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Who Will Be The Next James Bond? Here are the 11 stars tipped for 007 as Theo James overtakes Henry Cavill as favourite

Who Will Be The Next James Bond? Here are the 11 stars tipped for 007 as Theo James overtakes Henry Cavill as favourite

Scotsman23-04-2025

It has been over well three years since Daniel Craig's hung up his tux after starring in his final James Bond film, 'No Time To Die'.
The stars in the running to be the next James Bond. | Getty Images
Since then there has been feverish speculation over who will succeed him in one of the world's biggest film franchaises.
A succession of big names have seemed to be in poll position to follow in the footsteps of Sean Connery , David Niven, George Lazenby, Roger Moore, Timothy Dalton, and Pierce Brosnan.
In 2024 it was reported that Kickass star Aaron Taylor-Johnson had accepted the job, but it seems that this may not have been entirely accurate.
And there is now further doubt about the recruitment process after Barbara Broccoli and her half brother Michael G. Wilson, who have effectively previously handpicked the actors to play the character since the 1990s, signed over 'full creative control' to Amazon MGM Studios.
That development has shaken up the odds, with these actors currently favourite to pull on 007's tuxedo in the next James Bond film.
1 . Theo James - 6/4
A relatively recent tip to play 007, Divergent series star Theo James' name hadn't been mentioned until a few months ago. Recently in cinemas with comedy horror 'The Monkey', he's now the 6/4 favourite for Bond. Critically acclaimed for his performance in the television series 'The White Lotus', he also recently played the lead role in Guy Ritchie's action comedy series 'The Gentlemen'. Looks pretty good in a tux. | Getty Images Photo Sales
2 . Henry Cavill - 4/1
'Superman' and 'The Witcher' star Henry Cavill had been favourite to be the next Bond when Daniel Craig hung up his tux but saw his odds slip in the following months and years. Now, he's back to being one of the most likley choices, with odds of 4/1. He's no stranger to playing iconic British characters - he portrays Sherlock Holmes in the Enola Holmes films. | Getty Images for CinemaCon Photo Sales
3 . Louis Partridge - 11/2
If the new Bond producers go down the route of following the adventures of a young 007 then English actor Louis Partridge is in poll position. His breakthrough came with the Netflix mystery film 'Enola Holmes' and its 2022 sequel. He also played punk icon Sid Vicious in miniseries 'Pistol' and recently starred in Alfonso Cuarón thriller series 'Disclaimer'. He's the 11/2 third favourite. | Getty Images for Netflix Photo Sales
4 . Jack Lowden - 7/1
Equally at home on the stage or on the screen, Scot Jack Lowden first found fame in 2016 BBC miniseries of 'War & Peace' and has since starred in the likes of 'Dunkirk' and 'Mary Queen of Scots'. He's reached his biggest audience to date starring opposite Gary Oldman in acclaimed spy drama 'Slow Horses'. He's priced at 7/1 joint third favourite to be the first Scottish James Bond since Sean Connery. | Getty Images Photo Sales

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Why must I whisper so quietly about my love for Morrissey?
Why must I whisper so quietly about my love for Morrissey?

The Herald Scotland

time2 hours ago

  • The Herald Scotland

Why must I whisper so quietly about my love for Morrissey?

Yet, in a rush to "cancel" Morrissey, we risk discarding one of the most brilliant and idiosyncratic lyricists and vocalists of modern music – an artist whose contribution will arrive in history as more important than any polarising or contrarian statement he is so eager to express. Read more: Morrissey is not a politician or someone with any institutional power, so to hold him or any artist to the same standard is a strange allocation of moral righteousness. He is certainly saying the opposite of what I believe, some of which I find rather vile, but then I also realise that the personal opinion of an artist matters little in the grand scheme. That's not what he's here for, ultimately, and not what should be judged at the end of it all. The ability to judge art on its own terms further eludes us, and many are happy now to rewrite the narrative of Morrissey and his contributions. Detractors who cannot help but give The Smiths their due credit have no issue reducing the critical role he played in the group, as if doing so assuages the guilt of their enjoyment from any controversy of his they might not like. Johnny Marr, Morrissey, Mike Joyce and Andy Rourke of The Smiths (Image: Getty Images) 'I listen to The Smiths for Johnny Marr's guitar' is a sentence often banded about to distance the band and their significance from their main figurehead. With all due respect to the intricate, melodic guitar lines of Marr, the personality, substance and concept of the group was fully the brainchild of Morrissey. The emotional tilt? Morrissey. The artistic direction of faded soap opera actors, Warhol freaks and classic film stars that adorned the group's iconic covers and aesthetics? Morrissey, through and through. The mindset that informed the well-revered artistic impulses of The Smiths remains in his recent work, yet this turn towards right-wing controversy has tainted and perhaps blinded the perception of it. 'Spent the Day in Bed', a single from 2017, features the chorus refrain of 'Stop watching the news because the news contrives to frighten you, to make you feel small and alone', a sentence that would not be surprising loudly proclaimed from the mouth of Alex Jones. Yet it is the same kind of definitive cultural statement that could be seamlessly placed on The Queen Is Dead or any other beloved record, where its inclusion would not raise eyebrows at all. Read more: His past work, seemingly once perfectly understood at some point in time, sees unfair re-interpretation through his recent views. 'Bengali in Platforms', from his 1988 debut solo album Viva Hate, is a classic Morrissey character sketch of a Bengali boy struggling to fit in after immigrating to the UK. What was once a song that seemed highly empathetic to the plight of the outsider is now highlighted as an example of Morrissey's racism perpetuating through his art. But one wonders if those staking that claim have even bothered to listen to the song and have considered the slightest bit of nuance within it. 'He only wants to embrace your culture and to be your friend forever,' he sings, very unlike a man who would eventually sport a For Britain pin on his blazer. The contentious climactic line of its chorus, 'Shelve your Western plans and understand / because life is hard enough when you belong here', could very well be the artist extending sympathy to the further alienation that immigrant status creates for life in the UK, where the grass is not necessarily greener per se, and where moving in the world cannot fix the inherent contradictions, despair and loneliness of the human condition. Yet taken at face value, the song goes from a considered and nuanced portrait to just a flat confirmation of Morrissey's boorish proclamations. That is a shame. Read more: Morrissey is currently happy to play the provocative villain surrounded by pitchforks, something that he has always done in different ways, and it's obviously not helping his case. His record deal with Capitol Records ended in 2022, with an unreleased album called Bonfire of Teenagers stuck in purgatory while his former label holds onto the rights. Perhaps this is what being cancelled is, but to think someone like Morrissey can be in any way a victim in this scenario is hyperbole. He is a figure that can exist rather comfortably outside of the mainstream music industry, where he does not have to answer for any of his beliefs or opinions. Regardless, he is still the holder of quite an artistic legacy, and attempts to rewrite this will essentially be in vain once the cultural moments shift yet again.

The warehouse powering Edinburgh's new era of screen success
The warehouse powering Edinburgh's new era of screen success

The Herald Scotland

time2 hours ago

  • The Herald Scotland

The warehouse powering Edinburgh's new era of screen success

But a new era of screen success for the city is now being propelled behind closed doors on the edge of the city's docklands – in a former wave power plant, which was originally built 25 years ago by an engineering company. Matthew Goode and Alexej Manvelov star in the new Edinburgh-set thriller Dept Q. (Image: Netflix) Launched by former record company film producer Bob Last and actor director Jason Connery, son of the Edinburgh-born screen legend Sean Connery, FirstStage is now said to be generating tens of millions of pounds for the economy every year and allowing the city to capitalise on the streaming platform boom. New Netflix series Dept. Q, which stars Leah Byrne, Matthew Goode and Alexej Manvelov, was shot at FirstStage Studios in Leith. (Image: Netflix - Department Q) The conversion of the vast blue warehouse complex into a long-awaited permanent film studio for the city got underway just as the global screen industry was being put into lockdown by the pandemic - and hosted its first major production as soon as Covid restrictions were lifted across the UK. Five years later, FirstStage Studios has played host to some of the biggest players in the lucrative world of 'streamers,' including Amazon, Netflix and Sony, and transformed Edinburgh's ability to play host to productions. Two seasons of the supernatural thriller series The Rig were shot at FirstStage Studios in Leith. (Image: FirstStage Studios) These include two seasons of the supernatural thriller The Rig, which were set in the North Sea and the Arctic Circle, the feature film The Outrun, for scenes set in London's nightclub scene and the time travel fantasy saga Outlander, for a final series expected to be set during the American Revolution. But its most recent production is being seen as another game-changer for the city's screen industry – with FirstStage used for the first time for a new nine-part thriller set in modern-day Edinburgh which is hoped to become a long-running series. The feature film The Outrun was partly shot at FirstStage Studios in Leith. (Image: Bob Last/FirstStage Studios) Locations across the Scottish capital were deployed for the latest Netflix thriller Dept. Q, which focuses on a new cold case unit set up in the heart of a police headquarters in the city. Although detective Carl Morck and his team appear to be based in the shadow of Edinburgh Castle, the inside of the atmospheric HQ and its grimy basement were created from scratch at FirstStage, along with other elaborate sets that feature in the show. A pit that can be used for underwater filming sequences is one of the key assets at FirstStage Studios in Leith. (Image: FirstStage Studios) The Downton Abbey and Crown actor Matthew Goode and a host of Scottish screen stars, including Shirley Henderson, Kate Dickie, Mark Bonnar, Jamie Sives and Leah Byrne, spent around six months making Dept. Q in Edinburgh – with around half of the film done inside the Leith studio. Eagle-eyed viewers may also be able to spot locations as varied as the City Chambers, the Signet Library, Greyfriars Bobby's Bar, Mortonhall Crematorium, Wester Hailes, the Edinburgh International Climbing Arena near Ratho and the Codebase building, on Castle Terrace, which stands in for the exterior of the police HQ. Launching the show in Edinburgh, writer-director Scott Frank, creator of the hit Netflix series the Queen's Gambit, described the extensive shoot on Dept. Q - which is based on Danish writer Jussi Adler-Olsen's novels - as 'the happiest experience' of his career. He said: 'You have great crews, you have great people and everything about shooting here is easy. 'The weather is interesting. It's the only place I've ever been where you can all four seasons in one day. 'The studio was wonderful. We had some pretty big sets and, partially because of the weather, we shot around half the show there. It was terrific. I loved working there.' Successive generations of Scottish screen industry leaders had lobbied for years for the country to create its own studio facilities. But the long-held dream did not become a reality until the Scottish Government and its screen agency agreed to help support Sony and Starz to find a home for its new show Outlander, which began filming in 2013 in a warehouse complex beside the M80 motorway in Cumbernauld. Four years later, the Leith Docks site, which was lying empty after a wave power company had gone into administration, was used for the first time by Marvel Studios while they spent around seven weeks shooting scenes for the blockbuster Avengers: Infinity War in the city's Old Town. Within months of the superhero being released, the Scottish Government and its Screen Scotland agency had launched a bid to create a permanent studio facility there, with Bob Last and Jason Connery announced as the successful team to take the project forward in March 2020. Bob Last said: 'When I was an independent film producer there was a lot of talk about studios, but I wouldn't have been able to afford to use one if it had been there on the budget of an independent film. 'There wasn't really enough demand for a studio until the streamers started making the level of content that they did. I saw that they were completely changing the way that people consumed content. 'When I was introduced to this building it was the first time that I felt there was a viable way of providing the scale that these huge shows needed. If we were going to attract shows to Scotland it was all going to be about competitive cost. "There used to be a lot of talk about building new studios from scratch in Scotland. But the cost of that would have meant that any such studio would have priced itself out of the market. 'We've been extremely busy since we opened pretty much on the first day of lockdown. We've had Amazon, Sony and Netlix shows in now, and have also been doing a rolling programme of work on the building, which has all sorts of unique and extraordinary elements. 'The pit that we use as a tank is one of the most interesting assets we have. If you were building a studio from scratch it would be insanely expensive to build, but it has turned out to be extremely useful. 'We also have 60 tonne and 20 tonne cranes, which have also been used by productions. You would never install them in a studio.' Chloe Pirrie is one of the stars of the new Netflix series Dept. Q, which is set in Edinburgh. (Image: free)The Scottish Government's film and TV agency Screen Scotland describes FirstStage Studios as a 'unique proposition' due to its size and facilities. The complex, which covers 8.9 acres, boasts 115,000 sq ft of shooting space up to 82 ft high, as well as offices, workshops and on-site parking for more than 200 vehicles. A spokesperson said: 'FirstStage has a number of key advantages. "It is one of very few UK-based studios to host a tank for underwater shooting, which has been used in productions including The Rig and The Outrun. 'Because of its height, FirstStage also has the capacity for very large set builds, and the large backlot as well as production offices and ancillary buildings on site. 'On its opening in 2020, once Covid restrictions were lifted it immediately became home to The Rig, Amazon's first UK drama commission. Created by Portobello-based writer David Macpherson, it perfectly highlighted the versatility and quality of the studio. An incredibly ambitious project, it was shot entirely in Scotland, and largely inside the FirstStage studio and surrounding lot. "Dept. Q from Netflix has built further on the potential first realised by The Rig and has again shown that FirstStage can deliver against the expectations and requirements of large-scale international productions.' Bob Last said: "If we knew the budgets of our customers we wouldn't be able to talk about them. "When a big show comes in here they will spend a lot of money in the city. We can have 200 people working here at the same time. "We are certainly anchoring tens of millions of pounds in direct spending ever year." Rosie Ellison, film commissioner at Film Edinburgh, the city's long-running film office, highlighted the transformation of the screen industry since the advent of the Leith studio. 'Edinburgh used to pick up a couple of days of or maybe a week or two of filming on productions. 'A production based at FirstStage might be here for a full six months of filming, plus another two or three months of preparation, plus another month or so winding down the production. 'The economic impact of a production and the opportunities it creates are very different to what they were before we had the studio. Productions are spending a lot when they are here, they are hiring local services and creating jobs for our young people to get involved in the industry. 'Dept Q was based at FirstStage, but they were also out and about every month, making use of our urban, rural and coastal locations, different kinds of architecture and office spaces. All sorts of landscapes will appear in that show, including places that people have never been seen on screen before." FirstStage Studios in Leith has been up and running for more than five years. (Image: FirstStage Studios)Hugh Gourlay, supervising location manager on Dept. Q said: "We filmed in something like 13 of the city's 17 council wards. 'There's such a variance in the architecture in Edinburgh: you've got the New Town, the medieval parts, the narrow closes, the wide streets, and the high-rise flats of parts of the city." For Bob Last, the city itself is a major selling point to help attract big-budget productions to FirstStage. 'Ware now on that global map because of the shows that have been here. When people are sitting in LA going down a list of studios we are on that list. That's where we need to be. "For us, Edinburgh as a city for someone to come and live and work in for six months is a massively important asset. There are five stars hotels near the studio and Michelin-starred restaurants literally walking distance away. 'These kind of shows are bringing people in from a global talent pool. If you're going to live and work somewhere for six months Edinburgh is a pretty cool place to do that.' Speaking at the Dept Q premiere in Edinburgh, showrunner Scott Frank said: 'When I came to Edinburgh I immediately knew we had to shoot here. I felt instantly inspired. 'It made me want to work even more in terms of the story to make it work more for Edinburgh. It was a really easy decision to film here. 'I loved living here and it was very easy to work here. I found Edinburgh very inspiring. 'I would love to come back. We'd all love to come back. We really enjoyed ourselves and I think we all got very close. I think we have a really good way of doing the second season. I hope people watch the show and we get to do it again.'

Mary Berry told Prue Leith 'he doesn't need you' in honest response to Bake Off question
Mary Berry told Prue Leith 'he doesn't need you' in honest response to Bake Off question

Wales Online

time3 hours ago

  • Wales Online

Mary Berry told Prue Leith 'he doesn't need you' in honest response to Bake Off question

Mary Berry told Prue Leith 'he doesn't need you' in honest response to Bake Off question Great British Bake Off judge Dame Prue Leith has opened up about the advice she was given by her predecessor, Dame Mary Berry, after taking over from her on the show Dame Prue Leith has revealed how she spoke to Dame Mary Berry shortly after taking a role on the Great British Bake Off (Image: undefined via Getty Images ) Dame Prue Leith has shared an insightful tidbit about Dame Mary Berry's advice when she was set to take over from the baking legend on the Great British Bake Off. Already a celebrated figure in the culinary scene and having made various TV appearances, Dame Mary became a familiar face on the BBC in 2010 with her co-host Paul Hollywood on The Great British Bake Off, providing critiques on the contestants' baking creations. ‌ After a remarkable six-year stint on the show, Dame Mary chose to depart out of allegiance to the BBC when GBBO's move to Channel 4 was announced. ‌ Dame Mary stepped down from her position on the Channel 4 in 2016 (Image: undefined via Getty Images ) The announcement soon followed that Dame Mary's successor would be none other than Dame Prue, with Paul continuing his role as judge. Reflecting on this significant moment in her career during an interview on the Spooning with Mark Wogan podcast, Dame Prue reminisced about reaching out to Dame Mary for guidance ahead of stepping into her new role. Article continues below Reflecting on her past interactions with the renowned baker, Dame Prue recalled: "I have known Mary for many, many years, we're not close friends but we do like each other. Dame Prue revealed how she was eager to get a character reference of Paul Hollywood after taking a role on the show (Image: undefined via Getty Images ) "When I got the job that she had given up on Bake Off, I rang her up to ask her whether Paul Hollywood was workable with, and I thought, she had worked with him for eight years by then, so I knew she would tell me the truth." ‌ She recounted Dame Mary's sage advice about working with Paul: "She was very interesting, she said 'do you know what? He is so good and he is very good at his job and he knows baking backwards, he's a lovely guy and very friendly and easy to work with'." Dame Prue also divulged what the cherished baker warned her about: "But, he knows so much and he's so knowledgeable, he doesn't need you at all. You have to just hold your own and push yourself in because he'll just do the show without you'." Dame Prue recently stepped back from her role on the celebrity edition of the show (Image: undefined via Getty Images ) Article continues below Even though Dame Prue has been a part of the show since taking over from Dame Mary in 2017, avid GBBO followers might have noticed her absence in the celebrity special, where newsreader Kate Garraway triumphed as the champion. Discussing why she opted out of the latest series, she cited the demanding schedule as a key reason: "These things are filmed back-to-back all the way through summer from April to August so you don't get any time off." Continuing, she shared: "I'm getting quite old and there's places I want to see. So I'm not doing this year's."

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