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Return of white storks 'emblem' for nature recovery, conservationists say

Return of white storks 'emblem' for nature recovery, conservationists say

Yahoo21 hours ago

White storks are 'an emblem for nature recovery', according to conservationists bringing the long-vanished breeding bird back to the UK.
The birds could once be seen in Britain's skies and building their huge nests on roofs and buildings as well as trees, but disappeared centuries ago as a breeding bird due to hunting and habitat loss.
While migratory storks still visit from the continent, conservationists say they need security of numbers and the absence of existing colonies mean they do not settle to breed.
So since 2016, a reintroduction project in southern England has sought to create new colonies of rehabilitated injured storks, which can act as a 'magnet' to draw in other wild birds.
The scheme has enabled a wild population of breeding storks re-establish itself for the first time in centuries and delivered unexpected benefits for other birds and wildlife, conservationists say.
The white stork project uses rescued non-flying birds from Warsaw Zoo, Poland, some of which are kept at Cotswold Wildlife Park where they breed, with their young released from Knepp Estate, in West Sussex and Wadhurst Park in East Sussex, to encourage them to come back there to nest.
Other Polish birds, some of which have injuries that mean they can fly short distances but not migrate, live in or around pens on the estates, breeding and establishing the founding colonies that will attract other storks.
At Knepp, the storks are in a landscape that has been 'rewilded' since 2000, with former agricultural land turned over to natural processes using animals including longhorn cattle, red and fallow deer and pigs, whose grazing and foraging help create a mosaic of scrub, disturbed ground and grassland.
There are also areas of woodland, the river has been restored to a more natural state and in just a few years, beavers in an enclosure have turned a small stream into wetlands rich in dragonflies, damselflies and other insects.
Walking through the scrub and grassland punctuated by large trees, it is hard to miss the metre-tall storks soaring through the skies or stalking through the grass, while the distinctive bill 'clattering' they make echoes through the landscape.
White stork project officer Laura Vaughan-Hirsch said they 'love it' at Knepp, where the rewilding process has created healthy soils and habitat and an abundance and diversity of insect life.
While they are primarily wetland birds, 'they love mixed habitats, grasslands, woodlands and lovely big trees to nest in, anything that's insect-rich, worm-rich, that's their thing', she said.
The first chicks were born to birds nesting in the trees in 2020, and non-flying storks produced their first young in ground nests in the fox-proof enclosure in 2023.
This year Ms Vaughan-Hirsch said at least six birds born at Knepp have returned after an annual migration to Africa to nest in the colony, including one who has set up home in the same tree as her parents, and has been stealing nesting material from them.
The team are expecting around 40 fledglings in 2025, including youngsters from the ground-nesting storks which are hand-fed pieces of fish to supplement food their parents can source in the pen.
The storks' success at Knepp shows that 'sort the habitat out, the soils, insects, healthy water systems, and then your storks will come eventually,' she said.
'We all see the white stork as a big charismatic species but what it really is, is an emblem for nature recovery,' she said.
With each chick needing 35kg of food, such as crickets or worms, between hatching and fledging, their survival in the landscape is an indicator of how healthy the ecosystem is.
And in turn the storks' nests – which can weigh up to a tonne – in trees or even on roofs attract an array of insects, while wrens, collared doves, house sparrows and, this year for the first time, blue tits have been seen nesting in the vast structures.
Isabella Tree, who owns Knepp with her husband Charlie Burrell, said their impact on other species was an 'unexpected outcome' of the reintroduction.
'What are we are seeing is that even species that don't have a reputation as being keystone species have an effect on ecosystems.
'They are doing extraordinary things that we had never really known about.'
And she said: 'We think we know what impact a species will have on the landscape, but how can we when our landscape is so fragmented and so depleted. The only way to find out is to try it.'
It is ever more important as climate change pushes species to find new habitat to boost populations of even birds with naturally big ranges, she suggests.
She said the scheme had naysayers in the beginning – including conservationists who did not think it should be attempted or would work.
But she said: 'The absolute joy and excitement is that they are now flying to Morocco on migration and coming back and nesting and having chicks and interacting with wild birds and bringing wild birds back with them as pairs.'
And the storks are a 'totem' for wider river catchment restoration and a way of connecting people with nature, she said.
'We have such a long relationship with these birds, from thousands of years ago, from Egyptians, and ancient Greeks and ancient Islam these birds have been cherished, and they're somehow in our DNA.
'We recognise ourselves in them, they kind of walk like us, they look like brigadiers on a parade ground when they're walking across the fields, and when they're flying they look like pterodactyls,' she said.
Further projects to reintroduce storks are under way in Cornwall and Devon.
And at Knepp it is hoped the birds will spread out from the estate and start nesting away from the current colony, raising the possibility that, in some areas at least, they will become a familiar sight in the skies, trees and on rooftops again.

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Return of white storks 'emblem' for nature recovery, conservationists say
Return of white storks 'emblem' for nature recovery, conservationists say

Yahoo

time21 hours ago

  • Yahoo

Return of white storks 'emblem' for nature recovery, conservationists say

White storks are 'an emblem for nature recovery', according to conservationists bringing the long-vanished breeding bird back to the UK. The birds could once be seen in Britain's skies and building their huge nests on roofs and buildings as well as trees, but disappeared centuries ago as a breeding bird due to hunting and habitat loss. While migratory storks still visit from the continent, conservationists say they need security of numbers and the absence of existing colonies mean they do not settle to breed. So since 2016, a reintroduction project in southern England has sought to create new colonies of rehabilitated injured storks, which can act as a 'magnet' to draw in other wild birds. The scheme has enabled a wild population of breeding storks re-establish itself for the first time in centuries and delivered unexpected benefits for other birds and wildlife, conservationists say. The white stork project uses rescued non-flying birds from Warsaw Zoo, Poland, some of which are kept at Cotswold Wildlife Park where they breed, with their young released from Knepp Estate, in West Sussex and Wadhurst Park in East Sussex, to encourage them to come back there to nest. Other Polish birds, some of which have injuries that mean they can fly short distances but not migrate, live in or around pens on the estates, breeding and establishing the founding colonies that will attract other storks. At Knepp, the storks are in a landscape that has been 'rewilded' since 2000, with former agricultural land turned over to natural processes using animals including longhorn cattle, red and fallow deer and pigs, whose grazing and foraging help create a mosaic of scrub, disturbed ground and grassland. There are also areas of woodland, the river has been restored to a more natural state and in just a few years, beavers in an enclosure have turned a small stream into wetlands rich in dragonflies, damselflies and other insects. Walking through the scrub and grassland punctuated by large trees, it is hard to miss the metre-tall storks soaring through the skies or stalking through the grass, while the distinctive bill 'clattering' they make echoes through the landscape. White stork project officer Laura Vaughan-Hirsch said they 'love it' at Knepp, where the rewilding process has created healthy soils and habitat and an abundance and diversity of insect life. While they are primarily wetland birds, 'they love mixed habitats, grasslands, woodlands and lovely big trees to nest in, anything that's insect-rich, worm-rich, that's their thing', she said. The first chicks were born to birds nesting in the trees in 2020, and non-flying storks produced their first young in ground nests in the fox-proof enclosure in 2023. This year Ms Vaughan-Hirsch said at least six birds born at Knepp have returned after an annual migration to Africa to nest in the colony, including one who has set up home in the same tree as her parents, and has been stealing nesting material from them. The team are expecting around 40 fledglings in 2025, including youngsters from the ground-nesting storks which are hand-fed pieces of fish to supplement food their parents can source in the pen. The storks' success at Knepp shows that 'sort the habitat out, the soils, insects, healthy water systems, and then your storks will come eventually,' she said. 'We all see the white stork as a big charismatic species but what it really is, is an emblem for nature recovery,' she said. With each chick needing 35kg of food, such as crickets or worms, between hatching and fledging, their survival in the landscape is an indicator of how healthy the ecosystem is. And in turn the storks' nests – which can weigh up to a tonne – in trees or even on roofs attract an array of insects, while wrens, collared doves, house sparrows and, this year for the first time, blue tits have been seen nesting in the vast structures. Isabella Tree, who owns Knepp with her husband Charlie Burrell, said their impact on other species was an 'unexpected outcome' of the reintroduction. 'What are we are seeing is that even species that don't have a reputation as being keystone species have an effect on ecosystems. 'They are doing extraordinary things that we had never really known about.' And she said: 'We think we know what impact a species will have on the landscape, but how can we when our landscape is so fragmented and so depleted. The only way to find out is to try it.' It is ever more important as climate change pushes species to find new habitat to boost populations of even birds with naturally big ranges, she suggests. She said the scheme had naysayers in the beginning – including conservationists who did not think it should be attempted or would work. But she said: 'The absolute joy and excitement is that they are now flying to Morocco on migration and coming back and nesting and having chicks and interacting with wild birds and bringing wild birds back with them as pairs.' And the storks are a 'totem' for wider river catchment restoration and a way of connecting people with nature, she said. 'We have such a long relationship with these birds, from thousands of years ago, from Egyptians, and ancient Greeks and ancient Islam these birds have been cherished, and they're somehow in our DNA. 'We recognise ourselves in them, they kind of walk like us, they look like brigadiers on a parade ground when they're walking across the fields, and when they're flying they look like pterodactyls,' she said. Further projects to reintroduce storks are under way in Cornwall and Devon. And at Knepp it is hoped the birds will spread out from the estate and start nesting away from the current colony, raising the possibility that, in some areas at least, they will become a familiar sight in the skies, trees and on rooftops again.

The Sisterhood of Ravensbrück's Story of Resistance
The Sisterhood of Ravensbrück's Story of Resistance

Yahoo

time3 days ago

  • Yahoo

The Sisterhood of Ravensbrück's Story of Resistance

A circa 1941 photo of Germaine Tillion, French ethnologist and member of the French resistance. Credit - adoc-photos/Corbis--Getty Images A new book aims to preserve the stories of the prisoners at an all-female Nazi concentration camp during the Holocaust, who resisted their captors as much as possible. Lynne Olson's The Sisterhood of Ravensbrück: How an Intrepid Band of Frenchwomen Resisted the Nazis in Hitler's All-Female Concentration Camp looks at a labor camp about 50 miles north of Berlin where an estimated 130,000 female inmates were members of resistance movements across Nazi-occupied Europe. They sabotaged any assignments to help with the war effort, hid Polish prisoners who were the subjects of medical experiments, and even wrote and shared an opera to keep their spirits up. For her book, Olson drew on memoirs that the prisoners wrote, past interviews that they conducted, and conversations with their families and the people that knew them. She details horrific conditions in the camp, such as the Nazi officers who hurled scissors at inmates forced to sew Nazi uniforms and the Nazi's so-called doctors who cut open Polish inmates and inserted gangrene bacteria, dirt, and glass into their wounds to see what would happen. As many as 40,000 Ravensbrück inmates died of starvation, disease, torture, shooting, lethal injections, medical experiments, and from lethal gas. Here, Olson discusses the most shocking stories about the all-female Nazi concentration camp. TIME: Why isn't the history of Ravensbrück better known? OLSON: It was liberated by the Soviets, rather than the Americans. When the Soviets liberated camps, there were no Western journalists, so there are no photos, no footage of the liberation of the camp. Ravensbrück was also liberated very late in the game. Most of the other camps had been liberated. There had been so much publicity about the other camps, and then nobody knew anything at all about Ravensbrück. A shocking revelation in the book details how one of the prisoners at Ravensbrück was Geneviève, the niece of Charles de Gaulle, the leader of the French resistance movement and future President of France. Before she got caught by the Gestapo, she was a major figure in persuading resistance leaders that De Gaulle would help lead France out of this horrendous situation that they found themselves in. Geneviève would go around to the various barracks—something that was totally forbidden—and speak to the other French women about him and his plans for France after the war. He gave those women something to believe in and to fight for, to believe that maybe actually they would survive and that France would survive. She was incredibly important in keeping up the spirits of the French women there. What are some of the most surprising stories you learned about what happened in the camp? One of the most horrible ones is the medical experiments that the Nazis conducted on the young Polish prisoners, most of whom were in their late teens and early 20s. He would break their legs and see if they grow back. He inserted bacilli, tetanus and germs [into them], cut their legs to ribbons. Most of them were crippled for the rest of their lives. The records show that basically all of them survived. As the war grew to a close, the Nazis were going to execute all of the survivors of these experiments to do away with the evidence of what they had done. In the last month of the war, Ravensbrück got tens of thousands of women who had been in other camps, and it was not clear exactly who was who, so it was much easier to get away with things. Women dug little caves under the barracks and hid the Poles there. Some [inmates] managed to smuggle the Poles into convoys that were going out. It's fascinating to see that one of the inmates composed an operetta about life in the camp, as her form of resistance. I assume that did not get performed in the camp? That's my favorite story in the entire book. It was written down, and it was circulated among French women. Germaine Tillion came up with it late one night in 1944. At the time that she wrote it, the women of Ravensbrück were beginning to think that they were not going to get liberated, that they were going to get killed before the end of the war. Tillion spent 10 days writing this operetta to boost their spirit—complete with dances, music, and songs that she remembered. Every night after work, she would gather secretly with the French women in her barracks, and she would teach them the songs and the dance. They would sing these songs on their way to work, guarded by German guards. The Germans didn't understand French, and these women would basically be making fun of them as they walked along. More than 60 years later, it was performed in Paris, very close to Germane Tillion's 100th birthday. It was a huge success, and it's being performed to this day, mostly in France, but it's been performed in the US and other countries. Were there any other key ways that these women resisted or stood up to the Nazis in the camp? One of the most important ways was to try not to do anything that would help the Germans in their war effort. They would actually hide to avoid being sent to munitions factories. Those who couldn't get out of it did their best to sabotage whatever they were doing. If they were making parts for guns, they would do their best to make sure that those guns didn't work. They stole supplies. They were constantly trying to come up with ways to defy the Germans. What happened to these women after Ravensbrück was liberated? Germaine Tillion became known as one of the top French intellectuals in France after the war, and Geneviève de Gaulle set up an international organization to help the poor and the homeless. When she saw the poor and the homeless in France after the war, they reminded her of herself and the other inmates in Ravensbrück. Basically, the French overall wanted to forget the war. They wanted to forget the fact that, as a country, France had capitulated to the Germans and then collaborated with the Germans. They didn't really want to face what their country had done. They were determined to make it very clear to the country—and also to the men who were taking credit for the resistance—that women had sought to keep their country free. What did you find in your research that strikes you as particularly timely in 2025? In this evil place that was designed to dehumanize you, these women created this sisterhood and refused to allow that to happen. [The resistance in] Ravensbrück shows the incredible power of individuals when they come together to overcome evil in the worst of situations. Authoritarianism is back, and this book is a lesson: You're not powerless. You're not powerless if you join in the community and work together to do something. Write to Olivia B. Waxman at

How Women Imprisoned at an All-Female Concentration Camp Resisted the Nazis
How Women Imprisoned at an All-Female Concentration Camp Resisted the Nazis

Time​ Magazine

time3 days ago

  • Time​ Magazine

How Women Imprisoned at an All-Female Concentration Camp Resisted the Nazis

A new book aims to preserve the stories of the prisoners at an all-female Nazi concentration camp during the Holocaust, who resisted their captors as much as possible. Lynne Olson's The Sisterhood of Ravensbrück: How an Intrepid Band of Frenchwomen Resisted the Nazis in Hitler's All-Female Concentration Camp looks at a labor camp about 50 miles north of Berlin where an estimated 130,000 female inmates were members of resistance movements across Nazi-occupied Europe. They sabotaged any assignments to help with the war effort, hid Polish prisoners who were the subjects of medical experiments, and even wrote and shared an opera to keep their spirits up. For her book, Olson drew on memoirs that the prisoners wrote, past interviews that they conducted, and conversations with their families and the people that knew them. She details horrific conditions in the camp, such as the Nazi officers who hurled scissors at inmates forced to sew Nazi uniforms and the Nazi's so-called doctors who cut open Polish inmates and inserted gangrene bacteria, dirt, and glass into their wounds to see what would happen. As many as 40,000 Ravensbrück inmates died of starvation, disease, torture, shooting, lethal injections, medical experiments, and from lethal gas. Here, Olson discusses the most shocking stories about the all-female Nazi concentration camp. TIME: Why isn't the history of Ravensbrück better known? OLSON: It was liberated by the Soviets, rather than the Americans. When the Soviets liberated camps, there were no Western journalists, so there are no photos, no footage of the liberation of the camp. Ravensbrück was also liberated very late in the game. Most of the other camps had been liberated. There had been so much publicity about the other camps, and then nobody knew anything at all about Ravensbrück. A shocking revelation in the book details how one of the prisoners at Ravensbrück was Geneviève, the niece of Charles de Gaulle, the leader of the French resistance movement and future President of France. Before she got caught by the Gestapo, she was a major figure in persuading resistance leaders that De Gaulle would help lead France out of this horrendous situation that they found themselves in. Geneviève would go around to the various barracks—something that was totally forbidden—and speak to the other French women about him and his plans for France after the war. He gave those women something to believe in and to fight for, to believe that maybe actually they would survive and that France would survive. She was incredibly important in keeping up the spirits of the French women there. What are some of the most surprising stories you learned about what happened in the camp? One of the most horrible ones is the medical experiments that the Nazis conducted on the young Polish prisoners, most of whom were in their late teens and early 20s. He would break their legs and see if they grow back. He inserted bacilli, tetanus and germs [into them], cut their legs to ribbons. Most of them were crippled for the rest of their lives. The records show that basically all of them survived. As the war grew to a close, the Nazis were going to execute all of the survivors of these experiments to do away with the evidence of what they had done. In the last month of the war, Ravensbrück got tens of thousands of women who had been in other camps, and it was not clear exactly who was who, so it was much easier to get away with things. Women dug little caves under the barracks and hid the Poles there. Some [inmates] managed to smuggle the Poles into convoys that were going out. It's fascinating to see that one of the inmates composed an operetta about life in the camp, as her form of resistance. I assume that did not get performed in the camp? That's my favorite story in the entire book. It was written down, and it was circulated among French women. Germaine Tillion came up with it late one night in 1944. At the time that she wrote it, the women of Ravensbrück were beginning to think that they were not going to get liberated, that they were going to get killed before the end of the war. Tillion spent 10 days writing this operetta to boost their spirit—complete with dances, music, and songs that she remembered. Every night after work, she would gather secretly with the French women in her barracks, and she would teach them the songs and the dance. They would sing these songs on their way to work, guarded by German guards. The Germans didn't understand French, and these women would basically be making fun of them as they walked along. More than 60 years later, it was performed in Paris, very close to Germane Tillion's 100th birthday. It was a huge success, and it's being performed to this day, mostly in France, but it's been performed in the US and other countries. Were there any other key ways that these women resisted or stood up to the Nazis in the camp? One of the most important ways was to try not to do anything that would help the Germans in their war effort. They would actually hide to avoid being sent to munitions factories. Those who couldn't get out of it did their best to sabotage whatever they were doing. If they were making parts for guns, they would do their best to make sure that those guns didn't work. They stole supplies. They were constantly trying to come up with ways to defy the Germans. What happened to these women after Ravensbrück was liberated? Germaine Tillion became known as one of the top French intellectuals in France after the war, and Geneviève de Gaulle set up an international organization to help the poor and the homeless. When she saw the poor and the homeless in France after the war, they reminded her of herself and the other inmates in Ravensbrück. Basically, the French overall wanted to forget the war. They wanted to forget the fact that, as a country, France had capitulated to the Germans and then collaborated with the Germans. They didn't really want to face what their country had done. They were determined to make it very clear to the country—and also to the men who were taking credit for the resistance—that women had sought to keep their country free. What did you find in your research that strikes you as particularly timely in 2025? In this evil place that was designed to dehumanize you, these women created this sisterhood and refused to allow that to happen. [The resistance in] Ravensbrück shows the incredible power of individuals when they come together to overcome evil in the worst of situations. Authoritarianism is back, and this book is a lesson: You're not powerless. You're not powerless if you join in the community and work together to do something.

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