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"Just like they wear Jordans everywhere" - Angel Reese talks about the vision for her signature Reebok shoe

"Just like they wear Jordans everywhere" - Angel Reese talks about the vision for her signature Reebok shoe

Yahoo21 hours ago
"Just like they wear Jordans everywhere" - Angel Reese talks about the vision for her signature Reebok shoe originally appeared on Basketball Network.
Boston-based shoe manufacturer Reebok announced that WNBA star Angel Reese's first signature shoe with the brand, dubbed the Reebok Angel Reese 1, will release in stores globally on September 18, 2025.
As previously mentioned by Reebok, the shoe is a product of a collaboration between its designers and Reese herself, with the Chicago Sky forward actively involved in its creation from start to finish. The result is a sneaker that is built not only for the grit on the court but also for style off of it.
"My personality is me being unapologetically myself—that's what the shoes are as well: unapologetic. The versatility of being able to wear the shoes on and off the court was the most important thing to me. I really wanted to have a shoe that I can wear on the court, but also in the tunnel fits, fashion moments, events, and big things. I have a lot of great friends that also can wear the shoes for their events and music videos, and that's what I thought about too when I started creating the shoe," said Reese in an interview with "Elle."
Not just a basketball shoe
While the $120 sneaker was built for performance basketball, it has the look of a lifestyle shoe. According to the Reebok website, it uses the brand's patented ERS technology for cushioning and stability, plus their nitrogen-infused SuperFloat foam for shock-absorbing functions.
It also has an Exoskeleton upper with molded TPU and cutouts with ventilated mesh panels, which make it lightweight and ideal for everyday use. Add the chic colorways that Reese and Reebok came up with, and you have a shoe that can be worn not just for basketball but for any occasion.
"People are going to be wearing Reebok everywhere, just like how they wear Jordans everywhere. I want people to wear the Angel Reese 1s everywhere and just to be a household name, to have no limits on what I can do and what I can accomplish," she added.Jordan's influence
Of course, nothing beats the Air Jordan shoe as the GOAT of sneakers. The Air Jordan 1, especially, was originally designed for basketball, and it was the first signature shoe of Chicago Bulls legend Michael Jordan. However, its timeless design and comfort make it more known today as an everyday shoe than a basketball one.
"The Air Jordan 1 is the most iconic sneaker of all time," said Jordan Geller, a sneaker collector who once operated the ShoeZeum, the world's first sneaker museum. "The white, black, and red shoes are instantly recognizable and are a part of American pop culture. They were an instant hit. One thing about the shoes that makes them so iconic is that they were released in a variety of colors. Before the Air Jordan came out, most basketball shoes were very plain. They were usually white and black, white and navy, or white and gray."
But aside from color, Jordan's popularity also took off in the NBA, and he took the Air Jordan along with him. There's no way that Angel Reese's shoe is going to match, much less overtake Jordan. No other shoe will. However, Reebok hopes that Angel's popularity and vision are going to get them back in the sneaker race.This story was originally reported by Basketball Network on Aug 15, 2025, where it first appeared.
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Houston won the WNBA's first four championships, could the Comets be coming back?
Houston won the WNBA's first four championships, could the Comets be coming back?

USA Today

time10 minutes ago

  • USA Today

Houston won the WNBA's first four championships, could the Comets be coming back?

The walls and ceiling within the Houston Comets' locker room were shaking from the unbridled energy emanating from the capacity crowd, which was separated by a razor-thin barrier of drywall. Moments before their WNBA Finals contest against the New York Liberty in 1999, Comets coach Van Chancellor relayed the game plan to his players – who would soon be sprinting out of the tunnel into the chaotic scene. WNBA architects including president Val Ackerman and NBA commissioner David Stern had envisioned this type of raucous atmosphere, and it was already coming to fruition during the league's earliest days. Years before Caitlin Clark and Angel Reese were born, the Houston Comets won the WNBA's first four championships. Now, after 17 years without a team, 'Clutch City' may be in line for a franchise revival. The Connecticut Sun is looking for a new home and neither Boston nor Hartford applied for expansion, despite former Celtics minority owner Steve Pagliuca offering to buy the team for $325 million. The league maintains cities, including Houston, which did apply and were vetted, would get first dibs. During a June 30 news conference announcing the addition of expansion teams in Detroit, Cleveland and Philadelphia, WNBA commissioner Cathy Engelbert said, 'There are a variety of cities that obviously bid – and one of those I wanted to shoutout, because they have such a strong history in this league and they are a great ownership group – is Houston.' Engelbert also added, 'I would say that's the one obviously we have our eye on.' Houston, 25 years removed from its glory days, fully embraced the Comets and their megastar lineup which included Cynthia Cooper, Sheryl Swoopes and Tina Thompson. Cooper, a four-time WNBA Finals MVP whose on-court dominance was paired with an oversized personality, was a fan favorite. 'Someone recognized me on the freeway and then they just followed me … to get an autograph,' Cooper told USA TODAY Sports, recalling the fan fervor. 'It was great recognition for what I, individually, and what we as a team, were doing out there on that court. The fans in Houston (were) just amazing; they supported us every step of the way.' Diana Taurasi, who patterned her game after the Comets' Big 3, recognizes Houston's rich history in the league. 'When you talk about dynasties, you talk about the Bulls, the Lakers, the Celtics. Well, in the WNBA, it's the Houston Comets,' said Taurasi, a three-time WNBA champion and arguably the greatest player in league history. 'They paved the way for all these legacies and dynasties in the WNBA, so Houston has got to be back on the map.' The idea of placing a team in Houston is popular among current WNBA players. During All-Star weekend in Indianapolis in July, the league's elite were asked which city deserves a team. Houston was a popular choice, advocated for by Reese, Sydney Colson and Nneka Ogwumike. Ogwumike, who grew up in Houston during the Comet's reign of dominance, further accentuated her choice by 'throwing up the H,' a popular hand gesture used by Houstonians. To fully understand Houston's appeal in either expansion or relocation, you need only look at the passion the city had for the Comets. The team averaged more than 14,000 fans a game during the playoffs from 1997-2000. 'I had the pleasure of covering the Bulls in Chicago during their two three-peats," said Jeff Hagedorn, the Comets play-by-play announcer from 1999-2005. 'That was the most attention I ever saw a team get from their fans. But the Comets? They were a close second. The city embraced them as champions, and the fans were as passionate as any I've ever observed.'The team's affable Hall of Fame coach Chancellor was a big reason. He celebrated the fans by handing out candy prior to each home game. Chancellor recently recalled an encounter he had with a season ticket holder looking for some sugar. 'Some lady (came) up to me and said, 'Hey, I'm in row 16, seat 3, would you please throw me a piece of candy?'' Chancellor said. 'In '97, '98 – those years, we had the best fanbase that's ever been in the WNBA.' Comets fans were all in. 'We would do an interview after each game, and fans wouldn't leave,' said Jim Kozimor, the play-by-play broadcaster in 1997 and '98. 'They wouldn't head to the exits (because) the show wasn't over. The players would acknowledge them, (and) they felt like they were a big part of the success. There was a real love affair." Hagedorn, who replaced Kozimor when he joined the Sacramento Kings, also witnessed the postgame hysteria. 'I couldn't leave my spot on press row; I was literally stuck. The fans were swarming! I just sat there watching, smiling and shaking my head. They were the toast of the town,' said Hagedorn, whose signature live call described any Comets player who was in the zone as: 'burning with the white-hot intensity of a thousand suns.' Chris Wragge, who alongside Mike Breen and Ann Meyers, was part of NBC's national broadcast team, was also impressed with the fan support. 'What Caitlin Clark is to the WNBA now, that is what the Comets were to the league,' said Wragge, who also served as sports anchor at KPRC in Houston. 'There was no better draw; there was never an empty seat in the house.' The fans were devoted during the good times and bad, including Game 2 of the 1999 WNBA Finals. The New York Liberty's Teresa Weatherspoon hit the game-winner with a three-quarter court buzzer beater to stun the Comets, 68-67. 'I've been doing this for 30 years and that was the loudest arena I have ever heard,' said Tom Savage, who ran Comets PR for two seasons. With confetti prematurely falling at the Compaq Center to celebrate a third title, the once-boisterous crowd grew silent. 'The quietness was deafening,' Savage said. '(It was) almost like your ears were ringing and then there was nothing.' Cooper said: 'That contrast was striking.' But while the fans displayed their affection with a quiet hush and a few tears, nothing compared to the way the community rallied around Kim Perrot, the scrappy point guard who made the team after impressing during an open tryout. Perrot was diagnosed with lung cancer in early 1999. The cancer spread to her brain and Perrot died six months later, on Aug. 19, 1999, at age 32. Among the initiatives Comets fans undertook on behalf of their beloved player was raising money for 'Kim's Place,' a lounge for teens and young adults battling cancer. Located at MD Anderson Cancer Center, the lounge has a jukebox, pool table, video games, and rooms for counseling and classes.'They let us know that they weren't just there as fans; they were there as a part of the Houston Comets organization – struggling with the same thing we were struggling with as far as losing Kim Perrot,' Cooper, a close friend of Perrot's, said. 'The city of Houston rallied around us.' The highs of lows that the franchise experienced, especially during the championship seasons, galvanized the community and their hometown heroes. 'The bond between the Comets and their fans was one rarely found in sports,' said Bob Schranz, the Comets media relations manager from 2001-2005. 'The season ticket holders were more like a family than a fanbase. You had players and a host of fans literally on a first-name basis.' With all its rich history and a once-fanatical following, could the WNBA resurrect the Comets? The Houston Rockets could be a part of the Comets return. 'We remain committed to exploring every avenue to bring a WNBA franchise back to the City of Houston,' Gretchen Sheirr, the Rockets president of business operations, said in a statement to USA TODAY Sports. The Rockets, led by their owner – restaurant and casino mogul Tilman Fertitta, are on board, and as for Houstonians – Chancellor summed it up by saying, 'This fanbase is ready to explode again.' Cooper, for one, saw that support first hand, listening to the crowd's roar from the locker room in 1999, running out of the tunnel to those cheers and delivering four titles. She has no doubt those same fans, paired with a new generation, would welcome a WNBA team. 'The city of Houston misses the Comets and misses having a WNBA franchise to support, and I think this is a great time for it,' Cooper said. 'I'm excited for the opportunity and the possibility, and I know that there are tons of fans here ready to support it.'

Despite adding Nathaniel Lowe, Red Sox offense sputtering in important stretch
Despite adding Nathaniel Lowe, Red Sox offense sputtering in important stretch

New York Times

time11 minutes ago

  • New York Times

Despite adding Nathaniel Lowe, Red Sox offense sputtering in important stretch

BOSTON — As Nathaniel Lowe's tying, two-run homer sailed into the bullpen in the bottom of the ninth, it appeared the Boston Red Sox were on their way to another dramatic victory. Not this time. Lowe's big hit in his first start for his new team only got it so far, as the rest of the offense remained stuck in neutral, an issue of late at a crucial point in the season. The Red Sox ultimately fell 4-3 in 11 innings to the Baltimore Orioles, swept in a two-game series. Advertisement 'We chased a lot today,' manager Alex Cora said. 'We haven't done that in a while. We had our opportunities to win early in the game, in the middle of the game, late in the game. It just didn't happen.' On the whole, Boston's offense ranks among the best in the majors with a top 10 average and OPS, but its current stretch has been rough. The Red Sox have scored just three or fewer runs in five of their last six games and totaled just 11 extra-base hits in that span. That's been a key reason why, after a seven-game winning streak, they have now lost eight of their past 12 games. 'Obviously, we're in the midst of a big stretch here in August and September,' Alex Bregman said. 'We just got to execute better. And I believe in this group, and I think we will moving forward.' Lowe's addition Monday was meant to bolster the offense for the stretch run, but with Wilyer Abreu still on the sidelines with a calf injury and Rob Refsnyder on the injured list with an oblique strain, the lineup has been shorter. Cora said Abreu is feeling better but did not know if he'd be available Thursday against the New York Yankees. Against Baltimore, the Red Sox wasted a slew of chances, leaving the bases loaded in the eighth, ninth and 10th innings, squandering crucial opportunities to score. They finished the night 0-for-11 with runners in scoring position. In the eighth with the bases loaded, Jarren Duran, Trevor Story and Masataka Yoshida struck out in succession. Romy Gonzalez led off the ninth with a walk, and Lowe pulverized a first-pitch fastball in the bullpen as Fenway erupted in anticipation of more late-inning fireworks. NATHANIEL LOWE, MEET THE WALLY HEAD. — Red Sox (@RedSox) August 20, 2025 'So special,' Lowe said of his first homer with the team. 'I always loved coming here as a visitor, but getting to wear the jersey and play in front of these people is super special.' But after the Red Sox loaded the bases on walks with two outs, Story grounded out. In the 10th, the Red Sox left three base runners on as Abraham Toro hit into a double play. Advertisement Baltimore took the lead in the 11th, and the Red Sox had a chance to tie it with automatic runner Nate Eaton on third as Roman Anthony hit a fly ball to center, but Eaton stalled and ran back to third. 'That's an impact arm in center field,' Cora said of the Orioles' Colton Cowser, whose throw went up the line. 'We prepare before the series, and we decide who we're going to challenge or not, so we didn't challenge him.' Cora tried to manage aggressively early in the game, pulling starter Walker Buehler after he allowed the first two batters of the fifth to reach. Buehler wasn't awful, but he wasn't efficient, either, navigating traffic through four scoreless innings. Cora turned to Justin Wilson, and Wilson allowed both runners to score. The rest of the bullpen, which has been rocky of late, maneuvered through the remainder of the game, keeping it in check, but Boston's offense floundered. 'Ton of opportunities,' Bregman said. 'Felt like we put pressure on getting guys on base and then didn't come through and get the job done.' Now, after a rare off day Wednesday, the club heads to New York for four games followed by another four in Baltimore. New York just pulled ahead of Boston by one game for the top wild-card spot in what will be a key series for Boston's playoff hopes. 'Two really good teams getting after it,' Bregman said. 'I feel like we can switch (the momentum) with one swing of the bat or one pitch or game play on defense.' (Photo of Masataka Yoshida: Paul Rutherford / Getty Images) Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle

Charlotte culinary duo gets national TV spotlight
Charlotte culinary duo gets national TV spotlight

Axios

time40 minutes ago

  • Axios

Charlotte culinary duo gets national TV spotlight

"Fork & Hammer," the reality TV show about local restaurateurs Jeff Tonidandel and Jamie Brown, will premiere at the newly-restored Carolina Theatre next month. Why it matters: The husband-and-wife duo launched Crepe Cellar in NoDa during the 2009 recession without prior restaurant experience. Since then, they've built a thriving family-run empire comprising local beloved spots — Haberdish, Supperland, Ever Andalo, Growlers, and Leluia Hall — all while raising a family, preserving historic buildings and navigating Charlotte's evolving culinary landscape. Driving the news: Tickets are on sale for the Oct. 7 premiere. Charlotteans will get a first look one week before the show debuts nationwide. PBS North Carolina will air Fork & Hammer every Wednesday, starting Oct. 15, at 2pm and on Sundays, starting Oct. 19, at 11:30am. Season 1 will air on PBS stations nationwide this fall, with exact dates and times rolling out market by market. What to expect: The series follows the couple as they run their five businesses, manage more than 230 employees, open their newest restaurant, Leluia Hall, and save the Leeper-Wyatt building, one of the oldest retail structures in the South End area. The evening kicks off with a lobby meet-and-greet, followed by the 26-minute first episode, "It Started with a Crêpe," which revisits the couple's first restaurant, Crêpe Cellar Kitchen & Pub. Tennis champion and Charlotte resident Andy Roddick will moderate a live Q&A with Tonidandel and Brown after the screening. Behind the scenes: The 10-episode first season, produced by Susie Films and presented by SCETV, will be distributed nationally by American Public Television. "It's entrepreneurship, it's risk-taking, it's the real behind-the-scenes of what it takes to keep these places going," Brown tells Axios. Flashback: Susie Films, a Charlotte-based production company, reached out to Brown and Tonidandel after spotting them on the 2023 cover of Charlotte magazine. From there, Susie Films pitched the concept to several outlets, including Netflix, Magnolia, Food Network and PBS. They raised $1 million from sponsors to produce the show, including ETV Endowment of South Carolina, Trust20, the Charlotte Regional Visitors Authority, and Biltmore Estate Winery. The big picture: Charlotte's food scene is heading to the national stage in more ways than one. "Fork & Hammer" is coming to TVs across the country at the same time Charlotte is earning fresh culinary cred, from being named host city for "Top Chef" season 23 to the Michelin Guide's expansion into the Southeast. Between the lines: Congress recently cut $1.1 billion from the Corporation for Public Broadcasting, forcing its shutdown by early 2026 and leaving PBS and NPR stations scrambling, with layoffs, hiring freezes and emergency fundraising drives.

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