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Pianist returns as soloist with DSO

Pianist returns as soloist with DSO

Wellington-based pianist and educator Dr Jian Liu is visiting Dunedin for the third time since the start of this year to feature as soloist with the Dunedin Symphony Orchestra.
Liu is in rehearsals with the DSO this week for his performance of Brahms' monumental Piano Concerto No 2, one of two major works in Saturday's ''Brahms & Mataatua: A Journey in Music'' concert, from 7.30pm at the Dunedin Town Hall.
The other major work, to be led by DSO principal guest conductor James Judd, will be the premiere performance of Dunedin composer Gillian Whitehead's The Journey of Mataatua Whare.
The piece, which will feature soloists Rebecca Ryan (soprano), Tomairanga Henare (baritone), and Paul Whelan (bass), celebrates 100 years since the Mataatua Wharenui returned to New Zealand.
An international concert pianist, chamber musician, and awardwinning recording artist, Liu is head of piano studies and deputy head of school at the New Zealand School of Music.
During his recent visits to Dunedin, he was a member of the adjudicating panel for the Dunedin Concerto Competition, won by 16 year-old pianist Ozan Biner-McGrath.
''The concerto competition was a very special event. It was wonderful to be part of it and to hear so many talented young people perform.''
Now he is back to showcase his own prodigious piano performance skills, taking on one of the most epic concertos in the classical canon — Brahms' Piano Concerto No.2.
''I'm very excited to be returning to the Dunedin Town Hall, with its fantastic acoustic, to play this intriguing work,'' Liu said.
Preparing for Saturday's Brahms performance has involved careful management, as it comes just two weeks after Liu performed Tchaikovsky's Piano Concerto No 3 with Orchestra Wellington.
''Getting ready for two concerts close together involved preparing the two works side by side earlier in the year, and then focusing on each one exclusively in the weeks leading up to the performance,'' Liu said.
''It's a carefully planned out process and the timing has worked out perfectly.
''And most importantly, what a joy it is to play two such wonderful works.''
Brahms' Piano Concerto No 2 is an unusual work in the Romantic repertoire, with the pianist and orchestra working together in conversation.
''I describe it as like a symphony with a piano accompaniment, and it is symphony length as well,'' Liu said.
''Somehow it is both intimate and very grand, and it has a wonderful warmth.
''The orchestra and soloist must work together very closely in collaboration, so it is very special for me that my first concert with James Judd involves this work.''
Along with his Dunedin visits, Liu performed in Vietnam in April, and will head to Germany and China for more concerts. There are also New Zealand concert and chamber music commitments.
Free pre-concert talk
There will be a free pre-concert talk by Dr Andrew Perkins in conversation with composer Gillian Whitehead and DSO concertmaster Tessa Petersen, from 6.40pm-7pm on Saturday in the Dunedin Town Hall complex.
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Hymns on Sunday, 3 August 2025
Hymns on Sunday, 3 August 2025

RNZ News

timean hour ago

  • RNZ News

Hymns on Sunday, 3 August 2025

Arthur Sullivan was the music half of the successful theatrical partnership, Gilbert and Sullivan. Alongside those catchy songs from Pirates of Penzance and HMS Pinafore, he also wrote hymn tunes. You can hear one this week, paired with words by poet Christopher Wordsworth (nephew of William). St Mary of the Angels Church, Boulcott St, Wellington Photo: RNZ / REECE BAKER Artist: Choir of Yorkminster Park Baptist Church, Catherine Palmer (dir), Ronald Jordan (organ) Words/Music: Charles Wesley/Thomas Campbell Recording: Marquis MAR 175 And can it be that I should gain An int'rest in the Saviour's blood? Died He for me, who caused His pain? For me, who Him to death pursued? Amazing love! how can it be That Thou, my God, shouldst die for me? [ Repeat last two lines ] Long my imprisoned spirit lay Fast bound in sin and nature's night; Thine eye diffused a quick'ning ray, I woke, the dungeon flamed with light; My chains fell off, my heart was free; I rose, went forth and followed Thee. [ Repeat last two lines ] No condemnation now I dread; Jesus, and all in Him is mine! Alive in Him, my living Head, And clothed in righteousness divine, Bold I approach th'eternal throne, And claim the crown, through Christ my own. [ Repeat last two lines ] Artist: Choir of Wells Cathedral, Malcolm Archer (dir), Rupert Gough (organ) Words/Music: Francis Pott/Edwin Monk Recording: Hyperion 112121 Angel voices ever singing round Thy throne of light, angel harps, forever ringing, rest not day nor night; thousands only live to bless Thee and confess thee Lord of might. Thou who art beyond the farthest mortal eye can scan, can it be that Thou regardest songs of sinful man? Can we know that Thou art near us and wilt hear us? Yea, we can. Yea, we know Thy love rejoices o'er each work of Thine; Thou didst ears and hands and voices for Thy praise design; craftsman's art and music's measure for Thy pleasure all combine. 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Finest bread I will provide Till their hearts be satisfied. I will give my life to them. Whom shall I send? Refrain Artist: Choirs of Knox Church and Knox College, Dunedin Words/Music: Graham Maule, John Bell/Trad Recording: Praise Be CD Lord Jesus Christ shall I stand still And stare at You hung on the tree Or shall I move to where You move And die and live again for me Shall I to sin and failure cling Consorting with the guilt I hate Or on Your shoulders shall I fling The wrong I breed and contemplate. Shall I Your story read and tell To note Your mark on history Or shall I make Your story mine And live by faith and mystery Shall I embrace the love You show And covet this sweet holy thing Or of that love shall my heart speak My hands relate my being sing. 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Kerikeri's world-class events facility, the Turner Centre, turns 20
Kerikeri's world-class events facility, the Turner Centre, turns 20

NZ Herald

time5 hours ago

  • NZ Herald

Kerikeri's world-class events facility, the Turner Centre, turns 20

'I remember driving into Kerikeri, what I thought was a reasonably small town, and seeing this massive events centre. And I was like, 'Wow, these guys are lucky'. Little did I know a few years later I'd be up here running the place. Careful what you wish for, eh?' While that initial surprise may have worn off after three years in the job – following a stint running Wellington's popular CubaDupa festival – Paul said he still found it remarkable. 'For a town under 10,000 people, to have a 400-seat theatre and an event centre that can accommodate 1000 people is just amazing. It's probably one of the very few towns around the world that [has] a facility of this size for the population.' With the Turner Centre widely regarded as the best performing arts venue north of Auckland, many touring groups bypassed Whangārei and headed straight for little Kerikeri instead. 'It's meant that we've had access to performances that you would never otherwise get in a small town. The capability of the stage and the capacity of the fly tower and the rigging system means we can bring up the likes of the Royal New Zealand Ballet or the [New Zealand] Symphony Orchestra.' The Kerikeri-based Northern Dance Academy perform The Nutcracker in 2015. Photo / Peter de Graaf The other thing that made the Turner Centre unusual was that it was planned and paid for by locals, not by the council or Government. 'That's a big part of the Turner Centre story. The whole building was built and fundraised by the community. So there's a real investment in the place, and that's why we see it so well attended.' The dream began in the 1970s when arts enthusiasts John Dalton and Doug Turner were putting on shows in the Memorial Hall, a possum-infested former fruit-packing shed. As the population and interest in the arts grew in the 1980s, they decided something bigger and better was needed. Doug Turner in 2011. Photo / Peter de Graaf Aided by fellow volunteers, they spent the next two decades planning, lobbying, cajoling and fundraising. What was initially known as The Centre at Kerikeri was opened on August 5, 2005, by Prime Minister at the time, Helen Clark. Its bold design, by local architect Martyn Evans, included a distinctive swooping roof to create space for stage machinery. The roof also gave the centre its early nickname, 'the ski ramp'. John Dalton died in 2012, followed by Doug Turner just late last year. The venue was renamed the Turner Centre in 2011; the main auditorium had already been named after Dalton. The centre's distinctive roof led to its nickname, "the ski ramp". Photo / Peter de Graaf, RNZ Turner's daughter, Susan Corbett, said her father would have loved to see this weekend's 20th anniversary show. 'He would have thought it was absolutely wonderful. And he'd be very pleased to see that everything that he and John dreamt about all those years ago has come to fruition, and is still happening – and in very exciting ways with Gerry keeping things moving on.' Corbett said her parents owned Kerikeri's Cathay Cinema for 35 years. They would host art exhibitions and plays at the cinema before joining Dalton organising shows in the Memorial Hall. Corbett said their legacy showed the value of dreaming big. 'Why not dream big? And it's just as well they did, because we probably wouldn't be able to afford it today. Their dream has happened, and the community has got this wonderful asset because of it.' A scene from Kerikeri Theatre Company's The Sound of Music in 2021. Photo / Peter de Graaf In total, building the two stages of the Turner Centre – The Plaza event centre was completed in 2012 – cost around $20 million. Gerry Paul said a commercial building expert had told him building the same venue today would cost more than $100m. Operating a large venue in a small town was not without its problems, however. In 2024, with rising maintenance costs and the after-effects of the Covid pandemic threatening to overwhelm the Kerikeri Civic Trust, the Far North District Council took over ownership of the building. The trust was still responsible for equipment, staff and programming. In the past year, Paul said the centre had been used by 43,000 people, had 558 bookings and given away 5000 free event tickets to youth. A shift since 2022 towards greater inclusion had included a series of 'pay what you can' events and initiatives such as community kapa haka. Bay of Islands College cultural group Te Roopu o Pewhairangi perform at the Turner Centre's 10th anniversary celebration in 2015. Photo / Peter de Graaf John Oszajca, a US-born actor and singer-songwriter who now lived in Kerikeri, said the town was 'incredible lucky' to have a venue like the Turner Centre. Now the president of Kerikeri Theatre Company, Oszajca said he had performed at the centre as a musician and actor, as well as bringing plays to life on the stage. One of his personal highlights was co-producing the musical Little Shop of Horrors in 2024. He said the venue had become a second home to him. 'I think having high-calibre performing arts, which you couldn't have without a venue like this, makes the quality of life notably better. It's one thing to live in a beautiful town. It's another thing to live in a beautiful town that has amenities, and it's another thing again to live in a town that offers inspiration to the people that live there, both as artists and as patrons.' The centre had also served as a springboard for young performers who had gone on to forge careers in the arts. One of those hoping to follow in their footsteps is 17-year-old Jack Laird, a Year 13 student at Kerikeri High. Laird had just played the part of Scuttle the Seagull in The Little Mermaid; this Saturday he would be one of more than 100 performers taking part in the centre's 20th anniversary show. On this occasion he would be playing drums for hard rock band Bandwidth Riot, winners of the recent Far North Smokefreerockquest. Having a venue like the Turner Centre meant a lot to Kerikeri youth, he said. 'It's so nice to have that venue, that outlet, to be creative and just give us a voice. I don't know what we'd do without the Turner Centre.' Also performing in Saturday night's anniversary show would be the Bay of Islands Singers, Kerikeri Theatre Company, Taylah Barker from Fly My Pretties, a duo from Americana folk band T Bone, local rocker Merv Pinny and Ngāti Rehia Community Kapa Haka, with local legend Troy Kingi the headline act. - RNZ

Layoffs ‘imminent' for Wellington staff at Wētā FX
Layoffs ‘imminent' for Wellington staff at Wētā FX

Newsroom

time6 hours ago

  • Newsroom

Layoffs ‘imminent' for Wellington staff at Wētā FX

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