
Our memories are biased, unreliable, extensively rewritten – and that's a good thing
Four years later, Clementis is found guilty of being a bourgeois nationalist and hanged. His ashes are strewn on a Prague street. The propaganda section of the party removes him from written history and erases him from the photograph.
'Nothing remains of Clementis,' writes Kundera, 'but the fur hat on Gottwald's head'.
Efforts to enforce political forgetting are often associated with totalitarian regimes. The state endeavours to control not only its citizens, but also the past. To create a narrative that glorifies the present and idealises the future, history must be rewritten or even completely obliterated.
In a famous article on 'the totalitarian ego', the social psychologist Anthony Greenwald argued that individual selves operate in the same way. We deploy an array of cognitive biases to maintain a sense of control, and to shape and reshape our personal history. We distort the present and fabricate the past to ensure we remain the heroes of our life narratives.
Likening the individual to a destructive political system might sound extreme, but it has an element of truth. Memory Lane, a new book by Irish psychology researchers Ciara Greene and Gillian Murphy, shows how autobiographical memory has a capacity to rewrite history that is almost Stalinesque.
There is no shortage of books on memory, from self-help guides for the anxiously ageing to scholarly works of history. Memory Lane is distinctive for taking the standpoint of applied cognitive psychology. Emphasising how memory functions in everyday life, Greene and Murphy explore the processes of memory and the influences that shape them.
What memory is not
The key message of the book is that the memory system is not a recording device. We may be tempted to see memory as a vault where past experience is faithfully preserved, but in fact it is fundamentally reconstructive.
Memories are constantly revised in acts of recollection. They change in predictable ways over time, moulded by new information, our prior beliefs and current emotions, other people's versions of events, or an interviewer's leading questions.
According to Greene and Murphy's preferred analogy, memory is like a Lego tower. A memory is initially constructed from a set of elements, but over time some will be lost as the structure simplifies to preserve the gist of the event. Elements may also be added as new information is incorporated and the memory is refashioned to align with the person's beliefs and expectations.
The malleability of memory might look like a weakness, especially by comparison to digital records. Memory Lane presents it as a strength. Humans did not evolve to log objective truths for posterity, but to operate flexibly in a complex and changing world.
From an adaptive standpoint, the past only matters insofar as it helps us function in the present. Our knowledge should be updated by new information. We should assimilate experiences to already learned patterns. And we should be tuned to our social environment, rather than insulated from it.
'If all our memories existed in some kind of mental quarantine, separate from the rest of our knowledge and experiences,' the authors write, 'it would be like using a slow, inefficient computer program that could only show you one file at a time, never drawing connections or updating incorrect impressions.'
Simplifying and discarding memories is also beneficial because our cognitive capacity is limited. It is better to filter out what matters from the deluge of past experiences than to be overwhelmed with irrelevancies. Greene and Murphy present the case of a woman with exceptional autobiographical memory, who is plagued by the triggering of obsolete memories.
Forgetting doesn't merely de-clutter memory; it also serves emotional ends. Selectively deleting unpleasant memories increases happiness. Sanding off out-of-character experiences fosters a clear and stable sense of self.
'Hindsight bias' boosts this feeling of personal continuity by bringing our recollections into line with our current beliefs. Revisionist history it may be, but it is carried out in the service of personal identity.
Eyewitness memories and misinformation
Memory Lane pays special attention to situations in which memory errors have serious consequences, such as eyewitness testimony. Innocent people can be convicted on the basis of inaccurate eyewitness identifications. An array of biases make these more likely and they are especially common in interracial contexts.
Recollections can also be influenced by the testimony of other witnesses, and even by the language used during questioning. In a classic study, participants who viewed videos of car accidents estimated the car's speed as substantially faster when the cars were described as having 'smashed' rather than 'contacted'. These distortions are not temporary: new information overwrites and overrides the original memory.
Misinformation works in a similar way and with equally dire consequences, such as vaccination avoidance. False information not only modifies existing memories but can even produce false memories, especially when it aligns with our preexisting beliefs and ideologies.
Greene and Murphy present intriguing experimental evidence that false memories are prevalent and easy to implant. Children and older adults seem especially susceptible to misinformation, but no one is immune, regardless of education or intelligence.
Reassuringly, perhaps, digital image manipulation and deepfake videos are no more likely to induce false memories than good old-fashioned verbiage. A doctored picture may not be worth a thousand words when it comes to warping memory.
Memory Lane devotes some time to the ' memory wars ' of the 1980s and 1990s, when debate raged over the existence of repressed memories. Greene and Murphy argue the now mainstream view that many traumatic memories supposedly recovered in therapy were false memories induced by therapists. Memories for traumatic events are not repressed, they argue, and traumatic memories are neither qualitatively different from other memories, nor stored separately from them.
Here the science of memory runs contrary to the wildly popular claims of writers such as psychiatrist Bessel van der Kolk, author of the bestseller The Body Keeps the Score.
Misunderstanding memory
The authors of Memory Lane contend that we hold memory to unrealistic standards of accuracy, completeness and stability. When people misremember the past or change their recollections, we query their honesty or mental health. When our own memories are hazy, we worry about cognitive decline.
Greene and Murphy argue that it is in the very nature of memory to be fallible, malleable and limited. This message is heartening, but it does not clarify why we would expect memory to be more capacious, coherent and durable in the first place. Nor does it explain why we persist with this wrongheaded expectation, despite so much evidence to the contrary.
The authors hint that our mistake might have its roots in dominant metaphors of memory. If we now understand the mind as computer-like, we will see memories as digital traces that sit, silent and unchanging, in a vast storage system.
'Many of the catastrophic consequences of memory distortion arise not because our individual memories are terrible,' they argue, 'but because we have unrealistic expectations about how memory works, treating it as a video camera rather than a reconstruction.'
In earlier times, when memory was likened to a telephone switchboard or to books or, for the ancient Greeks, to wax tablets, memory errors and erasures may have seemed less surprising and more tolerable.
These shifting technological analogies, explored historically in Douwe Draaisma's Metaphors of Memory, may partly account for our extravagant expectations for memory. Expecting silicon chip performance from carbon-based organisms, who evolved to care more about adaptation than truth, would be foolish.
But there is surely more to this than metaphor. All aspects of our lives are increasingly recorded and datafied, a process that demands objectivity, accuracy and consistency. The recorded facts of the matter determine who should be rewarded, punished and regulated. The bounded and mutable nature of human memory presents a challenge to this digital regime.
Human memory is also increasingly taxed by the overwhelming and accelerating volume of information that assails us. Our frustration with its limitations reflects the desperate mismatch we feel between human nature and the impersonal systems of data in which we live.
Greene and Murphy urge us to relax. We should be humbler about our memory, and more realistic and forgiving about the memories of others. We should not be judgemental about the errors and inconsistencies of friends, or overconfident about our own recollections. And we should remember that, although memory is fallible, it is fallible in beneficial ways.
A person whose memory system always kept an accurate record of our lives would be profoundly impaired, Greene and Murphy argue. Such a person 'would struggle to plan for the future, learn from the past, or respond flexibly to unexpected events'. Brimming with insights such as these, Memory Lane offers an informative and readable account of how the apparent weaknesses of human memory may be strengths in disguise.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
9 hours ago
- Time of India
Billie Eilish accused of racism over Irish heritage remarks at Dublin concert; fans say 'can no longer defend her'
Billie Eilish is catching heat online after commenting on her Irish heritage during her Hit Me Hard and Soft Tour stop in Dublin on Saturday, July 26. The 23-year-old singer was performing at the 3Arena when she spoke about how at home she felt among the Irish crowd, referencing their shared complexion and ancestry. While many fans in the venue took it as a sweet and relatable moment, a wave of criticism online has painted it in a very different light. What Billie Eilish said on stage During a short break in her set, Billie addressed the crowd with excitement and gratitude. 'As you guys know, I'm Irish, so it's cool to be here,' she said. 'Obviously, I am not from here, but it's really cool to come somewhere and, like, everybody looks exactly like you, and you're all just as pasty as me. I love it.' She went on to say, 'Seriously though, it's so amazing. It just makes me feel so seen… Also, like, a thousand of my relatives are in the crowd right now, I'm pretty sure. Thank you for coming. Thank you for having me here. I love it here. It's so beautiful, and you are all so beautiful, and I see so many familiar faces out there.' Billie Eilish celebrates return to Irish homeland. "It's really cool to come somewhere and everyone looks exactly like you". Fans on X are divided The internet wasn't entirely on board. While some fans saw her comments as innocent and self-deprecating, others on X (formerly Twitter) accused the singer of veering into xenophobic territory. One person wrote, 'Crazy statement to make as a white woman.' crazy fucking statement to make as a fucking white woman 💀 "Oh alright, first Billie confirms that her "queer persona" was just an act to sell sales by dating a man. DURING PRIDE MONTH might I add (which she hasn't apologised for yet, btw)!! and now she's saying dumb things like this. I don't know how much longer I can defend her," a second added. Oh alright, first billie confirms that her "queer persona" was just an act to sell sales by dating a man, DURING PRIDE MONTH might I add (which she hasn't apologized for yet btw!!) and now she's saying dumb things like this. I don't know how much longer I can defend her. 'Do white people hear themselves when they speak?' another said, echoing the frustration. "Why is she acting like there's a shortage of whites in the United States?" one person said. why is she acting like there's a shortage of whites in the united states? Billie has spoken about her Irish heritage before This isn't the first time Eilish has opened up about her roots. Earlier in July, she told Today FM that she grew up hearing she was Irish and Scottish but didn't really feel a connection to that part of her background until visiting Ireland. She described the experience as 'really cool' and said it helped her better understand that side of her identity. Her tour continues across Europe Despite the backlash, Billie's Hit Me Hard and Soft Tour is going strong. The European leg has been packed with sold-out shows, emotional fan moments, and surprise setlist switches. The tour is a companion piece to her critically acclaimed 2024 album of the same name, She'll continue to perform across the UK and mainland Europe through August before heading back to North America later this year. While social media debates her choice of words, the crowds at her shows don't seem to be going anywhere.


Indian Express
10 hours ago
- Indian Express
Tanishk Bagchi responds to claims that Saiyaara song was copied from a One Direction track: ‘Whatever I do…'
Although Saiyaara's massive success does not fundamentally imply that Bollywood is back or that its slump is over, the respite that it has offered an ailing industry cannot be underestimated. At a time when even big-ticket movies featuring massive stars are bombing, the musical romantic drama emerging as a blockbuster, despite starring two fairly new actors in the lead roles, has offered Bollywood a chance to set its priorities straight. Besides its story, treatment, and performances by Ahaan Panday and Aneet Padda, the one aspect that Saiyaara has been receiving the most praise for is its music. While all its songs are currently trending, the one that soared higher than any other is the title track, crafted by composer-singer Tanishk Bagchi. It's not just reigning over Spotify's Top 50 chart in India, but is also at the fourth spot in the audio streaming platform's global list. Although the track has been receiving much praise from most quarters, it has also found itself caught in a controversy after some claimed that parts of the song sounded similar to English–Irish pop boy band One Direction's 'Night Changes' and playback singer Jubin Nautiyal's 'Humnava Mere'. However, Tanishk Bagchi has categorically denied these claims. 'Whatever I do, people will have something to say because they don't have [anything better to do]. They keep on looking for opportunities to put me down,' he claimed during a chat with India Today. The composer added, 'But ultimately, the song will go wherever it's destined to, and that's what's happening with Saiyaara too. As for the comparisons, if you look at the melody, the chords are the same. The A minor scale has just about 3-4 chords but every melody has a different soul. That doesn't mean that anything was stolen. Even if you can do that, it's really difficult to make it a hit.' 'All said and done, we didn't steal anything. The similarities are fine, it can happen, but it's not like we did it on purpose. Idhar se utha ke udhar nahi kiya (we didn't pick and add anything). We worked on the emotion of the song, and that worked. That's the magic of the track Saiyaara,' he maintained, adding, 'The best thing is that it's an original Hindi song, a pure Hindi song. There is no collaboration with foreign artists; everyone associated is home-grown, so that's a big achievement for me.'


Hindustan Times
a day ago
- Hindustan Times
Celebrate Milk Chocolate Day with a cocktail that tastes like dessert; here's how to make a Chocolate Milk Martini
Do you really need an excuse to indulge in chocolate? Probably not. But if you're looking for a sign, this is it! July 28 marks National Milk Chocolate Day, and instead of unwrapping yet another bar, why not drink your dessert instead? Enter: the milk chocolate cocktail. Think of it as the chocolate milk you grew up with… but all grown up. Creamy, sweet, and just boozy enough to give you that slow, warm buzz. Chocolate milk martini Chocolate Milk Martini might sound like something you'd regret ordering at a hotel bar in the early 2000s. But this one's rich without being heavy, and balanced with the sharpness of vodka and the smooth decadence of Irish cream. Plus, it looks fancy. The kind of fancy that makes you feel like you made an effort when really all you did was shake some stuff with ice. This recipe is by Miriam Nice from Good Food. Chocolate milk martini recipe Ingredients: 1 tsp melted chocolate, 50ml Irish cream liqueur, 50ml coffee liqueur, 1 tbsp chocolate syrup, 100ml vodka, handful of ice Recipe: Start by dipping a pastry brush in the melted chocolate and brushing it up the side of your cocktail glasses. Pop them into the fridge until the chocolate sets. In a cocktail shaker, combine the Irish cream, coffee liqueur, chocolate syrup, vodka and ice. Shake well until the shaker feels chilled and your wrist gets a little workout. Strain the mixture into your prepped glasses and sip slowly, or not. Rich, grown-up, and just indulgent enough to count as both dessert and drink, this milk chocolate cocktail might just be the highlight of your week.