
Jamie Oliver says there's one ingredient you should use to cook the best steak
Celebrity chef Jamie Oliver, famed as The Naked Chef and face of Channel 4 cookery shows, has spilled the beans on crafting the ultimate steak. If you're looking to woo your significant other with a steak dinner at home, Jamie insists there's no need to douse your sirloin in pricey cooking oils or unhealthy fats.
In a tutorial on his YouTube channel, Jamie shared his tip for achieving 'delicious, melt in your mouth' sirloin using nothing but the steak's own fat.
Dispensing with the need for additional oil, Jamie advises trimming the steak's fat, dicing it finely, and letting it supply its natural essence.
READ MORE - Man who knew Madeleine McCann suspect makes dramatic plea to police during search
READ MORE - Scottish Love Island star Laura Anderson opens up on 'health struggle' on holiday
The culinary maestro said: "We're gonna cook a beautiful steak for date night, steak night."
Describing his method, Jamie expressed: "It's really quick, it's really delicious, I wanna share with you a brilliant technique for making the perfect sirloin steak, tender, melt in your mouth, cut like butter.", reports the Express.
He began by prepping a non-stick skillet on medium flame, then tackled the beef sirloin.
Jamie proposed: "What I would suggest to do is pull this fat off, and this fat is really really important, it's going to give you the flavour.
"But what we don't want is that sinew. That really tough bit that you kind of push to the side.
"It's a real pain.
"So what I love to do is slice [the fat] up into little chunks, and render it down. So instead of putting butter or oil in this pan, we're going to cook the steak in the steak fat.
"Then get the knife and cut off the piece of sinew. Get rid of that."
He then said you fry the cut up fat, add cloves of garlic, which will flavour the fat.
Then season the steak with black pepper and sea salt, and pat it in.
He added: "What I'm doing is one thicker steak for two people, and cook it medium rare."
Before adding the steak to the pan, throw in some spring onions, and slice open two red chillis, taking care to remove the seeds first so it's not too spicy.
Once that's sizzled for a while, take it all out of the pan, and put the steak in. The pan will already have natural beef juices in from the fat.
Jamie added: "When pan-frying a steak, do it a minute on each side until it's cooked to your liking.
"Whether it's well done, medium, medium rare, rare, whatever you like. For me medium rare is what I'm after, about three minutes on each side."
When you take it out, place it on top of the spring onions and chillis you removed earlier.
For those feeling really daring, you can also blend up a sauce using the rest of your chillis, spring onions and add jarred peppers, and serve the steak sliced up on top, Jamie added.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
27 minutes ago
- Daily Mirror
Must-see TV this week: Celebrity SAS, The Fortune Hotel and David Attenborough series
Fan-favourite shows are back on screens this week with new seasons of Celebrity SAS and The Fortune Hotel. And there are more shows to last through the week. Get the lowdown. Another week of TV is set to keep fans on the edge of their seats, with two beloved series making their comebacks on the box. After a successful first run, Stephen Mangan helms the second season of The Fortune Hotel on ITV, with another batch of UK contestants and a fresh set of cases to swap around. Over on Channel 4, a handful of beloved household names push themselves out of their comfort zones in a new series of Celebrity SAS: Who Dares Wins, as they encounter gruelling challenges. BBC One also delivers its fair share of emotions with a new show delving deep into the animal world. Parenthood is narrated by natural historian and national treasure David Attenborough. Meanwhile, streaming platforms have their own gripping dramas and documentaries to offer. Here's everything you need to know about this week's TV. The Count of Monte Cristo Saturday, 9pm, U&Drama Sam Claflin stars as Edmond Dantes in this new adaptation of The Count of Monte Cristo, a French classic by Alexandre Dumas. Falsely accused of treason and imprisoned after a rival grows jealous of his success, Edmond plots revenge after years of captivity. Returning under a new identity, he sets out to dismantle the lives of those who betrayed him. Expect emotional twists, explosive turns and compelling performances from Blake Ritson, Ana Girardot and Jeremy Irons. Griff's Great American South Saturday, C4 Comedian Griff Rhys Jones heads to Charleston, South Carolina, where the American Civil War began. With his signature wit and charm, Griff explores grand architecture, mouthwatering delicacies and Southern hospitality, he dives into the city's rich and controversial past. But along the way, he also meets with the descendants of enslaved people to explore how the region's difficult past still shapes its present. Seven Wonders of the Ancient World Saturday, 7pm, 5 Join Bettany Hughes on a breathtaking journey through time as she sets off across Egypt, Greece and Turkey to rediscover the greatest monuments of the ancient world ever built. From the Great Pyramid to the Colossus of Rhodes, Bettany weaves history and myth into an eye-opening travelogue. Her signature warmth and insight breathe life into ruins, revealing not only their grandeur but the civilisations behind them. Billy Joel: And so it Goes Saturday, 9pm, Sky Documentaries He's sold millions of records and filled stadiums worldwide - but who is Billy Joel? And who is the man behind the performer? This revealing two-part documentary offers rare access to never-before-seen performances, intimate interviews and personal archives as it unpacks the heartache, hope and triumph behind the music. Now 76, the Piano Man lets his guard down as he reflects on the moments that shaped him and the songs that still resonate across multiple generations. William: A Life in Pictures Saturday, 8:30pm, 5 From cradle to crown-in-waiting, this new documentary traces Prince William 's life through his most iconic photographs - from shy schoolboy to future king. With exclusive footage and expert commentary, this documentary reflects on the impact of Diana's death, the lifelong pressures of royal duty, his wedding to Kate Middleton in 2011, and the family he's built. Now at 43, and first in line to the throne, the question remains - how will he shape the monarchy's next chapter? Parenthood Sunday, BBC1 David Attenborough returns to screens with Parenthood - a wild and emotional ride through the highs and lows of raising the next generation. Filmed across 23 countries, this enlightening series captures extraordinary moments of animal parenting, from orcas teaching their young to hunt, to spiders sacrificing themselves for their offspring. Packed with stunning visuals and a stirring score, it's a powerful, raw look at the lengths animals go to for love, survival and legacy. Celebrity SAS: Who Dares Wins Sunday, 9pm, C4 Fourteen famous faces sign up for the ultimate endurance test in the seventh series of Celebrity SAS: Who Dares Wins. Led by Chief Instructor Billy Billingham and his team, the group faces military-level challenges across remote Welsh terrain. Through eight episodes, celebrities are pushed to breaking point and stripped of all comfort as they mirror real Special Forces training. This year's line-up includes Tasha Ghouri, Harry Clark, Troy Deeney, Rebecca Loos and Conor Benn. Naming the Dead Sunday, Disney+ Thousands of unnamed bodies lie forgotten across America. This gripping five-part series follows the race undertaken to uncover their identities. With the help of DNA Doe Project - a leading organisation in genetic investigation and identification - forensic teams and law enforcement tackle decades-old cold cases, using new cutting-edge technology to bring answers and closure to families left in limbo. Part detective story, part human drama, this show combines heartbreak and science. Cooking With the Stars Sunday, ITV Eight celebrities swap the spotlight for the stove in season five of Cooking with the Stars. Through six episodes, all hosted by Emma Willis and Tom Allen, this culinary competition pairs well-known faces in the likes of Natalie Cassidy, Jordan North, Ekin-Su and Kelly Hoppen with professional chefs. Together, they tackle intense cooking battles, hoping to win the Golden Frying Pan. With eliminations judged by the pros themselves, it's a test of nerves, skills and team work. Kensuke's Kingdom Sunday, BBC1 After a storm separates 11-year-old Michael from his parents, he finds himself shipwrecked on a remote, seemingly deserted, island with his dog Stella. Together, they fight to survive - until they meet mysterious island-dweller Kensuke. Voiced by Cillian Murphy, Sally Hawkins, Raffey Cassidy and Ken Watanabe - among many more - this moving animated adaptation of Michael Morpurgo's beloved 1999 novel explores survival, unlikely friendships and the scars of war - both mental and physical. Do You Have ADHD? Tuesday, C4 Dr Clare Bailey Mosley and Dr Karan Rajan front this enlightening documentary on ADHD, diving deep into the realities behind the complex condition. From children and adults waiting in long queues for clarity to specialists supporting life post-diagnosis, the show sheds light on the growing demand for answers. For Clare, it's personal: she steps into the patient role herself, undergoing testing to explore whether ADHD might explain aspects of her own behaviour. Georgia & Tommy: Happy Essex After Tuesday, ITV2 Georgia Kousoulou and Tommy Mallet are back - but it's not all glam and gloss. After more than a decade together and two wedding ceremonies, the TOWIE alumni lift the lid on married life and parenthood in this feel-good six-part series. From chaotic mornings with Brody and Gigi to the realities of romance after babies, it's an unfiltered look at the power couple in their most intimate moments as they navigate their Happy Essex After. Platonic Wednesday, Apple TV+ Seth Rogen and Rose Byrne return as chaotic besties Will and Sylvia in Platonic's second season. After a one-year time jump at the end of season one (and Will's surprise engagement), the pair are still navigating midlife mayhem - from career hiccups to romantic disasters - all while pushing each other into deeper trouble. With familiar faces like Luke Macfarlane and Carla Gallo returning, and comedy favourites Aidy Bryant and Beck Bennett joining in, the mayhem is far from over. Churchill: Winning the War, Losing the Peace Wednesday, 8pm, U&Yesterday In 1945, Winston Churchill led Britain to victory - and the Conservative Party straight into political defeat, just weeks later, when he was swept from office in Labour's landslide defeat. Narrated by actor Paul McGann, this revealing documentary revisits one of the biggest shocks in British political history, exploring why voters turned to Churchill's opponent, Clement Attlee, and how the former Prime Minister's leadership in war failed to secure trust in peace. The Fortune Hotel Wednesday, ITV After a successful first run last year, eleven new pairs check in for another sun-soaked, high-stakes stay in The Fortune Hotel with Stephen Mangan as their host. Each team receives a briefcase - one holds £250k, another an Early Checkout card. Throughout their stay in the Caribbean, players must complete palpitation challenges, build solid alliances and outwit each other to stay in the game. With case-wapping ceremonies and secret twists, only one duo will walk away with the jackpot. Wednesday Nevermore Academy reopens its gates as Jenna Ortega returns as Wednesday Addams in Season two of Netflix's hit gothic drama - and things are off to a tense start when she gets kidnapped. With a new headmaster (Steve Buscemi), her younger brother Pugsley joining the student body and Morticia now working at her school, Wednesday faces pressure from all sides. As mysteries unfold, viewers explore the Addams' family dynamics with national treasure Joanna Lumley as Morticia's mother Hester.


Daily Mirror
27 minutes ago
- Daily Mirror
Molly-Mae Hague 'can't understand what she's done wrong' amid 'fall from grace'
EXCLUSIVE: Molly Mae has had a tough few weeks after being trolled for being 'out of touch' and now a PR expert has claimed that the Love Island star could be losing her 'golden girl' status Molly-Mae Hague broke down in tears last week after being slammed, yet again, for being 'out of touch' by fans. Now, a pr expert tells OK! that they believe the golden girl's popularity is on the wane and her star power could 'all be over'. The 26-year-old, one of Love Island 's biggest success stories with an estimated net worth of £6m, had claimed on of her vlogs that she's done 'nothing fun this summer, despite taking several lavish holidays posted on social media. Most recently, she headed off on a family trip in her £86K motorhome, after which she confessed she felt 'overwhelmed' and had a 'breakdown', when her daughter Bambi, 2, who she shares with partner Tommy Fury, was overtired and screaming for hours. While some sympathised with the challenges of travelling with a little one, others were quick to criticise Molly-Mae for complaining, pointing out her affluent lifestyle and frequent luxury vacations, labelling the influencer and entrepreneur 'tone deaf'. Our mole claims that such posts really upset the mum-of-one, and the negativity can bring her down. 'She does get upset that she's constantly in the firing line from the public, but she also doesn't understand why because she doesn't feel like she's done anything wrong. She works hard and is proud of what she's achieved.' The mum-of-one hit headlines recently when she complained in a YouTube video that she hadn't done anything fun over the summer months. 'I said to a friend the other day, that I'm going to make it to the end of summer having not done one fun thing,' she said to camera. 'I haven't a life. That's not good is it. Summer will end and I've not done one fun social thing.' Some fans, however, were quick to point out several of Molly's outings this year; including trips to Dubai, a holiday to Disneyland, a city break to Budapest, their recent motorhome holiday to the Isle Of Man and attendance at high profile events such as Wimbledon, before which she spent thousands of pounds at Christian Dior to wear to the tennis tournament. Hitting back at the trolling she has received in a recent video, Molly claimed that she 'doesn't' care' about the backlash, but said it does make her 'nervous' to talk openly with fans. 'I don't care who tells me I am out of touch with reality or all this stuff that's going on on TikTok at the minute, I don't care I'm not going to not talk about it. 'I feel like I don't want to talk about anything controversial anymore because in the last video I said some things I probably could have worded better and even with all the motherhood things I'm talking about at the minute, it's just a lot.' Never one to shy away from her struggles, Molly has admitted to having a tough time with Bambi in recent months. She said in one YouTube video, 'I'm having one of those toddler mum days, where I question, 'am I actually cut out for this?' 'Every single thing I try and ask her to do, she will not listen to me... She hasn't eaten in like three days because she is refusing to eat. I'm finding it really hard.' Adding that Tommy seems to take parenting more in his stride, Molly admitted that it's 'tough'. Speaking of the recent backlash, PR expert Lynn Carratt believes Molly Mae is definitely at risk losing her 'golden girl' status. She tells new: 'Some of the things that she's saying are coming across as out of touch with reality. "Molly was the sweet, girl next door on love island, and she had a true love story with Tommy which people really bought into and was very likeable. Men fancied her, girls wanted to be her. She came across as an inspiration. Now, she's flying all over the world on private jets and sadly, it's just not relatable anymore." Lynn continues: "In the last year or so, it seems like s he's been falling from grace - her days at the top of the showbiz pile could be over." "She shouldn't have to hide her lifestyle or money because she's earned it, but at the same time, we're in a cost of living crisis. People don't always want to see influencers flying across the world in private jets." 'It is really hard for Molly being a working mum, as it is for all working parents. And it is good that she's being open about her struggles. But she needs to really think about a PR strategy to bring fans back on side." Molly rose to prominence on Love Island in 2019, where she met Tommy Fury, also 26, and came second place with the boxer, whose brother is boxing star Tyson. After the show, she signed a major deal with e-retailer PrettyLittleThing, eventually becoming their creative director while working with brands like Beauty Works and creating her own fake tan business, Filter By Molly Mae. She then parted ways with PrettyLittleThing to build her own fashion brand, Maebe, launched last year. Now, she has a hit Amazon Prime docuseries currently filming for season two and resides in a multi-million pound home in Cheshire with her and Tommy's two-year-old daughter Bambi. The couple, who got engaged in July 2023, announced their shock split last summer, before getting back together earlier this year.

The National
2 hours ago
- The National
It's time we tried to rebuild the ambition of Scottish Modernism
There's much to say about the Serbian fabrics master. In his 60s and 70s heyday, Klein sent multi-coloured tweeds from the Borders to the world's leading fashion houses. The building just saved was Klein's collaboration with the leading modernist architect (and fellow Borderer) Peter Womersley, who also built Klein's family home close by. I want to begin in a visceral way, triggered by the current photos of the 1971 studio in this week's press reports. It's essentially intact as an elegant, angular structure – but how neglected as a sight. READ MORE: Scottish crew 'excluded from Spider Man 4 filming' Water-damaged, graffiti'd, mossy, glass walls shattered … It's as if the modernism of the place itself had been under attack. Of course, the real reasons are prosaic. Built in Klein's first burst of success, the studio (latterly promoting local textiles) declined as the weaving industry did in the Borders. It's laid derelict for the last 20 years. The site has been secured by a brace of august institutions: National Trust for Scotland, Scottish Historic Buildings Trust and the Klein Family Foundation, with the National Lottery Heritage Fund indicating it will fund and support. Does the Klein studio mean we are finally deciding to treasure and preserve our Modernist past in Scotland? Has our mood shifted on this? Because up till recently, it has mostly seemed vengeful and neglectful. I'm a fan, though maybe inescapably so. As I revelled in the grid windows and load-bearing columns of these Klein-Womersley buildings, a long-buried memory came to mind. My comprehensive school, St Ambrose RC Secondary, built in 1961. My feelings about my experiences there ('76-'81) would honestly be both treasurable and vengeful. But to adapt Le Corbusier's phrase, architecturally it was indeed a 'machine for learning'. Photos on the web show angular glass corridors bearing shuffling teenagers from block to block. A Guernica-scale metal sculpture, composed of forces and objects, sets you up for the tender mercies of the tech studies building. In retrospect, I was ripened (and toughened) in the grids of High Modernism. Right across from our Victorian family home, surmounting the West End park, two 14-storey high-rises loomed. All manner of teen troubles tumbled out of them, for me. So believe me, I can understand the ambivalence about reviving Modernist ruins. Yet still, there's something about their confidence and optimism that remains compelling. Particularly from our current era's standpoint, where hope for the future feels more fractured and tentative than ever. On a recent music-biz photo session, we sought out Modernist – indeed, brutalist – scenes and textures, across the expanses of Glasgow. It was a thrilling brief. We found ourselves glorying in the rough-casting of overbearing concrete structures, loving the infinities implied by paving stones and steps. Given the next Hue And Cry album is 'electro', in the broadest sense, it felt that a celebration of big, confident engineering was a good backdrop. Yet big, confident engineering often sits at an angle to the hearts and minds of residents and users. The Modernist 'megastructure' (as the architects put it) that made up the bulk of Cumbernauld town centre was guided by cutting-edge theory at the time. Flows made up of humans, shops, transport and meeting places were elaborately modelled; the whole place was designed so that structures could amend and adapt themselves. It had the spirit of utopia about it. But the ambivalence about the current demolitions of Cumbernauld's megastructures is manifest. The 2024 book Concrete Dreams: The Rise And Fall Of Cumbernauld Town Centre talked to many locals. 'They had used [the city centre], they were fond of it, they had lovely stories attached to it and they understood the kind of utopian idea of it and why it was being built', said co-author Alison Irvine. 'But yet they still want to get rid of it as well.' In Glasgow, the blind spots of 20th-century post-war Modernist planners – most obviously their slavish devotion to car use, and to towerblocks replacing tenemental living – is evident to the everyday citizen of the city. There seems to still be 'future ambition' (in council plans) to roof over the M8 at Charing Cross and make a park out of it. But the smashing of social bonds and continuities can barely be pasted over. Maybe, to return to the Bernat Klein buildings in Galashiels, we need to make the modernist case at the level of domesticity, community and creativity. Glasgow School of Art's Bruce Peter is the author of the forthcoming volume Modernist Scotland (the book is currently close to its crowdfunding deadline). Peter lays out 150 post-war buildings, built from 1950-1980, making a case for their preservation (where they still exist). What a tour he provides! There are small-scale sci-fi extravaganzas I'd never heard of. Like the Dollan Baths in East Kilbride. Or Womersley's miraculously balancing triangular stand for Gala Fairydean FC. Or Aberdeen University's tomorrowlandish engineering building. There seem to be many poignant Modernist churches, tucked away in Scottish locales. Poignant, as they were built in an age of secular dominance – though nowadays they look like exactly the kinds of luminous spaces we need (religious or not) to get our heads together. Go visit St Columba's Parish Church in Glenrothes, or St Francis Xavier's in Falkirk, or St Charles Oratory in Glasgow's Kelvinside. We should still attend to the parlous decay of St Peter's Seminary in Cardross, whose demolition would be such a loss to this tradition. The tumult of Modernist style in Peter's book makes you reassess buildings you'd taken for granted. Like the sandstone consistency of the 70s extension to the old Mitchell Library in Glasgow, whose solidity and reliability I've leant on for many decades. (Its interiors are well described as 'resembling a luxury hotel in Moscow'). Or even my home town's Monklands Leisure Centre, which I can now see as a brutalist masterpiece of swooping and corrugated concrete (as opposed to somewhere I could grab a ping-pong table). There are many more exquisite examples of the Scottish Modernist tradition in this book. Peter ends with a plea against the 'eyesore' charge often made against modern-era buildings. 'It is apparent that many people are unable to distinguish between superficial decay spoiling the appearance of a building and the potential of its underlying architecture', he writes. 'When buildings of any kind are neglected or derelict, it is necessary to make leaps of imagination to envision how splendid they could look if sympathetically renovated.' Exactly this case seems easily made for the Bernat Klein studio. What awaits it, according to the renovation team, is an archive of Klein's most notable fabrics, alongside education programs. Klein used tweed techniques from the Borders area but crammed multicolours into the threads, taken from the colourations of the Borders. And his clients: Coco Chanel, Christian Dior, Balenciaga, Pierre Cardin, Yves Saint Laurent … Oh, to be so blithely adorned in dreams. (Although the nightmares of the Cold War, and the Holocaust, of course subtended every escapism.) We should try to recover at least the optimism and ambition of Scottish Modernism – if we can keep its buildings and methods relevant to our current scale and agenda: community-centred, planet-challenged. A possible goal for Klein's soon-to-be ex-ruin. The crowdfunder for Bruce Peter's Modernist Scotland is still running at