Emma Stone's New Whimsy Pixie Is the Chicest Way To Do A Short Haircut This Summer
The short pixie haircut is a major trend for summer. Aside from being a heatwave-friendly haircut that keeps you feeling cool throughout sweaty weather, it's also a cut that's relatively easily to style and brings an instant dose of avant-garde to your overall look.
If you're looking for pixie inspiration, Emma Stone debuted her pixie hair transformation on the Golden Globes red carpet in January and she has continuously delivered fresh new pixie inspo – thanks to her hairstylist Mara Roszak - with every appearance.
They're both clearly having fun in this pixie era, with Stone previously sporting a flapper-style pixie at the Oscars, teaming it with wispy bangs at the Louis Vuitton Cruise presentation in Paris and now, Stone is back with a whimsy pixie for the premiere of Eddington in Los Angeles.
Roszak's 'whimsy pixie' first appeared in Paris, where she described the look as having an 'airy and light' texture complete with delicate forehead-framing pieces. At the Eddington premiere, the style took on a softer, tousled finish with a fuller, wavy fringe.
The style borrows from the rulebook of the French bob: a lived-in, done-undone effect with gentle volume. It's an excellent demonstration of how to style your pixie cut as it continues to grow out and is an elevated summer-ready option for those with wavy or thicker hair, too. Roszak used products from her own haircare line, ROZ, to achieve Stone's look.
She reached for ROZ Evergreen (currently unavailable in the UK), a styling cream to define the silhouette of the pixie and add medium-hold to keep flyaways at bay and ROZ Air, a lightweight mist to create texture and add some body to the short haircut.
While the choppy pixie and undercut pixie has an edgy, offbeat appeal, this relaxed style brings a chic, nonchalant vibe to the red carpet (especially when styled in Stone's Louis Vuitton off-shoulder, flowing number - kudos to stylist Petra Flannery) and it'll also look equally fresh and polished by the pool and for summer evenings out. We'll be screenshotting it for the next trip to the salon.
Medina Azaldin is the beauty editor of ELLE and Harper's Bazaar UK, working across print and digital features. She has more than seven years journalism experience and has previously written for Red and Good Hoousekeeping. When she's not demystifying the latest skincare ingredient, sniffing out the next big perfume trend or uncovering the science behind wellness practices, you'll most likely find her in Hatchards Piccadilly or watching a crime series with her cats. Oh, and she's a competitive cheerleader, too.
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Travel + Leisure
33 minutes ago
- Travel + Leisure
This Las Vegas Hotel Pool Is Transforming Into a French Riviera-inspired, Champagne-filled Pop-up This Summer
As temperatures heat up in Las Vegas, one hotel is offering guests a way to cool off in style. The Fontainebleau, Las Vegas' recently opened 67-story luxury behemoth (and an It List 2024 pick), has unveiled the pop-up Sun Club, just in time for sunbathing season. Located on the hotel's third-floor pool deck, the Sun Club has taken over the adults-only Legacy Pool. This quieter, more secluded area is sectioned off from the rest of the six-acre pool deck and is ideal for special occasions or for those who simply want to kick back by the pool with a glass of bubbly. Speaking of bubbles: the Sun Club marks an exclusive partnership between Fontainebleau and Veuve Clicquot, the historic French champagne house. While this is the first pop-up of its kind in the U.S., previous Sun Clubs have made appearances at Europe's most popular resort destinations like Ibiza, Mykonos, Saint-Tropez, and Capri. Hotels like the Well Beach Club Vale do Lobo in Portugal, Roc Seven Biarritz in France, and Pesce Terrazza Forte dei Marmi in Italy have all welcomed the brand's iconic yellow-and-white striped umbrellas. And now, it's Vegas's turn. The Sun Club fits right into Vegas' buzzy summer pool scene, where guests take poolside lounging quite seriously. From staking out daybeds to keeping hydrated (a must in the intense desert heat), there's certainly an art to pool life in Vegas. Now, the Sun Club is making sure travelers stay classy as they sip and sun. The pop-up's distinct, summery look is the work of French design studio Marcel Poulain, who is also responsible for Sun Club's other iterations in Rome and Forte dei Marmi, Italy. With colorful umbrellas and candy-striped lifebuoys that double as ice buckets, the Sun Club is a full visual immersion into the brand's newest cuvées, Rich and Rich Rosé, alongside classics like Veuve Clicquot Yellow Label and Veuve Clicquot Rosé (available by the glass or bottle). The crisp, sparkling wines come ice cold, and can be sipped either in the privacy of your daybed or cabana, or at the Legacy Pool's intimate 10-seat bar—so, in other words, come thirsty! An exclusive pairing menu has items like La Côte Caesar Salad, a grilled chicken club sandwich, and a tropical fruit plate, which you can order straight to your cabana. In the mood for something more substantial? The hotel's open-air, French Riviera-inspired restaurant, La Côte, is just steps away. The Sun Club will be open daily from 8 a.m. to 7 p.m. and will offer the Legacy Pool's full lineup of daybeds and cabanas, tucked amidst swaying palms and green hedges. If you end up renting a cabana, be sure to clear your schedule—once you're settled in with your glass of champagne, you won't want to do much else the rest of the day.
Elle
an hour ago
- Elle
Charlotte Lawrence Wants You to Hear the Song She Wrote About You
Charlotte Lawrence is putting together a David Bowie puzzle during our Zoom call. It's of his iconic album cover for Aladdin Sane. She's finished Bowie's face and outline, and all that's left is the most challenging part: the background. 'Whenever I'm talking on the phone or doing anything like this, if I'm not doing something physical, I will go on for hours,' she says. 'I got the head and the body, but now all this is just white, so I'm like, what the fuck am I supposed to do?' Lawrence's new album Somewhere, out today, was something like that too. She's been working on the project for years, first teasing it with the 2022 track 'Morning.' She has since shared four more singles, including one of her favorites, 'Bodybag.' Although she released two EPs in high school, Young (2018) and Charlotte (2021), a full album has long been a bucket list item for the 25-year-old singer. 'It's been such a crazy few years figuring it out—all the tedious pieces of the puzzle that I had to put together, and all the awesome creative bits,' Lawrence says. Now that the album is finally out, it still feels unreal. 'I'm like, that's disgusting. That's illegal.' Somewhere is autobiographical, detailing the highs and lows of Lawrence's last few years, from life during COVID to the growing pains of her 20s. It has rock and indie influences, with Lawrence's calming voice soaring throughout. She'll soon take the music on the road with a North American tour throughout July and August. After that, the singer and actress will return in the second season of AppleTV+'s Bad Monkey. Raised by parents in the entertainment industry, Lawrence has been surrounded by creatives from a young age. Her dad, Bill Lawrence, is a producer and writer, and her mom, Christa Miller, is an actress and music supervisor. They both have championed her music career, putting her in piano and singing lessons as a kid. 'I grew up around writers and beautiful people in Hollywood that just were passionate about their jobs,' she says. 'I was like, 'Oh, this is a possibility. You can pursue your passion. You can do this creative thing.'' A few days before the album drop, ELLE caught up with Lawrence to talk Somewhere. Yeah, I do. It's so personal to me. I've really gotten to the place of utter love and acceptance for it. I obviously want billions of people to listen to it and love it, and I want to play it for millions of people. If only five people that I respect love it, I'll be happy. If somebody doesn't like it, I'm not going to take it personally. It feels like me, and it feels so authentic. Everybody has their own taste, who cares? It'll be a part of me that I've chosen to [share with] people, but it'll still be my story, and that won't change. I love everything. I was going into the COVID-19 pandemic knowing that I just wanted to make new music, have fun, and go on tour. I was very blasé about it all. I released my first two EPs when I was in high school, not giving a care in the world and just partying and being like, okay, cool. I make music. Then, along with the rest of the world, I had a horrible, tough time with COVID. Being isolated like that and going through a whole worldwide event, is really fucking scary and disorienting. That, combined with a very hefty amount of personal shit that I was going through, was like: Okay, you're not a kid anymore. You're an adult. This is what heartbreak is. This is what deep pain is. Take off the rose-colored glasses. Welcome to reality. It really felt like my world was collapsing in a big way. I took the time to go through it, to feel it, to break down, to be insane, and then heal, work on myself, and figure out who I was. And then, I was like, okay, I love making music more than anything in the motherfucking world. This is what brings me joy and peace. I dove in and really made something that I feel proud of. This is the first time in my whole life that I would listen to my entire album top to bottom and would love it, even if my name wasn't on it. I'd be like, 'Who the fuck is this?' One of the last songs I made for this album was the title track. I had a similar feeling about 'Bodybag,' the first song I made for the project. 'Bodybag' is about me being the one who was hurt, a scorned woman almost. 'Somewhere' is a weird opposite of that. It's about a time that I really messed up and made a huge mistake. I really hurt somebody. I remember writing 'Somewhere' and being like, 'Yeah, this fucking feels good.' Everybody makes mistakes. I've been on this side of it, and now I'm on that side of it. This feels like a huge button on the end of the album, like the cherry on top. I would just start calling the album Somewhere. The 'Somewhere album' or 'I want to go somewhere on tour.' I heard Haim say something like this recently, and I really resonated with it. You know those things that start as meaning nothing and then eventually, through time, hold weight and meaning for you? I equate this album to growing up in Los Angeles, as a young girl, maybe being shown too much too early, and feeling like my brain is somewhere, anywhere, everywhere, all the time. Oh my God, I want everybody that all my songs are about to hear them. I have the opposite worry. I've had songs written about me before. Even the mean ones, I'm like, this is exciting. The rush is amazing. The attention is wonderful. On the reverse side of it, I'm like, how cool is it to have a song written about you? Even if it's like, 'Fuck you, fuck you, fuck you.' This person is thinking about me. That's awesome. A little part of me is like, 'I want you to fucking know, bitch, I want you to remember that you hurt me, so listen to it, please. If you hurt me bitch, and I'm screaming at you, I want you to hear it again. I want it to play in your house all the time. I want you to hear it everywhere you step.' My parents are not musically inclined, but they are so creative in their own right. I think I get my songwriting affinity and passion from [my dad]. My mom has an impeccable ear. I remember I asked my mom if I could take piano lessons when I was five or so. She found me this woman named Jamie. I told [Jamie] that I really wanted to sing, and it was a passion of mine. We would spend the first 30 minutes learning classical piano music. Then, the last 30 minutes I got to choose any song that I loved. She would teach it to me, and I would sing it. I remember anytime I would sing at my school choir, they'd always be like, 'Sing loud. Belt.' Jamie was always like, 'No, keep your quiet voice. This is your natural voice. Nurture this, keep going, let's start writing. You like these chords from this song? How about you just change a few, and then write your own song with it?' I was like…12. She just really nurtured this natural passion. And through my parents, their friends, and the awesome people that I grew up around, I got to walk through many doors and meet all the right people. The rest is history. I understand how fortunate I am and that I was born with more opportunities. Growing up, I got to meet Ed Sheeran and all these cool musicians and go to these cool concerts and have great seats. That is what it is, and I'm so frickin' grateful for it. To be frank, I was born with this passion, this thing that brings me more joy than anything in my life. So, I truly do feel like I would be doing myself a massive disservice if I didn't take advantage of those things. I do truly believe that connections, being a 'nepo-baby,' and growing up with money can open the door and make it so that I'm not needing to make music or I won't be able to eat or pay rent. I am doing it because I want to, not because I desperately need to. I very much recognize that, but it can't get me through the door. They can introduce me to all the right people, but I'm not going to sell out a tour because of my parents. I'm going to sell out a tour if people want to come see me sing. I understand that, and I can appreciate my own talent and my hard work, while also being extremely aware and appreciative of the opportunities I've gotten from my parents. I also recognize that a lot of people grow up without this being a possibility. Their parents are like, 'You've got to go to college, you've got to do this.' My parents always were like, 'No, find what you're passionate about and fucking stick with it. Pursue it.' Their only rule with me was, if you want to do something like this, you got to put your all into it. You can't half-ass it. I don't hate it. It's a hard question because they're similar in many ways, but they're so different. I also feel like when I'm currently in something, I give it my all a hundred times over. So, my album is out in four days, and I'm about to go on tour, and I'm so in the music world. That's all that matters. When I was filming Bad Monkey, I was like, 'This is all that is.' But, if I'm going to be so open and real with you, music is my heart, joy, and love. This is so lame, but did you ever watch Soul? You know when they're in their element or something? When he closes eyes, he plays piano, and he's in this other world? That's how I feel, in a weird way. The thing that music brings me is, even if I'm closing my eyes and listening to a song that's not even mine, I have this weird connection with it. I get full body chills. It is how I narrate my life. Music is everything to me on such a crazy level. This interview has been edited and condensed for clarity.
Yahoo
an hour ago
- Yahoo
Rihanna Uses a Limited-Edition $3,300 Goyard Hobo Bag as Her Airport Carry-on
When you buy through links on our articles, Future and its syndication partners may earn a commission. Rihanna's Goyard bag collection is the envy of all It girls. She owns eight bags from the French atelier (that we know of) in various shades and silhouettes. But, as of yesterday, it seems her handbag arsenal has grown one bigger. On June 24, the pregnant pop star was snapped by the paparazzi at LAX. While some A-listers dress up for the airport, Rihanna's private jet 'fit prioritized comfort. She sported a tan hoodie, courtesy of her loungewear label, Savage x Fenty, which she kept unzipped. She styled it with a taupe tank top and Heather gray sweatpants. Rihanna continued her Speedcat streak, reaching for a beloved lavender pair from her Jan. 2025 Puma collab, distinguished by their elongated tongue. Pumas are a maternity must-have for the mom of three, having worn the pregnancy-friendly sneakers four times this month. Over the years, Rihanna has become a vintage bag connoisseur, collecting relics from Dior, Louis Vuitton, Chanel, and Goyard. Naturally, she rounded out this look with one of her best finds. The beauty mogul carried the Goyard's Bohème Hobo in silver, choosing the style over her Croisiere, Anjou, Alto Hatbox, or St. Louis bags. The spacious style is available in 11 hues, but Rihanna's metallic canvas colorway is the rarest of them all. The sweatsuit/Speedcat combo is one of Rihanna's calling cards. Last April, she wore the same Puma sneakers with a simple, cloud gray hoodie and oversize joggers. Then, Rihanna chose a different designer monogram, augmenting her 'fit with the Louis Vuitton's Murakami Speedy bag. Up until now, my sweatsuits have felt utterly underwhelming. Turns out, all I needed was a vintage Goyard bag to spruce things up. View Deal $74 at Savage x Fenty View Deal $39.90 at Uniqlo
