logo
Cheech and Chong ride once more

Cheech and Chong ride once more

NEW YORK (AP) — The irony tickles Cheech and Chong: The Palisades fire smoked them out of their homes.
'I had to de-smoke my house,' Tommy Chong says, giggling. 'Can you imagine that?'
Chong and Cheech Marin 's houses, both in the Pacific Palisades, didn't burn down. But as two of the few homes left standing ('We're under suspicion,' jokes Chong), they've been uprooted.
But being on the road has always been a more natural state for Marin and Chong. No comic act has ever gotten so much mileage out of driving nowhere in particular. In their new movie, 'Cheech & Chong's Last Movie' (in theaters Friday), they reflect on their odd journey while cruising through the desert, looking for a place called The Joint.
Marin, who grew up in Watts the son of an LAPD police officer, met Chong, whose father was Chinese and whose mother was Scotch Irish, after fleeing to Canada to avoid the Vietnam War draft. They met through an improv troupe and immediately felt a rare kinship.
'He's the eggroll, I'm the taquito,' laughs Marin.
Their stand-up tours made them counterculture icons. They opened for the Rolling Stones. Bruce Springsteen opened for them. Their comedy albums made them rock stars, and their films — including 1978's 'Up in Smoke' — made them ubiquitous stoner archetypes.
'Our whole getting together was very auspicious,' Chong says. 'It was designed by god for us to be here.'
'Personally,' adds Marin, smiling. 'God told us.'
But despite their buddy-buddy routine, Marin and Chong weren't always the best of friends. After squabbles over credit, they split in the 1980s and saw little of each other for 20 years. In 2003, Chong was incarcerated for nine months for trafficking in illegal drug paraphernalia. He calls his spell in federal prison the best time of his life.
Yet Cheech and Chong, a double act to rival Laurel and Hardy, has proven remarkably durable — and profitable. With the legalization of marijuana in many states, they preside over a flourishing weed business. (Sample tagline: 'Get high with the legends.') For a pair of stoners that few would have forecast longevity, they're not just made it to old age — Marin is 78, Chong is 86 — they look great. And they laugh just as much as they used to.
They've maybe even grown wiser, too. As Chong explained over breakfast, they're reluctant to talk politics. 'We're very deportable,' he said with a grin.
AP: How was it to see your lives laid out in the movie?
CHEECH: I wish they had done even more on our early days because we were trying to figure out who each other were. 'What are you? How come you're named Chong?'
CHONG: The thing is, he was a fugitive. So in order to come into the States, he had to take a chance. He had already snuck up to Canada. The next thing you know, he meets me and we're going back to the States!
CHEECH: I was wanted in the U.S. I came back in the U.S with a phony ID: my friends' driver's license. It was his picture on it. 'OK, that's me.' 'Brown, check. Go ahead.'
CHONG: They weren't suspecting a Mexican sneaking in from Canada.
AP: People forget how big you were as a stand-up act. You were rock 'n roll comedians before that was a thing.
CHONG: We made up a whole genre of language.
CHEECH: Put this in your article: We should be in the Rock & Roll Hall of Fame. That should be the first sentence.
CHONG: We f— up the comedy scene. We had people scrambling.
AP: Who were some of the people you enjoyed hanging out with back then?
CHEECH: Timothy Leary would come over and stay with me by the beach. He was a great astronomer and knew everything about the constellations.
CHONG: We used to meet on the road sometimes. One time we got in a big discussion. His thing was: We gotta get on a spaceship. This Earth is getting messed up. I said Tim, 'We're on a spaceship. The best spaceship you can imagine!' And you know what he said to me? 'Oh, you sound just like John Lennon.'
AP: Weed is legal is many places, but do you find it harder to find the anti-authoritarian spirit that accompanied it back in the '60s?
CHONG: What I've known all my life is the racist policies that are now illegal were once the norm around the world. We grew up in a world where America wouldn't let a boatload of Jews dock in America. And this is after Hitler was defeated. These are human beings!
AP: How has old age changed you?
CHONG: Like anything, you have to age gracefully. That's what I learned. The older I get, the less I speak because you put your foot in your mouth every time you open it. Me, especially. I say things before I think them.
CHEECH: Really? Really? No!
CHONG: F— off.
AP: You sound to me just like you always did.
CHONG: It's ordained. It comes from the Power. I think what it was when I was younger and the guy that operated the jazz club came up to me and handed me a Lenny Bruce record and a joint. Oh, OK. Now I know what I gotta do with the rest of my life. And I've been doing it. But he didn't say anything about meeting a Mexican.
AP: Why do you think you two went together so well?
CHEECH: We had the same background frame of reference. We knew about the same things. We were both kind of outsiders and we had the same kind of sense of humor.
CHONG: I've always been an instigator. I always hung with the craziest guy in the class, and quietly tell the guy what to do. He'd get in trouble. So when I met Cheech, it was a natural.
AP: After you split up, what brought you back together?
CHEECH: Money.
CHONG: My son, Paris. He arranged for us to meet, and the meeting didn't really go that well. I hadn't seen him for years. I sent an email saying it was nice seeing you. My son intercepted the email and wrote his own letter. He wrote: 'Yeah, I'm looking forward to working with you again. Let's get together and rehearse.' The next thing I know, I get a call from my son: 'Cheech is coming over.' The rehearsal was like: 'How you doin'? So we got a gig? When? I'll see you there.' And that was it. When we got on stage — we hadn't been on stage for like 20 years — boom, like we had never been apart.
AP: You must be making a lot of money from selling weed now. Has that been good?
CHEECH: Very.
CHONG: Oh, incredible. Not quite as good as they touted, what they sold us on. We haven't reached that point yet
CHEECH: But we're approaching it.
CHONG: Especially with this movie, wow.
CHEECH: It's going to win three Academy Awards. It's already won three Academy Awards.
AP: To you, are there any downsides to the legalization of weed? It used to be a more rebellious subculture.
CHONG: The cell phone freed us all. You can get your jolt on your cell phone. I'm more flexible when it comes to personal appearances. There was a time when Cheech and I, because we had that reputation, I didn't ever want to spoil anybody's hopes or fears. There were quite a few shows we weren't allowed on. And I understand, I respect those shows. They didn't want to be changed by us. Because we have a habit of changing s—.
AP: Like what? Like Johnny Carson?
CHEECH: We were never on Carson. Freddy de Cordova was the producer there.
CHONG: And he was a big pot head and didn't want to get outed. All those guys. Johnny Carson.
AP: You existed in an odd place. You weren't quite allowed in the mainstream, but the mainstream found you.
Cheech: We were the new mainstream. We were showing what the mainstream actually looked like.
AP: Are you glad you got back together?
CHONG: He never wanted to break up but he always wanted to be able to do his thing. I've always been the dominant guy. It's not so much because I'm better, it's because I'm only good at certain things. I've always felt our job was to stay with the plot. That's why we never went any further than pot, as far as drugs. And, if we did in the movies, it never turned out that well. We always had Cheech's obsession with the opposite sex and my obsession with getting high. It just made everybody comfortable.
During Elections
Get campaign news, insight, analysis and commentary delivered to your inbox during Canada's 2025 election.
CHEECH: It was fun and it was going to be lucrative. And it was. We did stage (work) for another eight or 10 years.
CHONG: Fifty-some odd years! We've been together longer than he's been with his wife and I've been with my wife. It's something. Chances are, we'll still be together when he gets another wife.
AP: This is being billed as your last movie, but it doesn't seem like that's necessarily the case.
CHEECH: It's not necessarily. I don't know why they named it that. Anything can happen with Cheech and Chong. I think it's unlikely, but who knows. This last movie was unlikely.
CHONG: I kind of compare it to Cher's goodbye tour because she's had, what, 18 of 'em? People ask me how do you want to be remembered. I like how we're remembered now. When people think of Cheech and Chong, they smile. So I want to be remembered with a smile.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop
Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop

Toronto Star

time35 minutes ago

  • Toronto Star

Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop

NEW YORK (AP) — Rejection serves as inspiration for angst and contemplation on pop singer Conan Gray's wistful fourth album, 'Wishbone,' out Friday. It is a return to form for Gray with 12 diaristic tracks that oscillate between bold heartbreak anthems and moments of tender reflection. Discovered on YouTube in the early 2010s, Gray's narrative pop earned him a place among the tastemakers of Gen Z music. He collaborated closely with producer Dan Nigro (known for his work with Olivia Rodrigo and Chappell Roan) on his first two albums. The 26-year-old's most recent, 2024's 'Found Heaven,' was a departure from Nigro and the affective melancholy of his previous singer-songwriter releases. Swedish super-producer Max Martin produced many of that project's well-received 80s-inspired tracks, which saw an adaptable Gray convey big emotions through sound, rather than story.

Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop
Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop

Winnipeg Free Press

time35 minutes ago

  • Winnipeg Free Press

Music Review: Conan Gray's ‘Wishbone' further confirms his place as a tastemaker of Gen Z pop

NEW YORK (AP) — Rejection serves as inspiration for angst and contemplation on pop singer Conan Gray's wistful fourth album, 'Wishbone,' out Friday. It is a return to form for Gray with 12 diaristic tracks that oscillate between bold heartbreak anthems and moments of tender reflection. Discovered on YouTube in the early 2010s, Gray's narrative pop earned him a place among the tastemakers of Gen Z music. He collaborated closely with producer Dan Nigro (known for his work with Olivia Rodrigo and Chappell Roan ) on his first two albums. The 26-year-old's most recent, 2024's 'Found Heaven,' was a departure from Nigro and the affective melancholy of his previous singer-songwriter releases. Swedish super-producer Max Martin produced many of that project's well-received 80s-inspired tracks, which saw an adaptable Gray convey big emotions through sound, rather than story. Nigro returns as the executive producer of 'Wishbone.' Their reunion finds Gray comfortable but candid, as recurring characters, settings and symbols help him recount relationships atop a sonic landscape informed by his past releases. Introduced with a trumpet's call, 'Romeo' details a destabilizing heartbreak. 'I took the blade into my ribs,' Gray sings, taking inspiration from Shakespeare's tragedy. His voice is pitched down to an almost robotic effect on the bridge: 'Where art thou? I'm all alone now,' he sings. Unlike the teens pushed to violent ends in the Bard's play, Gray and his 21st century Romeo meet their demise through more relatable means: egos, emotional manipulation and miscommunication. 'Guess I was just your experiment!' Gray screams at the song's midpoint, his voice cracking. Romeo returns in 'My World,' which opens with a preppy drum beat. Elsewhere, 'Connell' approaches the self-inflicted pain of a break up: 'You remind me of how good it feels to hurt,' Gray coos over strings and electric guitar, an unguarded voice replacing the angsty, spoken word cadence of 'Romeo.' Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Many of Gray's lyrical stories are relatable, but some of the stickiest tracks are the ones that focus on his inner thoughts. The acoustic guitar and piano that start 'Nauseous' is drowned out by Gray's layered vocals as it takes on his fear of love and the childhood trauma that informs it. 'Caramel,' with an ear-worm of a chorus set to electric guitar, describes the memories he can't shake after a breakup. The intimate 'Class Clown' reflects on Gray's self-image — and how that school-born label feels relevant, still. 'Everything comes back around, I still feel like the class clown,' he lilts. While Gray struggles with his place, the way he deftly tackles those feelings in song proves he's among the star pupils of his class.

‘Sesame Street' stars Elmo and Abby Cadabby sing and host in their Grand Ole Opry debut
‘Sesame Street' stars Elmo and Abby Cadabby sing and host in their Grand Ole Opry debut

Winnipeg Free Press

time9 hours ago

  • Winnipeg Free Press

‘Sesame Street' stars Elmo and Abby Cadabby sing and host in their Grand Ole Opry debut

NASHVILLE, Tenn. (AP) — For a 3 1/2-year-old, Elmo sure has sung a lot on 'Sesame Street' with some of the best musicians in the world. But it wasn't until Thursday that the friendly red monster made his Grand Ole Opry debut, a country music rite of passage. The squeaky voiced singer's roots in the genre actually run pretty deep. Elmo helped ring in the Grand Ole Opry's 100th anniversary this year by co-hosting with his 'Sesame Street' pal Abby Cadabby. Elmo, in a little blue cowboy hat and matching shirt, teamed up for a duet alongside Lauren Alaina, while Abby Cadabby sang with Tayla Lynn, the daughter of Loretta Lynn, the late country star who had visited 'Sesame Street' herself. 'We sing all the time on 'Sesame Street,' but um, well, being able to sing in the home of country music is amazing!' Abby Cadabby told The Associated Press prior to their performance. The puppet pair shared the spotlight in Music City during a stop on the 'Sesame Street' crew's Road Trip Across America this summer and fall, when the characters that kids have watched on TV for decades are heading to events such as professional baseball games, state fairs and corn mazes. Cookie Monster even served as the grand marshal at the NASCAR Brickyard 400 in Indiana, making a cookie crumb mess, as expected. Throughout the years, the 'Sesame Street' gang has played and sung songs with some of country music's brightest stars, including Garth Brooks, Lee Ann Womack, Tim McGraw and Faith Hill, Thomas Rhett, Kane Brown, Mickey Guyton, Kacey Musgraves and more. Chris Stapleton stopped by Sesame Street in late July. Johnny Cash made multiple appearances. He won over Oscar the Grouch with his song, 'Nasty Dan,' about a mean guy who never laughed and was rumored to have never taken a bath. 'Wow, I'd like him,' Oscar the Grouch mused from his trash can. Loretta Lynn, meanwhile, joined for a math lesson with the Count on the song, 'Count on Me.' In their interview with AP, Elmo and Abby Cadabby said the Count always talks about Loretta Lynn. Elmo said Stapleton's song about the power of music was really great. 'Elmo got to wear his hat,' Elmo said of Stapleton. 'It was a little big for Elmo, but that's OK. A really good time.' Both of them were also dreaming big about singing with Dolly Parton. 'Elmo would love to do a duet with Miss Dolly Parton,' Elmo said. 'Maybe we could do 'Jolene' together. Come on Dolly! Call Elmo!' 'Yeah! Or 'Love is Like a Butterfly!'' Abby Cadabby added. 'Call us! We're available!' Elmo said. 'Sesame Street'debuted in 1969, and has helped generations of children learn, grow and be kind with characters like Bert, Ernie and Grover. Elmo wasn't officially Elmo, though, until 1980 in the 11th season. Before that, he was more of an extra used in some segments. He turns 3 1/2 years old on his birthday every February 3. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Abby Cadabby is a 4-year-old fairy-in-training, and the Fairy Godmother's daughter. She came to Sesame Street in 2006. They also tossed out some ideas for new country songs. Elmo said he might write one about Rocco, the pet rock from Sesame Street. Abby Cadabby's idea was a little more complicated. 'A guitar-playing pickle picking in a pickle patch with a penguin eating pizza. Woo!' she said. 'Maybe I'll just sing about my friend Big Bird.' Elmo has also had play dates with his cousin Elmer, who spoke with a little twang, wore a bright green cowboy hat and played a guitar to lead them in the 'Rootin' Tootin' Hootin' Hollerin' Country Jamboree.' 'Elmo loves country music, too,' Elmo said. 'Elmo loves the fiddle. Elmo loves to hear the fiddle. And Elmo loves to say fiddle.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store