
CPO gets early start on its jam-packed 70th season
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page.
Article content
It promises to be a big bash this year as the Calgary Philharmonic plans an epic dance party, outdoor events and a travelling roadshow to celebrate its 70th season.
Article content
It all kicks off Sept. 5 at the Big Four Roadhouse on the Stampede grounds with a premiere of SYNTHONY: EDM Meets Orchestra. Guest DJs and vocalists join Calgary Phil in a fun mashup of electronic anthems.
Article content
The CPO begins its Jack Singer Concert Hall appearances on Sept. 12-13 with Grammy Award-winning conductor Karen Kamensek leading Grammy winner Gil Shaham playing Beethoven. Shaham is considered one of the foremost violinists in the world, and this will be his first Calgary performance.
Article content
Article content
The CPO brings back its popular Pops and Symphony Sundays for Kids series, with The Music of Sting + The Police (Sept. 19 and 20) and The Gruffalo (Sept. 21).
Article content
The busy month wraps up on Sept. 27 with one of the most anticipated concerts of the season as international piano superstar
Lang Lang — also making his Calgary debut — joins the orchestra and conductor Ramón Tebar at the Jack Singer.
Article content
This season, the CPO will branch out across the city, performing 70 concerts in seven venues across the city, such as the Jubilee, the Bella and the Grace Presbyterian Church. And it's bringing in big talent, with 29 conductors from around the world to lead the orchestra, including Yue Bao, Jessica Cottis, Calgary's own Daniel Bartholomew-Poyser, Calgary Phil music director laureate Hans Graf, and Calgary Phil resident conductor Juliane Gallant.
Article content
Article content
Some of the guest artists expected this year are guest artists such as Alberta's country star Tenille Townes, former Barenaked Lady and Canadian rock icon Steven Page, rising star Amaryn Olmeda (violin), Canadian luminary Stewart Goodyear (piano), multi-disciplinary artist Vivek Shraya, and the renowned Steven Isserlis, one of two living cellists inducted into the Gramophone Hall of Fame.
Article content
Article content
The CPO will also continue its tradition of collaboration, with the Calgary Youth Orchestra in January, with the Edmonton Symphony Orchestra in April and Baroque fall and winter concerts with Mathieu Lussier and Camillie Delaforge, respectively.
Article content
Always trying to reach new audiences, the CPO will bring back popular additions such as Rockin' Pops (including the music of Prince, disco, Latin pop, Sting and the Beatles), and blockbuster movies accompaniments (Home Alone in Concert, The Princess Bride, Harry Potter and the Half-Blood Prince and Star Wars: Return of the Jedi).
Article content
And it wouldn't be Christmas without the annual musical tradition of Handel's Messiah.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
10 minutes ago
- Winnipeg Free Press
Oil-patch poets extract a rich literary history
In her first academic monograph The Rough Poets: Reading Oil Worker Poetry, Winnipeg scholar, activist and poet Melanie Dennis Unrau makes the case that poetry written by oil workers about the energy economy deserves a central place in the canon of Canadian poetry. The texts she analyses and those like them are 'foundational to Canadian petropoetry,' a genre Unrau defines as 'being about class, care and harm, about feelings, about extractivism and how it operates, about Canadian culture and the vital role that extraction workers play in it, and about dynamic processes of moving toward and away from fossil fuels and climate change.' The writers she highlights employ a range of aesthetic and technical choices. From the graphical ways Peter Christensen and Lesley Battler score the page to the rap-influenced verbal dexterity of Nate Parkin to the relatively traditional lyric poems of Dymphny Dronyk and Matthew Henderson and beyond, it's the poet's identity and the way the poems are 'tuned to extraction' that define the tradition of petropoetry. The Rough Poets In her analyses, Unrau considers themes of settler-colonialism, class consciousness, gender politics and climate change, as well as the ways in which the poets approach these. In her consideration of Lesley Battler's collection Endangered Hydrocarbons, for example, Unrau demonstrates that the text is 'animacy theory that uses serious linguistic play with supposedly inanimate objects to reveal and exacerbate the deep linkages between coloniality, racism, and the petroeconomy.' Unrau locates the start of petropoetics with Sidney Clarke Ells' collection Northern Trails, originally published in 1938. From there, she traces a literary lineage of white oil workers through the 20th and into the 21st century. The structural choices in this book are integral to the argument Unrau makes, among which are her presentation of the material chronologically, which emphasizes the way the lineage develops, and her choice to provide a poem in its entirety from the work she's analysed in each chapter, which gives the reader a small grounding in the specifics of material they might not be familiar with. In her analysis of Ross Bellot's First Day, from his 2020 collection Moving to Climate Change Hours, she attends to the particular ways in which Bellot frames manhood: 'the refinery worker must learn to perform as a 'good boy' — a heteropatriarchal worker, father, husband, and citizen who goes through the paces ('wear workboots, learn work rules/ get the paycheque, go home to Shelley' and so on) to support his family.' The emphasis on the performance of gender norms is in tension with the dehumanizing setting which reduces 'Two men blinded by hydrofluric acid/ yesterday' to 'lost time.' Among The Rough Poets's many strengths is Unrau's ability to make high-level theoretical analysis clear, if somewhat demanding, for a non-specialist audience. Common in the poems and books Unrau analyzes is a sense of the speaker's ambivalence vis-à-vis the oil industry and their position within it. Unrau uses various theoretical models to illuminate this: among these are Marxist theory, which brings the idea of disidentification (briefly, that subjects can be both complicit with the dominant ideology and resist it); affect theory, which brings psychology to bear on the subject; and animacy theory, which treats language itself as a 'subject of inquiry rather than a mere vehicle for representation.' Unrau concludes this timely study with a personal political vision for what truly understanding petropoetics can yield, beyond the obvious scholarly value. Closely read, these texts, and this tradition, can show us how to navigate ''ugly,' ambivalent, confused, and mixed feelings as potential ground for solidarity toward energy justice.' Poetry columnist melanie brannagan frederiksen is a Winnipeg writer and critic.


Winnipeg Free Press
11 hours ago
- Winnipeg Free Press
Whatcha gonna do when veteran rock band Chilliwack is gone?
Chilliwack is soon to be gone, gone, gone. Burt Block Party with Kim Mitchell, Chilliwack and Harlequin Burton Cummings Theatre, 364 Smith St. Sunday, 5 p.m. Tickets $99.75 including fees at Ticketmaster After more than five decades on the road, the Vancouver rock band is saying a fond farewell to fans this year during its final cross-country tour, which includes a local performance at Sunday's Burt Block Party. 'We have this relationship with our audience and I feel like they're friends, so I want to say goodbye,' founder, frontman and guitarist Bill Henderson says over a video call from his home on Salt Spring Island, B.C. Chilliwack evolved from the Collectors — Henderson's previous psychedelic rock project — and released 12 albums between 1970 and '84, resulting in many Canadian hits and moments of cross-border recognition. Despite hiatuses and personnel changes, the group has continued touring since the mid-'90s and was inducted into the Canadian Music Hall of Fame in 2019. Chilliwack's current and longest-running lineup includes Henderson's brother Ed on guitar, Jerry Adolphe on drums and, more recently, Gord Maxwell on bass. Taking the stage with his bandmates is what Henderson is going to miss most about retirement. SUPPLIED PHOTO Chilliwack, from left: Jerry Adolphe, Ed Henderson, Bill Henderson and Gord Maxwell SUPPLIED PHOTO Chilliwack, from left: Jerry Adolphe, Ed Henderson, Bill Henderson and Gord Maxwell 'This particular unit has worked together for about 30 years and all we've done is play live. We go back and forth across the country and we've got our shit together; it's so cool,' he says. 'We cover for each other and we look around and laugh if something went a little funny, and then we get down to business and rock our faces off.' Henderson, 80, isn't coy about why he's stepping away from the spotlight. 'Old age is the weirdest thing I've ever seen. It's like Mars: you don't know what it's like until you get there. I'm clearing the decks so I can allow something to emerge that's appropriate to my age,' he says, adding there have been times he's walked up to the mic in recent years only to lose his train of thought. 'When your mind starts to do these things, you have to make room for it.' SUPPLIED PHOTO Bill Henderson is retiring after more than 50 years on the road. SUPPLIED PHOTO Bill Henderson is retiring after more than 50 years on the road. He's looking forward to spending more time at home with his wife and continuing to play music and write songs for personal enjoyment. 'I'm still going to play my guitar every day and sing and I know the songs will come and I don't know what I'll do with it, we'll see,' he says. Henderson's career has been a long and varied one. In 1983, he and bandmate Brian MacLeod won the Juno Award for Producer of the Year for their work on Chilliwack's 10th album, Opus X. He served as the musical director for Sesame Street Canada during the early '90s and was inducted into the Canadian Songwriters Hall of Fame in 2023. Henderson was also made a member of the Order of Canada for his longtime advocacy work as president of SOCAN and other artist rights organizations amid foundational industry changes, such as the rise of file sharing platform Napster. 'It's always been a tough fight to try and get enough income for musicians so they can survive,' says Henderson, who describes the work of musicians as an invaluable public service. 'We help people feel good, and when you feel good, I think you make better decisions. So I think music plays a very important role in society.' Attendees at tomorrow's Block Party can expect a feel-good setlist focused on tried and true Chilliwack hits, from Whatcha Gonna Do to Fly at Night to Lonesome Mary to My Girl (Gone, Gone, Gone). 'And we do a jam tune called 17th Summer that's nine minutes long, depending on the night, and we just let it rip,' Henderson adds. Chilliwack's Farewell to Friends Tour kicked off in Calgary in March and is scheduled through November with more dates to be announced. Eva WasneyReporter Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva. Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


CBC
12 hours ago
- CBC
Why Nelly Furtado is embracing 'body neutrality'
The Canadian pop star, who's faced critical comments about her appearance on social media, has spoken out about embracing a 'body neutral' mindset. Here's what it means and how it differs from body positivity.