft Movie.'
'The game is one of my favorite games of all time, and it was such an important part of our family life,' said Hess, 45, who directed films including 'Napoleon Dynamite,' 'Masterminds' and 'Nacho Libre.'
The game doesn't have a storyline, so Hess wanted to help create one for the movie based on his knowledge after playing it for hours.
'This world of Minecraft is so bonkers in such a perfect setting for an epic adventure movie that was really ridiculously funny,' he said. 'There's so many places you can go with it. There's no story to the game, so there was a lot of creative license to kind of come up with.'
Torfi Frans Ólafsson said he's got thousands of hours clocked in on Minecraft, sometimes playing an entire night until 5 a.m., even if he has an 8 a.m. meeting. He recalled an entire weekend playing with his son, who was 6 at the time.
'I don't think we did anything else,' said Ólafsson, a creative director at Minecraft and a producer of the film. 'We had a mission. We're trying to kill the dragon. It was just a lot of work and he kept messing up. ... But it was a wonderful bonding moment between father and son.'
Ólafsson added: 'That's the thing that matters. This game brings people together and creates shared memories and give meanings to things.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
11 minutes ago
- Forbes
Netflix, Martha Stewart, T.O.P And Lil Yachty Welcome You To The K-Era
Lil Yachty, Martha Stewart and T.O.P appear in Netflix's new K-content campaign. Let's face it—a collaboration between lifestyle mogul Martha Stewart and South Korean rapper and actor T.O.P was something no one saw coming, but that's precisely what happened when Netflix revealed its latest ad for Korean content. The two-minute video on Netflix's YouTube channel also features American rapper Lil Yachty, himself a longtime K-culture fan who famously paid tribute to the iconic K-pop boy band BIGBANG (of which T.O.P is a former member) in 2016 by freestyling to their songs. (And seeing as how T.O.P is clearly his favorite BIGBANG member based on that clip, it was probably only a matter of time before he and the real T.O.P found themselves in the same video.) In Netflix's promotional clip, Stewart is caught crying while watching the hit K-drama When Life Gives You Tangerines. When told that she doesn't speak Korean, Stewart responds, 'I don't, it speaks to me.' Stewart is later seen actively engaging with and taking cues from other blockbuster Korean shows like Squid Game, All of Us Are Dead and Physical: 100. She also chats with Lil Yachty about Single's Inferno while wearing a snail mucin sheet mask on her face—one of (many) items popularized by the ever-growing K-beauty trend. T.O.P (real name Choi Seung-hyun), who plays Thanos in Squid Game season 2, appears in Stewart's dressing room in the latter half of the video and flashes her the classic Korean 'finger heart' sign. At this point, the camera cuts to a barrage of additional K-culture references found throughout the room, from the song 'Like Jennie' by BLACKPINK member Jennie blasting from a speaker to a tray filled with Korean snacks and beverages to Stewart wearing an Extraordinary Attorney Woo T-shirt. 'I've seen this before… You're in deep on K-content. Don't worry, she'll be fine,' T.O.P remarks, at least according to the English subtitles. (A more literal translation of what he actually says would be something like: 'Oh, I see you're hooked on not only K-content but Korean culture as well. Don't worry, that happens to everyone.') He then makes his exit with the now-iconic 'Skrrt!'—which all three stars repeat at the very end while dressed in Squid Game tracksuits. Social media reactions to the unexpected collab have been overwhelmingly enthusiastic, with many users praising Netflix for the surprise video and gushing over T.O.P's appearance in the clip. Some of the user comments on the "Welcome to Your K-Era" video on Netflix's YouTube channel More user comments on Netflix's new K-content promotional video Commenter on YouTube references the 2016 BIGBANG tribute video in which Lil Yachty raps and talks to ... More cardboard cutouts of BIGBANG members. Screenshot of a post on X Netflix's slogan for its 'Welcome to Your K-Era' campaign is 'You Don't Have to Speak It to Love It' (for anyone who's interested, a more literal translation of the Korean phrase would be: 'Even if you don't know the language, you know the feeling!'), acknowledging the power of K-content to resonate with audiences across the globe despite the language barrier. That said, as an aside, it should be noted that the Korean language is also experiencing a worldwide boom these days. For instance, a recent study by the Modern Language Association found that out of the 15 most commonly taught foreign languages at U.S. colleges and universities, Korean was the only language to show remarkable growth between 2016 and 2021—a whopping 38.3% increase in enrollment over that five-year period. Biblical Hebrew and American Sign Language were the only other languages that showed increased enrollment—9.1% and 0.8% respectively—while all other foreign languages showed a marked decline in enrollment over that time period. To feed your K-content obsession—and perhaps help you improve your Korean listening comprehension skills—Netflix now has a 'Welcome to Your K-Era' panel on its interface, which serves as a one-stop shop to find all your favorite Korean films and shows on Netflix. (Tip for those new to Korean movies and shows: ALWAYS watch them subbed, NEVER dubbed!) Residents of Los Angeles, California might have also seen these Netflix billboards along Sunset Boulevard featuring Korean-only captions, often superimposed on ads for popular Netflix Korean shows: Billboard in LA with Netflix's new K-content slogan "You Don't Have to Speak It to Love It" written ... More in Korean (a more literal translation would be: "Even if you don't know the language, you know the feeling!") Netflix billboard in LA for 'Squid Game' that reads, "It's now time to end the game" in Korean Netflix billboard in LA for 'Single's Inferno' that reads, "Jun-seo over Tae-oh, you've crossed the ... More line" in Korean Netflix billboard in LA for 'The Glory' that reads, "You've messed with the wrong person" in Korean There's also a video billboard in New York City's Times Square that shows all of these ads along with a few more featuring other Korean shows. Below is a still frame for the K-zombie thriller All of Us Are Dead: Netflix digital billboard in Times Square for 'All of Us Are Dead.' The Korean words read, "Now our ... More school is in the middle of a survival class." Netflix's K-content promotional campaign comes on the heels of its global fan event Tudum, which featured many K-culture moments both during and in the lead-up to the live event held in Los Angeles on Saturday, May 31st. That weekend, Tudum coincided with other events in Los Angeles that celebrated K-culture, including an epic sold-out concert by K-pop boy band Stray Kids (whose global fanbase is predominantly non-Korean), a concert by Korean singing legend Baek Ji-young, and 88rising's annual Head in the Clouds music festival, which saw many K-indie and K-pop artists take the stage at the Rose Bowl, including BIGBANG's leader G-Dragon (dubbed by many fans as the 'King of K-pop') and iconic K-pop girl group 2NE1. As I've mentioned before, it's a K-content world, and we're all just living in it. And Netflix is one of the players leading the Korean Wave, known as 'Hallyu" (한류) in Korean.


New York Post
28 minutes ago
- New York Post
How Broadway found its Gen Z audience
NEW YORK — Kimberly Belflower knew 'John Proctor is the Villain' needed its final cathartic scene to work — and, for that, it needed Lorde's 'Green Light.' 'I literally told my agent, 'I would rather the play just not get done if it can't use that song,'' the playwright laughed. She wrote Lorde a letter, explaining what the song meant, and got her green light. Starring Sadie Sink, the staggering play about high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town, earned seven Tony nominations, including best new play — the most of any this season. It's among a group of Broadway shows that have centered the stories of young people and attracted audiences to match. Advertisement 6 Sadie Sink debuts on Broadway in 'John Proctor is the Villain.' AP Sam Gold's Brooklyn-rave take on 'Romeo + Juliet,' nominated for best revival of a play and led by Kit Connor and Rachel Zegler with music from Jack Antonoff, drew the youngest ticket-buying audience recorded on Broadway, producers reported, with 14% of ticket purchasers aged 18-24, compared to the industry average of 3%. The shows share some DNA: pop music (specifically the stylings of Antonoff, who also produced 'Green Light'), Hollywood stars with established fanbases and stories that reflect the complexity of young adulthood. 'It was very clear that young people found our show because it was doing what theater's supposed to do,' Gold said. 'Be a mirror.' Advertisement Embracing the poetry of teenage language The themes 'John Proctor' investigates aren't danced around (until they literally are). The girls are quick to discuss #MeToo's impact, intersectional feminism and sexual autonomy. Their conversations, true to teenage girlhood, are laced with comedy and pop culture references — Taylor Swift, Beyoncé, 'Twilight,' and, of course, Lorde. Fina Strazza, 19, portrays Beth, a leader who is whip-smart and well-intentioned — but whose friendships and belief system are shaken by the play's revelations. Advertisement 6 Rachel Zegler and Kit Connor perform in 'Romeo + Juliet.' AP 'You have so much empathy and are so invested in her, but she still has these mishaps and slip-ups that young people often have,' said Strazza, nominated for best featured actor in a play. Some audience members have given her letters detailing how Beth helped them forgive themselves for how they handled similar experiences. The script is written in prose, with frequent line breaks and infrequent capital letters. Director Danya Taymor, nominated for best direction of a play a year after winning a Tony for another teenage canon classic, 'The Outsiders,' was drawn to that rhythm — and how Belflower's depiction of adolescence captured its intensity, just as S.E. Hinton had. 'There's something about the teenage years that is so raw,' Taymor said. 'None of us can escape it.' Classic themes, made modern Advertisement During his Tony-winning production of 'An Enemy of the People,' Gold found himself having conversations with young actors and theatergoers about climate change, politics and how 'theater was something that people their age and younger really need in a different way, as the world is becoming so addicted to technology,' he said. That conjured 'Romeo and Juliet.' The original text 'has it all in terms of what it means to inherit the future that people older than you have created,' Gold said. 6 Sadie Sink and Amalia Yoo performan in 'John Proctor Is the Villain.' AP Building the world of this show, with an ensemble under 30, was not unlike building 'An Enemy of the People,' set in 19th century Norway, Gold said: 'I think the difference is that the world that I made for this show is something that a very hungry audience had not gotten to see.' Fans, Gold correctly predicted, were ravenous. Demand ahead of the first preview prompted a preemptive extension. Word (and bootleg video) of Connor doing a pullup to kiss Zegler made the rounds. 'Man of the House,' an Antonoff-produced ballad sung by Zegler mid-show, was released as a single. With the show premiering just before the U.S. presidential election, Voters of Tomorrow even registered new voters in the lobby. Audiences proved willing to pay: Average ticket prices hovered around $150. Cheaper rush and lottery tickets drew lines hours before the box office opened. Every week but one sold out. 'The show was initially really well sold because we had a cast that appealed to a really specific audience,' said producer Greg Nobile of Seaview Productions. 'We continued to see the houses sell out because these audiences came, and they were all over online talking about the ways in which they actually felt seen.' 6 'Romeo + Juliet' is nominated for best revival of a play. AP Building a Gen Z theater experience with Gen Z Advertisement Thomas Laub, 28, and Alyah Chanelle Scott, 27, started Runyonland Productions for that very reason. 'We both felt a lot of frustration with the industry, and the ways that we were boxed out of it as students in Michigan who were able to come to New York sparingly,' Laub said. Runyonland was launched in 2018 with the premise that highlighting new, bold voices would bring change. This spring, Scott, known for playing Whitney in HBO's 'Sex Lives of College Girls,' acted off-Broadway in Natalie Margolin's 'All Nighter.' 'I was standing onstage and looking out and seeing the college kids that I was playing,' Scott said. 'I was like, 'I respect you so much. I want to do you proud. I want to show you a story that represents you in a way that doesn't belittle or demean you, but uplifts you.'' Advertisement Producing 'John Proctor,' Scott said, gave Runyonland the opportunity to target that audience on a Broadway scale. Belflower developed the show with students as part of a The Farm College Collaboration Project. It's been licensed over 100 times for high school and college productions. The Broadway production's social and influencer marketing is run by 20-somethings, too. 6 Maggie Kuntz, Morgan Scott and Amalia Yoo during a performance of 'John Proctor Is the Villain.' AP Previews attracted fans with a $29 ticket lottery. While average prices jumped to over $100 last week (still below the Broadway-wide average), $40 rush, lottery and standing room tickets have sold out most nights, pushing capacity over 100%. The success is validating Runyonland's mission, Laub said. 'Alyah doesn't believe me that I cry every time at the end,' Laub said. Scott laughs. 'I just want to assure you, on the record, that I do indeed cry every time.' Harnessing a cultural catharsis Advertisement The final scene of 'John Proctor' is a reclamation fueled by rage and 'Green Light.' Capturing that electricity has been key to the show's marketing. 'The pullup (in 'Romeo + Juliet') is so impactful because it's so real. It's like so exactly what a teenage boy would do,' Taymor said. 'I think when you see the girls in 'John Proctor' screaming … it hits you in a visceral way.' That screaming made the Playbill cover. 'In my opinion, the look and feel of that campaign feels different from a traditional theatrical campaign, and it feels a lot closer to a film campaign,' Laub said. The show's team indeed considered the zeitgeist-infiltrating work of their sister industries, specifically studios like Neon and A24. In May, 'John Proctor is the Villain' finished its second 'spirit week' with a school spirit day. Earlier events included an ice cream social — actors served Van Leeuwen — a silent disco and a banned book giveaway. For those not in their own school's colors, the merch stand offered T-shirts, including one printed with the Walt Whitman-channeling line said by Sink's Shelby: 'I contain frickin' multitudes.' Advertisement 6 'John Proctor Is the Villain' centers on high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town. AP Julia Lawrence, 26, designed the shirt after the show's team saw her TikTok video reimagining their traditional merch into something more like a concert tee. 'It's just so incredible to bring Gen Z into the theater that way, especially at a time when theater has never been more important,' Lawrence said. 'In a world that's overpowered by screens, live art can be such a powerful way to find understanding.'


Associated Press
an hour ago
- Associated Press
Tom Hanks raves about Billy Joel at opening of Joel's documentary at Tribeca Film Festival
The Associated Press is an independent global news organization dedicated to factual reporting. Founded in 1846, AP today remains the most trusted source of fast, accurate, unbiased news in all formats and the essential provider of the technology and services vital to the news business. More than half the world's population sees AP journalism every day.