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Les Miserables: The Arena Spectacular will 'blow away' audiences, stars say

Les Miserables: The Arena Spectacular will 'blow away' audiences, stars say

The National11-04-2025

Les Miserables, the longest-running musical in London's West End, is taking to the stage at Abu Dhabi's Etihad Arena on Thursday as a large-scale concert production. Twelve performances of the arena version of the 40-year-old musical, featuring a cast and orchestra of more than 65 people, are being staged in the UAE. Actors Rachelle Ann Go, Killian Donnelly and Bradley Jaden have shared with The National their experience of being part of writer Victor Hugo's world, where justice, morality, politics, love and religion struggle to co-exist among flawed characters. Go reprises her role as the impoverished Fantine, having starred in the West End production. She said the role is a dream come true. In fact, the first time she saw the show in 2013, she was so jet-lagged that she slept through most of it, only waking up in time for Fantine's famous song I Dreamed A Dream. 'I saw that and thought 'oh my goodness, I really wanted to sing this song'. I said: 'That's the role I'm going to play.' I just felt connected with that character, even though at that time I wasn't a mom yet,' Go says. She says Fantine's heartaches and 'brokenness' felt familiar. She hopes to channel Fantine's journey and despair through her performance, creating a 'standalone emotional centrepiece' to connect with her audience. Having performed at the Etihad Arena in 2024 as Eliza in Hamilton, Go is familiar with the space. However, she says the Arena Spectacular, which is on a world tour, will feel more like a stadium show. 'This is going to be massive. It's like a proper concert with all the lights and I'm really excited to do it. Back in the Philippines, I've been doing concerts, that was my first love. Doing this together, a concert in an arena and a musical … it's literally a dream,' she said. Donnelly, who stars as Jean Valjean, believes the performance is '50 per cent passion and 50 per cent vocal'. He has played the lead in Phantom of the Opera in the West End, and draws parallels between Valjean and the Phantom. 'They are both troubled, rely on hope, and passionate,' he says. However, as challenging as the role is, the score by Claude Michel Schoenberg does a lot of the work for him, he believes. 'It helps get you into the emotion very easily. Audience members who have never seen the show understand the character and his struggles. The best feeling about this music is that it always gets you there,' he says. Jaden, who plays Inspector Javert, has grown up with the role over the past 10 years. He was the youngest person to take on the character, when he was 29, and his understanding of Javert's perspective has evolved with him. In his mind, he is not the villain that everyone thinks he is. 'I always feel like people say that Javert's the bad guy and I always have to shut it down. He's absolutely not a villain,' he says. 'My job is just to tell the story in the best means that I possibly can, and I leave the judgment of being villainous or a hero up to the audience,' he adds. Jaden describes the arena show as a 'real monster of a piece of theatre', saying audiences will be 'blown away' by the orchestra, costumes and the way the show is set up like a movie with 4K screens to fully immerse the viewer. 'I think what's so great about this concert version is we strip away all the props and moving aspects. It really is just about the storytelling. We're almost putting in this humongous, incredible musical right on your lap.' When Go played Fantine in 2016, she was the only Asian woman in the cast. Filled with uncertainty, she relied heavily on the thought that women who looked like her had paved the way for her to take the role and represent her people. 'When you see people from Asia and you hear them say 'you make us proud', it's so fulfilling. You get emotional,' she says. 'Before, I just wanted to sing, but then there's a deeper purpose why I am on stage. Knowing that purpose, I'm fulfilled. This is what I need to do in life,' she adds, teary-eyed. She says some younger audience members have gone into musical theatre after watching her on stage. 'To hear them reaching for their dreams and stepping out of their comfort zone, I think I'm doing the right thing.' Being a mother has also enriched her performance and made her understand 'real pain'. 'Now I don't need to sit in one corner [before the show] and internalise, because I know how it feels to be a mom.' Similarly, Donnelly says becoming a father has elevated his performance. 'Being a father is about just being there, being present, and that's what I was trying to do with [Fantine's daughter] Cosette. I didn't have to hold her hand or hug her to let her know I was there,' he says. 'The presence of the father was something that I learnt from actually being a dad.' Jaden says he leapt at the chance to return to the role of Javert. Even when taking part in other productions, his affection for Les Miserables never dwindled. 'When this opportunity came to come back to Les Miserables, I jumped at it because my love was still there for that show. My love is still there for that show,' he says. Les Miserables is running from April 10 – 20 at Etihad Arena in Abu Dhabi

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Stanley Tucci doesn't want to be globetrotting food expert like Anthony Bourdain
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Stanley Tucci doesn't want to be globetrotting food expert like Anthony Bourdain

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Why Stanley Tucci doesn't want to be the next Anthony Bourdain
Why Stanley Tucci doesn't want to be the next Anthony Bourdain

The National

time5 days ago

  • The National

Why Stanley Tucci doesn't want to be the next Anthony Bourdain

Stanley Tucci has a lot of time to think, and he hates it. The American actor, 64, has spent the majority of his life making movies – Conclave, The Devil Wears Prada, The Hunger Games, to name a few – and as much as he loves acting, he laments the fact that he doesn't actually do all that much of it. 'Acting doesn't fulfil me as much as it used to,' Tucci tells The National. 'You're on these sets for 12 to 13 hours a day, and you may only act for 20 minutes of that time. I end up thinking, 'there's got to be a better way to do this! I just want to keep going and going – I'm very impatient. 'I get paid to wait. It's the acting I do for free. That's the way I feel, at this point.' The problem is, when you're sitting around all day, you're rarely learning something – even about yourself. It's a problem we all have – but he has lost patience with that disconnect. Which is why, over the last decade, Tucci has gone out into the world to learn more about who he really is – through travel and especially through food. 'I think we've gotten out of touch with ourselves physically,' Tucci explains. 'One of the reasons is we're all sitting in front of computers, or on our phones all the time – or myself, waiting on a set – and desk work is far more prominent than doing any kind of labour.' In Tucci's mind, it's all connected. By focusing more on what he eats, he's thought more about where it comes from – both the land, and the culture and traditions the land inspires. And by starting at the source, we see ourselves more clearly. 'Getting in touch with the land is so important. From the land comes our food, and then the food goes onto the table, and into us,' says Tucci. Growing up, Tucci was also quite disconnected from his roots. He didn't understand why all the other kids at his small-town school 75 km outside of New York City were eating peanut butter and jelly sandwiches and he was having leftovers his mother had packed him of last night's eggplant parmigiana. But with each passing decade, he has increasingly immersed himself in his Italian heritage – and embracing even its flaws. And by focusing his journey on food, he has ended up learning more about the country's rich complexities than one might imagine. All of this is in service to understanding the country – and himself – better. 'I don't want to romanticise Italy. I think that's been done ad nauseum. I think it's not interesting and it's not truthful,' says Tucci. Tucci in Italy, his new National Geographic series airing weekly in the UAE and available to stream on Disney+, embraces what he feels is the true Italy. In the first episode, for example, he explores Tuscany, focusing specifically on dishes that were created by and for the working class. First he tries lampredotto, the Florentine street food sandwich made from the fourth stomach of a cow. It's named after the eels that once inhabited the Arno river, and only the rich could afford. The tripe dish, then, was invented to imitate its flavours. But the story doesn't stop here. Tucci then finds another old peasant dish made with imitation tripe by those that couldn't even afford cow stomach. That one might even be his favourite. Politically speaking, there's a reason that he focuses on the lower class – at a time when, once again, immigrants and the poor are being scapegoated, both in Italy and in the United States. It's something his immigrant family likely went through once, too. 'I think particularly in today's climate, immigrants are vilified and wrongly so, because they have so much to bring to a culture. Millions of Italians once came over to America, and they were vilified to a certain extent. Also, I think that's something that Italian Americans have to remember, and Italians themselves should remember, too,' says Tucci. But as much as he's enjoyed diving into the unexplored corners of Italy for the series – with another season already shot and set to air next year – he's also adamant that his journey will stop there. While he wants to go deeper into his ancestral homeland, a project he started with the CNN series Stanley Tucci: Searching for Italy in 2021, he doesn't want to explore the rest of the world on camera. It's clear he doesn't want to be the next Anthony Bourdain – the late chef who grew internationally famous for his globetrotting food series Parts Unknown. 'I don't want to do different regions and different countries, because I don't think that would be appropriate. I don't have a connection to those countries,' Tucci explains. In fact, it sounds like Tucci doesn't think there should be another Anthony Bourdain at all. 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'As a person who's getting older, your body is changing all the time – meaning it's getting weaker all the time. You need to know what it is you need to strengthen yourself - to keep yourself strong. Otherwise I'll grow impatient with myself, too.'

World needs ambition like Sheikh Mohammed's, says Piers Morgan
World needs ambition like Sheikh Mohammed's, says Piers Morgan

Gulf Today

time29-05-2025

  • Gulf Today

World needs ambition like Sheikh Mohammed's, says Piers Morgan

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