
Sesame Street responds to vile hacking of Elmo's X account
'On Sunday, Elmo's X account was briefly hacked by an outside party, in spite of the security measures in place,' read a tweet from the Sesame Workshop.
The statement continued, 'We strongly condemn the abhorrent antisemitic and racist content, and the account has since been secured.
'These posts in no way reflect the values of Sesame Workshop or Sesame Street, and no one at the organization was involved.'
A spokesperson for Sesame Workshop previously confirmed the digital security breach to Daily Mail on Sunday evening.
'Elmo's X account was compromised today by an unknown hacker who posted disgusting messages, including antisemitic and racist posts,' the rep said. 'We are working to restore full control of the account.'
Following the post from the Sesame Workshop, a number of followers on the platform peppered in responses that ranged from jokes to troubleshooting.
'I don't believe you were hacked,' said one user. 'I think the real Elmo came out.'
Another user wryly chimed in, 'Big Bird's silence on this issue has been deafening.'
One user went on a long rant at the character, saying, 'Elmo, I've been crying and throwing up ever since you posted those very hateful things.
'The truth of it is you were a role model to me growing up and because of that I would always tickle you whenever you asked.
The statement ended, 'After what happened on Sunday I was forced to throw you in the dumpster out back my local Chili's and will no longer be having you in my life. Goodbye old friend.'
Multiple users rejected Sesame Workshop's denial anyone from their side was involved.
'Sesame workshop has become beyond woke and I guarantee it was someone internal,' one user said. 'If I allowed some sort of breach like this at my job, I would be fired. @SesameWorkshop take accountability.
The user said the late Sesame Street founder Jim Henson 'would be horrified' at the lack of accountability in the wake of the humiliating security breach.
Following the post from the Sesame Workshop, a number of followers on the platform peppered in responses that ranged from jokes to troubleshooting
Another added: 'Serious question. Is anyone ever hacked by an "inside party?" Your inability to apologize MUCH SOONER is weak. But most concerning is that no one believes you were hacked.
'We believe you have an employee who did this intentionally but you haven't explained this because then, of course, we'd all want to know who did it and then expect them to be fired, etc.
'See, the longer you all don't provide details, the more the pressure grows to know more.'
The account for Elmo, under the handle @elmo, has more than 639,800 followers, and has been on the platform since November of 2012.
'Elmo lives on Sesame Street and was told to tell you that Elmo is official!' a bio line on the social media page read.
On Sunday, it was clear the account had been commandeered by rogue actors, as a series of messages posted called for violence against Jewish people.
The post repeated a series of antisemitic tropes and called for harm against Jewish people.
The post also took aim at the president, saying, ' DONALD TRUMP IS NETANYAHU'S PUPPET BECAUSE HE IS IN THE EPSTEIN FILE.'
One message tagged in President Donald Trump that read: 'RELEASE THE FILES @readDonaldTrump' along with an offensive term directed at Trump.
The hacker also peppered in more sharp responses to people who condemned the racist prank.
When one person expressed their frustration with the posts from the account, a profane response used a racial epithet aimed at Black people.
When another person said they were going to mute Elmo, a response from the Elmo account contained a transphobic slur.
The unlikely hack and subsequent shock messages led for Elmo to become a trending topic on the platform, with a number of different takes on the incident.
'Hacking the official Elmo account gotta be one of the most diabolical things this app has ever seen,' one response read.
The account for Elmo, under the handle @elmo, has more than 639,800 followers, and has been on the platform since November of 2012
One social media user said that the incident provided an insight into how deeply antisemitism is embedded in some people
A few people made reference to rapper Kanye West's history of antisemitic X posts, which he has since distanced himself from.
'Kanye and Elmo should collab sometime,' one user said, while another asked, 'Who let Kanye on Elmo's account?'
One user posted a long-circulating meme of the Sesame Street character standing in front of flames to aptly summarize the situation with the hacker.
One social media user said that the incident provided an insight into how deeply antisemitism is embedded in some people.
'This is a real tweet from the Elmo X account. It has since been deleted,' said the user. 'We're dealing with depraved immoral sociopaths who target even a beloved children's character in order to incite violence and hate against Jews.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
25 minutes ago
- Daily Mail
Nicole Scherzinger looks emotional as she performs her final Sunset Boulevard show on Broadway
Nicole Scherzinger brought the house down in a dramatic farewell performance as Norma Desmond in Sunset Boulevard on Sunday night. The former Pussycat Doll, 47, took to the stage one last time as the silent movie star and left fans stunned with her chilling finale look, featuring theatrical blood dripping down her neck. Nicole has won rave reviews for her role in the gritty Andrew Lloyd Webber classic, with her haunting portrayal of the character. In the lead up to her final show, tributes poured in to her via Nicole's social media. Her vocal coach described her as 'an absolute force of nature'. He revealed that on their first session, she looked at him right in the eyes and said: 'I'm a good student. Tell me what I need to do and I'm gonna get it done.' Nicole herself said that tonight's show would be 'magic in the making'. In a lengthy post to her Instagram she wrote: 'Today, the sun sets on Sunset Blvd for the final time. 'After living and breathing Norma Desmond for the past two years, it's almost impossible to grasp that today is the last show. What began as a limited run, then extended, now somehow, nearly 10 months on Broadway have flown by. 'Norma's story is for anyone who's ever felt alone. Lonely. Abandoned. Outcast. 'For anyone who never felt like they belonged. 'For those who once loved something deeply and had it taken from them, aching to reclaim it. 'For the dreamers. The fighters. The believers. The warriors. For those unshakable in their purpose and power, doing what they love most. ''This is my life. It always will is nothing else.'' She added: 'Norma has changed me forever. Thank you, Broadway 'for the magic in the making.' 'Thank you and to the entire beautiful, brilliant @andrewlloydwebber @jamielloyd @alanwilliamsmd @fabianaloise and to the entire beautiful, brilliant @sunsetblvdmusicalcompany, for everything.' Fans flocked to her comment section and penned: 'Just absolutely incredible. I saw it 3 times and I would have seen it more if I could lol. You are a force my love. So proud of you!!!!!! Love you queen!!!!!' In a lengthy post to her Instagram Nicole reflected emotionally on her final performance describing how deeply she connected with the character (pictured onstage during The 78th Annual Tony Awards performing a number from the musical) Fans flocked to her comment section and penned: 'Just absolutely incredible. I saw it 3 times and I would have seen it more if I could lol. You are a force my love. So proud of you!!!!!! Love you queen!!!!!' 'So happy I saw it twice. Wish I could have seen it 20 more times!' 'So beyond happy for you. Saw the show four (or was it five) times and every time you were even more nuanced, took different risks and had the audience in the palm of their hands. Brava! She's a Hawaiian Tony Winner!!!!!' 'You have given Norma the stage she deserves for a new Audience and a new generation! Saw it 3 times it was incredible every time! Brava my dear.' 'You have changed OUR lives forever with your talent, wisdom, bravery, and most of all your willingness to open up your heart and reveal it to us night after night. You are the North Star for all that it means to be a performer, and I am so beyond grateful that I got to live at a time in history to witness such beautiful art. Thank you, thank you, a thousand times thank you. ❤️ You are the GREATEST STAR OF ALL' The critically acclaimed musical, runs for approximately two hours and 35 minutes and and has earned Nicole a Tony at this year's awards. Nicole took over taking over the role from acting legend Glenn Close, 78, who won her third Tony Award in 1995 for the role. After watching Nicole's performance earlier this year, Glenn said: 'You can't approach Norma with a faint heart. She tests your metal [and] demands that you dig deep.' She continued: 'Nicole's performance is an act of raw artistry and astounding bravery. 'She and the entire production blew me away. I loved meeting Nicole, [her co-star] Tom Francis, and many members of the ensemble backstage afterwards!' Sunset Boulevard has been a huge success and grossed more than $1.08 million during its first week of six previews alone at the St. James Theatre in New York City. Nicole initially played the role of Norma when it opened in London in 2023, whilst West End legend Rachel Tucker served as her alternate. Last year, upon hearing the news that she would be starring the Broadway show, Nicole raved that she could 'hardly believe' that she was getting the chance. 'Little Nicole has waited for this her whole life. And I get to do it with this beautiful cast @sunsetblvdmusical and these two heroes of mine @andrewlloydwebber @jamielloyd,' she wrote on Instagram.


Daily Mail
an hour ago
- Daily Mail
Liam Neeson jokes that his favourite part of making The Naked Gun was filming 'sex scenes' with co-star Pamela Anderson
Liam Neeson has joked that his favourite part of making The Naked Gun was filming 'the sex scenes' with his co-star Pamela Anderson. Fans have not been quite sure of the status of the co-stars' relationship after he said he 'loved' her earlier this year - ahead of the new film being released on August 1. And now Liam has joked about their intimate scenes as The Sun reports the pair were given an intimacy co-ordinator on set. The star explained: 'I'd never had one before. But she was in the background. There was no kind of, 'OK! Excuse me!'. Pamela portrays a nightclub singer, who comes to Police Squad for help following the murder of her brother, in Akiva Schaffer's slapstick comedy continuation. Pamela added that the intimacy co-ordinator knew when to walk away and joked that she stormed off, with Liam claiming she threw her hands up in the air and said, 'I can't take this! This is too hot for me. I'm going for coffee'. Last week Pamela set the record straight on romance rumours between the pair as the Baywatch queen posed for Entertainment Weekly for their digital cover. And unfortunately there is no romance yet. 'I think I have a friend forever in Liam,' she said. 'And we definitely have a connection that is very sincere, very loving, and he's a good guy.' Neeson, 73, stars in the film as as Los Angeles Police Squad detective Frank Drebin Jr., son of Nielson's Frank Drebin. It comes after in October Neeson said he was 'madly in love' with the Playboy cover girl. 'She's just terrific to work with,' Neeson told People. 'I can't compliment her enough, I'll be honest with you. No huge ego. She just comes in to do the work. She's funny and so easy to work with. She's going to be terrific in the film.' 'Our chemistry was clear from the start. We have the utmost respect for one another,' Anderson told EW last month. 'I invited him and his assistant over for romantic dinners with me and my assistant so our relationship stayed "professionally romantic" during filming.' Pamela portrays a nightclub singer, who comes to Police Squad for help following the murder of her brother, in Akiva Schaffer's slapstick comedy continuation The Canadian-American beauty and Liam bonded over their shared 'love of literature and a good laugh' and she regularly left cookies, muffins, and homebaked sourdough bread in his dressing room. 'I am in awe of him, his experience, and work ethic. I soaked him in like a sponge,' Pamela gushed. 'I'm hoping people love it. We had so much fun making it. I think it's timely for a beloved comedy like this. I'm a fan of the originals. As Liam says, "We could all use a good giggle." I pray we do more.' And the feeling was definitely mutual for Neeson, who gushed to People last October: 'I'm madly in love with her. No huge ego. She just comes in to do the work. She's funny and so easy to work with. She's going to be terrific in the film.' The Naked Gun - hitting US/UK theaters August 1 - also features Paul Walter Hauser, CCH Pounder, Kevin Durand, Busta Rhymes, Cody Rhodes, Liza Koshy, and Eddie Yu. Jerry Zucker, Jim Abrahams, and David Zucker wrote and directed the original trilogy spanning 1988-1994, which amassed a total $476.4M at the global box office, following the short-lived ABC series Police Squad in 1982. The Oscar-nominated actor is technically five years older than original Naked Gun star Leslie Nielsen was when he shot the third film. Anderson previously worked with the late funnyman - who died, age 84, in 2010 - in Scary Movie 3 (2003) and Superhero Movie (2008), but they did not share any scenes together. This September, the Sonsie Skin co-founder will fly to England to shoot a mystery role in Sally Potter's upcoming funeral drama Alma alongside Dakota Fanning and Lindsay Duncan. In April, Pamela was in Australia filming her role as two-time divorcée Molly in Kornél Mundruczó's upcoming drama Place to Be alongside Ellen Burstyn and Taika Waititi. Last September, Anderson was hard at work on the Spanish set of Karim Aïnouz's dark satire Rosebush Pruning for Mubi alongside Elle Fanning, Callum Turner, Riley Keough, Jamie Bell, and Lukas Gage. The 15-time Playboy cover girl experienced a full-blown career resurgence last year after starring in Gia Coppola's drama The Last Showgirl, which earned her Golden Globe and SAG Award nominations.


The Guardian
an hour ago
- The Guardian
What the culture war over Superman gets wrong
We've entered the era of the superhero movie as sermon. No longer content with saving the world, spandex saviors are now being used to explain, moralize and therapize it. And a being from Krypton has shown up once again in a debate about real life; about borders, race and who gets to belong. Superman. Of all symbols. I've read reactionary thinkpieces, rage-filled quote tweets and screeds about the legal status of a fictional alien – enough to lose count. This particular episode of American Fragility kicked off because James Gunn had the audacity to call Superman 'the story of America'. An immigrant, by definition, as he was always meant to be. What set things off wasn't just the sentiment – it was who said it, and how plainly. Gunn, now headlining DC's cinematic future, told the Sunday Times that Superman was 'an immigrant who came from other places and populated the country'. He spoke of Superman's inherent kindness as a political statement in itself, noting that the film would play differently in some parts of America before adding, bluntly, that 'there are some jerks out there who are just not kind and will take it as offensive just because it is about kindness'. 'But screw them,' he added. It was that line – less the immigrant metaphor, more the unapologetic framing – that sent the usual outrage machine into motion. Enter Dean Cain, a former TV Superman. Cain accused Gunn of politicizing the character, which is remarkably foolish, considering Superman's been swatting at fascism since 1941. Meanwhile, over at Fox News, it's been a full meltdown over the idea that Superman, canonically not of this Earth, might be played as … not of this Earth. Liberal brainwashing, they suggested. Identity politics in a cape. But have they actually looked at David Corenswet? The man looks like he was made to sell oat milk in a Ralph Lauren ad. All cheekbones and cleft chin. If this is the foreign body in question, no wonder middle America has historically shrugged over Supes being an immigrant by definition. Even still, there's something telling about any collective gasp over a white, blue-eyed man with an immigrant backstory. The scramble to defend him says more than intended. For all the hand-wringing over Superman's alienness, what rarely gets named is how meticulously his story was crafted to cushion the unease of the topic at hand: otherness itself – the very thing people pretend was always central to his character. There are plenty of ways to frame the ridiculousness of this argument, clever ways to connect the dots, but the real fracture in Superman's myth hits, oddly enough, during a quiet scene in Tarantino's meditation on vengeance, Kill Bill: Vol. 2. In the scene, the villain, Bill (David Carradine) unpacks what makes Superman different from every other hero. 'What Kent wears – the glasses, the business suit – that's the costume,' Bill says. 'That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us.' It's one hell of a tell – the kind of observation that pulls back the curtain on how Superman was engineered to understand the world, and how the world, in turn, reinforced how he should fit within it. From the start, Superman was never meant to be an outsider. His creators, Jerry Siegel and Joe Shuster – sons of Jewish immigrants – didn't craft him as a symbol of difference but as a projection of pure Americanness. They gave him a midwestern upbringing, an Anglo name in Clark Kent, and that square-jawed charm. Siegel and Shuster were working against the backdrop of unchecked antisemitism, at a time when Jewish immigrants faced hostility. But instead of exploring immigrant 'otherness', the artists imagined a version of America where that alienness could be easily discarded via an outfit change. Superman wasn't an outsider – he was the ideal immigrant, effortlessly slipping into a world that required no resistance. His story wasn't about struggling to belong, but about the fantasy of belonging, with the privilege of choosing whether or not to fight for it. That projection of safe, silent Americanness hasn't remained confined to the pages of comic books. Today's immigration politics run on the same fantasy. The myth of the 'good' immigrant – quiet, grateful, easy to assimilate – still runs wild. It's the same story that fuels the strange spectacle of politicians praising white South African farmers as victims of racial persecution, all while demonizing migrants from Latin America, the Middle East or sub-Saharan Africa. The notion of who deserves to stay has always been racialized, selective and violent. Tom Homan, Trump's border czar, has said that a person's physical appearance could be a factor in the decision to question them. He later said it could not be 'the sole reason'. But in April, Juan Carlos Lopez-Gomez, a US-born citizen from Georgia, was detained in Florida even after his mother showed authorities his birth certificate. In New York, Elzon Lemus, an electrician, was stopped because he 'looked like someone' agents were after. Maybe he didn't wear his suit and glasses that day. Superman, the immigrant who makes people comfortable, has never been just a comic book character. He's been a metaphor and living testament to the kind of 'other' that wealthy nations have always preferred: those who blend in, assimilate and rarely challenge the systems that demand their silence. If you're still not convinced that Superman's assimilationist fantasy is alive and well, just look at a White House meme from 10 July 2025: Trump dressed as Superman, with the words 'Truth. Justice. The American Way.' It's a glaring example of how cultural symbols are repurposed – hijacked, really – to serve a narrow and self-congratulatory vision of America. That's the trick of Superman: he's been a blank canvas of a both-sides heroism, which makes everyone feel seen. You don't even need to like or dislike Superman for the Maga debate to pull you in, as it was always meant to. The culture war still appointed a celebrity to govern the most powerful nation on Earth. It still turned a corporate diversity initiative into a national crisis. And it took a serious conversation about immigration and made a polished, all-American character its face. The culture war distorts, and it continues, relentless as ever. Noel Ransome is a Toronto-based freelance writer