Nobel Prize-winning chemist develops at-home peel that fades scars and pigmentation (and in as little as four uses)
A reparative overnight mask created by a Nobel Prize-winning chemist is delivering clinical results to hyperpigmentation and scarring in just four uses.
Users of the Noble Panacea The Overnight Chronobiology Peel are waking up to resurfaced and renewed skin in a dramatically short period thanks to its precisely controlled release of a complex of AHAs and BHA for a strong yet gentle exfoliating and refining treatment. And with zero downtime.
Noble Panacea The Overnight Chronobiology Peel (8 Doses)
For a chemical peel at home, shoppers are turning to the Overnight Chronobiology Peel from Noble Panacea.
The peel is an intensive, leave-on treatment that promises to improve the appearance of fine lines, wrinkles, hyperpigmentation, pores and uneven skin tone.
Powered by the patented OSMV™ technology, it deeply yet gently exfoliates to reveal renewed, glowing skin in the morning. It's the only chemical peel on the market that is actually calibrated to the skin's natural overnight biorhythm.
£280 Shop
Clinical results speak for themselves, with 100 per cent of users agreeing that skin was calm, soothed and comfortable the next morning
The Overnight Chronobiology Peel from science-based beauty brand Noble Panacea is giving new meaning to the term 'beauty sleep'.
Far from a bog-standard overnight mask, this intensive, leave-on overnight treatment is powered by patented OSMV Technology for a gradual, and precisely controlled release of a complex of AHAs and BHA for a strong yet gentle exfoliating and refining treatment.
Helping you wake with resurfaced and refined skin, with zero redness or flakiness, this could be the beauty treatment that fast-tracks you to glowing skin this summer.
Noble Panacea is the culmination of Sir Fraser Stoddart's 50 years of research in molecular chemistry.
A high-tech approach to luxury skin care, the brand's products are centered around Stoddart's Organic Super Molecular Vessel™ technology. This notable bit of tech encapsulates active ingredients and is 10,000 times smaller than a skin cell which helps to deliver ingredients deep into the skin.
The brand's Overnight Chronobiology Peel is one of the brand's most iconic innovations. A revolutionary type of sleeping mask, it helps to target the appearance of fine lines, wrinkles, hyperpigmentation, pores and uneven skin tone while you sleep to reveal renewed, glowing skin in the morning.
Standing out from your typical face masks, this peel is the only chemical peel on the market that is actually calibrated to the skin's natural overnight biorhythm. In layman's terms, it releases a micro-dose of potent active ingredients in stages throughout the sleep cycle, calibrated with when the skin is most receptive to each ingredient.
By controlling the amount of ingredients released, the mask helps to minimise irritation and maximising skin benefits, so you get all the benefits of a skin-renewing peel without the side effects.
While admittedly an investment, the £280 Noble Panacea Overnight Chronobiology Peel is a more attainable way of reaping the benefits of a peel from home, and without salon costs.
And according to users, the results are notable. By keeping powerful hero ingredients at a high concentration with maximum potency preserved, and released in perfect step with your natural circadian rhythms in the right order, the results are pretty jaw-dropping.
In fact, 100 per cent of users in the brand's clinical trial saw improvement in their pigmentation after four uses while 81 per cent said acne or any appearance of scarring appear reduced.
Noble Panacea, the only skincare brand created by a Nobel Prize-winning Chemist, is available to shop on Amazon Luxury in the UK.
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Telegraph
an hour ago
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Just how psychopathic are surgeons?
These are the people we trust to hold a sharpened knife above our bare bellies and press down until they see blood. We let them tinker with our hearts, brains and bowels while we lie unconscious beneath their gloved hands. Surgeons live in a world of terrifying margins, where the difference of a millimetre can be the difference between life and death. That level of precision demands an extraordinary calm, or what you could also call a cold detachment. But what happens when that same self-possession curdles into something darker? In recent weeks, two surgeons have made headlines for all the wrong reasons. In France, Joël Le Scouarnec was sentenced for abusing hundreds of children – some while they lay anaesthetised in his care. In the UK, plastic surgeon Peter Brooks was convicted of the attempted murder of fellow consultant Graeme Perks, whom he stabbed after breaking into his home in Nottinghamshire. Today, Brooks was sentenced to life imprisonment with a minimum term of 22 years at Loughborough Courthouse. It would, of course, be absurd to taint an entire profession with the acts of two individuals. But it does resurface a long-standing, uncomfortable question: might the very traits that make a surgeon brilliant also mask something far more troubling? 'When people hear the word psychopath, they tend to think of serial killers and rapists,' says Dr Kevin Dutton, a psychologist and the author of The Wisdom of Psychopaths. 'But the truth is that certain psychopathic traits – focus, emotional dispassion, ruthlessness, self-confidence – can predispose you to success, and in an operating theatre, they really come to the fore.' Dutton has spent much of his career trying to prove that 'bad psychopaths' – people who have these characteristics but who can't regulate them – are the ones who commit crimes. A 'good psychopath', by contrast, is someone who can dial those qualities up and down at whim. He recalls one neurosurgeon who was regularly brought to tears by bits of classical music, but who also said, 'Emotion is entropy. I have hunted it to extinction over the years.' Similarly, a cardiothoracic surgeon told him that once a patient was under, he no longer saw them as a person – just a piece of meat. 'Once you care, you are walking an emotional tightrope,' says Dutton, 'but if you see the human body in front of you as a puzzle to solve, then you are more likely to save their life.' 'There's a ruthless part of me' Gabriel Weston, a London-based surgeon and the author of Direct Red: A Surgeon's Story, describes her profession as one that requires you to 'flick off a switch'. Sent to boarding school at a young age (much of British surgery is the product of elite schools), Weston learnt early how to detach emotionally – a skill she found served her well in the theatre. 'If you asked my family, they'd say I'm very emotional in that I cry in films or at art or literature,' she says. 'But there's a ruthless part of me. I use that in surgery – and in other parts of life where emotion just gets in the way.' Over time, Weston learnt to distinguish between two kinds of surgeons: those who switch their feelings back on once they leave the operating room, and those who never do. 'They don't just have psychopathic traits,' she says. 'They live in that space permanently.' They can also come with a reputation for being not just difficult, but dangerous. Harry Thompson*, a British abdominal surgeon, describes a world of towering egos and simmering aggression. 'If you think about it, all surgeons were in the top five of their class,' he says. 'They are all very competitive, and many play sports: they want to prove they are better than everyone. And if you are at the forefront of major surgery, you think you are invincible. It's a boiling-house environment of jealousy, envy and hatred.' He recalls one consultant who stabbed a plain-clothes policeman with a disposable scalpel after being stopped for speeding en route to the theatre. Another smashed a ward office clock when a nurse arrived five minutes late. Physical assaults were, he says, more common than you would think. 'I was in one operation when a student, John, was an hour and a half late, because he overslept. The surgeon thumped the student's head against the theatre wall until he was unconscious, screamed, 'Nobody move!' then started kicking him. No one ever saw John again.' Nor is the patient always spared. 'When I was training, I saw one surgeon thump a patient for removing a drain from his own bottom after an operation because it had become painful,' says Thompson. 'The patient only admitted this (in tears) after the surgeon had made the nurses and junior doctors line up and interrogated each one in turn about who had done it.' Thompson used to work with Simon Bramhall – the liver surgeon who made headlines and was later struck off for branding his initials onto patients' livers using a laser. 'Simon had always been a bit mad,' says Thompson. 'He was fascinated by the programme Randall and Hopkirk (Deceased) and he always wore a white suit [like the character Hopkirk], tie, shoes and socks.' As for tattooing his patients' organs: the initials were discovered by his colleagues only during a second surgery when his once-subtle etching was now grotesquely enlarged by liver damage. While Bramhall's actions sparked public outrage, some in the medical community were nonplussed. Perhaps because this is a far more commonplace occurrence than we realise: an article in Harper's Magazine cited examples of anonymous ophthalmic surgeons who had lasered their initials onto retinas, and orthopaedic surgeons who had etched theirs into bone cement. 'Why would you do that? Ego, of course,' says Dutton, 'and it isn't incidental in surgery. It's selected for. From the moment you start training, you have to fight – quite literally – for your space at the operating table.' 'I find it very freeing not to be pleasant' Dutton researched which of the various disciplines within the profession had the highest rates of psychopathy, and the results are revealing. Number one is neurosurgery (which is bad luck for any fans of Grey's Anatomy), followed by cardiothoracic or heart surgery and then orthopaedic. 'The last one is brutal as you have to smash people's bones,' says Dutton. 'Cardio more than anything is about life and death, but neurosurgery is particularly interesting to me. I think it's because this is the only branch of surgery where, if something goes wrong, you leave the patient permanently crippled or blinded or incapacitated, so only very few people can take such a calculated risk under pressure.' And though these traits are often seen as typically male, women are by no means exempt. Weston says the most difficult surgeon she ever worked under was a woman. 'She was very attractive and well-liked – mostly for being gorgeous and good at her job – but privately she made my life hell. Maybe she didn't like another woman being on the team but she did that horrible thing that women do of presenting this incredibly benign face while being very cruel in private. For months, she blamed me for mistakes that weren't mine, stole credit for my diagnoses, and made me feel like my surgical skills were terrible. She was truly villainous.' And yet, Weston admits, the operating theatre offers her a rare freedom: 'If you are a woman who is quite tough and unsentimental, surgery is a really amazing environment in which you can be yourself. There are many areas of my life – mainly motherhood, but also writing – where there is an expectation that I will be softer than I am. Like Simone de Beauvoir, I find it very freeing not to be pleasant.' Perhaps there is something in all of this (criminal and violent behaviour aside) that we, as patients, secretly find reassuring. We don't want our surgeons to hesitate. We don't want them to be emotional or anxious. We want them to be brilliant: laser-focused, supremely confident, even terrifying if that's what it takes to save us. In life, we dislike arrogance. On the operating table, many of us yearn for it. 'I had one boss,' says Thompson, 'a French surgeon. He used to say: 'There are the porters, the nurses, the managers – and then there are the surgeons. Above them, God. And above God? Me.''
The Guardian
2 hours ago
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The Guardian view on fitness: evidence of the benefits of exercise keeps growing, but who is listening?
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