
Katie Noonan to premiere new Tim Winton-inspired performance
ARIA award-winning musician Katie Noonan will lead the Australian Vocal Ensemble to premiere a bold new selection of songs inspired by iconic author Tim Winton for a performance on Cottesloe's foreshore.
Soprano Noonan, who founded AVE in 2021, will be joined by world-class vocals from mezzo-soprano Fiona Campbell, tenor Louis Hurley and bass-baritone Andrew O'Connor for an afternoon and evening of music at The Heritage Collective at 40 Marine Parade.
Described as capturing Australia's landscapes and subtleties of modern life, Noonan said the new songs were be a collection of work close to WA's heart.
Your local paper, whenever you want it.
'We are thrilled to be finally making our WA debut on Noongar Country at the beautiful Heritage Collective at Cottesloe Beach, with a bespoke program of works featuring 100 per cent WA composers,' she said.
The performance will include compositions by Emma Jayakumar, Ruben Davies, Lachlan Skipworth and Aaron Wyatt, who have reshaped Winton's storytelling into a sonic experience.
Since its establishment, AVE has commissioned 32 new Australian works from 27 composers, including 12 female and three Indigenous artists, as well as producing two full albums.
'We cannot wait to present these acapella vocal quartet works alongside some Renaissance and Baroque masterworks and fill these inspiring spaces with the notes of our intimate sound world,' Noonan said.
The premiere comes ahead of Noonan's highly-anticipated Grace tour — a recreation of Jeff Buckley's only studio album released in 1994. The 20-date Australian tour will kick off in September at the Astor Theatre Perth in Mt Lawley.
Tickets for The Heritage Collective event are available at heritagecollective.com.au.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
43 minutes ago
- Sydney Morning Herald
What to stream this week: Teresa Palmer's Gen X drama and five more to add to your list
Our picks this week include an Australian-Irish romantic drama, an Agatha Christie adaptation starring Matthew Rhys, and documentaries about an eccentric football legend and U2's Bono. Mix Tape ★★★ (Binge and Foxtel) Mix Tape is all about the wonder. First love, favourite songs and inescapable heartbreak are the building blocks of this Irish-Australian romantic drama. Ricocheting between past and present, the teenage protagonists and their middle-aged successors, these four hour-long episodes have an inexorable momentum. It's not subtle, but it's effective. Yes, the plot forcefully pushes these characters into bitter circumstances, but there's also a deeper recognition that sometimes a gesture, or an unspoken decision, or a great song, can add more than carefully crafted detail. Loading Sheffield, England, 1989: lanky teen Dan O'Toole (Rory Walton-Smith) sights high school classmate Alison Connor (Florence Hunt) across the room at a house party. New Order's Bizarre Love Triangle is playing: 'I feel shot right through with a bolt of blue.' Cut to the present day and Dan (Jim Sturgess) is a music journalist, still based in Sheffield and married with a son to Katja (Sara Soulie), while Alison (Teresa Palmer) is getting far more sunshine in Sydney, mother of two daughters and married to surgeon Michael (Ben Lawson). Why aren't they together? When will they get back together? Joy Division's Love Will Tear Us Apart is obviously cued up, but this adaptation of Jane Sanderson's 2020 novel knows, as does the viewer, that Dan and Alison are meant to be together, both as a means of healing and a wellspring of happiness. Their children are mostly leaving home and their partners are slightly off – the emphasis Michael puts on the 'my' in 'you're my wife' lingers uneasily. 'You never forget the boy who makes you your first mix-tape,' Alison tells her daughter, Stella (Julia Savage), which means more once Alison explains to her Spotify-era child what a mix-tape is. Loading Irish writer Jo Spain (Harry Wild) and Australian director Lucy Gaffy (Irreverent) treat love and longing as a magnetic force. It draws the teenagers together, with montages and shared reveries that come with an impeccable soundtrack – Psychedelic Furs, The Church, The Cure – and immaculate production design for the adolescent bedrooms. There's a degree of nostalgia, which some will happily succumb to, but this Gen X mix of Nick Hornby and Nancy Meyers (Alison's home has Bondi Beach views) also liberally applies tragic circumstances, especially in Alison's case, to divide the young lovers. There are tendrils of other shows, including the reckoning with unspoken trauma, the meaning behind a midlife crisis and the technical wonder that was a dual cassette deck, but fulfilling kismet is the goal. And when that happens, shared gazes and the right song do the job. Towards Zero ★★★½ (BritBox) To its last collective breath, the BBC will be producing Agatha Christie adaptations. The late author is a murder-mystery franchise that cannot be killed. The question is how they can defy, or at least tweak, tradition. This three-part update of Christie's 1944 novel tries a few diverse gambits, which surprisingly mesh. There's a stellar cast, led by Anjelica Huston (Transparent) and Matthew Rhys (The Americans), but also structural adjustments and a knowing celebration of cliches. Loading As conveyed by a fateful opening monologue, Rachel Bennette's adaptation wants to track how the many suspects came to be assembled in the Devon mansion of bedbound tyrant Lady Tresillian (Huston), and their torturous connections. The key crime isn't the plot's inciting incident, it's a culmination well after the introduction. By then you've studied tennis star Nevile Strange (Oliver Jackson-Cohen), his new wife Kay (Mimi Keene), and his former wife Audrey (Ella Lily Hyland). Add suspicious cousins and creepy servants, too. With incitement from director Sam Yates, the plot leans into period scandal – a courtroom collectively gasps when Kay is labelled a 'gold digger' – and throwback designer chic. It would be all too wink-wink if the investigating detective, Inspector Leach (Rhys), wasn't dishevelled, depressed, and disinclined to believe anyone. Leach's professionalism, like the show, has a wilful streak. It's not clear that solving the case will save him. Pernille (seasons 1-5) ★★★★ (Netflix) Here's a stealth winter watch. A slice-of-life Norwegian comic-drama that takes in bittersweet lows and everyday hopes, it follows child-welfare worker Pernille (Henriette Steenstrup, the show's creator), a single mother juggling two demanding daughters, a demanding career and, frankly, several other demands. It's a messy, matter-of-fact life – Pernille neglects herself at times while trying to help others, copes in good and bad ways, and reveals a sardonic worldview. One Mississippi or Better Things are points of comparison but Pernille feels more connected to everyday struggle. It's a show that's doing exactly what it wants. Bono: Stories of Surrender ★★★ Apple TV+ Australian filmmaker Andrew Dominik (Chopper, Blonde) continues his music documentary arc, switching from Nick Cave to U2's frontman for this filmed performance of the singer's 2023 one-man show. It's a mix of memoir, focused on Bono's childhood when he was still just Paul Hewson, and the salvation U2 afforded him after teenage losses, matched with stripped-down versions of the band's hits. It's revelatory in a sense but Bono has long been a master of rock'n'roll mystique, and that's maintained by Dominik, whose black-and-white images reverently cloak Bono. Ange & the Boss: Puskas in Australia ★★★½ (DocPlay) Ange is Ange Postecoglou, the recently sacked Australian manager of English Premier League side Tottenham Hotspur, whose initial playing career at South Melbourne FC included a stint as defender, driver and translator – from Greek to English – for Ferenc Puskas, the Hungarian legend who was the best player in the world in the 1950s prior to Pele's ascent, before enjoying a nomadic managerial career that brought him to Melbourne in 1990. This is a joyous sports documentary about Australia's migrant heritage, footballing philosophy and an idiosyncratic giant of the game. Rick and Morty (season 8) ★★½ (Max) An adult animated comedy created by Community's Dan Harmon and the since-departed Justin Roiland, Rick and Morty has become one of television's enduring cult series. It has a good-sized and furiously devoted audience – the reason it has now reached its eighth season – but it can also repel first-time viewers as it cartwheels through the cosmic mishaps of mad scientist Rick Sanchez (Ian Cardoni) and his press-ganged grandson Morty Smith (Harry Belden). I have tried with this show repeatedly and fallen short as its madcap verve can drift into the self-referential, but it's not going anywhere.

The Age
44 minutes ago
- The Age
What to stream this week: Teresa Palmer's Gen X drama and five more to add to your list
Our picks this week include an Australian-Irish romantic drama, an Agatha Christie adaptation starring Matthew Rhys, and documentaries about an eccentric football legend and U2's Bono. Mix Tape ★★★ (Binge and Foxtel) Mix Tape is all about the wonder. First love, favourite songs and inescapable heartbreak are the building blocks of this Irish-Australian romantic drama. Ricocheting between past and present, the teenage protagonists and their middle-aged successors, these four hour-long episodes have an inexorable momentum. It's not subtle, but it's effective. Yes, the plot forcefully pushes these characters into bitter circumstances, but there's also a deeper recognition that sometimes a gesture, or an unspoken decision, or a great song, can add more than carefully crafted detail. Loading Sheffield, England, 1989: lanky teen Dan O'Toole (Rory Walton-Smith) sights high school classmate Alison Connor (Florence Hunt) across the room at a house party. New Order's Bizarre Love Triangle is playing: 'I feel shot right through with a bolt of blue.' Cut to the present day and Dan (Jim Sturgess) is a music journalist, still based in Sheffield and married with a son to Katja (Sara Soulie), while Alison (Teresa Palmer) is getting far more sunshine in Sydney, mother of two daughters and married to surgeon Michael (Ben Lawson). Why aren't they together? When will they get back together? Joy Division's Love Will Tear Us Apart is obviously cued up, but this adaptation of Jane Sanderson's 2020 novel knows, as does the viewer, that Dan and Alison are meant to be together, both as a means of healing and a wellspring of happiness. Their children are mostly leaving home and their partners are slightly off – the emphasis Michael puts on the 'my' in 'you're my wife' lingers uneasily. 'You never forget the boy who makes you your first mix-tape,' Alison tells her daughter, Stella (Julia Savage), which means more once Alison explains to her Spotify-era child what a mix-tape is. Loading Irish writer Jo Spain (Harry Wild) and Australian director Lucy Gaffy (Irreverent) treat love and longing as a magnetic force. It draws the teenagers together, with montages and shared reveries that come with an impeccable soundtrack – Psychedelic Furs, The Church, The Cure – and immaculate production design for the adolescent bedrooms. There's a degree of nostalgia, which some will happily succumb to, but this Gen X mix of Nick Hornby and Nancy Meyers (Alison's home has Bondi Beach views) also liberally applies tragic circumstances, especially in Alison's case, to divide the young lovers. There are tendrils of other shows, including the reckoning with unspoken trauma, the meaning behind a midlife crisis and the technical wonder that was a dual cassette deck, but fulfilling kismet is the goal. And when that happens, shared gazes and the right song do the job. Towards Zero ★★★½ (BritBox) To its last collective breath, the BBC will be producing Agatha Christie adaptations. The late author is a murder-mystery franchise that cannot be killed. The question is how they can defy, or at least tweak, tradition. This three-part update of Christie's 1944 novel tries a few diverse gambits, which surprisingly mesh. There's a stellar cast, led by Anjelica Huston (Transparent) and Matthew Rhys (The Americans), but also structural adjustments and a knowing celebration of cliches. Loading As conveyed by a fateful opening monologue, Rachel Bennette's adaptation wants to track how the many suspects came to be assembled in the Devon mansion of bedbound tyrant Lady Tresillian (Huston), and their torturous connections. The key crime isn't the plot's inciting incident, it's a culmination well after the introduction. By then you've studied tennis star Nevile Strange (Oliver Jackson-Cohen), his new wife Kay (Mimi Keene), and his former wife Audrey (Ella Lily Hyland). Add suspicious cousins and creepy servants, too. With incitement from director Sam Yates, the plot leans into period scandal – a courtroom collectively gasps when Kay is labelled a 'gold digger' – and throwback designer chic. It would be all too wink-wink if the investigating detective, Inspector Leach (Rhys), wasn't dishevelled, depressed, and disinclined to believe anyone. Leach's professionalism, like the show, has a wilful streak. It's not clear that solving the case will save him. Pernille (seasons 1-5) ★★★★ (Netflix) Here's a stealth winter watch. A slice-of-life Norwegian comic-drama that takes in bittersweet lows and everyday hopes, it follows child-welfare worker Pernille (Henriette Steenstrup, the show's creator), a single mother juggling two demanding daughters, a demanding career and, frankly, several other demands. It's a messy, matter-of-fact life – Pernille neglects herself at times while trying to help others, copes in good and bad ways, and reveals a sardonic worldview. One Mississippi or Better Things are points of comparison but Pernille feels more connected to everyday struggle. It's a show that's doing exactly what it wants. Bono: Stories of Surrender ★★★ Apple TV+ Australian filmmaker Andrew Dominik (Chopper, Blonde) continues his music documentary arc, switching from Nick Cave to U2's frontman for this filmed performance of the singer's 2023 one-man show. It's a mix of memoir, focused on Bono's childhood when he was still just Paul Hewson, and the salvation U2 afforded him after teenage losses, matched with stripped-down versions of the band's hits. It's revelatory in a sense but Bono has long been a master of rock'n'roll mystique, and that's maintained by Dominik, whose black-and-white images reverently cloak Bono. Ange & the Boss: Puskas in Australia ★★★½ (DocPlay) Ange is Ange Postecoglou, the recently sacked Australian manager of English Premier League side Tottenham Hotspur, whose initial playing career at South Melbourne FC included a stint as defender, driver and translator – from Greek to English – for Ferenc Puskas, the Hungarian legend who was the best player in the world in the 1950s prior to Pele's ascent, before enjoying a nomadic managerial career that brought him to Melbourne in 1990. This is a joyous sports documentary about Australia's migrant heritage, footballing philosophy and an idiosyncratic giant of the game. Rick and Morty (season 8) ★★½ (Max) An adult animated comedy created by Community's Dan Harmon and the since-departed Justin Roiland, Rick and Morty has become one of television's enduring cult series. It has a good-sized and furiously devoted audience – the reason it has now reached its eighth season – but it can also repel first-time viewers as it cartwheels through the cosmic mishaps of mad scientist Rick Sanchez (Ian Cardoni) and his press-ganged grandson Morty Smith (Harry Belden). I have tried with this show repeatedly and fallen short as its madcap verve can drift into the self-referential, but it's not going anywhere.

9 News
2 hours ago
- 9 News
For Mick Fanning, the shark attack 'was just something that happened'
Your web browser is no longer supported. To improve your experience update it here When live broadcasters on the eastern cape of South Africa captured the terrifying moment a shark trailed Australian surf icon Mick Fanning just minutes into the 2015 J-Bay Open Final, viewers across the world gripped their couches and braced for the worst. But as the 10th anniversary of the champion wave rider's brush with death looms, Fanning is remarkably relaxed about his miraculous escape from harm. "It was just something that happened," he told . The infamous shark incident during the 2015 J-Bay Open Final was broadcast around the world. (World Surf League via Getty Imag) "To be honest, it wasn't like a flick of the switch moment where I was gonna change my whole life. "I just had to do work on myself to get myself back to, you know, surfing and stuff like that." After the near-attack in July 2015, Fanning returned to Jeffreys Bay the following year where he took out the competition, before retiring from WSL competition in 2018 as a three-time world champion. Since then, the Ballina-bred surfer has turned his focus - and perhaps his broader legacy - to charity. In March 2022, TV cameras were again fixed on Fanning, who again donned his signature wetsuit as he traversed deadly flood waters on his jet ski , carrying essential supplies and helping dozens of locals in the Northern Rivers to safe ground. Mick Fanning has used his jet ski to help flood impacted victims in Murwillumbah. (9News) "I know that area really well," Fanning said. The 43-year-old learned to surf in Ballina before honing his skills after moving to the Gold Coast as a teenager. "It's a place that I love and I got plenty of friends down there so I had a lot of friends that were affected by it all." From there, Mick Fanning's Charity Golf Day was born. The inaugural event raised hundreds of thousands of dollars for the flood recovery. Three years on, that figure is approaching $2 million, but the circumstances across the region are devastatingly similar. "It seems like it's just happening every other year now," Fanning said. "I guess on the ground and in doing all the rescue work and helping people get back on their feet, you build relationships and ... we've just found that a lot of people are still really struggling. "It's been three years on now and ... people are just finding out that the grants they thought they were going to get are not coming through. "Some people are just, you know, losing that hope." Fanning will be joined by celebrity mates and supporters today for his fourth annual Charity Golf Day. (Supplied) The golf day has helped raise almost $2 million for charities supporting the flood recovery effort. (Supplied) Fanning hopes some of the community's faith can be restored when a star-studded lineup of Aussie sporting legends and celebrities converge on the green at Coolangatta and Tweed Heads Golf Club today for the fourth annual Charity Golf Day. "We're just here to let them know that we're still here we're still thinking of them and still trying to help where we can," he said. "There's some incredible people that are all coming out to support and yeah, we're very thankful for all their support and donating their time." Famous faces such as Dylan Alcott, Ellyse Perry, Hamish Blake, Sally Pearson, Karl Stefanovic and Shannon Noll will be swinging their drivers alongside generous supporters to raise vital funds for on-the-ground charities including Givit, Human Nature, and Hands On Hearts. This year, $1 million and a Mercedes-Benz are on the line if players can snag a hole-in-one. "It keeps getting bigger and bigger and bigger and you know we try and add something new and exciting each and every year," Fanning said. "It's pretty massive that we can do things like that and just keep making the day bigger and better and hopefully raise more money for those in need, and actually raise more awareness." Fans who want a chance to win a year's supply of Balter beer, or would like to make a donation or purchase merch designed by street artist Sid Tapia, can visit the Mick Fanning Charity Golf Day website . floods national Australia Mick Fanning charity celebrities CONTACT US Property News: The last inner Sydney suburbs where houses cost under $2m.