
Jesse Armstrong: Why I'm writing about rich people again
Armstrong, who cut his teeth in children's TV before writing for shows such as The Thick of It and going on to co-create series like Peep Show and Fresh Meat, said the inspiration for Mountainhead came from listening to podcasts."I wrote a book review about Sam-Bankman-Fried, the crypto fraudster, and then I read more and more about tech, and I started listening to podcasts of senior tech figures, from Elon Musk and Mark Zuckerberg and Sam Altman, but also the mid-level people and even lower level - it's an ecosphere."I couldn't stop thinking about the voice of these people. I do love getting the vocabulary right. For me, that opens the door, once I can hear them talking. And since it seems like the AI companies are scraping so much of our hard work to train their models, I thought I would scrape them back [using their podcasts]!"Armstrong told the Hay audience that while he knew his job was to engage viewers, writing the film "was a way of expressing a load of feelings about that world and about those men - they're almost all men in that world - and it's cathartic". His shows are known for their dark humour and Armstrong says if he had to write his job description in his passport application, he would put down "comedy writer", adding that he doesn't think of himself as a storyteller."I'm trying to make a story engaging that will probably involve people laughing. And the bit that I find most challenging is finding a story because people remember jokes, but you just won't make it through that half hour or hour unless that story is is compelling enough to make an audience follow along."
'More fearful'
Many writers and showrunners end up directing episodes of the series that they have created but Armstrong says he couldn't do that on Succession, which won multiple awards including 14 primetime Emmys."I always felt like the people who did it were so good at it that it was rather rude of me to suggest I could just come in and do it just as well."Armstrong doesn't appear to be your stereotypical confident showrunner, coming across as quite shy and humble, despite his success."Sometimes very creative people have a real 'screw you' attitude to authority, and I don't have that. Maybe I'm a bit more fearful, a bit more amenable. I like everyone to be happy. I want to to give people what they want in quite a decent and humane way. "I don't have a confrontational attitude to people I work with, unless someone's a jerk - I hope I can stand up for myself and the work."Mountainhead is released on HBO and Max on 31 May
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The Independent
19 minutes ago
- The Independent
Queen delights racegoers but has hopes of winning dashed at York Racecourse
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Daily Mail
20 minutes ago
- Daily Mail
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If ever a display mirrored a club's off-field preparation for a match then this was it: The most pitiful transfer window in recent memory manifest in a woefully inadequate show. While Brendan Rodgers ' players still ought to have acquitted themselves far better than they did, it was telling that the fingers of blame were angrily pointed in the direction of chief executive Michael Nicholson and chairman Peter Lawwell. Frankly, the level of rancour in the stadium suggested it's going to take more than an unlikely triumph in Kazakhstan on Tuesday to stop the disconnect between the supporters and the boardroom from deepening. Celtic's hierarchy had known that Scotland's champions would require to negotiate a play-off match since April of last year. They made £40m through direct entry last season. With a modest investment across the past two months, they'd have been all but assured of banking that gargantuan sum again. 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It's not a good look to be stockpiling money when the team is crying out for reinforcements. Has Nicholson hit the bar with a succession of deals for players with pedigree or has he not even come close? In the unlikely event that he ever agrees to be scrutinised on the matter, it would be interesting to hear. From 20 paces, the picture is inscrutable. At last check, Celtic had £65.4m in the bank - with the promise of more money to come from the back end of last season's commendable run in Europe. Another £10m was piled on top when Kyogo Furuhashi left for Rennes in January. A further £16.5m followed when Nicolas Kuhn joined Como. As well as the regular season ticket money, the pot was further swollen by the sales of Gustaf Lagerbielke and Kwon Hyeok-kyo. All told, that's approximately £100m. More than enough to bolster the squad with plenty left in reserve. But instead of refuelling the vehicle and trying to go one better than their near miss against Bayern Munich, Celtic have put a few drips in the tank. Kieran Tierney returned from Arsenal on big wages but for no transfer fee. The £1.8m spent on Nygren from Nordsjaelland is the biggest outlay so far with Yamada costing £1.5m from Kawasaki Frontale. As well as the outgoing transfers of Furuhashi and Kuhn, the side has lost Jota to a long-term injury. That's an awful lot of pace, ingenuity and goals. The need to compensate for that ahead of Kairat was abundantly clear. Rodgers said it time and time again. They had the funds, yet they failed to deliver. You cannot blame those who've parted with their hard-earned cash feeling angry at watching the engine cough and splutter on Tuesday. Celtic as a club have never been more astute at making money. 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The Sun
20 minutes ago
- The Sun
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