Cardi B shares biggest fear about raising kids with ex Offset
Cardi B has opened up about one of her biggest concerns when it comes to raising her children with ex Offset—making sure they stay motivated and driven.
The Grammy-winning rapper took to Instagram Stories on Jan. 29 to share her fears about their three children: Kulture Kiari Cephus, 6, Wave Set Cephus, 3, and their 4-month-old daughter, whose name has not been revealed.
"My biggest fear is my kids not having that DRIVE," Cardi wrote. "IDGAF what you wanna do!! MAKE A BILLION DOLLARS OUT OF IT!"
Cardi, 32, born Belcalis Marlenis Almánzar, knows firsthand the hustle it takes to succeed. She first gained fame in 2015 as a reality star on Love & Hip Hop: New York before skyrocketing to international stardom with her 2017 hit single Bodak Yellow. Before her music career, she worked as a stripper for four years, often emphasizing the importance of financial independence and hard work.
While Cardi and Offset have had a public on-and-off relationship, they continue to co-parent their children. Her latest statement sheds light on the struggles of raising kids in wealth, ensuring they develop the same work ethic that helped her build her empire.
As Cardi balances fame, business ventures, and motherhood, she remains focused on instilling ambition and determination in her children.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Express Tribune
7 hours ago
- Express Tribune
Sabrina Carpenter's new album cover for "Man's Best Friend" sparks controversy
Sabrina Carpenter's new album cover for Man's Best Friend has quickly become a topic of heated debate across social media. Unveiled during a recent Instagram Live session, the provocative artwork has divided fans and critics alike, with many expressing concern over its imagery. The image shows Carpenter on all fours, with a faceless figure in black slacks gripping her blonde hair, a visual that many fans have described as overly sexual and submissive. Adding to the controversy, Carpenter posted a close-up of a heart-shaped dog collar engraved with the album title, further intensifying the debate. Critics quickly took to social media, with some labelling the imagery as irresponsible, citing concerns over its portrayal of misogyny and violence. Every day men men men ENOUGH — Sarah (@whomstissarah) June 11, 2025 thinking about how hair pulling was one of the first forms of violent misogyny me and many other women faced as young girls - I really hope this is not the album cover, it feels deeply irresponsible — Tara Mae 🤍 (@txrzyy) June 11, 2025 the sydney sweeney of the music industry — ❦ (@voguesrare) June 11, 2025 However, many of Carpenter's supporters saw the backlash as lack of media literacy and defended the cover, praising the pop star for being subversive. it's a metaphor for being treated like a dog y'all — atticus (@bedchemyst) June 11, 2025 before #they start crying, this photo is obviously a metaphor for how men treat women like shit look at how the man is gripping her hair…let's use common sense this round PLEASE — brandi (@brandioutsold) June 11, 2025 Alongside the cover controversy, Carpenter's lead single "Manchild", produced by Jack Antonoff, has topped both the U.S. and Global charts on Spotify, demonstrating her ongoing success in the music industry. This new album follows Carpenter's successful Short n' Sweet release in 2024, which earned critical acclaim and several Grammy wins.
Express Tribune
14 hours ago
- Express Tribune
Pump petrol, earn raptures
Quick, without Googling or consulting ChatGPT, riddle us this: what is the most ludicrous, outlandish, woman-in-men's-field thing a female person do to earn the respect of a man? Is it building a rocket? Sliding into a parallel parking spot in 0.5 seconds? Building a career as a petrol station attendant? We need neither brains nor AI to assist with this answer, because we have Imran Abbas toiling away on Instagram Stories to tell us: it is number 3. Possibly because women have little time left for rocket-building over the course of a busy work day, and also because very few women in their right minds would attempt to parallel park when there is a perfectly good spot available half a mile away free of both other cars and braying bystanders. Which just leaves us with the petrol station thing. Earlier this month, Imran was impressed enough to post (with consent) a video of the woman refuelling his car, not unlike a tourist on safari in Africa pulling over to quickly snap photos of a wandering leopard before it slinks away into the bush. Just before telling us all this her name, Imran urges us to check out this rare sighting of a 'working woman', saying, "Look at this, women here are in every field of work." The label splashed across his video read "Respect!!!". Yes, all three exclamation marks are his own. What's the problem? In an interview earlier this year, when touching upon society's favourite oxymoron (the "working woman") the ever dependable Sania Saeed, fierce defender of those of those she shares a gender with, pointed out that in rural areas, women had been working and farming alongside men for generations without anyone recognising their value. Bearing Sania's observation in mind, the real question is this: why is it noteworthy for a woman to be working at a petrol station? Why can a woman not be out in the wild earning a living without people getting out of their cars to marvel at the spectacle? Is it because there are so many cultural barriers for women to break through that by the time they make it to the finish line at the petrol station, it is time to hand out medals and/or film it all for posterity? Is this awed state the equivalent of a woman overcome with raptures over a man who is both liberal and culinarily advanced enough to boil himself an egg for breakfast? As a man as social media savvy as Imran must be aware, in the wake of any content posted online, it is the prerogative of followers to comb it for subtext with the diligence of a forensics expert searching a crime scene for clues. On social media, a spade is rarely ever a spade. You put up your post, and in return, we put on our Sherlock hats and ask the important questions: What can we glean from this five-second video about this person's innermost thoughts and society at large? In Imran's defence We have little interest in Imran's innermost thoughts – unless, of course, he is reckless enough to publicly compose a post titled "My innermost private thoughts", in which case it is open season on the poor man. In this spirit, it is necessary to back up Imran's one-word helpful caption and note that, as he so thoughtfully pointed out, it is of course entirely respectable to earn a living at a petrol station. He is not wrong on that score. We must also absolve him of any nefarious intentions of patronising this woman in the same way as someone else would praise a four-year-old's drawing of a cat. This is not meant to be an attack on Imran, who, lest we forget, was amongst the first male celebrities to publicly condemn the murder of Sana Yousaf, a woman who fell afoul of a man spurned. In this petrol station situation, Imran's was an entirely innocuous post, put up to celebrate the power of women defying social norms to go out and earn a living that does not involve a more traditionally female career, such as teaching or making snide comments about blackheads whilst threading 50 eyebrows a day. All of which is a very roundabout way of circling back to our original question: why are there so many social norms that necessitate defying in order for a woman to find work at a petrol station? Is such public appreciation yet another example of hidden patriarchy? Of course, it is a bit pointless to go searching for hidden patriarchy in Pakistan when we have such a rich abundance of the in-your-face variety, displayed so gloriously on our dramas on our screens and there for your viewing pleasure on the off chance that you have not had your fill of patriarchy in your real non-drama life. To pick at random, Naqsh, starring Hina Altaf, shows us a father informing his daughter that she must marry the man of his choice on the grounds that he is her father, despite her protestations to the contrary. Meanwhile, Kabhi Main Kabhi Tum (in which a woman felt compelled to marry a stranger so as to spare her parents awkward questions about why there was a bride-shaped space on the wedding stage) shows Hania Aamir's Sharjeena sprinting to the kitchen after putting in a full day at work without anyone batting an eye (although her more sympathetic housemates do take care to compliment her cooking, a heartwarming moment for which we are urged to give them an undying round of applause.) Down with patriarchy Many educated women will be fortunate enough to no longer have to put up with a father stubbornly insisting they marry whatever specimen he parades before them, but unfortunately they will still find themselves occupying the Sharjeena end of the spectrum when it comes to striking that work-life balance. And naturally, if a real-life Sharjeena lands herself a man who will voluntarily boil that egg, she it to be congratulated for winning the lottery. We should not belittle Imran for recognising the hard work put in by a woman. It is, after all, the very thing that Sania stressed people fail to do. But the very fact that a woman is celebrated for being able to work in what would otherwise have been a post taken up by a man points unwittingly to a society rooted in preferring that that woman stay home instead and trot out beautiful rotis as if drawn by the hand of God. Or a compass. As Morgan Freeman succinctly remarked way back in a 2006 interview, the only way to get rid of racism is to stop talking about it. In the same vein, the only way to hack away at deep-rooted patriarchy is to not stop and take note every time a woman steps out of the house to earn a living just like a man. Hopefully, we can achieve this noble goal before Katy Perry builds a second home on the moon. Although perhaps if we insist on entertaining such notions, we are just the dreamers of dreams.
Express Tribune
14 hours ago
- Express Tribune
Saba Qamar skipped Eid glamour for rest
Actor Saba Qamar has opened up about her absence from social media during Eidul Azha, revealing that she chose rest over ritual dressing this year. In a heartfelt Instagram story, the Kamli actor explained she spent the three days of Eid in quiet reflection, prioritising healing and self-care after a demanding year of non-stop work and travel. "I know so many of you were waiting to see my Eid look this time, and I just want to say that there wasn't one," Qamar wrote. "I didn't wear anything special, didn't dress up, and, for once, I didn't feel like I needed to." The actor added that she spent Eid taking it slow. "This Eid, I chose rest - pure, simple, and soulful rest," she said. "I spent these three days lying down, oil in my hair, good food in front of me, quiet prayers in my heart, and a whole lot of healing." "My heart was quietly asking for a break, and I listened," Qamar explained. "Sometimes, we have to pause, breathe, and come home to ourselves. This Eid, I did just that. No glam, no noise - just me-time." This is not the first time the star has emphasised the importance of a break. While most celebrities welcomed 2025 with a more energised online presence, Qamar worried fans with a brief social media hiatus. Taking to Instagram Stories, she reassured fans that her absence on social media was not a cause for alarm. "Sometimes in life, you just need to take a step back, be quiet for a bit, and give yourself some time to heal and recharge," she penned. With more gentle words to dispense, Qamar continued, "I promise this is just a little pause, not the end of anything. Even the brightest stars need to rest sometimes so they can shine even brighter."
