
Workers discover 18th-century vessel in medieval ‘Game of Thrones' city
The discovery was made this spring in the southern Croatian city of Dubrovnik, a medieval locale famous for being a filming site for the HBO series 'Game of Thrones.'
Advertisement
The wreck was found in Dubrovnik's Old Town harbor.
Ivan Bukelic told Bulgarian television network NOVA TV that he uncovered the wooden structure back in April.
The undersea builder was working on a water pipeline at the time.
The boat was embedded in the seabed, approximately 30 inches beneath the ocean floor.
Advertisement
'I can now say I discovered a boat [in] the Old Town Dubrovnik,' Bukelic was quoted as saying.
4 Remains of an 18th-century wooden boat were found in the town of Dubrovnik, a filming site for 'Game of Thrones.'
AP
Marine archaeologist Irena Radić Rossi confirmed that the boat was over 225 years old.
'We still cannot speak of the type of vessel or its dimensions, but we can say for certain, based on the results of radiocarbon analysis, that it was from the late 18th century,' she said.
Advertisement
4 The boat was embedded in the seabed, about 30 inches beneath the ocean floor.
NOVA TV via The Associated Press
Rossi added that the remains are being protected for further examination.
'We must protect it for the future,' the expert stressed.
4 An undersea builder was working on a water pipeline at the time when the boat was found.
AP
Advertisement
Shipwreck discoveries, while exciting, are not entirely unheard of in Europe — where dozens have been found or identified so far this year.
This spring, excavators uncovered a centuries-old shipwreck in an unlikely place in Spain: a former fish market.
4 Marine archaeologist Irena Radić Rossi says the boat was over 225 years old.
NOVA TV via The Associated Press
Weeks later, an archaeologist announced that he had discovered the likely remains of the Recovery, an 18th-century treasure ship that was lost off the coast of Wexford, Ireland, around 240 years ago.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Sophie Turner And Kit Harington Played Siblings For Years On Game Of Thrones, And I Love Her Funny Take On Them Portraying Lovers In A New Movie
When you buy through links on our articles, Future and its syndication partners may earn a commission. When certain actors play characters for a very long time, it can be hard to picture them as anyone else. That feeling becomes amplified when two former co-stars reunite for a new and totally different project. Well, now I'm feeling all those feelings as two of Game of Thrones' cast members, Sophie Turner and Kit Harington, are starring in a movie together. However, to make matters weirder, these performers who played siblings on GOT are playing lovers in this new movie. That's a kind of hard to comprehend, but don't worry, Turner is hilariously struggling with it too. For context, Sophie Turner and Kit Harington are set to star in the gothic horror film The Dreadful. At the moment, it's not on the 2025 movie schedule, but in a Vogue video, the actress expressed her excitement about the upcoming film and reuniting with her GOT brother, saying: I did a movie last year which I'm really excited about with my old but very good friend Kit Harington, who played my brother on Game of Thrones. We're doing a gothic horror, but we play lovers. Sorry guys, it's really weird for all of us. To state the obvious, Harington and Turner are not actually related, so if you take Game of Thrones out of it, this is not weird at all. However, they did play Jon Snow and Sansa Stark in the extraordinary fantasy adaptation for eight seasons. So, for many of us who have and still do watch Game of Thrones with an HBO Max subscription, it's hard to see these two as anything other than siblings. The HBO series got the world talking, and to this day, most of its main cast is best known for their roles in it. When I think of Harington and Turner, the Stark family and their characters are the first things that come to mind. Picturing them as anything but siblings is, as Turner said, 'really weird.' This is especially true because the series ran from 2011 to 2019, and we literally watched both actors grow up on screen, as Turner was 15 when she began playing Sansa and Harington was 24 when Season 1 premiered. HBO Max: Plans start from $9.99 a monthHBO classics, like Game of Thrones and Succession, can be streamed in full on HBO Max. Plans start at $9.99 per month, or you can save 20% by paying for a full year upfront. View Deal However, I'll get over it just like they seemingly did, considering they made this movie together, because I love the idea of a Game of Thrones reunion on the big screen. Plus, The Dreadful sounds fascinating. The fact that it's a gothic horror had me hooked already. However, Deadline reported that the film, which was written and directed by Natasha Kermani, follows a woman (Turner) who has been living in solitude with her mother-in-law during the War of the Roses when a man (Harington) from her past returns. Sign me up! And I'll do my best to pretend like I don't know that the film's stars played siblings for years on Game of Thrones. Maybe I'll even try to pretend like I've never seen GOT (which Turner hasn't), and that might help me forget the on-screen familial ties. No matter what, I know I'll move past it, though, because, seemingly like Turner, my excitement to see the actors reunite trumps the feelings I have about these former on-screen siblings playing on-screen lovers.


CBS News
5 hours ago
- CBS News
Resilient artists return to Montauk Art Show after alleged drunk driver plowed through it
Weeks after an alleged drunk driver plowed through the Montauk Artist Association's annual summer art show, ruining artwork, breaking hearts and causing thousands in damage, the show has returned. The artists say they're stronger than ever. Jewelry designer Jacqueline Clint turned the destruction into determination, remaking most of her inventory, one bead and wire at a time. Kent lost $80,000 worth of jewelry in the initial incident. Her new booth is set up just feet from where the crash happened. "Its taken a long time. I am not at 100%, but I feel like I am almost there," Clint said. "Every available minute of my day, I am making jewelry." What was destroyed in a matter of seconds has taken her weeks to rebuild. "It's my passion. I really didn't have a choice to just stop making jewelry, I don't want to, and I felt like I cant think about what happened. I just have to pick up and move on," Clint said. In June, a 23-year-old driver who was allegedly under the influence plowed her SUV through the popular Montauk Plaza. Show organizers said she barreled through at least six tents, destroying nearly everything. All but one of those tents returned for the second part of the show. "Anyone who can come here and pick up the pieces and just keep going again, tells you a lot about the resiliency of these people." Montauk treasurer John Papaleo said. Photographer Jim Levison is another of the returning artists. His damage tallied up to roughly $30,000, but he said his love for art was never destroyed. "Yes, it feels good to be back in business," Levison said. The artists aren't just displaying their work. They're showing off what it means to rebuild. The art show will be going on all weekend. There's also an active online fundraiser for the artists which has already reached roughly $24,000.


San Francisco Chronicle
7 hours ago
- San Francisco Chronicle
Bayreuth's 2025 production of Wagner's 'Meistersinger' features a Technicolor look — and a twist
BAYREUTH, Germany (AP) — In Wagner's home theater, a twist has been added to the classic opera 'Die Meistersinger von Nürnberg.' Instead of Walther joining the guild of master singers and preparing to marry Eva after he wins the song contest, in Bayeuth's new version she grabs the medal out of the young knight's hands, returns it to her father, then leads her future husband offstage for a future forsaking the traditions of their family and city. 'No thank you. Let's go!' explained soprano Christian Nilsson, who is singing Eva in her role debut. 'She is a strong girl.' Matthias Davids' production runs through Aug. 22, emphasizing entertainment with a Hollywood Technicolor look highlighted by an upside-down inflatable cow and a tiny St. Catherine's Church atop 34 steep steps. Cow image dominates set Nilsson's Eva arrives for the Feast of St. John. encased in flowers with additional blossoms in her headdress, carried atop horizontal poles by four men. 'We were always referring to Eva as the prize cow. We said she is sold like a prize cow,' said Davids, a 63-year-old German director known for his work in theater musicals. That idea led to the huge heifer, manufactured by a company that makes inflatables and covered with flame retardant coating, according to set designer Andrew Edwards. Sixtus Beckmesser, the petulant town clerk who loses the song contest to Walther, pulls the plug on the cow, which darkens and sags, during the final oration defending the imperative of German art by the cobbler Hans Sachs. While Sachs runs to restore the connection — reinflating the bovine balloon and restoring light — the young lovers reject him and what he stands for. Townspeople, many wearing conical red caps that give them elf-like looks, shrug their shoulders at the final notes as Sachs and Beckmesser argue upstage. Wagner's happy ending not always kept When 'Meistersinger' premiered in 1868, Wagner presented a happy ending in which Walther and Eva joined together and he is admitted to guild. Davids' ending is less jarring than Kasper Holten's 2017 Covent Garden staging, set in a men's club where Eva is horrified Walther would want to join the misogynistic Meistersingers and runs away in tears. 'I saw some productions and I always found them kind of heavy and meaningful,' Davids said. He read Wagner's letters about his desire to produce a comedy to earn money and decided to search for lightness and humor while realizing comedy can't constantly sustain over four hours. Details were worked out during rehearsals, with Davids inspired by the chemistry of Nilsson and tenor Michael Spyres, who also was making his debut as Walther. Nilsson maintains a beatific beam during Walther's prize song. 'I really felt like in this production Eva and Walther truly had a fun connection — fun, young, loving connection — and I just leaned into that and listened to Spyres' beautiful tenor,' Nilsson said. Bringing levity, and an Angela Merkel look-alike, to the stage Davids' contrast was sharp from Barrie Kosky's 2017 production, set partly in Wagner's home of Wahnfried and the Nuremberg trials courtroom, with Walther and Sachs portrayed as Wagner of various ages. This time Georg Zeppenfeld was a grandfatherly Sachs in an argyle button through sweater vest. Beckmesser, played fussily but without histrionics by Michael Nagy, had a shimmering silver sweater below a cream Trachten jacket, mirror sunglasses and lute transformed to resemble a heart-shaped electric guitar outlined by pink light that gave him an Elvis Presley look. Jongmin Park, an imposing Pogner as Eva's father, was attired in a more flowing robe. Eva wore a traditional dirndl and Walther, an upstart, a punkish T-shirt. Susanne Hubrich costumed various townspeople to resemble German entertainer Thomas Gottschalk, comedian Loriot, fans of the soccer club Kickers Offenbach and former German Chancellor Angela Merkel. 'Ms. Merkel is a Wagner fan and attends the Bayreuth Festival almost every year,' Hubrich said. 'I spoke with her after opening night. She was amused.' Edwards, the set designer, had orange and yellow spears of light that resemble fairgrounds and included architectural details from the Bayreuth auditorium such as circular lamps in sets of three in the church and seats like the ones the audience was viewing from. Conductor Daniele Gatti, returning to Bayreuth for the first time since 2011, and the cast were rewarded with a positive reception from a spectators known to make displeasure known after more provocative performances. 'Just looking around the audience, there was a lot more smiles on people's faces at the end than normally you see at the end of Wagner productions,' Nilsson said.