"The Sun of Lebanese Song" Ignites the Roman Theater with Her Majestic Voice - Jordan News

Jordan News

19-07-2025

With her commanding presence and authentic mountain-born voice, the Sun of Lebanese Song, Najwa Karam, took the stage before an eager audience that had long awaited her return—proving that she is not just a singer, but a timeless artistic phenomenon that defies generations. اضافة اعلان In a night charged with emotion and creativity, Karam delivered a blend of her timeless hits and new songs, met with overwhelming interaction from the crowd—an embodiment of her enduring place in the legacy of Arabic music. On stage, Najwa was not simply a performer, but a full-fledged icon—combining voice, charisma, and stage presence to affirm that Lebanese art remains a driving force in the cultural scene despite all challenges. She chose to perform in the Roman Theater, in the heart of old Amman, where the ancient stones still echo with history. The venue wasn't a mere backdrop—it was a central character in the show, brought to life through sound, image, and spirit. The historic site wasn't just part of the view—it helped shape the story. Among these stones, Najwa stood like a continuation of a musical legacy that transcends time. Before her entrance, journalist Lana Qassous introduced the concert with heartfelt words: "Najwa is not just any artist. She's a blend of pride, elegance, and sincerity. She has become the voice of her people and a bridge between tradition and innovation. Every time she sings, joy and love fill the air." To thunderous cheers, Najwa appeared on stage to the tune of her folk song 'Ya Marhaba Ya Leil Ya Marhaba Ya Kell Habbabeh', first released in 1994. She greeted the crowd warmly: 'Good evening, a night of love and joy to you all. Let sorrow stay behind us—because we are children of hope. I always long to meet my beloved audience here in Amman and in Jordan.' The concert was part of the launch tour for her new album 'Halet Taware'' (State of Emergency), during which she performed the title track live for the first time, setting off a wave of excitement, cheers, and dancing from an electrified audience. Despite the modern nature of the show, Najwa did not forget to breathe new life into her classic hits—songs that still resonate deeply, as if they were born yesterday. From 'Law Ma Btekzib', to 'Keef Bdaweek' (1999), 'Noqta Aalsater' (1998), and 'Sho Hal Hala' (2005), she revisited her golden archive, proving that time has only added to its richness and value. The concert was executed with high-level professionalism. Everything was meticulously planned—from audience entry, to stage design that echoed the spirit of the Roman Theater, and lighting that wasn't just illumination, but part of the narrative. The visual setup left a beautiful impression, while the lighting matched every moment—sometimes bursting with excitement, other times fading to let the music speak on its own. The audience was fully energized—thousands inside the venue and many more outside, all there to witness, sing, and live the moment with "El Set Najwa." Cheers, clapping, dancing, and waves of interaction never stopped during the two-hour live performance. From the stage, Najwa shared: 'I've always loved truth, clarity, and heartfelt stands—and tonight, we'll sing those words together.' She then performed 'Aya Ana Baddak', which the audience sang with her word for word, prompting her to perform it again by popular demand. In her usual spontaneous manner, she declared: 'Now it's time to announce a real state of emergency,' before launching into the album's title track amid a storm of cheers and applause. 'I'm going to sing a song I truly love—and I know you love it too—it's practically become a tradition between us,' she said, but before she could continue, the crowd erupted singing 'Khallini Shoofak Bel Leil.' In a touching and warm moment, Najwa performed a mawal (vocal improvisation) for Jordan, her mountain voice brimming with longing—bridging two peoples with a single melody: "Every time, oh Jordan, longing sends me from Lebanon... I speak truth and honesty... Amman, Amman, you are here, oh Amman… every home of yours felt like a Lebanese home to me." This wasn't just a song, but a love letter—crafted by Najwa's voice and echoed by the hearts of the crowd. In the Press Conference: 'Art Is My Mission' After the concert, Najwa met with journalists in a press conference that blended sincerity with spontaneity. Her comments reflected a grounded personality, a deep understanding of music, audience, and the modern artist's role. On her role as an artist and her social responsibility, Najwa said: 'Our job as artists is to spread joy. People need to keep celebrating life—may God take away sorrow and those who bring it.' Asked about announcing her concert through ChatGPT, she smiled and replied: 'Of course artists must stay updated with the times—so they're not left behind. AI is now the vehicle we're all riding. It's a tool, and we should use it, not run from it.' When asked what she hopes people will say about her in 20 years, she confidently said: 'I think my archive speaks for itself. I consider it my legacy—both for today and for the future.' On the concept of strength in women, she replied emotionally: 'Women today are strong and have achieved a lot. I won't say they've achieved as much as men—because men are already a source of strength. But when a woman turns her vulnerability into strength, that's when she's truly strong.' Najwa shared a powerful view on her relationship with music: 'I love to sing—I don't consider it a job. Art is my mission, and I've mastered it.' When asked about her private life on social media, she answered with a grin: 'If all my art and everything I've done isn't enough for people—then that's it. No need to go further. My personal life doesn't have to be on display—it's not the main event.' Asked for a word in the Jordanian dialect, she cheerfully said: 'Allah yehy el-nashama! The Jordanian audience is dear to me—and I can't go long without coming back to hear them and let them hear me.' When asked how it felt to see the Jordanian audience already memorizing her new album despite its recent release, she replied with emotion: 'I loved it—really. That shows the album has succeeded and reached the people—even though it hasn't been out for long.' Regarding possible collaborations with Jordanian artists, she said: 'Why not? In my early career I worked on 6 or 7 projects with Jordanians. If I find a poet or composer who can offer something that suits my voice and style—I'm absolutely ready.' Najwa Karam's concert was not just a musical night—it was a celebration of voice, place, audience, and the kind of authentic artistry that never fades with time.
At the Roman Theater, it truly was a State of Emergency—but one of love, music, and enduring hope.