
Los Angeles County Fair kicks off Friday; here's a glimpse
The Los Angeles County Fair kicks off Friday, May 2, and it's come a long way since its origins in 1922 on 43 acres of a beet and barley field.
The 2025 event at Fairplex in Pomona spans 500 acres and runs through May 26, with the theme "Art Unleashed."
"Art is a reflection of the creative spirit, and at the Fair, it comes to life in countless forms, through crafts, culinary delights, and even the excitement of the carnival," Walter Marquez, president and CEO of Fairplex said.
Food
The Art of Flavor brings more than 150 food concessionaires throughout the entire fairgrounds. Some new menu items include the meatball corndog, the hot honey chicken ice cream bowl and the chocolate strawberry cup.
Music
The Art of Music takes center stage with 12 nights of rock, R&B, Reggae, Latin and Country music at the LA County Fair's Concert Series. Dubbed the World's Largest Indie Music Festival, NextFest brings LA's best indie artists to four stages throughout the fairgrounds. The Performing Arts Showcase, featuring hand-selected school bands, orchestras and choirs from around Los Angeles County, comes to Expo Hall 4 Stage on May 16 and 17.
Rides
Demonstrating the Art of Motion, Ray Cammack Shows carnival offers more than 40 rides, with four new ones added, including the Royal Wheel Ferris wheel and Heidi the Rollercoaster, and in Expo Hall 9, Skate-RCade returns with a bigger rink.
Favorites
Fair favorites like the Big Red Barn featuring the country's largest petting zoo, the Garden Railroad, the Shopping Marketplace, America's Great Outdoors, Silent Disco and more return for Art of Fun at the Fair.
Art
The Fair is partnering with several Los Angeles County art institutions to bring programming and activations to guests: the Music Center will bring Flamenco dancers to the Plaza Stage; The Getty Museum is bringing its Getty Pavilion which intersects well-being and art; the Center Theater Group is creating a new play starring Fair mascot Thummer, which will be performed every weekend; and Bob Baker Marionettes will perform every Sunday. For the third year, the Los Angeles County Museum of Art will curate an exhibit for the Millard Sheets Art Center
Tickets
Opening day is at 5 p.m. May 2, with a special admission price of $9.50. After that, adult admission varies daily from $18.50 to $27.50. Children, 6-12 and seniors 60 years and older get in for $15.50.
At the gate, adult tickets are $32. Children and seniors get in for $17. Parking purchased online is $22.50. At the gate it's $26.
Get discount tickets and season passes online at lacountyfair.com.
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Fox Sports
11 hours ago
- Fox Sports
Who is Luisangel Acuña? Mets infielder dishes on food, family and brother Ronald
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Los Angeles Times
13 hours ago
- Los Angeles Times
Belinda cannot be tamed. Her latest album, ‘Indómita,' proves it
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The title directly translates to indomitable, or untameable, a term that seems to perfectly suit the 35-year-old artist, whose long and prosperous career made her an international household name. Born in Madrid, Spain, as Belinda Peregrín Schüll, but known widely by her mononym, Belinda began her legacy in Mexican television, taking on lead roles in early 2000's childhood telenovelas like 'Amigos x siempre,' 'Aventuras en el tiempo,' and 'Cómplices Al Rescate,' where she played a set of twins who has been separated at birth. She also broke through the Disney sphere, appearing in the popular 2006 sequel of 'The Cheetah Girls 2' as Marisol, a Spanish pop star and competitor of the titular girl band. Belinda's music career has been equally as fruitful, including a stint as a singing coach on the TV competition 'La Voz' and dozens of hit singles, such as the popular 'Amor a Primera Vista,' a 2020 collaboration with Los Ángeles Azules and Lalo Ebratt. Her previous studio albums, 2003's 'Belinda,' 2006's 'Utopía,' 2010's 'Carpe Diem' and 2013's 'Catarsis' have all graced Billboard's Top Latin Albums chart. Her new LP marks a personal artistic triumph for the artist, given its unique regional Mexican edge. '300 Noches,' her 2024 corrido track with Natanael Cano, made No. 4 on the Mexican Billboard pop chart and appeared on the Billboard Global 200, making it Belinda's first appearance on the chart. Other corridos tumbados, like the rugged 'La Cuadrada' featuring Tito Double P and the blistering 'Mírame Feliz' with Xavi, unleash a new alter ego of the famed singer known as 'Beli bélica,' the latter of which means 'warrior' in Spanish. 'With this album, I'd like to open up the door to more women to sing corridos tumbados of heartache,' says Belinda. The record is already scorching hot, with songs like 'Cactus' making a subtle, prickly nod to her past relationship with Mexican crooner Christian Nodal, who famously tattooed her eyes on his chest. There's also the reggaeton-corrido fusion called 'La Mala,' which coyly addresses the rumors that Belinda is a cold, calculated lover — which heightened in the wake of her high-profile relationship. Still, her notoriety as a heartbreaker has simultaneously granted her sainthood status from fans, who created fake prayer cards of the enchanting star to bolster their own love life. 'This album was made up of things that we live every day,' says Belinda. 'Someone breaks our heart, we feel better, we fall in love, they break our heart again and so forth. Life is like that.' But 'Indómita' is much more than Belinda's foray into regional Mexican music; there's also 'Jackpot,' a dazzling club alongside Kenia Os, a tribute to lightning-fast cars in 'Rayo McQueen' — and even her love of anime in 'Death Note.' 'I'm a versatile artist and this record reflects that,' says Belinda. This interview has been edited and shortened for clarity. What motivated you to release this album over a decade after your last one, 'Catarsis'?I know it might seem like it's been a long time, but I never left. I've always been involved in music. I've done collaborations with Los Ángeles Azules, 'Amor a Primera Vista,' that was super popular, with Ana Mena in 'Las 12,' Lola Indigo and Tiny in 'La Niña de la Escuela,' with Juan Magán and Lapiz Conciente in 'Si No Te Quisiera.' I've made a lot of music, but obviously this record means so much to me. It's not the same to work on collaborations and music for other artists as it is to do it for myself. The album is full of collaborations with Thirty Seconds to Mars, who are one of my favorite bands of all time. It also has Kenia Os, Tito Double P, Neton Vega, who's a hard-hitting act in the world of reggaeton and corridos tumbados, and Natanael Cano, who I can't forget either. It's a complete album, with lots of different styles. Many of the songs on this album are corridos tumbados. Why did you dive into that style of music?It's a really stigmatized genre, and a genre that is specifically for men and for certain kinds of lyrics. I wanted to break that [idea] and say that instruments used — like the trombone, the alto horn, tololoche — aren't just for men or for specific lyrics or a specific market. There can be more romantic lyrics, a mixing of sounds like pop with urban music. The challenge was also getting my collaborators to believe in this too, since they are used to other topics, but everyone trusted me and believed in the song[s] since the beginning and it was organic. Tell me more about your collaborations. What did you learn from them and what did you teach them?They're so talented and play instruments very well, especially Natanael Cano — you can tell him to play any instrument. He's very talented. We were in the studio and he started to play a Metallica song and I was like, 'Wow!' Although we might pigeonhole them into this genre, they're very versatile and talented. I admire them. One of the singles of this album, 'Cactus,' talks about your feelings toward an ex. How did it feel to release your emotions? And would you say that it helped you heal, as the song suggests?I love healing through music. The first phrase of the song goes: 'Therapy helps, but music heals more bad-ass.' Perhaps I couldn't express with words what I can through music. As a composer we express our emotions through our lyrics. But it's also important that people remember that not everything is based on experiences. It's music so that people can identify themselves in love or heartache. I never mention anyone by name, but people can make their own conclusions or deductions. At the end of the day, I make music for people who can relate to the lyrics. You've been in the spotlight for so many years. Do you believe there are two Belindas that exist? As in, one that is for the public and one that's just for close family members?Of course, I can guarantee it. There's also a song where I express that idea that many times people have categorized me as a bad character, 'La Mala.' At the end of the day, I know who I am and the people around me know the heart that I have — my feelings and intentions, my day-to-day. That's what counts for me. If I paid attention to every comment [people made of me], my God, I'd be locked up in a room without an exit, which sometimes does happen to me. How do you tune out those outside critics?I try not to see these things. Sometimes it's inevitable but I'm also not going deep into the web to find what people are saying. I do other more productive things that nourish me. Obviously it hurts, because even if certain comments are not true, they still hurt because they carry negative energy. I don't want to give into these comments as truth, but that energy of negativity or insult or humiliation or anything that comes from a negative side, obviously has a consequence. So one has to be careful about how they express themselves, because there's so much negativity that exists, so it would be nice if we could just throw a bit more of love. I heard you're a big anime fan, and you show that in your song 'Death Note.' Why was it important to include that?I'm [an] otaku, even if people don't believe it. I really like anime. I'm a fan of 'One Piece,' 'Death Note,' everything, 'Attack on Titan,' but 'Death Note' is my favorite. It's pretty dark, but Ryuk is one of my favorite characters in life. I've always been a fan of terror, because within the darkness, there's always some light. You were born in Spain but were raised in Mexico. How have you navigated both identities?I can't pick one or the other, but I've always considered myself Mexican, because I was raised in Mexico and my accent is Mexican. I'm very, very much Latina. What advice would you give your younger self?Don't take everything so personally and enjoy life. When I was little, I would think too much about what the world thought. I was always like, 'do you like it? Oh you don't, why?' and I would suffer. And now if I like it, OK, and if no one else likes it, then too bad, I like it!


Eater
14 hours ago
- Eater
The Biggest New Restaurant Openings This Month
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