Their parents are famous and beautiful – so these offspring are following in their footsteps
Sunday Rose Kidman-Urban
While her face may not yet be familiar, her surnames surely are. The progeny of actress Nicole Kidman and country music star Keith Urban hard-launched herself into the modelling world by opening a Miu Miu show, thus bagging the most prestigious slot in one of the most prestigious shows of the season.
Sunday Rose, 16, made her debut in Paris last October, and walked again for Miu Miu in March – despite her 'overprotective' dad allegedly wanting her to hold off from entering the fashion industry until she's older.
Kai Schreiber
The Valentino show always draws a starry front row, but Naomi Watts' presence was more significant than most. The Australian actress (and good friend of Nicole Kidman) was there not solely to marvel at the clothes, but also at her 16-year-old daughter, Kai, who was making her modelling debut. Kai did well, even achieving the impossible: making a lace skull cap look good.
Her father, the actor Liev Schrieber, parted ways with Watts in 2016 after 11 years, but the two remain committed parents who have staunchly supported Kai, who is transgender, through her transition.
Scarlett White
It's not too tricky to figure out the identity of her father: she's his spitting image. White Stripes frontman Jack White is the proud dad of 18-year-old Scarlett, whose start in modelling was made all the easier by the fact that her mother is supermodel Karen Elson.
Born near Manchester in England, Elson lives in Nashville, where Scarlett was raised. Scarlett made her debut modelling for Zara, and is also splashed across the current issue of Vogue, shot alongside her mum by renowned photographer Annie Leibowitz. In the accompanying interview, she chats fondly about growing up with VIP access to Elson's 'treasure trove' of vintage clothes.
Lennon Gallagher
Named after his father's favourite Beatle, 25-year-old Lennon – son of Oasis' Liam Gallagher – has appeared on the catwalk at Saint Laurent, Hermes, Bottega Veneta and Burberry, as well as featuring in advertising campaigns for Burberry, Hugo Boss and H&M. If he's inherited his strong brows from his dad, his piercing blue eyes come courtesy of his mum, actress Patsy Kensit. While he hasn't set foot on a catwalk yet, Lennon's younger half-brother, Gene, 23 (whose mother is former All Saints member Nicole Appleton) is another model waiting in the wings.
The Sims siblings
When your father is one of the world's top fashion photographers, it would be rude not to step in front of the lens yourself. Twenty-year-old Stevie's and 18-year-old Ned's parents are true fashion royalty: mum is fashion journalist-turned-designer-turned-fine artist Luella Bartley (to whom Ned bears a striking resemblance) and dad is David Sims, the Sheffield-born photographer who shot to fame in the '90s and has produced campaigns for everyone from Calvin Klein (in 1993, shooting a young Kate Moss) to Loewe and Saint Laurent (current season). Flame-haired Stevie has modelled for Burberry, Zara and H&M, while Scandi blond Ned has walked for Isabel Marant, Loewe and Aries.
Iris Law
Her parents are actor Jude Law and actress Sadie Frost, who divorced in 2003 after six years of marriage and were key members of London's 'Primrose Hill set'. Iris Law, 24, was raised there, alongside her three brothers, but now lives in East London – at least, she does when she's not jetting round the world on modelling assignments. The current face of Versace's Dylan Purple perfume, she's a favourite of Donatella's, as well as of Miuccia Prada, Burberry, Nike, David Yurman and Victoria's Secret.
Lux Gillespie
The scion of Primal Scream frontman Bobby Gillespie and super-stylist Katy England (who's worked alongside Alexander McQueen) has just started his modelling career, and has so far clocked up catwalk miles for Burberry.
Elfie Reigate
The daughter of model-turned-nutritionist Rose Ferguson (a former muse of famed `90s photographer Corinne Day) and artist Barry Reigate, Elfie, 22, shares the same insouciant sense of style as her mum. Although she doesn't share her hair: Elfie's cascading blonde curls are fairly anomalous in the one-look-fits-all modelling game, and have garnered her a slew of work with mid-market favourites including Whistles, Liberty and Me + Em, in whose spring campaign she currently features. Her half-sister, Bliss Chapman (whose father is the artist Jake Chapman), is set to follow in her footsteps, too.
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Sydney Morning Herald
an hour ago
- Sydney Morning Herald
The June 8 Edition
Actor Marta Dussdeldorp has been a mainstay of Australian screens for years, and a move to Tasmania seven years ago hasn't affected her popularity. In fact, it's only fired her up.
Sydney Morning Herald
an hour ago
- Sydney Morning Herald
‘As an older woman, courage starts to wobble': How Marta Dusseldorp finds her strength
This story is part of the June 8 edition of Sunday Life. See all 14 stories. Walking through the rainforest in the remote west of her adopted Tasmanian home, actor Marta Dusseldorp finds beauty and brutality along the banks that are home to rare Huon pine. At one junction, the clear water of one river meets the yellow, soupy water of another, poisoned by copper mining tailings. 'It's just extraordinary, the confluence of man and nature,' says Sydney-born and raised Dusseldorp, 52, who, more than seven years ago, moved to the island state with actor-director husband Ben Winspear and their two daughters, Grace and Maggie. Dusseldorp has just completed shooting the second season of ABC TV comedy-drama Bay of Fires, which she co-created, co-produced and stars. Filming took place again in the well-preserved main street of the small Tasmanian town of Zeehan, known for silver mining. But this spot, where the King and Queen rivers meet, proved a more elusive location. 'I tried to film there, but it's really hard to get to, and the safety issues weren't going to quite work.' Surrounding mountains and valleys have nonetheless provided picturesque settings for the appealing Tassie-noir, to which Dusseldorp's picaresque character Anika fled with her two children after death threats were made against her in her former corporate life in Melbourne. Anika took on the alias Stella, and hid among a cohort of eccentric, protected witnesses: there is heroin being cooked, a religious cult that has arranged marriages, and an assassin waiting for the aliens to descend. The second season has capitalism and greed on its themes as the townsfolk pressure Stella for more payouts from her corporate scam, which has already netted them $3.4 million, and inflationary pressures have pushed the price of bread to $23 a loaf. New threats may yet force Stella into the drug trade with her old foe Frankie (Kerry Fox), presumed dead by all at the end of the first season. Like the twists in her show, life in the smallest Australian state has delivered what Dusseldorp did not predict: fertile, imaginative ground. While her husband was born in Wagga Wagga, he'd grown up in Hobart, and they both wanted their children to experience the Tasmanian lifestyle. But they did not know how long they would stay. The couple found a network of like-minded actors, writers and directors, and started their own production company, Archipelago. Tasmania is also home to mycelium, the underground network of fungi threads that shares water and nutrients between trees, and which Dusseldorp says is a metaphor for the artist-community connections she's found in the state. The culture here appears to stimulate both artistic growth and biodiversity. Living here, says Dusseldorp, 'stops the clutter and gives you focus. You can get a lot done in Tassie as connections are just one step away.' Today, Dusseldorp is wearing a fawn trench coat in the lobby of her Sydney hotel and drinking lemongrass tea with honey. Several years ago, life was more frenetic as she dominated television screens in three popular series: Janet King, A Place to Call Home and Jack Irish. As if the pressures of playing the lead in the first two shows were not enough, Dusseldorp would also carve out three months each year between TV seasons to do a theatre play, including War of the Roses, The Crucible, Scenes from a Marriage and A Doll's House, Part 2. Theatre became her 'weird' way of researching what the public was feeling, she reflects now, which helped her decide when she went back onto a TV set if she was playing her long-running screen characters 'too tough or not tough enough'. '[Audiences] come as these beasts, and they sit as one, like in a colosseum, and then turn on you,' she observes. 'If they don't like [the play] or whatever, you have to work out a way to re-engage them, unite them, and give them something to go home with; it's like being a conductor. You find out politically where people are at and what's funny, because it changes depending on the climate.' The Australian playwright Benedict Andrews said Dusseldorp is a 'very brave and captivating and muscular actress'. (She played the eponymous lead in his 2016 play Gloria.) 'Oh my god,' says Dusseldorp when I remind her of performing this role in Sydney's tiny 105-seat Stables Theatre. ' Gloria was a very particular beast. She was basically a cry from me about what it felt like to be in the spotlight. Benedict did a really great job of showing the internal shattering of Gloria as a mother and a partner, and what the costs are of [fame]. 'I didn't want to fully acknowledge [the costs of fame], and when I don't want to acknowledge something, I do a play about it, so I can be somebody else, live it out, and go, 'Got that out of my system!' I would often go home and fall in a heap, but it was done. Theatre is like severance: there it is, I did that, and I went through it, and now I'm OK.' Dusseldorp met Winspear in 2003 when they were working on separate Sydney Theatre Company productions. 'He was like a ship: solid, unique,' Dusseldorp told me in a 2013 interview. The attraction was such that she 'had to splash cold water on my face'. Since moving to Tasmania, Winspear has directed Dusseldorp in the plays The Bleeding Tree, The Maids and Women of Troy. What's her take on their relationship now? 'We still walk side by side, which I really love,' she says. 'And there's an intent to be the custodians of our daughters forever, and make sure we guide them as best we can. Our work together is sacred, so we try to make sure it's filled with honesty, mutual respect, care.' In 2013, when I visited the couple's home in Sydney's Edgecliff, Winspear was preparing the evening meal for Grace, then almost 6, and Maggie, 3. He said he was mindful of how acting and directing obligations can invert family life, so they resisted employing childcare. 'His love of his family is his north star,' says Dusseldorp now. 'It comes down to mutual respect in a long-term relationship, understanding that people have their own ways of doing things, and trying to learn from that.' Grace is now 18 and has left Tasmania to live in Sydney. A budding writer, she is studying English literature. 'She's written a TV series about the family, which I have not seen yet,' Dusseldorp laughs, 'and I have the right to vet, I've told her! Sometimes when we have a family situation, I see her jotting things down and I'm like, 'What is that?'.' Maggie, now 15, and like her sister was often on the set of her mother's shows. 'My kids feel very comfortable socially with adults because they've always been around them.' Dusseldorp is mindful that with privilege comes responsibility. She is producing a film with a domestic-violence theme that is yet to go into production. She is also on the board of the Sydney-based charity, the Dusseldorp Forum, formed in 1989 by her late paternal grandfather, Dick Dusseldorp, founder of construction giant Lend Lease. The forum aims to improve education, health and social outcomes for children and their families through community-led projects. After our interview, Dusseldorp is going to visit her sister Teya, who is the forum's executive director. Her younger twin brothers Tom and Joe are also on the board. Missing from this story of tight siblings is brother Yoris, lost to cancer in infancy when Dusseldorp was eight. 'When I lost my brother, I realised that life comes for everyone in very unexpected ways, and that the person opposite you may have had a particular experience that you need to listen to and care about.' I ask Dusseldorp if she has a book in her. She laughs. 'If I do, it's just for me,' she says. 'I think it might help to put some stuff in order so I can work out what makes me creative, that way I can avoid losing courage. And maybe that's why people do it.' She reflects now on the road ahead; she hopes for a third season of Bay of Fires, and that the roles she plays, as well as creates, continue to have meaning; she doesn't want to just work for the sake of it. 'As an older woman, courage starts to wobble,' she says. 'I want to keep my courage until the very end, and I'm finding that right now I'm having to remind myself of that. That's partly because you become slightly invisible [as an older woman], less relevant possibly, and post-menopause, you need to redefine yourself.' Loading She adds women are finding strength in banding together post-menopause to 'bash through' the suffering of being ignored in this next stage of life. I suggest that shows such as Bay of Fires have proved there is an audience for engaging stories focused on older women. 'I think so,' she agrees. 'The courage to turn up is now something for me, but I want to have something to say. You've got to have a reason to be there, otherwise, shush!' Bay of Fires season two premieres on June 15 on ABC TV and iView.
The Age
an hour ago
- The Age
The June 8 Edition
Actor Marta Dussdeldorp has been a mainstay of Australian screens for years, and a move to Tasmania seven years ago hasn't affected her popularity. In fact, it's only fired her up.
