The comedic side of 'Casino'?
As the Tribeca Festival opens, co-founder Robert De Niro compares his movies "Meet the Parents" to "Casino." Both films will have special screenings at this year's event.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
41 minutes ago
- Yahoo
Rep. Sarah McBride Details Unique Bond with AOC Over the ‘Spotlight' They've Both Faced in Congress (Exclusive)
Rep. Sarah McBride tells PEOPLE that AOC is "a friend and someone who I have turned to for advice" during her first term in the House In a powerful conversation with AOC featured in the State of Firsts documentary about her run for Congress, McBride discusses the pressures she faces as the first openly trans congresswoman State of Firsts premieres June 7 at the Tribeca Festival and screens through June11Rep. Sarah McBride has a strong ally in Congress in one of the House's most visible figures: Rep. Alexandria Ocasio-Cortez. McBride, 34, tells PEOPLE that AOC, 35, has been a source of support since she began her first term in Congress in January. McBride, who made history when she became the first openly transgender person to be elected to the House in November 2024, is the subject of the new State of Firsts documentary from director Chase Joynt, which follows her campaign for Congress. In one scene from the documentary filmed after she won her seat as a U.S. representative from Delaware, McBride and AOC sit down in her office for a chat about "firsts." While speaking to PEOPLE ahead of State of First's Saturday June 7 premiere at the Tribeca Festival, McBride detailed her important bond with the lawmaker. "She's definitely become a friend and someone who I have turned to for advice. She entered Congress with a profile that exceeds mine with a lot of attention," McBride says. "And you know, it wasn't always easy for her." AOC made history in 2018 as the youngest women ever elected to Congress and currently represents New York's 14th congressional district. But in her first term, she said she faced backlash for her outfits and was treated like an intern. McBride says AOC's struggles in her first term have strengthened their connection. "I have often gone to her as one of the few people who knows what it's like coming in as a new member, as a freshman and having a spotlight on you that exceeds what most freshmen have," McBride says, noting, "The challenge of navigating a new place, a new workplace with that spotlight, with those attacks, there are very few people who have that experience." During the meeting between the two congresswomen featured in State of Firsts, the Delaware lawmaker tells AOC she's "struggling with protecting my voice and my ability to be seen and heard authentically for who I am and what I am here to focus on, and the inevitable pool that others are trying to pull me in." Ocasio-Cortez nods as she replies, "What people don't see and what they don't really experience is that being the first means being the only." She continues, "The immense amount of expectation placed on anyone who's a first, in my experience, that is not something that goes away." She then becomes heated over critics who have attacked McBride for her gender identity, telling her, "What they go after is your essential dignity as a human being. And, to be frank, that's what really pisses me off about this." "I want to respect your autonomy and I want to respect your story and how you want to handle this for yourself, but I also want to clock these motherf------," she exclaims. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. In a moment also included in State of Firsts, AOC hits back after the House bans trans people from using the Capitol's single-sex bathrooms that match their gender identity, calling the proposal "disgusting" in an interview that first aired on Spectrum News. "All it does is allow these Republicans to go around and bully any woman who isn't wearing a skirt because they think she might not look woman enough,' she says in the interview. While speaking with PEOPLE, McBride says AOC is someone she has "come to rely on for advice," adding, "She certainly has become a friend and I really deeply respect her." State of Firsts premieres at Tribeca Festival on June 7. Read the original article on People
Yahoo
18 hours ago
- Yahoo
In exhausting 'Bad Shabbos,' cringe-comedy clichés are observed a little too faithfully
"Bad Shabbos' is a labored farce that borrows from so many other better comedies — 'Meet the Parents,' 'The Birdcage' and 'Weekend at Bernie's' to name a few — that it rarely transcends its frantic patchwork of repurposed gimmicks and tropes. Its lack of originality and emotional depth may have been more forgivable had the film been legit funny. But save a few random guffaws, this whacked-out tale of a Jewish family's Shabbat dinner that goes wildly off the rails may prompt more eye rolls and exasperated sighs than were surely on the menu. (To be fair, it won the Audience Award at the 2024 Tribeca Festival, so the film clearly has its fans.) It's another warmly contentious Sabbath at the Upper West Side Manhattan apartment of Ellen (Kyra Sedgwick) and Richard (David Paymer). The long-married couple will gather with their three adult children — anxious David (Jon Bass), put-upon Abby (Milana Vayntrub) and younger, neurodivergent Adam (Theo Taplitz) — for the family's weekly meal. Yet why is this Friday night different from all other Friday nights? For starters, guess who's coming for brisket? That would be a chipper mom (Catherine Curtin) and dubious dad (John Bedford Lloyd), the parents of Adam's Catholic fiancée Meg (Meghan Leathers), winging in from 'goyish' Wisconsin to meet their future in-laws. (Can Grammy Hall be far behind?) Adam knows his quirky, noisy — read Jewish — family could easily alienate Meg's parents and he's desperate for an incident-free gathering. Fat chance. That's because, aside from the observant Ellen's barely veiled disdain for non-Jews (she's pretty awful to the solicitous Meg, who's studying to convert), Abby's obnoxious boyfriend, Benjamin (Ashley Zukerman), will be joining her, and he never fails to antagonize the unstable, Klonopin-popping Adam. That Adam suffers chronic constipation and Benjamin has diarrhea-inducing colitis is no medical coincidence but one of several predictable signs that, well, something's gonna hit the fan. Read more: The 27 best movie theaters in Los Angeles In short order, an improbably staged accident leaves a dead body lying in the bathroom right before Meg's parents arrive. It sets off the evening's desperate downward spiral, lots of silly mayhem and an absurd cover-up. Suffice to say, any sane person would have immediately reported the guest's untimely demise to the authorities — but then, of course, there would be no movie. Still, co-writers Zack Weiner and Daniel Robbins (Robbins directed) don't provide a plausible enough reason for the group to so haplessly hide the corpse, making the death feel like more of a slapdash device than a cogent story twist. As a result, some may find the film as painful and awkward to watch as it is for the characters to experience. One bright spot is actor-rapper Cliff 'Method Man' Smith's endearing turn as Jordan, the building's hip doorman ('It's Shabbos, baby!'), who considers the Gelfands his favorite tenants and jumps in to help them out of their mess. At one point, he even amusingly dons a yarmulke and pretends to be an Ethiopian Jew (long story). But the ticking clock wedged in to add tension to Jordan's 'assistance' feels undercooked. The rest of the cast does their best to rise — or descend — to the occasion, with Sedgwick quite good in her largely thankless role as the controlling Jewish mother. Leathers is winning as David's devoted bride-to-be, with Curtin enjoyably nimble playing a kindly Midwest mom. But the usually reliable Paymer seems a bit lost in his oddly-conceived part as the befuddled Richard, a fan of self-help books. Because the film leans so heavily into its breakneck antics, the folks here mostly come off more as a collection of stereotypes than as realistic people tackling a credible crisis. Sure, it's broad comedy, but that shouldn't preclude sharpening the characters to better sweep us along on their nutty journey. (At just 81 minutes plus end credits, the film had room to grow.) In particular, Adam, a wannabe soldier for the Israel Defense Forces, starts out too troubled and extreme for his depiction to fade as it does. And though the writers may have been reaching for dark laughs, Ellen and Richard's excuse-laden coddling of their challenged child, presumably now in his 20s, teeters on negligence — or, at the very least, bad parenting. By the time the film gets around to revealing its more human side — epiphanies gained, lessons learned — it's too little, too late. Near the end, when an appalled Ellen says of the dizzy bunch, 'We're all horrible,' it's hard to disagree. Ultimately, the movie's heart may be in the right place (Robbins has said the film is inspired by his own New York Jewish roots), but its head not so much. Want to watch a Jewish guy and a gentile woman humorously navigate their relationship? Best to wait for the next season of the Netflix series 'Nobody Wants This.' Sign up for Indie Focus, a weekly newsletter about movies and what's going on in the wild world of cinema. This story originally appeared in Los Angeles Times.
New York Post
18 hours ago
- New York Post
Don Rickles almost mutinied against Martin Scorsese during ‘Casino': ‘You don't have to take this from him!'
Comedy legend Don Rickles got fed up with Martin Scorsese during filming of 'Casino' 30 years ago, the Oscar-winning director revealed. Before a Tribeca Film Festival screening Thursday at the Beacon Theatre celebrating the anniversary of 'Casino,' Scorsese and the film's star Robert De Niro remembered a night when things with Rickles — aka Mr. Warmth — got particularly heated on set. 3 Martin Scorsese reminisced about working with Don Rickles during 'Casino.' Erik Pendzich/Shutterstock Advertisement 3 Rickles, who played Billy Sherbert, died in 2017. Getty Images 'We were in a very tough schedule, and we were all pretty tired,' Scorsese, 82, told the crowd of the Las Vegas night shoots that would start around 11 p.m. 'But by that point, Don couldn't take it anymore. He couldn't, because I was driving him crazy. I'm telling him, 'Don, I'll be ready in an hour. Two hours, three hours later, he was still waiting for us. He was dying. 'Get me out of here!'' Advertisement Scorsese added: 'He yelled at one point to the crew, 'You don't have to take this from him!'' Rickles played Billy Sherbert, the head of security for De Niro's Sam 'Ace' Rothstein. But the director and De Niro mostly shared fond memories of Rickles, who died in 2017. Born in Queens, the comic became a Vegas headliner with the help of friend Frank Sinatra and was eventually synonymous with Sin City. 'Don was really a sweet guy, everybody knew that,' De Niro, 81, said. 'And his style — he could be right on when he was acerbic and insulting, but, you know, deep down he was… a sweet guy.' Advertisement 3 Scorsese and Robert De Niro sat down with W. Kamau Bell during the Tribeca Film Festival. Getty Images for Tribeca Festival Scorsese went on to say that Rickles had a point. They were filming at difficult hours in a working casino that even advertised that the famous names were there. 'I was shocked because [the casino] had a kind of a ticker, you know, with a sign outside,' Scorsese said. 'It said, 'Come and watch the shooting: Robert De Niro, Joe Pesci, Don Rickles — appearing now!' Advertisement Scorsese added: 'I go in, and my A.D., Joseph Reidy, he looked at me, and he said, 'Are you ready?' I said, 'Yes, yes. What's the problem?' He opened the door. A wall of sound.' 'About 10 o'clock at night. Everybody was playing, gambling, and you couldn't quite hear each other,' he said. 'But by around one in the morning, they quieted down.'
