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APOS: Netflix's Korean Content Head on What Comes After ‘Squid Game'

APOS: Netflix's Korean Content Head on What Comes After ‘Squid Game'

Yahooa day ago

There was a valedictory undercurrent to Netflix VP Don Kang's keynote appearance Wednesday at the APOS media and entertainment summit in Bali, Indonesia. The streamer's head of Korean content arrived armed with third-party research underscoring the company's instrumental role in fueling the global K-content boom — and he spoke just days ahead of the launch of Squid Game Season 3, the final installment in what remains Netflix's most-watched series of all time.
'We're all very excited about the Squid Game launch on Friday,' Kang said. 'And I'm very confident about the health and the growth of Korean content,' he added.
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In past years, Netflix founders Reed Hastings and Ted Sarandos have used the APOS keynote stage to outline the company's Asia strategy. But this year, it was Kang who received top billing — yet another marker of how far both Netflix and Korean content have come in the last decade.
If there was a second subtext to Kang's talk, it was more reflective: where does Netflix's K-content journey go from here? Will Squid Game's astonishing success — with over 600 million global views over it first two seasons — come to be seen as the peak of Korea's pop culture export wave? Or is it just the beginning of a steady stream of Korean smash-hits that will be regarded as must-watch by vast swaths of the whole world?
Kang offered no hints or answers to speculation in the industry about Netflix's expected spinoff plans for the Squid Game franchise, but he struck a bullish tone on the future of K-content. He emphasized that Netflix doesn't view the genre as a global fad.
'For most people outside the APAC region, Squid Game was the first Korean show that they really watched, but ever since then more than 80 percent of our Netflix members have continued to watch Korean content,' he added. Kang pointed to independent research commissioned by Netflix, released Wednesday, showing that subscribers are nearly twice as likely as non-subscribers — 63 percent versus 36 percent — to express interest in watching Korean content going forward.
Kang said Netflix has 15 more Korean originals coming just in the second half of 2025. He highlighted a few of his personal favorites on the slate, including the action film Good News, directed by Byun Sung-Hyun (The Merciless, Kill Boksoon), and the much-anticipated romantic drama series, Genie, Make a Wish, created by Kim Eun-sook, the hitmaker behind The Glory and Mr. Sunshine. Kang also spotlighted the returning seasons of Neflix's reality competition series Culinary Class Wars and Physical: Asia.
'We were previously more focused on Korean series, but now we have really expanded into non-fiction shows,' Kang said. 'This expansion of genres allows us to both please the audience that already loves Korean content, and also to meet new audiences.'
Netflix's latest research report, How K-Content is Shaping Global Perceptions of Korea, was conducted via a third-party survey of over 11,500 people worldwide. The findings underscored the staying power of the Korean wave: in the U.S., 78 percent of K-content viewers said they had been watching for more than two years, while 23 percent had been tuning in for over five years.
K-dramas topped the list of genres favored by international viewers, with 60 percent identifying it as their preferred style, followed by romance (54 percent), and action and comedy (43 percent each).
The data also emphasized Korea's growing soft power. K-content viewers were found to be twice as likely as non-viewers to want to visit South Korea. Among Netflix subscribers, interest in Korean culture was also twice as high compared to the general population.
Squid Game season three launches globally on Friday. Season one still ranks as Netflix's most popular show ever, while Season two set a record late last year for the most views of a series or film on Netflix in its premiere week, eventually rising to become the streamer's third most popular show of all time.
Netflix is pulling out all the stops to send off the franchise. On Saturday, a massive Squid Game parade — co-hosted with the Seoul Metropolitan Government — will take over central Seoul. Beginning at the city's historic Gwanghwamun landmark and ending at Seoul Plaza, the event will feature appearances from stars Lee Jung-jae, Lee Byung-hun, Yim Si-wan, Kang Ha-neul and Wi Ha-jun, as well as creator Hwang Dong-hyuk. Netflix has described the parade as the most ambitious fan event it has ever staged.
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For Makeup that Performs, Look to Drag Queens
For Makeup that Performs, Look to Drag Queens

Business of Fashion

time16 minutes ago

  • Business of Fashion

For Makeup that Performs, Look to Drag Queens

It almost sounds almost naive to say that the underground performance artists known as drag queens are in no small part responsible for the 21st century beauty boom, i.e. contouring, cut creases and maybe Kim Kardashian. But the truth is that drag has infiltrated popular culture in almost every way, from pop star imagery to Hollywood franchises to the way we present ourselves. If RuPaul's famous catchphrase is a cliché, it's only because it's true enough to be rote: You're born naked, and the rest is drag. 'You see people wearing lashes on a daily basis,' said the makeup artist David Petruschin, better known by her drag alter ego Raven. 'You see people at a fast food window who are completely contoured and highlighted.' Some queens are only just beginning to cash in. A newly created pipeline, powered in large part by RuPaul Charles' 'Drag Race' universe, which is owned and operated by production company World of Wonder, has delivered some performers to mainstream business success as the faces, formulators and founders of makeup brands. These businesses take on a variety of structures. Mo-Beauty, by the drag queen Mo Heart, is produced by Gostrider, a consumer goods portfolio which owns a majority stake. The Barbiesque Trixie Mattel owns her label Trixie Cosmetics outright, which staffs about nine employees in an office in Burbank, California; it's one of many of Mattel's projects, including shows, a Palm Springs motel and a show about said motel. But both beauty businesses are small compared to competitor brands, and sold only via e-commerce. Trixie Mattel owns her label Trixie Cosmetics. (Courtesy) Then there's Kimchi Chic, founded by the Korean-American drag queen Kim Chi, and the most successful makeup venture to come out of the Drag Race universe to date. The brand has scaled up to $20 million in annual revenue, said a person with knowledge of the company's finances, driven by far and wide distribution — the brand launched in CVS in 2022, came to Amazon in 2024 and has grown explosively on TikTok Shop in the past year. Success depends on good partners. Chi had an early one in Nyx Cosmetics and Bespoke Beauty Brands founder Toni Ko, who approached the queen about partnering on a makeup line in 2018. On its face, putting a drag queen in the seat of a makeup company could be seen as a bankable strategy: Who among professionals better understands both the art and performance of cosmetics? On the other hand, the strategy is not without risk, as drag queens have become targets in the greater culture war. Their default association with progressive politics gives these brands more volatility than typical celebrity or influencer-led ventures. For these brands, that's the point, not the problem. 'We will always champion our drag community,' Tank said, 'in every way that we can.' Partner Up 'Most drag and cosmetics careers intersect,' said Raven, who in her early career worked at the MAC Cosmetics counter by day and performed in clubs by night. But she quit the counter to focus on one-on-one clients after discovering she didn't have the merchant's heart. 'It was hard for me to find the balance between selling and artistry,' she sighed. If RuPaul is the face of drag, it's painted by Raven, who became the diva's makeup artist after impressing her with her technique as a contestant on season three of 'Drag Race.' She estimates she has put Charles in drag between 400 and 500 times — now she hosts a World of Wonder show called Painted by Raven. The two have MAC Cosmetics in common, with the elder queen kicking off MAC's Viva Glam campaign benefitting AIDS research in 1994. (The brand was acquired by the Estée Lauder Companies the same year.) The first season of 'RuPaul's Drag Race,' produced by World of Wonder for the Logo TV channel, attracted a fair share of LGBTQ friendly corporate sponsors; the final four contestants made dresses inspired by Absolut vodka flavors. The show's initial beauty sponsor was Ko's Nyx Cosmetics, but Anastasia Beverly Hills took over in season 7. RuPaul bellows the brand name in the intro of every episode, thanks to Claudia 'Norvina' Soare, the company's president, daughter of founder Anastasia Soare and 'Drag Race' fan, who initiated the partnership. Randy Barbato and Fenton Bailey, the founders of World of Wonder, said they didn't have a sense of how successful the partnership has been. 'I feel like there's been mutual growth with both their brand and our brand,' Barbato offered. But 'it's equally or more exciting to watch [sponsors] look at queens as viable and serious partners for their businesses.' These partnerships are key to drag businesses — everybody needs the Raven to their RuPaul. Kimchi Chic has found a great partner in Bespoke Beauty Brands, which has leveraged its founder's charisma on TikTok Shop to drive sales growth. CEO Tank said that founder Chi drives sales in part through 'megalives,' hourslong streams with product demonstrations and special guests. Founder Kim Chi drives sales in part through 'megalives,' hourslong streams with product demonstrations and special guests. (Courtesy) 'TikTok Shop was a game changer for us,' Tank said. The app is a hotbed of users in their teens, 20s and 30s who are perfectly targeted by the brand's accessibly priced products; the hero Stage Proof setting spray, she points out, is $16. Tank said this year, the brand intends to be even more disciplined with its capital, with the aim of reinvesting money in product development. 'Innovation is queen in beauty,' Tank said, adding that TikTok provides a live 24/7 focus group. 'We develop products and launch them, many of them, just off the back of TikTok Shop and TikTok feedback.' Audrey Napoleon, whose portfolio is called Gostrider Brands, tapped Mo Heart of 'Drag Race' to create Mo Beauty, which launched in 2021. Napoleon's background in the music industry left her with an affection for helping performers build viable second income streams, even if doing so extends beyond Gostrider's purview. Monique Heart, founder of Mo Beauty. (Courtesy) 'If Mo ever comes [to me] and she's like, 'Covergirl called me and said they're gonna give me X amount of dollars to do this,' we're saying, 'Girl, go do that.'' Napoleon said. You Better Work Napoleon's insight reveals an underside to the drag boom: Performers have become products too. Those with good partners can find footing, but many are going it alone. As the world's drag stage continues to crowd, it takes investment to stand out. Most queens revenue streams come primarily from club tips, though the 'Drag Race' universe has helped some access the opportunities of influencers and RuPaul-level celebrity. By contrast, a single pageant gown can cost a couple thousand dollars, to say nothing of wigs and jewellery. The expenses multiply for queens in the 'Drag Race' universe, many of whom are plucked from the club circuit but must arrive to their TV debuts with full, camera-ready wardrobes. Lexi Love, a long-limbed drag queen from Kentucky in the US and finalist on the most recent season of 'Drag Race,' took out a second mortgage to, as she put it to Pride Today's Ricky Cornish, 'gag you on these runways.' Love estimates she spends about $1,000 a month on makeup; not as an indulgence, but an occupational hazard. 'I can't go out with, like, Chapstick and mascara!' she cried. It's true that the beauty industry continues to offer meaningful support to the drag community. (While Love didn't take home the show's grand prize of $100,000, she was 'tipped' $10,000 by Anastasia Beverly Hills.) But there's room for more, and not just in the context of 'Drag Race' or the month of June. 'Drag is inherently entrepreneurial,' Bailey said. 'People put on a suit and go to work on Wall Street, drag queens puts on a wig and go to perform. Often, drag artists show a keener sense of innovation and a stronger intuition about their audience. They are sharp, and they are real leaders in the field.'

Casting News: Reacher Season 4 Recast, Leo Woodall Is Vladimir and More
Casting News: Reacher Season 4 Recast, Leo Woodall Is Vladimir and More

Yahoo

time19 minutes ago

  • Yahoo

Casting News: Reacher Season 4 Recast, Leo Woodall Is Vladimir and More

Christopher Rodriguez-Marquette (Barry) has boarded Reacher Season 4 in the role of small-town policeman Jacob Merrick. He thus replaces the previously announced Jay Baruchel,who had to exit the Prime Video hit to attend to a personal matter, our sister site Deadline reports. More from TVLine Scott Speedman to Star in RJ Decker Pilot at ABC - What Does This Mean for Grey's Anatomy? Casting News: Chicago Fire Adds On Call's Brandon Larracuente, Shane Gillis to Host ESPYS and More Netflix's Perfect Match Adds a Former Bachelor and Bachelorette to Season 3 Cast - See the Full Lineup Reacher Season 4 is based on Lee Child's 13th Jack Reacher novel, Gone Tomorrow, in which a chance encounter with a distraught stranger on a subway train goes horribly wrong, and Reacher (played by Alan Ritchson) 'is drawn into a deadly game that pits him against ruthless foes from the highest echelons of power.' In other recent casting news… * Leo Woodall (One Day, The White Lotus) will star opposite Rachel Weisz in Vladimir, Netflix's eight-episode adaptation of Julia May Jonas' acclaimed novel about a woman who becomes obsessed with her captivating new colleague. * Luke Hemsworth — previously announced as part of the Terminal List: Dark Wolf prequel series cast — will also play his character, Jules Landry, in The Terminal List Season 2, which is currently filming. * Digman! Season 2 guest stars will include Fred Armisen (Saturday Night Live), Stephanie Beatriz (Brooklyn Nine-Nine), Dennis Haysbert (The Unit), Mark Hamill (the Star Wars franchise), Tatiana Maslany (Orphan Black), Amy Sedaris (The Mandalorian), Kate Winslet (Mare of Easttown) and Jeffrey Wright (The Agency: Central Intelligence), Comedy Central announced Thursday. The animated series returns Wednesday, July 9, at 10:30/9:30c. * Laila Ali will host Chef Grudge Match, Food Network's forthcoming revamp of SuperChef Grudge Match, our sister site Variety reports. SuperChef Grudge Match ran for two seasons and was hosted by Darnell Ferguson, who the Louisville, Ky. Courier Journal reports recently pled guilty to misdemeanor charges related to allegations of domestic violence. Ali's Chef Grudge Match is slated to premiere on Food Network and HBO Max in August. Hit the comments with your thoughts on the castings above! Want SCOOP on any of the TV shows above? Email InsideLine@ and your question may be answered via Matt's Inside Line! Best of TVLine Stars Who Almost Played Other TV Roles — on Grey's Anatomy, NCIS, Lost, Gilmore Girls, Friends and Other Shows TV Stars Almost Cast in Other Roles Fall TV Preview: Who's In? Who's Out? Your Guide to Every Casting Move!

'Mission: Impossible,' 'Dirty Harry' composer Lalo Schifrin dies
'Mission: Impossible,' 'Dirty Harry' composer Lalo Schifrin dies

UPI

time30 minutes ago

  • UPI

'Mission: Impossible,' 'Dirty Harry' composer Lalo Schifrin dies

June 26 (UPI) -- Composer Lalo Schifrin died Thursday at age 93. Schifrin's son confirmed the news to Deadline and The Hollywood Reporter. Variety also reports the cause of death as complications from pneumonia. Schifrin's film scores date back to 1957's Argentine film Venga e bailar el rock. Among his most famous scores are the Mission: Impossible theme, Bullitt, the Dirty Harry films, Enter the Dragon, Wait Until Dark and the Rush Hour trilogy. It was his scores for Cool Hand Luke, The Fox, Voyage of the Damned, The Amityville Horror and The Sting II as well as the song "People Alone" from The Competition that earned Schirin Oscar nominations. The Academy awarded him an Honorary Oscar in 2019. He also composed the scores to fan favorite films such as F/X, Money Talks, Black Moon Rising, Tank, and Class of 1984. Schifrin also won four Grammys out of 19 nominations. Notable deaths of 2025 Anne Burrell Anne Burrell arrives on the red carpet at the City Harvest "Red Supper Club" Fundraising Gala at Cipriani 42nd Street on April 26, 2022 in New York City. Burrell Anne Burrell arrives on the red carpet at the City Harvest "Red Supper Club" Fundraising Gala at Cipriani 42nd Street on April 26, 2022 in New York City. Burrell died June 17. No cause of death was given. Photo by John Angelillo/UPI | License Photo

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