logo
‘Our heartfelt wish for a future without war'

‘Our heartfelt wish for a future without war'

Daily Express3 days ago
Published on: Sunday, August 17, 2025
Published on: Sun, Aug 17, 2025
By: Kan Yaw Chong Text Size: Kanako Tanaka speaking as the five Japanese students listened 'pass the story with honesty and care'. READ the heading again. A future without war – doesn't that echo the heartfelt wish of the whole world? yet it is a contride voice yon least expect from the side of a Japanese mother in the context of infamous Sandakan Death march. Remember her country incarcerated 2434 Aussie and British pows, all of them died except six, never see home sweet home again! Humiliated by defeat in Singapore, then held captives in a no-man's land for three years to build a military air strip for foe under gun point, all 2,434 bundled to Sandakan none survived except six! Lest we forget is a reminder to never forget, whatever or whoever it maybe. That's why I was suprised by what I heard and saw at the 80th anniversary Death March Sandakan Day commemoration Aug 14-15 this year. It takes a lot of raw courage for a Japanese mother to voice out loud at the Sandakan Day Memorial Welcome Dinner at the Sabah Hotel, Aug 14, when she knew she was addressing an audience who came to remember a near total annihilation of their relatives and countrymen 80 years ago. Noting her 'courage', British High Commissioner to Malaysia, Ajay sharma said: Now we have two sides to keep the death March story alive'. Here is a gem of a speech we publish verbatim. 'I am an ordinary mother' 'Good evening and Selamat Malam, distinguished guests, ladies and gentlemen. 'My name is Kanako Tanaka, and I am an ordinary mother from Osaka, Japan. 'These students standing before you tonight are the daughters of some of my dearest friends. 'A few months ago, I happened to watch a Japanese documentary about the history of Sandakan created by Mr Yumoto, who is with us here this evening. 'The film left me with one urgent question. 'How can we ensure that that this story not only lives on, but truly takes root, especially among young people of Japan? 'One morning, I woke up with a clear thought in my mind. 5 Japanese students, 3 steadfast promises 'What if I brought Japanese students to Sandakan – so they could learn about this history firsthand? 'So I began reaching out to my friends, hoping to find some of their children who would be interested in taking part in a private trip to Sandakan. 'And now, I am here, accompanying five students who come from different families, schools, towns and even age groups – with up to ten years in age difference. 'They are Ryoko Obokata, Juri Okamoto, Karen Okamoto, Ryoka Yamasaki and Mariko Matsuo. 'However, they stand here tonight, ready to share three steadfast promises with all of you. 'They are Respect, Responsibility and representation. 'Respect for the past – for all those who lost their lives during this tragic chapter of history, and for the families who continue to carry their memories. 'Responsibility for the present – to learn what happened here in Sandakan, and to pass the story on with honesty and care. 'Representation for the future – these students are, in fact, our future itself. 'They are ready to receive the invisible baton passed from each and every one of you and they promise to carry it out throughout their lives- until they, in turn , pass it on to the next generation. Iconic origami cranes – symbol of peace, hope, healing in Japan 'Thanks to our friend Cynthia Ong, we have been kindly given permission to participate in tomorrow's (Aug 15) ceremony and to offer this – a thousand origami cranes. (The traditional origami crane is based on the large Japanese red crowned crane – a rare iconic species, known for their symbolic significance. Making 1,000 origami cranes is a tradition associated with granting wishes). 'Allow me to say a few words about what the thousand origami cranes means to the Japanese people. 'The origami cranes is a traditional symbol for peace, hope and healing in Japan. 'You may have seen them often offered at the Hiroshima Memorial Park. 'We folded each crane by hand, with our heartfelt wises for remembrance and a future without war.' Song wish for peace – Home sweet home 'Now please allow us to offer a song (Home sweet home – happy to be back home after long absence) 'We sing for all those who could never go back to their beloved families even after the war – and also for everyone here with us today. The song is originally an English folk song, but it is also widely known in Japan as a song that wises for peace. 'We hope this song brings to your heart back to your own sweet home. 'And may all our hearts reach out to those who longed to return home, but never could… Because as we all know… there's no place like home.' Indeed there is a blue print for a future without war in Thy kingdom come. 'We feel the weight of history beneath our feet': Corporal IT'S extremely special for us to be standing here; on ground that holds such deep meaning, not just for Australians, but for all who remember the sacrifices made during the Sandakan Death March. I would like to express our deepest gratitude to the people of Sabah and the Sabah Tourism Board for granting us access to unique and historically significant areas – most notably, the Lolosing River Valley. This would not be possible without your continued support and generosity. Your commitment to preserving and sharing this history ensures that the memory of those who served and sacrificed is kept alive for generations to come. This access has not only enhanced our experience but has given us a deeper understanding of the unimaginable hardships endured by the prisoners of war during the Sandakan Death March. Walking this ground is a solemn journey – one that brings history to life and connects us to the past in the most powerful of ways. As our good friend, Tham said: Each time an Australian completes this trek, we take a soldier home with us. This opportunity allows us to pause and reflect on the suffering, courage and resilience of those who walked this path before us. We are reminded of the strength of the human spirit in the face of unthinkable adversity. It is not just a trek – it is an honour. An honour to carry their memory. An honour to continue their legacy. And an honour to ensure that their stories are never forgotten. We sincerely hope that more Australians, especially our serving soldiers and veterans, will have the chance to experience this journey in the future. To stand where our heroes once stood. To feel the weight of history beneath their feet. And to pay tribute in the most personal and powerful way. On behalf of the team, we are honoured to carry this legacy with pride-thank you to Tham (their guide) and his crew, without each of them we wouldn't have been able to conquer the undulating terrain throughout this trek. Editor's note: This speech was given by Corporal Meghan Manuzic at the Sandakan Day Memorial Welcome Dinner at the Sabah Hotel on Aug 14, on behalf of the seven-member Australian Army who walked 100km of the Death March route from Telupid to the Last Camp, Ranau, between August 3-14, led by Lieutenant Colonel Matthew Hunter. The five other army trekkers are Warrant Officer Matthew Fuery, Sergeant Matthew Bickerton, Corporals Rebecca Ross, Angus McGregor, Sarah Kerr and Nathanael Bull. Sandakan Death March Heritage trail map launched THE full length of Sandakan Ranau Death march route is 260km long. Most tourists cannot walk that far, however interested they are. 'So the late General Manager of Sabah Tourism, Datuk Irene Charuruks, had a dream: We need a map that the local tourists can follow by car, she said to me one day,' recalled historian Lynette Silver, at the joint launching of the Sandakan Death March Heritage Trail Map at the Sandakan Day Memorial Welcome Dinner on Aug 14. Josephine Chai, STB Senior Marketing Manager, represented CEO Julinus Jeffrey Jimit, Jason Jay Paujik, Assistant Product Manager, Wilson Thomas, Deputy President of Sandakan and veteran Death March trekker, Tham Yau Kong participated in the joint launch. 'So we started on it and she had her people erect black and yellow signs along the route with POW route and then the rest of the idea was to produce a brochure. 'But somehow that went on the back burner and while we had the signs along the routes, we didn't go any further until Sabah Tourism Board now became interested with Tham and myself and they decided that we should complete Datuk Irene's dream,' Lynette said at the launch. 'So today is the culmination of Datuk Irene Charuruk's dream from many years ago to produce a map which can be followed by motorists, by anybody who's interested in the Death March story. 'I chose 15 key places which have the story historically, which is on the right hand side here and on the left you can see the Australian government map which shows you where to go.' 'So after 80 years, which is when this first map (Mud Map) was produced, we now have a situation where anybody in a car can follow the Death March route and appreciate Sabah's wartime history and Australia's wartime history and also that of the British. 'I've been at this, as you know, most of you, for a very long time, since 1993 when I started to investigate this whole story and I've been working with the Sabah government since 1999.' 'So, this is a culmination of a great deal of work on my behalf, on Tham's behalf, on the Sabah Forestry's behalf and the Sabah Tourism Board as well.' 'It's a very great honour for me to formally launch the Sandakan Death March Heritage Trail map and I do so with a great deal of pride,' Lynette concluded. According to Josephine, STB has both the hard copies and e-version of the map.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Minister Wants To Change Name Of Rafflesia Flower, But It Already Has A Local Name
Minister Wants To Change Name Of Rafflesia Flower, But It Already Has A Local Name

Rakyat Post

timean hour ago

  • Rakyat Post

Minister Wants To Change Name Of Rafflesia Flower, But It Already Has A Local Name

Subscribe to our FREE The Rafflesia, known as the world's largest flower, is a part of Malaysia's natural and geographical identity. It was named after Sir Stamford Raffles, the British colonial official and founder of the port city of Singapore. At a Dewan Rakyat session yesterday (19 August) on the topic of government allocations for the preservation of rainforests in Malaysia, Machang member of parliament Wan Ahmad Fayhsal Wan Ahmad Kamal raised a suggestion to change the name of the Rafflesia flower in conjunction with Hari Merdeka, as a way to break away from the country's history of colonialism. 'Rafflesia is named after Stamford Raffles, someone who colonised us, someone who is unethical, and we gave our flower his name. 'Perhaps we can decide to name it something else? We can even name it Anwar Ibrahim,' Wan Fayhsal joked. A user on Threads commenting on the matter said that any normal person can 'change the name' but it must go through a process of studies, publications, and peer studies that are approved by the international botany community. 'The power to change or designate a scientific name of a plant falls in the hands of the international scientific community,' the user said. Rafflesia already has a name in Bahasa Melayu The Rafflesia already goes by many names even before the colonist Raffles set foot on Malaysian soil. Here, it is locally known as Pakma , Patma , and Ambai-ambai , but Pakma is more commonly used. Etymologically, the word pakma originates from the word padma , which is Sanskrit for 'lotus'. It is also referred to as Bunga Bangkai , which translates to 'corpse flower' due to its unique and pungent odour that is often described as resembling rotting flesh or decaying meat. The smell actually serves a The Rafflesia is a parasitic plant. It lacks typical plant structures like leaves, stems, and roots, and instead lives as a parasite on the Tetrastigma vine. Image: Terra Cultura The flower can grow to over one meter, and some individual flowers can weigh up to ten kilograms. From the perspective of traditional medicine, the Rafflesia plays an important role in the health practices of the Orang Asli community. Certain parts of the flower, including its roots, are believed to have The flower is categorised as critically endangered The Rafflesia flower remains poorly understood due to its elusive life cycle. In its bud stage, it potentially takes about nine months to bloom. Once the bud opens, the flower's lifespan is very short — typically five to seven days. After the blooming period, the flower rapidly decays. According to a University of Oxford report in 2023, a group of scientists established a coordinated global network to study the threats the Rafflesia is facing. The study found that that all 42 species of Rafflesia are under threat. Based on Share your thoughts with us via TRP's . Get more stories like this to your inbox by signing up for our newsletter.

Islamic Arts Museum Malaysia unveils the deep claws of Tipu Sultan's history
Islamic Arts Museum Malaysia unveils the deep claws of Tipu Sultan's history

The Star

time3 hours ago

  • The Star

Islamic Arts Museum Malaysia unveils the deep claws of Tipu Sultan's history

At the Islamic Arts Museum Malaysia (IAMM) in Kuala Lumpur, the new exhibition More Than A Day As A Tiger greets visitors with the glint of steel and the weight of history. Weapons, manuscripts, and remnants of a once-magnificent throne set the stage for the story of two rulers who, in 18th century India, dared to resist the rising tide of colonial empire- building. Between 1761 and 1799, Haider Ali and his son Tipu Sultan ruled Mysore in southern India, becoming the fiercest obstacle to British expansion. Tipu, remembered for declaring, 'it is better to live as a tiger for a day than as a sheep for a hundred years', fell in battle in 1799 – yet his legacy endures through the objects he left behind. A detail of a two-shot flintlock gun, made by Asad Khan Muhammad in 1793 in Srirangapatna, India. Photo: The Star/Kamarul Ariffin Running until Jan 15 next year, the exhibition (at IAMM's Special Gallery II) gathers 93 artefacts – rare survivors of war and looting – including tiger-striped swords and muskets, letters from British generals, and a rare glimpse of Tipu's throne, which was torn apart for its gold and jewels. 'This is the largest collection of Tipu Sultan's treasures outside Britain. After his kingdom fell, many of his relics were looted by the British. We felt it was our responsibility to preserve and showcase them here,' says Zulkifli Ishak, IAMM project manager and exhibition co-curator. A dynasty in three acts The More Than A Day As A Tiger exhibition unfolds in three parts: Mysore's rise under Haider Ali, its height under Tipu Sultan, and its fall in 1799. 'This dynasty lasted only 38 years, but its impact was huge, especially in the 18th century when European powers were competing in India. Haider Ali laid the foundation, and Tipu Sultan built on it with innovation and fierce resistance,' says Zulkifli. Steel armour of the Nizam of Hyderabad, reflects both battlefield strength and ruling power. Photo: The Star/Izzrafiq Alias Haider Ali, though less remembered today, was a master strategist. His son Tipu Sultan inherited both his army and his vision of modernisation. With French support, Mysore built advanced weapon factories, producing firearms and rocket technology that outpaced Europe – rockets the British would later copy for themselves. One striking feature of the exhibition is how swiftly Mysore's material culture changed under their rule, with Hindu motifs on weapons and coins replaced by Islamic calligraphy and the omnipresent tiger. 'There are no official portraits of Tipu Sultan. Instead, he made the tiger his persona – stripes and claws appear on everything from his swords and guns to his uniforms and even the feet of his throne,' says Zulkifli. Fallen's king's treasures After Tipu Sultan's death, his magnificent throne was dismantled, its jewel-studded gold finials scattered across Britain and beyond. One surviving piece now rests at IAMM, displayed with reverence under soft light. A visitor admires an 1788 portrait of Tipu's ambassador to France, Muhammad Dervish Khan, painted by Elisabeth Vigee Le Brun. Photo: The Star/Kamarul Ariffin 'The throne had eight tiger-head finials; only four survive today – three in Britain and one here in Malaysia. Even its wooden feet, carved like tiger paws, were prized by the British. That shows the respect they had for him, even as they looted his palace,' says Zulkifli. A 2021 British government report valued the 18th-century Tipu Sultan throne finial at £1.5mil (RM8.6mil). Another highlight is Tipu Sultan's personal sword, taken from his chamber after his death. Unlike the ornate ceremonial blades, it is strikingly plain, with only a simple Arabic invocation on its hilt. 'I was surprised when I first saw it. It's not flashy, but it reflects his character – the sword he truly used. After his death, the British seized it and presented it as a trophy to one of their generals,' says Zulkifli. Tipu Sultan's magnificent throne was dismantled for its gold and jewels. The exhibition at the Islamic Arts Museum Malaysia features one of the few gem-studded finials that survived the looting - even the throne's wooden tiger-paw feet were taken by the British. Photo: The Star/Kamarul Ariffin Nearby stand two cannons, their bronze surfaces still marked with tiger motifs. For two centuries they stood outside a Welsh castle before reaching IAMM – proof that even the victors valued Mysore's craftsmanship. Both sides of the story What sets More Than A Day As A Tiger apart from other exhibitions is how it pairs Mysore artefacts with records from both enemies and allies. 'Most of Tipu Sultan's history was written by the British, who often painted him as a tyrant. The French, his allies, described him with more admiration. Here, we try to balance those views by letting the objects speak for themselves,' says Zulkifli. A scroll painting of the Battle of Pollilur captures one of Mysore's greatest victories over the East India Company. Alongside treasures, weapons, manuscripts, documents, and paintings, the exhibition also showcases royal garments from the era. Photo: The Star/Kamarul Ariffin Split into panels, it shows Haider Ali and Tipu Sultan charging into battle, defeating British generals and taking prisoners – a dramatic scene that once shook colonial confidence. Elsewhere, a portrait of Tipu's ambassador to France, Muhammad Dervish Khan, painted in 1788 by Elisabeth Vigee Le Brun (best known for her portraits of Marie Antoinette), highlights another side of his legacy: not just a warrior, but a statesman seeking alliances across the world. 'Napoleon of the East' The final section of the exhibition carries a sombre tone. Letters from British generals reveal both their fear of Tipu Sultan and their relief at his death. One from Lord Cornwallis – the same general who surrendered to George Washington – admits Tipu Sultan was 'a man of great ability' who had been underestimated. A large painting of the Battle of Condore (December 1758), showing East India Company troops under Colonel Forde fighting the French and their allies during the Third Carnatic War. Photo: The Star/Izzrafiq Alias A painting of Tipu Sultan's young sons being handed over as hostages in 1792 marks the beginning of the end. Dressed in fine silk, they surrendered to the British; just seven years later, their father would fall in battle and the dynasty would vanish. A final British engraving, The Death Of Tipu Sultan, shows his lifeless body discovered among the ruins of Seringapatam – triumphant yet tragic, a reminder that history is often written by the victors. The gallery reflects this duality. Gold and steel dazzle the eye, while the texts remind visitors of loss and looting. The show captures not only the pride of Mysore but also the shadows of its fall. Workshops, talks, and conservation sessions accompany the exhibition, inviting visitors to engage with both the objects and the challenges of preserving them. 'Tipu Sultan's story is still relevant today. Even his enemies admired him, calling him the 'Napoleon of the East'. Through these objects, we see how he shaped his identity, resisted colonial power, and left a legacy that endured beyond defeat,' concludes Zulkifli. More Than A Day As A Tiger exhibition is showing at the Islamic Arts Museum Malaysia in Kuala Lumpur until Jan 15, 2026.

Radiation and rejection
Radiation and rejection

The Star

time9 hours ago

  • The Star

Radiation and rejection

BAE Kyung-mi was five years old when the Americans dropped 'Little Boy', the atomic bomb that flattened Hiroshima on Aug 6, 1945. Like thousands of other ethnic Koreans working in the city at the time, her family kept the horror a secret. Many feared the stigma from doing menial work for colonial ruler Japan, and false rumours that radiation sickness was contagious. Bae recalls hearing planes overhead while she was playing at her home in Hiroshima on that day. This photo taken in Hapcheon, South Gyeongsang, about 320 kilometres south of Seoul on July 10, 2025 shows residents preparing to have their portraits taken for use at their funerals at the Hapcheon Atomic Bomb Victim Welfare Center, opened in 1996 by the Korean Red Cross with funding from both South Korean and Japanese governments, providing round-the-clock service to survivors of the World War II atomic bombings seeking help. Some 740,000 people were killed or injured in the twin bombings of Hiroshima and Nakasaki which ended World War II -- and more than 10 percent of the victims were Korean, data suggests, the result of huge flows of people to Japan while it colonised the Korean peninsula. (Photo by Anthony WALLACE / AFP) / To go with Japan-SKorea-history-nuclear,FOCUS by Harumi Ozawa and Kang Jin-kyu Within minutes, she was buried in ­rubble. 'I told my mum in Japanese, 'Mum! There are aeroplanes!'' said Bae, now 85. She passed out shortly after. Bae's home collapsed on top of her, but the debris shielded her from the burns that killed tens of thousands of people – including her aunt and uncle. People visiting the Memorial Cenotaph at the Hiroshima Peace Park in Hiroshima; and (below) residents preparing to have their funeral portraits taken at the Hapcheon Atomic Bomb Victim Welfare Centre in South Korea. — AFP After the family moved back to Korea, they did not speak of their experience. 'I never told my husband that I was in Hiroshima and a victim of the bombing,' Bae said. 'Back then, people often said you had married the wrong person if he or she was an atomic bombing survivor.' Her two sons only learned that she had been in Hiroshima when she registered at a special centre set up in 1996 in Hap­cheon, South Korea, for victims of the bombings, she said. Bae said she feared her children would suffer from radiation-related illnesses that afflicted her, forcing her to have her ovaries and a breast removed because of the high cancer risk. She knew why she was getting sick, but did not tell her own family. 'We all hushed it up,' she said. Some 740,000 people were killed or injured in the twin bombings of Hiro­shima and Nagasaki. More than 10% of the victims were Korean, data suggests, the result of huge flows of people to Japan while it colonised the Korean peninsula. Survivors who stayed in Japan found that they had to endure discrimination both as hibakusha, or atomic bomb survivors, and as Koreans. Many Koreans also had to choose between pro-Pyongyang and pro-Seoul groups in Japan, after the peninsula was left divided by the 1950-53 Korean War. Kwon Joon-oh's mother and father both survived the attack on Hiroshima. The 76-year-old's parents, like others of their generation, could only work by ­taking on 'filthy and dangerous jobs' that the Japanese considered beneath them, he said. Korean victims were also denied an ­offi­cial memorial for decades, with a ­cenotaph for them put up in the Hiro­shima Peace Park only in the late 1990s. Kim Hwa-ja was four on Aug 6, 1945 and remembers being put on a makeshift horse-drawn trap as her family tried to flee Hiroshima after the bomb. Smoke filled the air and the city was burning, she said, recalling how she peeped out from under a blanket covering her, and her mother screaming at her not to look. Korean groups estimate that up to 50,000 Koreans may have been in the city that day, including tens of thousands working as forced labourers at military sites. But records are sketchy. 'The city office was devastated so completely that it wasn't possible to track down clear records,' a Hiroshima official said. Japan's colonial policy banned the use of Korean names, further complicating record-keeping. After the attacks, tens of thousands of Korean survivors moved back to their newly-independent country. But many have struggled with health issues and stigma ever since. 'In those days, there were unfounded rumours that radiation exposure could be contagious,' said Jeong Soo-won, director of the country's Hapcheon Atomic Bomb Victim Centre. Nationwide, there are some 1,600 South Korean survivors believed to still be alive, Jeong said – with 82 of them in residence at the centre. Seoul enacted a special law in 2016 to help the survivors – including a monthly stipend of around US$72 – but it provides no assistance to their offspring or exten­ded families. 'There are many second- and third-generation descendants affected by the bom­bings and suffering from congenital illnesses,' said Jeong. A provision to support them 'must be included' in future, he said. A Japanese hibakusha group won the Nobel Peace Prize last year in recognition of their efforts to show the world the horrors of nuclear war. But 80 years after the attacks, many survivors in both Japan and Korea say the world has not learned. US President Donald Trump recently compared his strikes on Iran's nuclear facilities to the bombing of Hiroshima and Nagasaki. 'Would he understand the tragedy of what the Hiroshima bombing has caused? Would he understand that of Nagasaki?' survivor Kim Gin-ho said. In Korea, the Hapcheon centre held a commemoration on Aug 6 – with survivors who hoped that the event would attract more attention this year. From politicians, 'there has been only talk, but no interest', he added. — AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store